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The Top 5 Longreads of the Week—featuring The Atlantic, The New Yorker, Mother Jones, Los Angeles Magazine, Smithsonian, fiction from The American Scholar and a guest pick from Marissa Evans.
The Top 5 Longreads of the Week—featuring The Atlantic, The New Yorker, Mother Jones, Los Angeles Magazine, Smithsonian, fiction from The American Scholar and a guest pick from Marissa Evans.
[Fiction] A teenage mother leaves her childhood home, then returns three years later:
“Time seemed to pass according to alternate principles: spatially, barometrically. The car was a thing of the distance, and then it was so close, Cici felt the heat coming off its hood like fever. And then a person—Dane!—was flying out the door, engulfing Cici, submerging her. She breathed in cheap, buttery shampoo, and beneath that was the smell of Dane: rich, ripe, somehow feral. Dane’s pull on people was more than just attraction—and it wasn’t just men, and it wasn’t just sexual. Men, women, prepubescent boys, adolescent girls, family, and people who didn’t know Dane from a Mormon missionary. People wanted her. They wanted to be near her, to touch her, to breathe her in like air.”
On the “writer’s writer,” George Saunders:
“We talked for a while about his relationship to Wallace. For all the ways in which their fiction might seem to be working similar themes, they were, Saunders said, ‘like two teams of miners, digging at the same spot but from different directions.’ He described making trips to New York in the early days and having ‘three or four really intense afternoons and evenings’ with, on separate occasions, Wallace and Franzen and Ben Marcus, talking to each of them about what ‘the ultimate aspiration for fiction was.’ Saunders added: ‘The thing on the table was emotional fiction. How do we make it? How do we get there? Is there something yet to be discovered? These were about the possibly contrasting desire to: (1) write stories that had some sort of moral heft and/or were not just technical exercises or cerebral games; while (2) not being cheesy or sentimental or reactionary.'”
[Best of 2012] Thanks to everyone who has participated in the Longreads community this year, and to all of our guests who shared their favorite stories of 2012. The below list represents our editors' favorite stories of the year, for both nonfiction and fiction.
Longreads is edited by Mark Armstrong and Mike Dang, with Kjell Reigstad, Joyce King Thomas, Hakan Bakkalbasi, Jodi Ettenberg and Erika Kussmann.
Thanks to all the writers and publishers who create outstanding work.

Nicholas Jackson is the digital editorial director for Outside magazine. A former associate editor at The Atlantic, he has also worked for Slate,Texas Monthly, Encyclopaedia Britannica, and other publications.
Best Argument for the Magazine
”The Innocent Man, Part One” (Pamela Colloff, Texas Monthly)
”The Innocent Man, Part Two” (Pamela Colloff, Texas Monthly)
I was going to give this two-parter from the always-great Pamela Colloff (seriously, go back through her 15-year archive at Texas Monthly for compelling narratives on everything from quinceañeras to school prayer to a piece on David Koresh and the 1993 Branch Davidian raid that should serve as a model for all future oral history projects) the award for best crime story, but it’s so much more than that. The tale of Michael Morton, who spent 25 years wrongfully imprisoned for brutally murdering his wife, has been told before, in newspapers and on television. But it has never been told like this. Over two installments across two issues—who does that anymore?—Colloff slowly reveals the cold details and intimate vignettes that only months of hard reporting can uncover, keeping the reader hanging on to each sentence. You already know how this story ends; you’ve read it before. And that might make you wonder—but only for a split second—why it was assigned and pursued. For the handful of big magazines left, this is as compelling an argument you can make for continued existence: only with hundreds of interviews, weeks of travel, and many late nights can you craft something this complete and this strong. It’s a space most publications can’t play in; it’s prohibitively expensive—and a gamble—to invest the necessary resources. You may be able to tell Morton’s story in book form, but you wouldn’t have the tightness and intensity (just try putting this one down) that Colloff’s story has, even at something like 30,000 words. And you wouldn’t want to lose her for a year or two anyway; we’re all anxiously awaiting her next piece.
Best Crime Story of the Year
”The Truck Stop Killer” (Vanessa Veselka, GQ)
Who is Vanessa Veselka? A self-described “teenage runaway, expatriate, union organizer, and student of paleontology,” she’s relatively new to the magazine world. (Her first novel, Zazen, came out just last year—and won the 2012 PEN/Robert W. Bingham prize for fiction.) But she’s spent years building up a lifetime of experiences that, while many of us may not be able to directly relate to (and would never hope to), we all want to hear about. This, her first piece for GQ, takes you back to the summer of 1985, when Veselka hitched a ride with a stranger who may have been Robert Ben Rhoades, the sadistic killer who has admitted to killing three people, including a 14-year-old girl in Illinois, and is currently serving life sentences.
Best Profile of the Year
”The Honor System” (Chris Jones, Esquire)
Chris Jones, who made a stink on Twitter (he’s infamous for making stinks of all kinds on Twitter) when his excellent profile of Roger Ebert wasn’t named a finalist for a National Magazine Award a couple of years ago, must really be bummed to learn that the American Society of Magazine Editors, the awards’ governing body, has killed the category entirely this year. I’ve had some public clashes with the guy—he can turn your mood cloudy with 140 characters or less—but on this I do commiserate, because “The Honor System,” his profile of Teller (you know him as the silent one from Vegas superstar magic duo Penn & Teller), would have finally brought home that statue of which he was robbed. And rightfully so. This story, which revolves around Teller’s attempts—legal and otherwise—to put an end to trick theft, a commonplace practice (who knew?) in that community, will leave you believing in magic.
Best Reason to Never Skip a Service Package Again
”Daddy: My Father’s Last Words” (Mark Warren, Esquire)
Magazines are filled with service content: How to do this, when to do that. Readers love it, no matter what they tell you. That’s why every single month Cosmopolitan is able to convince its readers that there are 100 new things you must know about how to please your man. And why Men’s Health‘s website isn’t really much about health at all, but about lists and checklists and charts (most of them having to do with sex). Esquire‘s Father’s Day package was packed with similarly light content: how to plan for a visit from your now-adult kids, what to get dad on that special day, etc. But tucked between those graphics and croutons (the term some of the lady mags use to refer to those bite-size bits of content) was a knock-you-on-your-ass piece from the magazine’s long-time executive editor, Mark Warren, on the long and trying relationship he had (we all have) with dad.
Best Technology Story of the Year
”When the Nerds Go Marching In” (Alexis Madrigal, The Atlantic)
He’s been called the first social media president and he’s even done an Ask Me Anything on Reddit. You know all about Barack Obama’s Internet prowess from the 2008 campaign: his ability to get young people to follow his every word on Twitter and donate in small amounts—but by the millions—to his election fund. The presence of Chris Hughes, a former Mark Zuckerberg roommate and a founder of Facebook, during that first cycle solidified this position for Obama. (That he was running against a 72-year-old white dude from Arizona didn’t hurt). But there’s a whole lot of work that goes on behind the scenes. In “When the Nerds Go Marching In,” Madrigal, a senior editor and lead technology writer for The Atlantic, pulls back the curtain, introducing you to Harper Reed, Dylan Richard, and Mark Trammell, Obama’s dream team of engineers, and makes you wish you would have sat at the smart table every once in a while in high school.
Best Story About Child Development of the Year
”What’s So Bad About a Boy Who Wants to Wear a Dress?” (Ruth Padawer, The New York Times Magazine)
Best Story I Thought I Would Never Like
”What Does a Conductor Do?” (Justin Davidson, New York)
If, like me, you’ve never really appreciated classical music (and statistics show that you are, in fact, like me—at least when it comes to Mozart), you’ll probably never feel compelled to click on that little link up there. But I have an obsession with Adam Moss’ New York magazine, which is certainly the best weekly currently being produced today, and I dogear my way through a stack that slowly grows as new issues arrive until I’ve read every story and every page. That’s how I came to read classical music and architecture critic Justin Davidson’s first-person feature story on stepping up to the podium to lead an orchestra on his own. You may not have the same compulsions I do—this is where we differ—but trust me on this one.
Best Adventure Story of the Year
”Four Confirmed Dead in Two Days on Everest” (Grayson Schaffer, Outside)
Earlier this year, we sent senior editor Grayson Schaffer to Everest Base Camp for a climbing season that turned out to be one of the deadliest in history. For six weeks, he reported from 17,000 feet while body after body fell (10, by the time the season came to a close) as a record number of climbers attempted to summit the world’s tallest peak. Everest, over the years, has become something of a sideshow, with sham outfitters promising to take anyone with a fat checkbook to the top, regardless of experience or ability. But it remains a powerful symbol, and as long as we desire a challenge (or just an escape from day to day drudgery), it’ll continue to lure people in.
Best New Writer Discovery of the Year
”Riccardo Tisci: Designer of the Year” (Molly Young, GQ)
A little bit of post-read Googling (and messages from a couple of Twitter followers) quickly alerted me to the fact that Molly Young, with past pieces in New York, Elle, and The Believer, among others, isn’t all that new to the game. But I had somehow never recognized her byline before. After reading her profile of Riccardo Tisci, the Italian fashion designer who currently serves as the creative director of Givenchy (“Across from me a nucleus of attendants has formed around Amar’e Stoudemire, thanks less to his fame (there are better celebrities here) than to his height, which gives him a reassuring lighthouse quality.”), I’ll make sure to never miss it again.
Best Trainwreck of the Year
”In Conversation: Tina Brown” (Michael Kinsley, New York)
I was going to select a piece from Newsweek for this honor, given that this is the last year the publication will technically qualify (it’ll morph into a new product, Newsweek Global, when it transitions to online-only next year), but it hasn’t published anything this year that could crack my top 10. What does, though, is the interview between Newsweek‘s top editor, Tina Brown, and Michael Kinsley that ran in New York. It’s not great in any traditional sense—after every page you’re left wondering when Kinsley will ask this question or that question, and he never does—but it’s compelling from the first question to the last because of the oversize roles both subjects have played in our modern media.
This week we’re thrilled to feature Mike Albo’s “The Junket” as our Longreads Member pick. Albo is the author of The Underminer and Hornito, and “The Junket” was recommended by Longreads managing editor Mike Dang, who writes:
“I’ve never read a piece by Mike Albo that I didn’t like. He’s written for lots of glossies and websites like The Awl and Narratively, and his pieces are always honest, relevant and brutally funny. This week’s exclusive is no different. ‘The Junket’ is Albo’s novella about the story behind how he lost his part-time column at a prominent newspaper in New York that he calls ‘The Paper’ due to a media firestorm that unfairly accused him of violating the publications’s ethics policy when he went on an all-expenses-paid media junket to Jamaica. It’s also a story about the difficulties of earning a living as a full-time freelancer in an expensive city, and how independent contractors, who don’t earn a steady salary or receive benefits of any kind from the places they consistently work for, are so easily disposable. ‘The Junket’ is a thinly veiled, fictionalized account of what happened to Albo, but it’s wickedly funny, and will ring true for anyone who’s ever had to file an invoice and cross their fingers for a paycheck.”
You can support Longreads—and get more exclusives like this—by becoming a member for just $3 per month.

This week we’re thrilled to feature Mike Albo’s “The Junket” as our Longreads Member pick. Albo is the author of The Underminer and Hornito, and “The Junket” was recommended by Longreads managing editor Mike Dang, who writes:
“I’ve never read a piece by Mike Albo that I didn’t like. He’s written for lots of glossies and websites like The Awl and Narratively, and his pieces are always honest, relevant and brutally funny. This week’s exclusive is no different. ‘The Junket’ is Albo’s novella about the story behind how he lost his part-time column at a prominent newspaper in New York that he calls ‘The Paper’ due to a media firestorm that unfairly accused him of violating the publication’s ethics policy when he went on an all-expenses-paid media junket to Jamaica. It’s also a story about the difficulties of earning a living as a full-time freelancer in an expensive city, and how independent contractors, who don’t earn a steady salary or receive benefits of any kind from the places they consistently work for, are so easily disposable. ‘The Junket’ is a thinly veiled, fictionalized account of what happened to Albo, but it’s wickedly funny, and will ring true for anyone who’s ever had to file an invoice and cross their fingers for a paycheck.”
p.s. You can support Longreads—and get more exclusives like this—by becoming a member for just $3 per month.
Illustration by Laura McCabe
[Fiction] A man travels to find his father:
“Up there, not far from Greenland, north is not quite north. Rob has been reading about it. He’s learned that the Earth’s magnetic pole drifts nine kilometers a year, that it needs to be found every year by the Canadian government because it won’t stay put. Spiderlike, it roams the glacial landscape; it moves because the Earth’s magnetic field is disturbed by particles coming from the sun.
“Rob likes how dense this fact seems, even though it implies a sort of leak in the world. He doesn’t want to think about the leak but he likes that we know it’s there.
“He is a composer, he prefers closed systems, he prefers managing what’s perfect. He has always been this way.
“Rob’s father is dead.”
[Fiction] Two boys make friends in rural Florida:
“I don’t remember everything about meeting Maurice … probably we simply faced one another in the middle of the white coral road, hesitating to speak, staring at each other. We were the only boys for miles around. I remember wondering how he could walk on the hot, sharp coral without shoes.
“‘Don’t your feet hurt?’
“He shakes his head.
“‘Do you live around here?’
“‘Back there. Around the corner.’
“‘Hey, that’s great. I live in the new house by the woods.'”
An American on a Fulbright Fellowship in Jerusalem works through his misguided attempts to reconcile the differences between the Israelis and Palestinians. (Ploughshares’s Emerging Writer Contest Winner for Nonfiction):
“There is one more layer of security: another soldier behind very thick glass. He will also see your passport and smile. Welcome to Israel, he will say to you, and you will be happy. Once through, you will turn to your friend and say That was the worst and he will agree. You will both shake your heads and imagine what the experience must be like for people who go through this every day, like the old woman with the green headscarf and the many bags. I can’t imagine, you will say to each other, quite truthfully. This comment will seem to you magnanimous and large of spirit. This consideration will allow you to disregard your unmanageable guilt, the futile wrestling over your substantial privilege, the purposelessness of your displeasure in the middle of it all. It will feel as though you deserve to exercise this privilege maybe a bit more than the kind of Americans who might go through and not empathize with the old woman with the green headscarf and the many bags. And besides, you will reason, this state of affairs was not created by you, nor can it be changed by you alone. Your awareness of it, then, will seem particularly admirable. This, again, will help to alleviate your guilt.”
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