[Fiction, not single-page] Life as a soldier in the Israeli Defense Force, and a trip to the tear-gas tent:
“Do you love the army?” my commander asks.
“Yes and no, I mean I definitely believe that it is important in a country like ours to serve in the army, but I hope for peace, and on a personal level, of course, boot camp presents its own hardships, and also—”
“Enough,” my boot-camp commander says.
“Are you afraid to die?” she asks. She skips two questions. She knows I am trouble, although I have barely caused any yet. Maybe trouble isn’t something you do, it’s something you are.
[Fiction] [Not-single page] Life as a soldier in the Israeli Defense Force, and a trip to the tear-gas tent:
“‘Do you love the army?’ my commander asks.
“‘Yes and no, I mean I definitely believe that it is important in a country like ours to serve in the army, but I hope for peace, and on a personal level, of course, boot camp presents its own hardships, and also—’
“‘Enough,’ my boot-camp commander says.
“‘Are you afraid to die?’ she asks. She skips two questions. She knows I am trouble, although I have barely caused any yet. Maybe trouble isn’t something you do, it’s something you are.”
Nieman Storyboard’s “Why’s This So Good” explores what makes classic narrative nonfiction stories worth reading.
This week: Thomas Curwen takes a look at Michael Paterniti’s “The Long Fall of One-Eleven Heavy,” which was originally published in Esquire in July 2000.
The opening sequence of “The Long Fall” is a mere 500 words and, in my mind, an incantation of Gardner’s dream, one that stunningly hinges halfway through upon a couple making love (no better image of human vulnerability) seconds before the plane hit the ocean.
Before this image: a series of stills introducing Peggy’s Cove. After this image: the gathering momentum of the disaster with its disorienting and sinister intrusion upon daily life when out of the low ceiling of clouds comes first a sound – the first suggestion of a plane (“the horrible grinding sound of some wounded winged creature”) – and then silence, then an explosion and the backstory.
Roger Fidler was a head of innovation for Knight-Ridder who convinced his company to let him set up a lab in the early 1990s to explore the creation of tablet computers. They were next door to a lab owned by Apple:
Fidler smiles through a scruffy gray Jobsian beard. He has known the answer for a long time. In 1994, while running a lab dreaming up the future of newspapers, Fidler starred in his own video demonstrating a prototype he cooked up that was remarkably like the iPad — black, thin, rectangular, with text and video displayed on-screen.
A narrator described technology that at the time sounded like science fiction: “Tablets will be a whole new class of computer. They’ll weigh under two pounds. They’ll be totally portable. They’ll have a clarity of screen display comparable to ink on paper. They’ll be able to blend text, video, audio and graphics together. . . . We may still use computers to create information but will use the tablet to interact with information — reading, watching, listening.”
Roger Fidler was a head of innovation for Knight-Ridder who convinced his company to let him set up a lab in the early 1990s to explore the creation of tablet computers. They were next door to a lab owned by Apple:
“Fidler smiles through a scruffy gray Jobsian beard. He has known the answer for a long time. In 1994, while running a lab dreaming up the future of newspapers, Fidler starred in his own video demonstrating a prototype he cooked up that was remarkably like the iPad — black, thin, rectangular, with text and video displayed on-screen.
“A narrator described technology that at the time sounded like science fiction: ‘Tablets will be a whole new class of computer. They’ll weigh under two pounds. They’ll be totally portable. They’ll have a clarity of screen display comparable to ink on paper. They’ll be able to blend text, video, audio and graphics together. . . . We may still use computers to create information but will use the tablet to interact with information — reading, watching, listening.'”
Ginny had promised to take the girls to M&M World, that ridiculous place in Times Square they had passed too often in a taxi, Maggie scooting to press her face to the glass to watch the giant smiling M&M scale the Empire State Building on the electronic billboard and wave from the spire, its color dissolving yellow, then blue, then red, then yellow again. She had promised. “Promised,” Olivia said, her face twisted into the expression she reserved for moments of betrayal. “Please,” Olivia whined. “You said ‘spring.’”
“Ginny had promised to take the girls to M&M World, that ridiculous place in Times Square they had passed too often in a taxi, Maggie scooting to press her face to the glass to watch the giant smiling M&M scale the Empire State Building on the electronic billboard and wave from the spire, its color dissolving yellow, then blue, then red, then yellow again. She had promised. ‘Promised,’ Olivia said, her face twisted into the expression she reserved for moments of betrayal. ‘Please,’ Olivia whined. ‘You said “spring.”‘”
A selection of all-time favourite articles from Wired contributing editor, former Slate and New York Times columnist, and the author of 2 excellent books, Brendan I. Koerner:
The Hunger Warriors by Scott Anderson – The story of Turkish women starving themselves to death for the most head-scratching of causes. Behold the sinister power of peer pressure.
Does a Sugar Bear Bite? by Lynn Hirschberg – A classic profile of Suge Knight at the zenith of his power. Maybe the best intro scene of any celebrity profile in history.
Pat Dollard’s War on Hollywood by Evan Wright – Rob Capps, my editor at Wired, turned me onto Wright’s work. This is my personal favorite—a portrait of a man blessed with bottomless energy and ambition, though only the smallest trace of empathy for his fellow man.
Reefer Madness by Eric Schlosser – A master class in narrative contrarianism. Deeply and elegantly reported, with a real human tragedy at its core.
A Better Brew by Burkhard Bilger – Perhaps the best story ever by one of my favorite writers. (His piece on cockfighting from several years back is a classic, too.) Bilger does a tremendous job of creating real tension, while never losing sight of his primary duty as an explainer of business and science.
And a few you’ll need a subscription to read:
Rock is Dead by David Samuels – This is what it felt like to be young in the ’90s. A terrifying portrait of morality adrift in a sea of excess.
Gangland by Jon Lee Anderson – There is no more badass reporter working in journalism today. No one else could have set up an interview with the most violent (yet complex) gangster in all of Rio’s slums. Truly intrepid reporting.
After Welfare” by Katherine Boo – The story that got me into Boo’s now much-heralded work. Still haunted by the scene of the two kids eating ramen and boiled eggs.
For more from the man himself head over to his blog or sign up for updates via Twitter.
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