Search Results for: education

The Chaotic Nature of Working at Victoria’s Secret

Victoria’s Secret employees may be scheduled for more than 30 hours of work across five days in a week, but ultimately work only 10 of those hours, the complaint said. Aside from the logistical hassle of planning life around such an unpredictable schedule, it makes earning a living wage even tougher. At a $9 minimum wage, the difference between 30 scheduled hours and the 10 actually worked turns out to be earning $270 versus $90 in a week, or $1,080 against $360 in a month.

— Shopping mall staples rely on “call-in” shifts, and the legality of this system, which may prevent part-time employees from finding other work and pursuing higher education, is in question. Employees around the country are fighting back, and the ramifications for workers’ rights and financial profit are huge. BuzzFeed News has the story.

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Spelling Skills and the Meaning of the American Dream

Photo by Erin M, Flickr

In 1931, the historian James Truslow Adams defined the American Dream as “a dream of social order in which each man and each woman shall be able to attain to the fullest stature of which they are innately capable.” His book, The Epic of America, may have popularized the term, but the dream dates back at least to the Declaration of Independence, with its invocation of equality and the pursuit of happiness. And since the early days of the Republic, it has been entwined with education, an achievement for which the ability to spell well served as a proxy—at least before spell-checking software came along.

Amy Crawford, in a recent piece for Smithsonian Magazine. Crawford looked at how social class in America shapes success—as reflected through the fates of the Spellbound cast, 13 years after the acclaimed spelling bee documentary’s release.

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After Water

Susie Cagle | Longreads | June 2015 | 21 minutes (5,160 words)

 

The sun was going down in East Porterville, California, diffusing gold through a thick and creamy fog, as Donna Johnson pulled into the parking lot in front of the Family Dollar.

porterville-2-donna-truck_1200

Since the valley started running dry, this has become Johnson’s favorite store. The responsibilities were getting overwhelming for the 70-year-old: doctors visits and scans for a shoulder she injured while lifting too-heavy cases of water; a trip to the mechanic to fix the truck door busted by an overeager film crew; a stop at the bank to deposit another generous check that’s still not enough to cover the costs of everything she gives away; a million other small tasks and expenses. But at the Family Dollar she was singularly focused, in her element. Read more…

Cass Sunstein Remembers Thurgood Marshall

You clerked with Supreme Court Justice Thurgood Marshall. What was he like?

He was very, very quick. He had a sense of the human reality of the cases, which he could size up in an instant partly because because he had been a trial lawyer. He was a repository of experience such as the human race rarely has. In the sense that he had been a lower court judge, a Supreme Court justice, solicitor general of the United States and the most successful supreme court advocate probably in the court’s history—at the point when the court was arguably more significant than at any time in the nation’s history.

So he argued and kind of conceptualized Brown v. Board of Education and he had at the top of his mind, it seemed, stories and anecdotes about the early civil rights days. He knew Martin Luther King, he had been on the phone with Roosevelt. He knew Johnson very, very well. He knew the Kennedys. So he was like a walking history book. But also someone who could read a brief and say, “I know what’s really going on here.” And there were some cases where the briefs wouldn’t capture what he knew was going on. And he would ask us, why don’t you do a little digging. And he was always right.

Legal scholar Cass Sunstein, interviewed by Matt Phillips in Quartz.

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Novelist Samantha Hunt Contemplates Her Obsession with One Direction, and Mortality, Too

One Direction, 2013 Fiona McKinlay)

I love it here. I love girls, my three girls in particular. But I also love the hormonal girls who fill the ranks of 1D’s fans, Directioners. They are unembarrassed by their extreme passions. They are honestly mad for love or whatever chemistry the band is brewing in their bodies. The documentary film Crazy About One Direction records one fan admitting she got braces put on her teeth not because she needed them but because Niall had braces. Another girl says that if the boys asked her to chop off her arm, she would. A third confesses she’d kill a cat, no, a goat, in order to meet the boys. These girls build galaxies out of whole cloth. They’d fight any battle for their seigneurs.

Tonight the mass of girls before me in the arena, swarming like insects, raises a question of economy. How many waitressing shifts, humid summer jobs, and hours babysitting does it take to hold these five boys aloft, to lard the fiefdom? How better might these girls’ energies be spent in humanitarian projects and education? And how best to understand their mania without dismissing it as a fault of their youth or gender?

It’s this last question that interests me most, because I, too, am here, willingly, happily, and I am not a girl. I’m a trespasser disguised as a “mum.” In truth, I’ve logged hundreds of hours listening to 1D without my kids. I consume 1D in huge, voracious doses as one might a bag of Cheetos. Sometimes I feel sick afterward but most often not. Most often 1D makes me feel light and lifted and full of gladness. Even as I write this piece, it is all I can do to not watch the video for “Steal My Girl” on a loop, as, you know, research. I love One Direction.

From Samantha Hunt’s New York magazine essay about a health scare and coming to terms with motherhood, mortality, and aging, set against the vivid backdrop of her and her daughters’ shared fandom of the boy band One Direction.

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Jessica Hopper on Being a Writer Who’s ‘Rough Around the Edges’

I was told by editors that my weird auto-didactic style and reference points…basically my lack of a college or journalistic education meant the quirks in my writing hadn’t been bred out of me when I went on to be a full-time writer. I was told that again and again until I was like, oh, perhaps that’s my calling card: I’m a little bit rough around the edges. I do not have this critical framework … I did not come in with anything more than a high school education and an absolute devotion to music and a very sincere desire to give everyone my opinion about everything at all times.

– Jessica Hopper is the author of The First Collection of Criticism by a Living Female Rock Critic, editor of The Pitchfork Review and a legend in her own right. Anupa Mistry recently interviewed her for The Hairpin about living outside of NYC, her brilliant writing team and feeling like an outsider.

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Between Generals: A Newly Translated Short Story by Antonio Tabucchi

Tower of Babel, by Pieter Bruegel the Elder, via Wikimedia Commons

Antonio Tabucchi | from the collection Time Ages in a Hurry | Archipelago Books | May 2015 | 13 minutes (3,194 words)

 

Our latest Longreads Exclusive is a newly translated short story from Time Ages in a Hurry, a collection by Antonio Tabucchi, as recommended by Longreads contributor A. N. Devers

“A result of living in a place as inescapably public as New York City is that its people are deeply private in public spaces — eye contact on the street and subways is actively discouraged and conversation between strangers is kept to a minimum — making it easy to forget that its greatest asset is the stories of its people. We’re reminded of this in “Between Generals” a quiet and nuanced portrait of a man by the late Italian writer Antonio Tabucchi, in which we learn about the complicated history of one of New York City’s immigrants, a former Hungarian General who realizes he spent one of his best days with his worst enemies. Newly translated into English by novelist Martha Cooley and Antonio Romani  for Archipelago Books, Tabucchi’s stories in Time Ages in a Hurry are careful, nuanced, and smartly skeptical of memory and experience.

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The Rise of ‘Mama’

Photo: arileu

Elissa Strauss | Longreads | May 2015 | 15 minutes (4,006 words)

 

I first noticed “mama” while pregnant with my son in 2012. I was browsing on the internet—familiarizing myself the different types of mothers out there, trying to figure out what kind of mother I might become—when I noticed a number of alternative moms who referred to themselves as “mama.” This was the radical homemaking, attachment parenting, extended breastfeeding bunch, and “mama” was right at home with their folksy, back-to-the-earth approach to motherhood.

This use of mama can be traced back to women like Ariel Gore, who began publishing her alternative parenting magazine “Hip Mama” in 1993. Inspired by her experience as an urban single mom, the magazine became the source of parenting advice for riot grrrl types, tattooed and pierced women who wanted to find a way to embrace parenthood while simultaneously rejecting much of the bourgeois accouterment that comes along with it.

This fringe quality of “mama” stuck, leading to websites like the “Wellness Mama,” the home of a popular alternative lifestyle guru named Katie who is into stuff like, “cloth diapering, natural birthing, GAPS dieting, homeschooling, not eating grains, making my own toothpaste, drinking the fat and more.” For her, being a mama isn’t just about parenting one’s kids, but seeing parenting as a medium through which one can change the world.

“Here’s the thing, I can’t change the health of the world alone, but I’m absolutely convinced that as a group, women and moms can. … Not only are we raising the next generation, feeding them, teaching them, etc but we control the majority of food dollars spent around the world.”

She continues by explaining that being a “Wellness Mama” is a way for women to counter any criticism they might receive for being a stay-at-home mom. “I hope to make being #justamom just a little easier for you.” Mama isn’t just a pet name, it’s a manifesto. Read more…

Slavery and Freedom in New York City

"A Ride for Liberty," by Eastman Johnson (1862).

Eric Foner | Gateway to Freedom: The Hidden History of the Underground Railroad | W. W. Norton & Company | January 2015 | 31 minutes (8,362 words)

Below is an excerpt from the book Gateway to Freedom, by Eric Foner, as recommended by Longreads contributing editor Dana Snitzky.

* * *

The history of slavery, and of fugitive slaves, in New York City begins in the earliest days of colonial settlement. Under Dutch rule, from 1624 to 1664, the town of New Amsterdam was a tiny outpost of a seaborne empire that stretched across the globe. The Dutch dominated the Atlantic slave trade in the early seventeenth century, and they introduced slaves into their North American colony, New Netherland, as a matter of course. The numbers remained small, but in 1650 New Netherland’s 500 slaves outnumbered those in Virginia and Maryland. The Dutch West India Company, which governed the colony, used slave labor to build fortifications and other buildings, and settlers employed them on family farms and for household and craft labor. Slavery was only loosely codified. Slaves sued and were sued in local courts, drilled in the militia, fought in Indian wars, and married in the Dutch Reformed Church. When the British seized the colony in 1664, New Amsterdam had a population of around 1,500, including 375 slaves. Read more…

Who Wrote ‘Happy Birthday’?

Photo by Pixabay

Most musicologists who’ve traced the origins of “Happy Birthday” agree that its musical score dates back to the work of two Kentucky sisters in the late 19th century: Mildred Jane Hill (b.1859), and Patty Smith Hill (b.1868).

After graduating as valedictorian of Louisville Collegiate Institute, Patty went on to be a central figure in the progressive education movement, endorsing hands-on learning techniques and interactive teaching methods. She invented “Patty Hill Blocks” — a set of large, cardboard bricks that children could use to learn about structural engineering — and then founded the Institute of Child Welfare Research at Columbia University Teachers College.

In 1889, while serving as a kindergarten teacher at a Kentucky grade school, she began working on a set of childrens’ songs with her older sister Mildred, a well-known organist, composer, and “Negro music” scholar. Four years later, the two released their first collection of tunes in a book titled “Song Stories for the Kindergarten.” Among the songs, was a little ditty entitled “Good Morning to All,” which would later be the source of the sheet music for “Happy Birthday.”

Zachary Crockett writing for Pricenomics about who owns the copyright to “Happy Birthday.” Update: On Tuesday, September 22, a federal judge struck down Warner/Chappell Music’s long-standing claim to the copyright for “Happy Birthday.”

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