Search Results for: Time

The Secret IRS Files: Trove of Never-Before-Seen Records Reveal How the Wealthiest Avoid Income Tax

Longreads Pick

“ProPublica has obtained a vast cache of IRS information showing how billionaires like Jeff Bezos, Elon Musk and Warren Buffett pay little in income tax compared to their massive wealth — sometimes, even nothing.”

Source: ProPublica
Published: Jun 8, 2021
Length: 22 minutes (5,717 words)

The Crystal Hunters of Chamonix

Longreads Pick

“Elías was drawn to crystal hunting as an antidote to conventional alpinism, which in his view had become all about speed. ‘With alpinism today, the goal is to spend as little time as possible in the mountains,’ he told me later. ‘As a cristallier, you spend real time in the mountains. Days, days, days. That changes everything. It changes your relationship with the geography.'”

Author: Simon Akam
Source: Outside
Published: Jun 8, 2021
Length: 23 minutes (5,868 words)

‘What’s the worst thing you’ve ever done?’

Illustration by Zoë van Dijk

This is an excerpt from The Atavist‘s issue no. 115, “The Snitch,” by Jordan Michael Smith.

Jordan Michael Smith | The Atavist | May 2021 | 5 minutes (1,356 words)

 

CHAPTER 1

Carle Schlaff wanted more out of his job. As an FBI agent, he’d spent more than ten years working low-level drug cases in the bureau’s Denver office. He eventually moved up to investigating organized crime—only to be transferred to the violent-crimes squad and made the liaison to a low-security prison called Englewood, in Littleton, Colorado. It was the sort of job that was good for a rookie, not a veteran. “I was kinda pissed,” Schlaff said.

The Atavist is Longreads‘ sister publication. For 10 years, it has been a digital pioneer in long-form narrative journalism, publishing one deeply reported, elegantly designed story each month. Support The Atavist by becoming a magazine member.

Schlaff was 42, with two kids, an easy smile, and an unpretentious manner. He was the type of FBI agent who read crime novels in his spare time. He’d grown up watching Hawaii Five-0. He wanted to take down mob bosses, catch serial killers, expose international drug cartels.

In August 2002, Schlaff’s luck changed: He learned that a prisoner at Englewood named Scott Kimball knew about a murder plot. Schlaff and a colleague met with Kimball in a small interview room at the prison. Kimball was 36 at the time, a weathered, stocky man who wore a goatee and had a long scar in the center of his forehead. He shared a cell with Steve Ennis, a young drug dealer. Kimball claimed that Ennis had talked about recruiting someone to kill witnesses preparing to testify against him.

“I would be willing to do some undercover work for you guys,” Kimball told Schlaff and his colleague.

If the offer seemed blunt, it was because Kimball already knew how the FBI operated. After being arrested for check fraud in Alaska in 2001, he told authorities that his cellmate, Arnold Wesley Flowers, planned to order the murders of a federal judge and a prosecutor, along with a witness in the case against him. (Flowers was facing fraud charges of his own, according to court records.) The FBI worked with Kimball and an undercover agent to record Flowers organizing the hits with help from his girlfriend. In March 2002, the couple were charged with murder for hire, witness tampering, and attempting to murder federal officials.

There was more: Kimball told the FBI that another Alaska prisoner, Jeremiah Jones, had bragged about murdering Tom Wales, a prominent assistant U.S. attorney shot to death through a window of his Seattle home in October 2001. While it investigated the matter, out of concern for his safety, the FBI transferred Kimball to his native Colorado in April 2002. Now, at Englewood, it seemed that Kimball had yet more valuable intelligence to offer.

Before Schlaff went chasing Kimball’s story, though, he wanted to know what type of person he was dealing with. He didn’t mind so much if someone had committed nonviolent crimes, but he didn’t want to work with an informant who could be easily discredited. “What’s the worst thing you’ve ever done?” Schlaff asked Kimball.

Kimball admitted that in addition to his crimes in Alaska, he’d committed fraud in Montana and served time there. He excelled at check forgery, Kimball said, but he wanted to go straight. It sounded plausible to Schlaff, who’d reviewed Kimball’s record—he didn’t have any convictions for violent crimes—and had checked for outstanding warrants.

Schlaff scribbled down on a notepad what Kimball told him. After leaving Englewood that day, he made contact with the Drug Enforcement Agency and the U.S. Attorney’s Office, which were both working the Ennis case. Kimball was soon reactivated as an informant, with Schlaff as his handler. Their goal was to foil the alleged murder plot, and charge Ennis for orchestrating it.

All the pieces were falling into place: This was exactly the kind of case Schlaff had been craving.

It takes a thief to catch a thief, as Schlaff likes to say—that’s the logic behind using jailhouse snitches. In the United States, the practice has a history as troubling as it is long. Incentivized by the promise of reduced sentences, better prison conditions, and financial compensation, criminal informants sometimes offer cops and prosecutors bad information, which can lead to wrongful convictions and other miscarriages of justice. And too often, authorities treat informants as if their lives matter less than the work of law enforcement.

In recent years, there have been efforts to reform the way authorities handle informants. But back when Kimball started working with the FBI, there was less communication among law enforcement agencies and relatively minimal scrutiny of an informant’s history. It was easy to miss the kind of facts from a person’s past that might have made authorities think twice before using them as an informant.

It takes a thief to catch a thief, as Schlaff likes to say—that’s the logic behind using jailhouse snitches. In the United States, the practice has a history as troubling as it is long

Born in Boulder in 1966, Kimball was ten when his parents divorced, after his mother came out as gay. Around that time, according to Kimball and his brother, a neighbor began molesting them. Kimball told me the abuse continued until he was in his teens. The neighbor was ultimately sentenced to seven years in prison for sexual abuse of a minor. According to people who knew him as a young man, Kimball seemed haunted by his past. He once tried to end his life but only managed to wound himself—the source of the scar on his forehead.

By early adulthood, Kimball had a long rap sheet. In 1988, he received his first felony conviction for passing bad checks. In another instance, he was charged with running an illegal outfitting business in Montana, helping out-of-staters hunt elk, bear, moose, and deer. Kimball continued to commit nonviolent offenses, the kind that Schlaff later saw on his criminal record. There were other allegations against Kimball, far more unsettling ones, but due to a series of decisions made by law enforcement, finding them would have required some digging.

In June 1993, Kimball married a woman named Larissa Mineer. They moved to Spokane, Washington, and had two sons. Though they divorced in 1997, they maintained a relationship until December 1999, when, Mineer alleged, Kimball raped her at gunpoint. Kimball claimed he hadn’t harmed or threatened Mineer—according to a police report, he said that his ex was trying to sway a custody dispute over their sons in her favor. After Mineer failed a polygraph, the police decided not to file charges. (Polygraphs have been deemed unreliable by the American Psychological Association and the National Academy of Sciences, but law enforcement still use them to quickly ascertain whether someone might be telling the truth.)

In 2000, Kimball landed in prison in Montana, convicted of violating probation, which he’d been serving for a fraud offense. After a year in lockup, Kimball was transferred to a halfway house, but a month later he went on the lam. Mineer alleged that he came back to Washington, broke into her home, and then kidnapped and raped her. This time the Spokane police issued a warrant for his arrest. But when Kimball was picked up for fraud in Alaska in 2001, and then became an FBI informant, the kidnapping and assault charges went away. (The FBI said it did not request that local law enforcement drop the charges.)

As a result, when Schlaff looked up Kimball’s record, none of Mineer’s accusations were on it. The escape from the halfway house was there, but Schlaff wasn’t too worried about that—Kimball had been near the end of his sentence when he’d slipped away. Schlaff spoke to Colton Seale, an FBI special agent in Alaska, who said that Kimball had been helpful in the case against Flowers and his girlfriend. Seale, who is now retired from the FBI, told me that he has no memory of whether he knew about Kimball’s kidnapping and assault charges at the time.

At worst, Schlaff thought, he was working with a petty con artist. “He was a typical wise guy,” Schlaff told me. “He had an answer for everything.” But Kimball wasn’t a child molester or a murderer. He seemed like the type of informant who might be good before a jury.

The truth was something else entirely.

 

Read the full story at The Atavist

The Top 5 Longreads of the Week

Photo shows the aftermath, at east corner of Greenwood Avenue and East Archer Street, of the Tulsa Race Massacre, during which mobs of white residents attacked black residents and businesses of the Greenwood District in Tulsa, Oklahoma, US, June 1921. (Photo by Bettmann Archive/Getty Images)

This week, we’re sharing stories from Victor Luckerson, Tristin Hopper, John Drescher, Steve Shorney, and Pamela Petro.

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1. The Women Who Preserved the Story of the Tulsa Race Massacre

Victor Luckerson | The New Yorker | May 28, 2021 | 2,882 words

“Today, the work done by Parrish in the nineteen-twenties and Gates in the nineteen-nineties forms the bedrock for books, documentaries, and a renewed reparations push that, a century after the massacre, is experiencing a groundswell of support.”

2. Why So Many Children Died at Indian Residential Schools

Tristin Hopper | The Vancouver Sun | May 29, 2021 | 1,700

“This week saw the discovery of something outside Kamloops, B.C., rarely seen in North America, much less in any corner of the developed world: Unmarked and previously forgotten graves, all belonging to children who died at the Kamloops Indian Residential School.”

3. Nikole Hannah-Jones, a Mega-Donor, and the Future of Journalism

John Drescher | The Assembly | May 30, 2021 | 3,00 words

“UNC-Chapel Hill’s largest journalism-school donor warned against Nikole Hannah-Jones’ hiring. Their divergent views represent a new front in the debate over objectivity and the future of the field.”

4. ‘I Took Part in the Psilocybin Trial and It Changed My Life’

Steve Shorney | The Independent | May 30, 2021 | 5,663 words

“I had seen an alternative reality, another way of being, and knew beyond anything I’d known before that day that life is extraordinary. And in that moment I felt happier, more alive, and more Me than I imagined was possible.”

5. Cooking Backwards

Pamela Petro | Guernica Magazine | May 24, 2021 | 4,044 words

“On becoming a kitchen archivist.”

Zoom Towns — Where Tourists Never Leave

Photo by Robert Alexander/Getty Images

For many, the pandemic has meant barely shuffling from the kitchen to the sofa — but for some people, it’s been an opportunity to move their sofa to a completely different town. With many jobs shifting online, working from home via Zoom has meant no longer being tied to a particular place, so now, as Rachel Levin explains in her article for Outside, “you can work for Pinterest and ski powder.” This chance to “live the dream” in a mountain town has come with a downside — a culture clash. Those looking to move generally have cash — and are drawn to tourist towns occupied by locals making their money in hospitality. It’s a shift that has happened around the world, but in this interesting piece, Levin explores the situation in Lake Tahoe, which has seen a particularly big influx of new residents due to its proximity to the tech industry of San Francisco. So what happens when those who have money and those who don’t live side by side? Levin explores that question with a level head — looking at both sides of the picture.

Nina, a director at a Silicon Valley–based AI company who asked that only her first name be used, moved to the area in October, when she bought her first home just five minutes from Heavenly Ski Resort. She and her husband, newly married thirtysomethings, say they may not be experts at mountain life, but they’re eager to learn. (YouTube has been helpful, she says—it’s where they learned how to rake pine needles.) When she’s not working, Nina is snowboarding with women she met on local Facebook groups. She’s in heaven.

But like other newcomers, she and her husband have sensed a little resentment. She recalls the time a check-out woman at a grocery store in Stateline, Nevada, gave her and her husband one look and said, “Oh, you’re not going to last a winter.” She admits to skirting around the fact that they moved during the pandemic in casual conversations with locals. “I’ll say, ‘Don’t worry, we’re not the bad tech people,’” she says. Another source told me, “There’s a lot of negative feelings about people like us.” Most Bay Area transplants I spoke with similarly requested anonymity, and many more declined to be interviewed. (So did many longtime locals. “Sorry, it’s a touchy subject,” one told me.) The newcomers just want to quietly slip in and fit in. 

Not everyone has that option, though. If you’re not white, like 82 percent of people in Truckee, you stand out, says Grace (not her real name), who is Korean-American and moved into her longtime second home last spring before the boom. Being Asian American “is like a big ‘Bay Area’ sign pointing at my head,” she says. She was disgusted by the “Kung flu” comments and other casually racist quips she saw on Facebook and deeply disturbed by the time she was fake sneezed on at the Safeway. She and her family moved back to San Francisco full-time by the fall: “I needed to be with my people,” she says.

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‘Every Single Person Migrating Has a Story’: Caitlin Dwyer on the Emotional Underlayers of Family Separation

Photos and artwork courtesy of Wafa Almaktari. Illustration by Cheri Lucas Rowlands.

For couples and families separated by borders, financial circumstances, and national policies beyond their control, their relationships remain in limbo. As people spend months and often many years physically apart — not knowing when or if they’ll see their loved ones again — love can take on a new shape: It might evolve into pain, or defiance, or patience.

Caitlin Dwyer

“Perhaps a cross-border relationship is less about cathartic reunion than the slow, patient intention to help someone else find joy,” Caitlin Dwyer writes in “The State of Waiting,” her new Longreads essay about a Yemeni couple — and their long-haul love — in the shadow of war and immigration policy.

Dwyer, a writer in Portland, Oregon, produces and hosts Many Roads to Here, a podcast on migration and identity in which immigrants, refugees, and asylum seekers in the U.S. tell their own stories. I last worked with Dwyer in 2019 on a story called “Shared Breath,” in which she beautifully explored the intimate, unique connections between organ recipients and donor families. Read more…

Even the Steam Had a Shadow

Natasha Pulley | The Kingdoms | May 2021 | 1516 words (6 minutes)

***

1
Londres, 1898 (ninety-three years after Trafalgar)

Most people have trouble recalling their first memory, because they have to stretch for it, like trying to touch their toes; but Joe didn’t. This was because it was a memory formed a week after his forty-third birthday.

He stepped down off the train. That was it, the very first thing he remembered, but the second was something less straightforward. It was the slow, eerie feeling that everything was doing just what it should be, minding its own business, but that at the same time, it was all wrong.

It was early in the morning, and cursedly cold. Vapour hissed on the black engine right above him. Because the platform was only a couple of inches above the tracks, the double pistons of the wheels were level with his waist. He was so close he could hear the water boiling above the furnace. He stepped well away, feeling tight with the certainty it was about to lurch forward.

The train had just come in. The platform was full of people looking slow and stiff from the journey, all moving towards the concourse. The sweet carbon smell of coal smoke was everywhere. Because it was only just light outside, the round lamps of the station gave everything a pale glow, and cast long, hazy shadows; even the steam had a shadow, a shy devil trying to decide whether to be solid or not.

Joe had no idea what he was doing there.

He waited, because railway stations were internationally the same and they were a logical place to get confused, if there was ever a logical place. But nothing came. He couldn’t remember coming here, or going anywhere. He looked down at himself. With a writhe of horror, he found he couldn’t even remember getting dressed. His clothes were unfamiliar. A heavy coat lined with tartan. A plain waistcoat with interesting buttons, stamped with laurel patterns.

Most people have trouble recalling their first memory, because they have to stretch for it, like trying to touch their toes; but Joe didn’t. This was because it was a memory formed a week after his forty-third birthday.

A sign on the wall said that this was platform three. Behind him on the train, a conductor was going along the carriages, saying the same thing again and again, quiet and respectful, because he was having to wake people up in first class.

‘Londres Gare du Roi, all change please, Londres Gare du Roi …’

Joe wondered why the hell the train company was giving London station names in French, and then wondered helplessly why he’d wondered. All the London station names were French. Everyone knew that.

Someone touched his arm and asked in English if he was all right. It made him jump so badly that he twanged the nerve in the back of his skull. White pain shot down his neck.

‘Sorry – could you tell me where we are?’ he asked, and heard how ridiculous it sounded.

The man didn’t seem to think it was extraordinary to find an amnesiac at a railway station. ‘London,’ he said. ‘The Gare du Roi.’

Joe wasn’t sure why he’d been hoping for something other than what he’d heard the conductor say. He swallowed and looked away. The steam was clearing. There were signs everywhere; for the Colonial Library, the Musée Britannique, the Métro. There was a board not far away that said the Desmoulins line was closed because of the drilling below, and beyond that, elaborate iron gates that led out into the fog.

‘Definitely …

London in England?’ he asked eventually.

‘It is,’ the man said.

‘Oh,’ said Joe.

The train breathed steam again and made the man into a ghost. Through all the bubbling panic, Joe thought he must have been a doctor, because he still didn’t seem surprised. ‘What’s your name?’ the man asked. Either he had a young voice, or he looked older than he was.

‘Joe.’ He had to reach for it, but he did know; that was a thump of a relief. ‘Tournier.’

‘Do you know where you live?’

‘No,’ he said, feeling like he might collapse.

‘Let’s get you to a hospital then,’ the man said.

So the man paid for a cab. Joe expected him to leave it at that, but he came too and said there was no reason why not, since he wasn’t busy. A thousand times in the following months, Joe tried to remember what the man had looked like. He couldn’t, even though he spent the whole cab ride opposite him; all he remembered later was that the man had sat without leaning back, and that something about him seemed foreign, even though he spoke English in the hard straight way that old people did, the belligerent ones who’d always refused to learn French and scowled at you if you tried to call them monsieur.

It was maddening, that little but total failure of observation, because he took in everything else perfectly. The cab was a new one, all fresh leather and smelling of polish that was still waxy to touch. Later, he could even remember how steam had risen from the backs of the horses, and the creak of the wheel springs when they moved from the cobbles outside the station to the smoother-paved way down Rue Euston.

But not the man. It was as though the forgetfulness wasn’t so much an absence of memory, but a shroud that clung to him.

It was as though the forgetfulness wasn’t so much an absence of memory, but a shroud that clung to him.

The road looked familiar and not. Whenever they came to a corner Joe thought he knew, there was a different shop there to the one he’d expected, or no building at all. Other cabs clopped past. Brown fog pawed at the shop windows. The sky was grey. In the background, he wondered if the man wasn’t being kind at all but taking advantage of things somehow, but he couldn’t think what for.

Not far away, monster towers pumped fumes into that gun-metal sky. They were spidered about with gantries and chutes, and in the flues, tiny flames burned. On the side of an enormous silo, he could just make out BLAST FURNACE 5 stamped in white letters in French. Joe swallowed. He knew exactly what they were – steelworks – but at the same time, they filled him with the dream-sense of wrongness that the Métro signs at the station had done. He shut his eyes and tried to chase down what he knew. Steelworks; yes, London was famous for that, that was what London was for. Seven blast furnaces up around Farringdon and Clerkenwell, hauling steel out to the whole Republic. If you bought a postcard of London, it always looked amazing, because of that towering tangle of pipework and coal chutes and chimneys in the middle of it. It was a square mile that had turned everything black with soot: the ruin of St Paul’s, the leaning old buildings round Chancery Lane, everything. That was why London was the Black City.

But all that might as well have come from an encyclopaedia. He didn’t know how he knew it. He didn’t remember walking in those black streets or around the steelworks, or any of it.

‘Did you get off the same train as me?’ he asked the man, hoping that if he focused on one particular thing, he might feel less sick.

‘Yes. It came from Glasgow. We were in the same carriage.’

The man had a clipped way of talking, but his whole body was full of compassion. He looked like he was stopping himself leaning forward and taking Joe’s hands. Joe was glad about that. He would have burst into tears.

He couldn’t remember being on the train. The man tried to tell him things that had been memorable, like the funny snootiness of the conductor and the way the fold-down beds tried to eat you if you didn’t push them down properly, but none of it was there. He confirmed that Joe hadn’t fallen or bumped anything, just started to look disorientated early this morning. It was nine o’clock now.

Joe had to let his head bow. He’d never been scared like it. He opened the window, just to inhale properly. Everything smelled of soot. That was familiar, at least. On the pavements, droves of men in black coats and black hats poured from the iron gates of the Métro stations. They all looked the same. The cab stopped for a minute or so, waiting at a railway crossing. The train was a coal cargo, chuntering towards the steelworks. The whistle howled as the driver tried to scare off some kids on the line; there were ten or twelve, foraging for the bits of coal that fell off the carriages.

‘You’ll be all right,’ the man said quietly. It was the last thing he said; while Joe was seeing the doctor, he vanished. None of the nurses had seen him go, or seen him at all, and Joe started to think he had got himself to the hospital alone, and that the man had been a benign hallucination.

***

Excerpted from Natasha Pulley’s novel The Kingdoms, published by Bloomsbury.

‘The City Just Lied’: Remembering the 1921 Tulsa Massacre

Greenwood Cultural Center

This Memorial Day marks the centennial of one of the worst instances of racist violence in U.S. history. On May 31, 1921, white mobs in Tulsa, Oklahoma, launched a campaign of terror in Greenwood, a prosperous African-American neighborhood nicknamed “Black Wall Street.” The spark of the violence was ugly, and all too familiar: the lie that a white woman had been assaulted by a Black man. It was perpetuated by a local paper, the Tulsa Tribune, which published a story with the headline — or, really, the instruction — “Nab Negro for Attacking Girl in an Elevator.”

When the dust settled, hundreds of Black residents had been killed. White rioters had looted Black businesses and destroyed Black homes. More than 30 blocks of Tulsa had been reduced to smoldering ruins. As is so often the case in a country where white power structures determine official history, the event soon slid into obscurity. For many decades, when it was recalled at all, it was referred to as a “race riot.” In truth, what happened was a massacre.

The centennial has occasioned widespread coverage of the massacre, much of it excellent. In The New Yorker, writer Victor Luckerson profiles two women who were committed to telling the full story of the violence when it seemed like no one else was:

As the centennial of the race massacre approaches, a raft of documentaries, along with a new thirty-million-dollar museum, are poised to make the story of Greenwood more widely known—and financially lucrative—than it has ever been. But the Black Tulsans who preserved the community’s history risk being forgotten, particularly the women who did the foundational heavy lifting. It’s not just Parrish—Eddie Faye Gates, an Oklahoma native and longtime Tulsa educator, continued Parrish’s work by interviewing massacre survivors more than seventy years later, recording their perspectives in books and video testimonials.

History lessons draw power from their perceived objective authority, but if you drill to the core of almost any narrative you will find a conversation between an interviewer and a subject. In Greenwood, Black women such as Parrish and Gates were the ones having those conversations. Now descendants of both women are working to insure that their legacies are recognized. “She was a Black woman in a patriarchal, racist society, and I think bringing all those elements together tells you exactly how she’s been erased,” Anneliese Bruner, a great-granddaughter of Parrish, said. “It’s convenient to use her work, but not to magnify and amplify her person.”

Luckerson himself is a dedicated chronicler of overlooked Black history: He is working on a book about Greenwood, and he publishes a newsletter, “Run It Back,” that documents his research findings.

In The New York Times Magazine, author Caleb Gayle, a Black Tulsa native, connects past to present, describing how the struggle for racial justice in his city continues. Recently, the last survivors of the 1921 massacre testified before a House subcommittee alongside Tiffany Crutcher, whose twin brother, Terence, was shot and killed in 2016 by Tulsa police:

She had started with hopes that justice would follow her brother’s killing. But it was in the dashing of those hopes that, Crutcher says, her “journey to justice” began. “We in Tulsa, Okla., aren’t going to sit by and say, ‘It is what it is,’” she said at one of the news conferences. The very narrative Crutcher has committed herself to undoing — one that says Black people are inherently bad people — is one that goes back a hundred years in her hometown, when one part of the community destroyed another part of the community, a place whose prosperity and potential belonged to, but was taken from, her ancestors.

Gayle’s article is part of a larger package about the Tulsa massacre, produced by The New York Times. Other components include an infographic revealing the extent of physical damage done during the event, and a visual feature about the excavation of victims’ gravesites.

For more on the centennial, here’s complete coverage from Tulsa World, a local newspaper.

The Lies Told to Speak to a Princess

Photo by Mathieu Polak/Sygma/ Sygma via Getty Images

It was 26 years ago, but I vividly remember the night Princess Diana gave an interview to BBC journalist Martin Bashir. I was allowed to stay up late to watch it — after my parents deemed it a “historical moment.” So I, along with 23 million other Brits (probably not all in paw print pajamas), watched, aghast, as a wide-eyed Princess Diana gave her first-hand account of the soap opera that had been played out in the British tabloid press — the breakdown of her marriage. 

As a child, I never considered how Martin Bashir managed to obtain an interview with arguably the most famous woman in the world. Now the truth has come out, and it’s ugly. This article by John Ware candidly documents how Bashir gained access to Princess Diana through deception and false documents. It’s a disturbing story, and this particular account of it is written by a journalist with direct insight, with Ware also having worked at BBC Panorama — the program that aired the 1995 interview. Published by the BBC themselves, whether as an act of contrition or an attempt at redemption, the piece explores their failings —  ones that led to a “ticking time bomb about public trust” that has “now detonated.”

Asked by Gardam why he had compiled the graphics in the first place, Bashir said it was simply to record and file the information – an implausible reason for getting a graphic designer to work all night, paying him £250 of licence fee payers’ money and getting the documents couriered to Heathrow, when jotting down the details in his notebook would have sufficed.

Nonetheless, however improbable this may seem today, Diana’s letter appears to have reassured management. “All could now relax for Christmas,” said Suter at the time. “We had had a scare, but we had got through it.” But for Earl Spencer, the letter doesn’t exonerate the BBC. “Diana is dealing from a position of having been lied to. She didn’t know that the whole obtaining of the interview was based on a series of falsehoods that led to her being vulnerable to this,” he told me.

However, if management thought that was the end of it, they were mistaken. On 21 March, the Mail on Sunday told Spencer they were investigating how Martin Bashir had been introduced to his sister and secured his scoop interview. In order to convince Spencer of his credentials, the newspaper alleged that Bashir had shown him bogus security service documents about bugging phones at Kensington Palace. Clearly the Mail were on to something, but were wrong about the content of the documents.

Distrustful of the tabloid press, Spencer called the BBC to find out more. Spencer was put on to Hewlett and told him he had introduced Bashir to Diana “on 19 September on the back of extremely serious allegations he had made, against various newspapers, named journalists, named senior figures at St James’s Palace, and unnamed figures in the secret service.”

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The Top 5 Longreads of the Week

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This week, we’re sharing stories from Desiree Stennett and Caroline Glenn, Imani Perry, Bethany Marcel, Joshua Hunt, and David Alm.

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1. Locked Out

Desiree Stennett, Caroline Glenn | Orlando Sentinel | May 13, 2021 | 9,200 words

A three-part investigative series about how the pandemic exposed Florida’s eviction crisis.

2. Stop Hustling Black Death

Imani Perry | New York Magazine | May 24, 2021 | 4,300

“Samaria Rice is the mother of Tamir, not a ‘mother of the movement.'”

3. How to Tell a Trauma Story

Bethany Marcel | Midnight Breakfast | May 27, 2021 | 1,700 words

“For a decade I’ve been trying to write this story. This is always as far as I get.”

4. Did Paying a Ransom for a Stolen Magritte Painting Inadvertently Fund Terrorism?

Joshua Hunt | Vanity Fair | May 27, 2021 | 5,477 words

“Modern art crime, like the arms trade, still thrives in the shadow of global conflict, which gives rise to criminal networks that make from the detritus of war immensely profitable commodities.”

5. The Marathon Men Who Can’t Go Home

David Alm | GQ | May 21, 2021 | 4,800 words

“Each had come to America with the hope of making life-changing money that they could send back home to their families. What they found was an often desperate existence in their adopted homeland.”