Tracy K. Smith, Poet Laureate for a Nation Divided

The Library of Congress announced on Wednesday that Pulitzer Prize-winning poet Tracy K. Smith will be the nation’s 22nd poet laureate, commencing her one-year term in the fall.

The Library of Congress announced on Wednesday that Pulitzer Prize-winning poet Tracy K. Smith will be the nation’s 22nd poet laureate, commencing her one-year term in the fall.

Attorney General Jeff Sessions is expected to testify in an open hearing today as part of the congressional investigation into Russian meddling in the 2016 election. Some believe he may be more truthful this time than he was at his last public hearing, when he falsely claimed he never communicated with Russian entities. (Sessions met with the Russian ambassador twice, and will likely be asked about a possible third meeting.)
Others are concerned President Donald Trump may try to block Sessions’ testimony at the eleventh hour. He has until 2:30pm to make his decision.
The New York Times Magazine has the first interview and profile of Chelsea Manning after her release from prison after seven years: “When I asked her to draw lessons from her journey, she grew uneasy. ‘I don’t have. … ‘ she started. ‘Like, I’ve been so busy trying to survive for the past seven years that I haven’t focused on that at all.'”

Edgar Gomez | Longreads | June 2017 | 34 minutes (8,473 words)
It was Christmas Day in Orlando, just over six months after the Pulse Nightclub shooting, and my brother, Marco, and I drove through eerie, empty streets looking for anywhere open to eat. Most of the restaurants we passed were closed for the holiday, but still the city celebrated. Flashing neon lights framed a deli window where a mechanical display Santa waved us by with automated merriness. A swarm of inflatable reindeer grazed outside a “New York style” Chinese restaurant. Palm trees dressed as candy canes wrapped with red and white tinsel lined the sides of the road ahead. We were back in town to spend the holiday with our mother, who unexpectedly had to take off to Mexico the night before for a funeral, leaving Marco and me alone and scrambling to make conversation. He’d driven up from Miami. I’d flown in from California. We opted to listen to music instead. Marco steered with his knees, scrolling through playlists on his phone with one hand and smoking a cigarette with his other. He landed on a country song I’d never heard of before. I leaned out my window, away from his smoke, breathing in the spectacle of Christmas in Florida.
This was not my home anymore. I had moved to California in September, just two months earlier, but already the streets outside looked alien, every other light pole crowned with a flimsy-looking evergreen. Elves in swimming trunks were piled in sale bins outside of The Dollar General. I noticed that Marco’s seatbelt was unbuckled. If he were a friend, I would have lectured him about the dangers of driving recklessly, but because he was Marco, I left it alone. At 27, he was only three years older than me, though it was a wide enough age gap that any attempt to talk to each other was clumsy and forced.
When I asked him if he thought I dyed my hair too dark since he last saw me, he asked, “What’s the difference?” I was blond before. My new hair was black. He offered me a cigarette by tapping the carton on his thigh and flicking the lid open under my nose. I shook my head no and went back to staring out of the window, satisfied that we had at least tried to talk. I suggested Anthony’s Pizza, the place downtown with the newly minted mural featuring a flock of 49 doves of assorted colors representing the Pulse victims. No, he said.

Seven thousand, three hundred days. Twenty years. Judging by the response to the release of Arundhati Roy’s long-anticipated follow-up to her first novel, 1997’s The God of Small Things, you’d think it had been two hundred. Reviews of The Ministry of Utmost Happiness are almost as ecstatic as the ones that accompanied Roy’s first book — and they almost always include a lament that it took her so damn long to produce.
The God of Small Things received a Man Booker Prize, bestseller status, and a whirlpool of accolades, but after its publication, Roy opted out of fiction altogether, pursuing a career as a political activist-cum reporter, unearthing the stories of society’s rebels and outcasts, advocating for a non-nuclear India, the independence of Kashmir, and criticizing prime minister Narendra Modi.
How dare she?
That’s the underlying question in nearly every interview with Roy that’s followed. Who wouldn’t give just about anything for a fawning debut New York Times book review, a public clamoring for the next book? Doesn’t she owe her readers another glimpse into her imagination? Read more…

Anya Groner | Longreads | June 2017 | 20 minutes (5,065 words)
I’m stopped at a red light in Twinsburg, Ohio, when I spot my first pair riding in the Jeep behind me. Matching blond hair, bug-eye sunglasses, and pink chins fill the rearview mirror of my rental car. I glance and glance again before texting my sister. “It’s begun,” I type. “They’re here and you’re not.” I erase the last three words and press send. No point in guilting her for a decision she can’t reverse.
When the light turns green, I press the gas, heading to the local high school where a wiener picnic and silent auction will kick-off the 41st annual Twins Days festival. An identical twin myself, I’ll be eating my hot dog alone tonight. My sister, a marine biologist, has opted not to join me, instead signing up for a dive certification class the same weekend. Though she apologized for the timing, she didn’t offer to reschedule. Twins Days doesn’t interest her much.
I’m not sure what to expect or even why I’ve decided to come. The website tells me the three-day fete is patriotic and sweet, a massive show-and-tell where the attendees are also the main attraction. Last year, 2,053 sets of twins, triplets, and quads journeyed here from as far away as South Korea and Australia. The revelry includes competitive cornhole, look-alike and un-lookalike contests, talent shows, and a research plaza where scientists collect data from volunteers. My surface excuse for flying out is that I’m a writer, trying my hand at journalism, but even a rookie like me knows the event is far too personal for objectivity. I’ve known about the fest for as long as I can remember, and for most of those years I wouldn’t even consider attending. Lying on stacked bunks in our childhood bedroom well before our age reached double digits, my sister and I put Twins Days somewhere on the continuum between obnoxious and offensive, a gathering of voyeurs looking to celebrate sameness, the facet of our identity that frustrated us most. The best parts of twinhood we knew to be exclusive, shaped by our two unique personalities, shareable only with each other. For us, the festival held no appeal.

It’s tricky to write about gentrification. Beyond the genre’s clichés (can you avoid the well-meaning, clueless pour-over barista?), there’s often a tension lurking between the stories of real people (whether the displaced or the invaders) and the broader, structural conditions that produce their respective urban migration in the first place. At n+1, an excerpt from Brandon Harris’ new book on Bedford-Stuyvesant draws a nuanced picture of one of the current epicenters of gentrification in the U.S. He shows how complex this phenomenon is on the ground (with various configurations of race, class, and personal history coming into play), and how inextricable it is from processes that started decades ago, including the discriminatory urban-planning policies put into place by 20th-century “Master Builder” Robert Moses.
In late August, Highline Residential, a realty company that was spending significant amounts of money developing Bedford-Stuyvesant properties, released a promotional video called This Is Bed-Stuy, in which smiling blond twentysomethings give a “neighborhood tour.” Many longtime residents found the video—in which the pair of pale hosts sip expensive coffee and brunch cocktails at recently opened establishments while offering testimony to the neighborhood’s amenities and vibrancy—deeply offensive, seeing no mention of the institutions with which they associated Bed-Stuy. Highline Residential didn’t give a shit about them, the general sentiment went, other than wondering when they’d get the fuck out. Suddenly New York magazine and the Daily News were falling over themselves profiling entire blocks of Bedford Stuyvesant real estate, interviewing generations of owners and tenants, publishing op-eds by black journalism professors who had long lived in the district, and interviewing women who had been pushed out to East New York, or all the way to the Rockaways. [Robert] Moses, and the forces of history that animated his mindset, would drive the dispossessed right out of this city if the market allowed.

We wanted to take a moment to share some of our recent work with you, and to let you know about some exciting announcements for what’s next on Longreads.
Longreads Members made it possible to publish nineteen Exclusives in May 2017, featuring:
In addition to a full lineup of curated picks, exclusives, and in-depth reporting, keep an eye out for these new additions:
We’ve made it our mission to publish and curate the best longform stories on the web, from personal essays to investigative journalism — and we wouldn’t be here without supporters like you.
If you like what you’re reading, we’d love for you to become a Longreads Member. 100% of your contribution goes directly to authors, and helps raise the bar for longform writing and its value.
We look forward to continuing our work bringing you the Top Longreads of the Week, and to delivering the quality you crave from the writers you love the most.
— Catherine Cusick, Audience Development Editor

Home and Garden Television, better known as HGTV, has forged a reputation as a television ratings giant in the past couple of years, more than two decades after the channel launched in 1994. Late last year, Kate Wagner noted the timeliness of the channel’s launch, given its niche — real estate as reality television programming: it surfaced amid the Clinton administration’s push for “huge mortgage reforms in order to stimulate growth in the home-building sector and provide more housing for lower-income Americans.” As home sales spiked, HGTV offered a glimpse into “the national home-buying and home-selling fervor,” Wagner wrote.
And interest in the channel’s offerings has not waned. Last year, an academic design journal devoted an entire issue to “Learning from HGTV.” An academic paper in American Quarterly in 2012 noted that HGTV briefly “became the object of public scorn” in the wake of the collapse of the housing market, as Americans found the programming “complicit” for its tendency to depict homes as “investments.” But it survived, and even thrived, as the players in its shows land celebrity magazine cover after cover.
Brooks Barnes, in his monthly “Scene Stealers” column for the New York Times Style section this weekend, noted that Tarek and Christina El Moussa, the couple in one of its hit shows, Flip or Flop, were featured on the cover of In Touch Weekly at least 14 times, with more than 90 articles on them.
“Puzzled, I asked a few Hollywood publicists if they could explain why the celebrity news media cared so much about the El Moussas. The head of publicity for one big studio responded, ‘Is that a fragrance?’” Barnes wrote.
Barnes sees the El Moussas as “fascinating — not as newsmakers, but as a window into the evolving celebrity news business.” A former US Weekly and Hollywood Reporter editor tells him the evolution is due to “the effects of a culturally divided America.”
Barnes explains President Donald Trump is divisive; tabloid magazines catch heat for putting him or his relations on their covers. The Kardashians’ ratings “have plummeted,” and “most movie stars have little tabloid tread left on them,” he adds, noting that Jennifer Aniston is still not pregnant. Plus, there’s the hunger for clicks in our age of digital news: “If there is no news, just glom onto something tiny. In Touch recently did an entire article about a basic Instagram post by Mr. El Moussa. (See it here!’),” Barnes wrote.
Over on The Ringer, Amanda Dobbins wrote late last year, in a piece titled “The End of Celebrity As We Know It,” that more than three million people regularly watch Flip or Flop, “which is more than the number of people who saw Will Smith’s most recent movie or bought Lady Gaga’s album.” She interviewed Lindsey Weber of the podcast Who Weekly, which regular discusses HGTV stars: “Anyone can do anything on the internet now. So now we have all these people that just exist because we have a democratic platform where anyone can do something that makes them notable,” Weber told her. Dobbins concluded, “If you are looking for a career change right now, you could do worse than midlevel celebrity; the market has never been more open.”
But is the rise of HGTV celebrities a window into, or a reprieve from, a “culturally divided America”? Read more…

Two articles published by the Washington Post and the New York Times this weekend focused on extremely different versions of the U.S. healthcare system: The Post feature— part of a series on “Disabled America,” which focuses on rural populations receiving federal disability checks — bears the dateline of Pemiscot County, Missouri, a place where the dwindling population has an unemployment rate of eight percent. The Times’ feature is part of the series “The Velvet Rope Economy,” which focuses on “how growing disparities in wealth are leading to privileged treatment of the rich.” Nelson Schwartz reports from San Francisco, currently the second-most densely populated major city after New York, with the third-highest median household income. Known for being plagued by homelessness, the poverty rate is 12 percent, lower than the national average, and the unemployment rate is 2.6 percent.
In the Post, Terence McCoy reports on a multi-generational family on disability that struggles to make ends meet in “a county of endless farmland, where the poverty rate is more than twice the national figure, life expectancy is seven years shorter than the national average and the disability rate is nearly three times what it is nationally.”
You must be logged in to post a comment.