Search Results for: comedy

The Time Jason Zengerle and a Gorilla Stalked Michael Moore for Might Magazine

Photo by Jimmy Hahn

Jason Zengerle | Might magazine | 1997 | 19 minutes (4,685 words)

 

Introduction

Thanks to our Longreads Members’ support, we tracked down a vintage story from Dave Eggers’s Might Magazine. It’s from Jason Zengerle, a correspondent for GQ and contributing editor for New York magazine who’s been featured on Longreads often in the past. Read more…

The Short Life of Robert Earl Hughes, Who Weighed Half a Ton By His Late Twenties

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Jane R. LeBlanc is a freelance journalist who writes for the Dallas Observer where she covers the local comedy scene and anything strange and interesting. She has written for Denton Live, Mayborn magazine, Spirit magazine and the Denton Record-Chronicle. She has a humor blog, Everyone Hates You, where she pontificates about everyday life. You can find her online.

Inspired by a single black and white photograph from the mid-20th century, Robert Kurson explores the short life of Robert Earl Hughes, a young man born in 1926 with a youthful face, a steel-trap mind and a disposition that drew people in. He was also a Guinness World Record holder weighing more than half a ton by his late 20s. Staring at the photograph for much of the day, one thought repeated in Kurson’s head — ‘I knew the heavy man was lonely.’

In ‘Heavy,’ which appeared in Chicago Magazine in 2001, Kurson not only tells Hughes’ story, but that of his own father, a man he worshiped as a young boy and whose weight caused a young Kurson to worry that a ‘person could get lonely being fat in America.’ Through interviews with Hughes’ friends and family members, Kurson lifts Hughes from the pages of yellowed newspaper clippings and into the living, breathing world once more. He finds that ‘it is in the crevices of their memories, where details drop almost accidentally, that their recollections resonate.’ The author’s own memories take us into the mind of a son who was acutely observant of the world that surrounded him and his father. Kurson offers a revealing look into the lives of these two men, who are connected despite the separation of time and circumstances, and takes us into the hearts of those who loved them most.

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Longreads Guest Pick: Nolan Feeney on 'The New New Girl'

Nolan is an editorial fellow at The Atlantic. 

Jada Yuan’s profile of Mindy Kaling for New York magazine is almost a year old, but it has been a major influence on the way I write. It moves effortlessly from funny to sad, and it captures Kaling so well that it’s hard not read her quotes in her voice. But I think the story’s structure is the best part. The piece mentions a sign in Kaling’s room that reads: STAKES MOTIVATION TURNS ESCALATION, which she says are the four pillars for a great comedy story. If you read closely, I think you’ll notice how Yuan’s article follows a similar organization that shows Kaling’s model works well for great journalism, too.

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Reading List: 4 for Laughing

Emily Perper is word-writing human for hire. She blogs about her favorite longreads at Diet Coker.

During rough weeks, I tend to refer back to a good #longread over and over. Here are four of the funniest around. Bookmark them, read them to your best friend on the phone, or save them for a particularly bad day. And when you read them, laugh.

1. “The Hunt for the Worst Movie of All Time: Elizabethtown” (Gabe Delahaye, Videogum, July 2013)

Elizabethtown gave us the Manic Pixie Dream Girl moniker, a wealth of plot inconsistencies and a weirdly ambitious road trip mixtape map.

2. “My Mother Explains The Ballet To Me” (Jesse Eisenberg, The New Yorker, July 2013)

“Why can’t you stand like that guy on stage? Look at his posture. Forget he’s black for a second, and just look at his body.” Eisenberg goes to the ballet with his mother so you don’t have to.

3. “The Dark Side of the Paddock” (Drew Millard, Kill Screen, February 2012)

Capturing the existential hilarity of the video game My Horse, this essay is bookmarked in Safari so I can read it when I’m feeling down.

4. “Flick Chicks: A Guide to Women in the Movies” (Mindy Kaling, The New Yorker, October 2011)

No one understands the intricacies of romantic comedy and genuinely loves the genre quite like Kaling does. Here, her descriptions of the supporting characters in rom-coms are spot-on.


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Reading List: Identity

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Emily Perper is a freelance editor and reporter, currently completing a service year in Baltimore with the Episcopal Service Corps.

1. “I Was A Manic Pixie Dream Girl.” (Laurie Penny, New Statesmen, June 2013)

The difference between playing a leading role in your own life and playing a supporting role in everyone else’s.

2. “Promises of an Unwed Father.” (Ta-nehisi Coates, Oprah Magazine, June 2013)

Upon the birth of his baby boy, the talented Coates examines his different entwined roles as partner, father, son and son-in-law.

3. “I Fake It So Real I Am Beyond Fake.” (Emily, Rookie Magazine, July 2013)

The author explains her process of adopting the confidence of others to create her own confidence, from teenage fashion to a career in comedy.

4. “Notes From A Unicorn.” (Seth Fischer, The Rumpus, February 2012)

Fischer faces criticism from many facets of the sexual spectrum for his bisexual identity.

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Photo by Photologic

Reading List: Where the Witty Things Are

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Emily Perper is a freelance editor and reporter, currently completing a service year in Baltimore with the Episcopal Service Corps.

1. “This Wedding Season, Say Yes to Strangers: What I Learned From My Craigslist Date” and “A Brief Addendum to Our Craigslist Wedding Story.” (Lindsey Grad and Nick Hassell, The Hairpin, June 2013)

When a bridezilla demanded that Grad find a date to her wedding, she made the best of the situation—she took to Craigslist.

2. “The Amazing Atheist: The Full Interview.” (David Luna, The Annual, May 2013)

Traditional interviewing with a twist: Luna interviews T.J. Kincaid, better known as YouTube’s The Amazing Atheist. (Full disclosure: I am the editor-at-large for The Annual, a monthly humor magazine founded by my childhood friend and comedy connoisseur, Kevin Cole.)

3. “Jokes Taught Me About Sex.” (Andrew Hudgins, The Rumpus, June 2013)

To everyone who didn’t understand the dirty jokes their friends told in middle school: Hudgins understands you. And he may have had it a bit worse.

4. “And … Scene” “An Oral History of Upright Citizens’ Brigade Theater Partying and ‘Awkward Sexuality.’” (Brian Raftery, New York magazine and Vulture, 2011 and 2013)

Their former venues include a bloody delicatessen basement and a low-fi burlesque club frequented by Hasidic Jews. Upright Citizens Brigade has produced some of the wildest and funniest folks in comedy today. Here, Raftery compiles the experiences of the early days of Amy Poehler, Ed Helms, Bobby Moynihan, Horatio Sanz, Janeane Garofalo and many more.

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Photo: Marcin Wichary

Regrettable

Longreads Pick

What happened when the author re-reported Bob Woodward’s book on John Belushi:

“Of all the people I interviewed, SNL writer and current Sen. Al Franken, referencing his late comedy partner Tom Davis, offered the most apt description of Woodward’s one-sided approach to the drug use in Belushi’s story: ‘Tom Davis said the best thing about Wired,’ Franken told me. ‘He said it’s as if someone wrote a book about your college years and called it Puked. And all it was about was who puked, when they puked, what they ate before they puked and what they puked up. No one read Dostoevsky, no one studied math, no one fell in love, and nothing happened but people puking.'”

Source: Slate
Published: Mar 12, 2013
Length: 13 minutes (3,279 words)

The Comedian

Longreads Pick

[Fiction] On a life in stand-up:

“One time on a talk show, before he made the change in his comedy, the comedian was asked why he started telling jokes. He took a sip from his mug and responded that he just wanted some attention. As a child he’d felt unseen. He was a handsome baby (photographs confirm) but his impression was that no one cooed at him or went cross-eyed to make him smile. Common expressions of affection, such as loving glances, approving grins, and hearty that-a-boys, eluded him. His mother told him ‘Hush, now,’ when he came to her with his needs or questions and he frowned and padded off quietly. He received a measly portion of affirmation from grandparents, elderly neighbors, and wizened aunts who never married, folks who were practically in the affirmation-of-children business. In kindergarten, he was downright appalled to find the bullies stingy with noogies and degrading nicknames. The comedian believed that he was unseen, overlooked, and not-perceived to a greater extent than other people were unseen, overlooked, and not-perceived, when in actuality he was overlooked as much as everyone else, he just felt it more keenly. The talk show host asked him what his first joke was. He said he didn’t remember, but he must have liked what happened because he did it again.”

Published: Feb 19, 2013
Length: 11 minutes (2,948 words)

Django, the N-Word, and How We Talk About Race in 2013

Longreads Pick

A new year, and a change in the conversation about race in America:

“As I left the theater after Django, it was interesting to see how diverse the crowd was, and, based on the conversations being had in the lobby, how they were all impacted in some way, whether it was by the violence or the language or the fact that it was simply a really good movie. I left the theaters feeling oddly proud of Tarantino for making such a thought-provoking film, while feeling the exact opposite way about Spike Lee for not giving Django a chance. I was slightly shocked at how numb I became to Leo’s use of the N-word, to the point that I almost started to marvel at the bravado with which he uttered it. As for my ‘Django Moment,’ yes, there was the horrible foreign couple behind me that thought everything was hilarious, but mine came from a more unexpected place: the laughter that filled the room when Samuel L. Jackson and Jamie Foxx would say the N-word — less like we imagine blacks would have in the 1800s, and more like they were two of the four Kings of Comedy.”

Source: Grantland
Published: Jan 3, 2013
Length: 8 minutes (2,095 words)

Players Club

Longreads Pick

A brief history of Shakespeare and alcohol:

“Shakespeare didn’t just enjoy the interplay of drinking, fantasy, and theater at his favorite taverns, he also enacted this productive relationship onstage. Shakespeare began his popular comedy The Taming of the Shrew with a curious framing device, one that bears little relation to the famous barbs of the lovers’ plot. The play opens with the drunken tinker Christopher Sly arguing with a tavern hostess. He has broken beer glasses and refuses to pay. As she heads to fetch the constable, Sly falls into a stupor; upon waking, he finds himself dressed and pampered as a nobleman. This transformation has occurred because a passing Lord, who stopped at the tavern for refreshment, saw the drunken Sly and came up with a plan for his own amusement: he would take the tinker to his ‘fairest chamber’ to be pampered with ‘wanton pictures’ and ‘rose water.’ Sly then struggles comically to adjust to his dramatically changed circumstances. The prologue ends as the Lord insists that Sly enjoy himself and take in a play.”

Published: Dec 19, 2012
Length: 18 minutes (4,682 words)