The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle and Readmill users, you can also get them as a Readlist.
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Below, our favorite stories of the week. Kindle and Readmill users, you can also get them as a Readlist.
Sign up to receive this list free every Friday in your inbox.
***

Below, our favorite stories of the week. Kindle and Readmill users, you can also get them as a Readlist.
Sign up to receive this list free every Friday in your inbox.

Steve Salerno | Missouri Review | Winter 2004| 24 minutes (6,016 words)
Steve Salerno’s essays and memoirs have appeared in Harper’s, the New York Times Magazine, Esquire and many other publications. His 2005 book, SHAM, was a groundbreaking deconstruction of the self-help movement, and he is working on a similar book about medicine. He teaches globalization and media at Lehigh University. This essay first appeared in the Missouri Review (subscribe here!). Thanks to Salerno for allowing us to reprint it here.
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Observed on video at half-speed, through the metal lattice-work of the batting cage, it is a perfectly choreographed pas de deux of man and machine. While the machine readies the pitch, the man executes the idiosyncratic but vital preparatory movements of torso and hand that jump-start his batting rhythm; he leans forward, then rocks his weight back, the bat wavering in a narrow arc above his head much as the young palms visible in the background yield to the soft ocean breezes—slightly forward of true vertical, slightly aft, slightly forward again. As the dimpled yellow ball shuffles down that last segment of the feeder sleeve toward the pair of spinning wheels that will propel it homeward, the batter’s hands twist around the axis of the lower wrist in a subtle cocking mechanism; when the ball drops between the wheels and disappears for an instant, the batter’s front foot lifts, then returns to earth perhaps six inches beyond its initial resting place; the bat itself remains well back, high over the rear shoulder, in obeisance to an ancient admonition—“hips before hands.”
Even in slo-mo, the swiftness of the ball’s flight to the plate startles. At first it seems that there’s no way the man can snap the bat down and around his body fast enough to intercept the sphere (which actually, now, more resembles a yellow antiaircraft tracer) before it blurs by him…. But no, he starts his swing, his lower body leading the way, pivoting sharply on the front foot—now—and in fact, somehow manages to confront the pitch out ahead of the ersatz plate. If you pause the video at this precise point—that millisecond before impact—you marvel at the fact that, slicing through the strike zone, the bat, despite being molded from a single sheet of metal, is no longer a straight, rigid line. Rather, the bat- head clearly lags behind the handle in its travel to the ball, a vivid manifestation of the explosive torque all good hitters rely on for generating power. An instant later, post-contact, the ball too is misshapen, flattened on the impact side, shooting off the bat in a shallow upward arc with such velocity that it appears to leave a comet-like contrail in its wake.

Wired senior editor Bill Wasik on the public’s changing relationship with both Silicon Valley and the technology it creates and promotes:
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Noga Arikha | Lapham’s Quarterly | 2009 | 13 minutes (3,200 words)
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In 1727, a lady named Helen Morrison placed a personal advertisement in the Manchester Weekly Journal. It was possibly the first time a newspaper was ever used for such a purpose. As it happens, Morrison was committed to an asylum for a month. Society was clearly not ready for such an autonomous practice, especially on the part of a woman. But personal ads quickly became an institution. Heinrich von Kleist’s celebrated novella The Marquise of O, first published in 1810 (and said by Kleist to be “based on a true incident”) opens on the newspaper ad placed by “a lady of unblemished reputation and the mother of several well-brought-up children,” to the effect “that she had, without knowledge of the cause, come to find herself in a certain situation; that she would like the father of the child she was expecting to disclose his identity to her; and that she was resolved, out of consideration for her family, to marry him.” Read more…

Josh Roiland | Literary Journalism Studies | Fall 2013 | 23 minutes (5,690 words)
Josh Roiland is an Assistant Professor in the Department of Communication & Journalism and a CLAS-Honors Preceptor in the Honors College at the University of Maine. Roiland is a cultural historian of the American news media, who researches and teaches classes on the cultural, political, and literary significance of American journalism. This piece originally appeared in the Fall 2013 issue of Literary Journalism Studies. Our thanks to Roiland for allowing us to reprint it here, and for adding this introduction:
David Foster Wallace saw clear lines between journalists and novelists who write nonfiction, and he wrestled throughout his career with whether a different set of rules applied to the latter category. In the years after his death, he has faced charges of embellishment and exaggeration by his close friend Jonathan Franzen and repeated by his biographer D.T. Max. Their criticisms, however, do not adequately address the intricate philosophy Wallace formulated about genre classification and the fact/fiction divide. This article explores those nuances and argues that Wallace’s thinking about genre was complex, multifaceted, and that it evolved during his writing life.
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Before he sat down with the best tennis player on the planet for a noonday interview in the middle of the 2006 Wimbledon fortnight, David Foster Wallace prepared a script. Atop a notebook page he wrote, “R.Federer Interview Qs.” and below he jotted in very fine print 13 questions. After three innocuous ice breakers, Wallace turned his attention to perhaps the most prominent theme in all his writing: consciousness. Acknowledging the abnormal interview approach, Wallace prefaced these next nine inquires with a printed subhead: “Non-Journalist Questions.” Each interrogation is a paragraph long, filled with digressions, asides, and qualifications; several contain superscripted addendums. In short, they read like they’re written by David Foster Wallace. He asks Roger Federer if he’s aware of his own greatness, aware of the unceasing media microscope he operates under, aware of his uncommon elevation of athletics to the level of aesthetics, aware of how great his great shots really are. Wallace even wrote, “How aware are you of the ballboys?” before crossing the question out.

Ben Tarnoff | The Bohemians, Penguin Press | March 2014 | 46 minutes (11,380 words)
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For our Longreads Member Pick, we’re thrilled to share the opening chapter of The Bohemians: Mark Twain and the San Francisco Writers Who Reinvented American Literature, the book by Ben Tarnoff, published by The Penguin Press. Read more…

OK, “hate” is too strong a word. But I fundamentally do not get sports. Playing them, yes, fine. But knowing players’ names, arguing that this one guy is better than that other guy, keeping a little Excel sheet of strikes and yards and rebounds in my head? Baffling.
But that doesn’t mean, as it turns out, that stories about sports can’t be fascinating. The economics! The moral gray areas! The egos! It’s like a reality show in there.
I’m not going to start watching sports anytime soon, but thanks to these stories, I’m starting to see why other people do.
Ben McGrath | The New Yorker | Jan. 31, 2011
This story has moved on quite a bit since 2011—there is now a book, a movie and something called The Concussion Blog—but McGrath’s story is a good primer on the issue of football players suffering severe mental damage in old age, and foreshadows both the huge pressure on the NFL and its head-in-the-sand response.

Rose George | The Big Necessity, Metropolitan Books | 2008 | 28 minutes (6,900 words)
Below is a full chapter from The Big Necessity, Rose George’s acclaimed 2008 book exploring the world of human waste. The book will be reissued later this year with a new afterword. George’s 2013 book 90 Percent of Everything was featured previously on Longreads, and we’re thrilled to spotlight her work again. Read more…

Jessica Wilbanks | Ninth Letter | Fall/Winter 2013 | 27 minutes (6,860 words)
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One of our previous Longreads Member Picks, an essay by Jessica Wilbanks, is now free for everyone. “On The Far Side of the Fire” first appeared in Ninth Letter and was awarded the journal’s annual creative nonfiction award. This is the first time it has been published online.
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