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Brendan I. Koerner's All-Time Favorite #Longreads

Brendan I. Koerner’s All-Time Favorite #Longreads

Writer Emily Gould: My Top 5 Longreads of 2011

Emily Gould is the author of And The Heart Says Whatever and the co-owner of Emily Books, and also she can’t stop blogging for some reason.

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1. “Letter from Astana,” by Keith Gessen (New Yorker, sub. required)

The New Yorker‘s “Letter From” essays, though they’re always entertaining and executed with finesse, can leave the reader with an impression that’s basically: “Kazakhstan (or wherever), how wacky.” Keith showed exactly how and why Kazakhstan’s history and political situation have created a unique way of life, and also those crazy skyscrapers in the middle of the steppe that make Williamsburg’s waterfront look tasteful. And he ate horse ham.  

2. “Dangerous Worlds: Teaching Film In Prison,” by Ann Snitow (Dissent Magazine)

Feminist critic and longtime New School professor Ann Snitow “leapt to join” a program that brings New School teachers to a correctional facility upstate out of “boredom”—she craved a challenge less played-out than trying to get college students to care about feminism, which she says is “everywhere and nowhere” in their lives. The result is one of the most fascinating things I’ve ever read. Snitow confronts her own preconceived notions and white liberal guilt head-on, but also gives herself credit for being a good teacher. She evokes her students’ complexity by describing their surprising, varied responses to the movies she assigns. At one point she gives them a speech: “I know in all your classes and workshops you’re being taught to take responsibility for what you’ve done, and I’m not saying no to that. But responsibility is different from shame. Best to see the endless tale of one’s badness as an inadequate story, meant to make you feel like a worm. OK, take responsibility, but also move on. Everyone is dependent; total independence is a myth. Inside or out, dependency is the human condition.” “This hectoring lecture hasn’t convinced anyone,” she writes, but I think she underestimates herself. 

3. “The Smelliest Block In New York,” by Molly Young (New York Magazine, not single-page)

I’m obsessed with smells and with New York, which contains maybe the world’s best and worst smells, often in the same two-block radius.  Molly Young’s descriptions of smells are a joy.  Her descriptions in general are a joy. She’s just getting better and better and I can’t wait to see what she does next. (My fantasy would be a regular column about smells, but that’s probably unrealistic.)

4. “Willis and Happiness,” by Rich Beck (n+1)

Here, Rich Beck breaks down and rearticulates one of groundbreaking radical feminist and pop culture critic Ellen Willis’s most powerful—and most confusing—arguments.  This is a must, must, must, must read for anyone interested in the past, present and future of the fight for equality.  

5. “The Aquarium,” by Aleksandar Hemon (The New Yorker, sub. required)

This and #2, I would recommend if it’s been a while since you last wept uncontrollably. There’s really not a lot else to say about this. It’s an unsentimental examination of a cosmically unfair event, the the kind of thing no one wants to acknowledge is possible, but which happens regularly. I have no idea how the author could stand to write it, unless he also couldn’t stand not to write it. The parts about his daughter’s imaginary friend are also very funny, incredibly. 

Bonus! (Kindle Single edition)

• “How A Book Is Born,” by Keith Gessen ($1.99)

I didn’t want to be disgusting and pick 5 things by my boyfriend but I wish I could assign anyone who thinks he or she might someday publish a book to read this long examination of how publishing works. The combination of virtue and talent coinciding with luck—the endless variables that combine to make a “literary” bestseller—just boggles the mind. This is stuff that many people who work in publishing or who work in novel-writing either don’t know or don’t allow themselves to consciously know. Buy this as a gift for your friend the corporate lawyer who keeps saying he’s going to take a sabbatical year to “write his novel.” 

• “American Juggalo,” by Kent Russell ($1.99)

Psychic forecast: the year-end Longreads best-of list next year will be everything people are saying right now about John Jeremiah Sullivan, but for the words “John Jeremiah Sullivan” substitute “Kent Russell.”

(photo credit: Stephen Deshler)

pegb: Longreads: new and old favorites

pegb:

Pirate’s Booty by Dave Gardetta

Technosexual: One Man’s Tale of Robot Love by Addy Dugdale

Et Tu, Brooklyn? by Allison Silverman

The Golden Suicides by Nancy Jo Sales

Addiction Files: Recovering From Drug Addiction, Without Abstinence by Maia Szalavitz

Addiction Files: How Do We Define Recovery? by Maia Szalavitz

Secret of AA: After 75 Years, We Don’t Know How It Works by Brendan Koerner

Paul Ford: My Top 5 Longreads of 2010

Paul Ford was an editor at Harper’s Magazine; now he’s wandering around, looking at stuff and writing computer programs.

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Tony Judt, “Night,” New York Review of Books (January 14)

This was the year of the dying critic. Most writers would do themselves, and their readers, a service by dying without all the self-elegies (“selfegies”?). We’ve read once too often, right, of the bark of the lonely fox out the bay window. But then you had Judt in his wheelchair, climbing Everest every night, putting out a series of reflections and continuing to publish great work even post-mortem. In a different city, and a different vein, there’s Roger Ebert’s Journal, the essay that never ends—starting as a kind of testament, it transformed over many months into a mass lecture from an old newspaper hand (a man of a literally dying breed), holding forth on absolutely everything.

Dan Koeppel, “How to Fall 35,000 Feet—And Survive” (Popular Mechanics, January 29)

Stuff like this is why magazines persist. It’s fun to imagine the pitch. “I’d like to write about falling thirty thou—” “You had me at falling.”

Frédéric Filloux, “Aggregators: the good ones vs. the looters” (Monday Note, September 19)

Inside baseball for publishing nerds, but bangs out its point. It’s hard to find good wide-angle writing about tech. Related: “Why the OS Doesn’t Matter.” Also: Tom Bissell on cocaine and Grand Theft Auto; Fred Vogelstein on the iPhone/AT&T meltdown; and Nitsuh Abebe on the Internet Paradox.

Issendai, “How to Keep Someone With You Forever,” (Issendai’s Superhero Training Journal, June 9)

You read this, right? I’ve visited friends and read this aloud. Explains publishers, graduate school, bad jobs, and broken marriages. (Related in a way I can’t fully articulate: Given that 2010 was, in addition to being the year of the dying critic, the year of the supercilious journalist writing about the Insane Clown Posse, it’s worth going back to 2009’s “MC CHRIS IS AT THE GATHERING: A LOVE STORY,” for the nerd’s eye view—a far more subtle view than presented elsewhere—of the weirdness of Juggalism.)

Josh Allen, Chokeville. (Ongoing)

Most prose born on the Internet is highly defensive. Everyone is braced for audience attack and opens their posts with four paragraphs explaining why the remaining four paragraphs are worth reading. Chokeville is not that. It tries to explain itself, but it can’t. Sometimes I get started and then drift away to Zooborns, but I know that’s my problem, because I’ve forgotten how, and I also know that I’ll end up some weekend night in front of my monitor, zoomed in, drinking my way through every word.

P.S. We’re also several years into the flowering of history blogs. Here’s a good place to start.