Search Results for: Time Magazine

More Than a Riot Going On: A ‘Detroit’-Inspired Reading List

A Michigan State police officer searches a Detroit youth on July 24, 1967. (AP)

Reactions to Kathryn Bigelow’s latest film Detroit have been polarized, and the considerable backlash may have caused its opening weekend box office to suffer. Bigelow’s films are known for their tightly-choreographed combat scenes and their fictionalization of brutal historical events. In Detroit, Bigelow takes on the story of the Algiers Motel incident, where three young black men—Carl Cooper, Fred Temple, and Aubrey Pollard—were tortured and killed by police officers in the motel’s annex. In the early morning hours of July 26, 1967, a few days into the unrest that would eventually become known as the Detroit rebellion, the three young men, along with many others, took refuge at the motel amid a city-wide curfew. Police forces received reports of sniper fire and raided the Algiers, finding a group of black men socializing with white women. There were interrogations, humiliations, assaults, and eventually murder. No gun was ever found on the grounds of the Algiers, and the police involved were found not guilty on all charges associated with the incident.

Conversation about the film has touched on questions about who has the authority to tell what stories. Bigelow is a white woman from the West Coast who said she knew herself not to be the “ideal person” to make the movie. But she and former journalist Mark Boal, the film’s screenwriter, worked with black academics, historians, and eyewitnesses to ensure a certain level of accuracy in the story. Jelani Cobb, a historian and staff writer at The New Yorker, Michael Eric Dyson, a sociology professor at Georgetown, and Henry Louis Gates, Jr., head of the Hutchins Center for African and African American Research at Harvard were among those reportedly consulted.

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The Top 5 Longreads of the Week

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This week, we’re sharing stories from Jay Caspian Kang, Ryan Goldberg, Brendan I. Koerner, Andrew Richdale, and Ferris Jabr.

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Corals and Crabs Get Moonstruck, Too

Image by Piith Hant, via WikiMedia Commons (CC BY-SA 4.0)

The moon has been on my mind lately. Maybe it’s the upcoming solar eclipse (of which I’ll only get to see 88% percent, alas), or the number of times “lunatic” has been used in political commentary over the past few months. Of course, if you’re a coral reef off the coast of Australia, the moon has always been a crucial element in your existence (specifically: your sex life), and humans’ heliocentric obsessions are just plain silly. As Ferris Jabr lovingly shows at Hakai Magazine, moonlight has only recently started to receive the attention it deserves from marine biologists and other environmental scientists — and their lateness is part of a broader, sun-versus-moon cultural binary that has perpetuated itself through the centuries.

In antiquity, the influence of the moon on earthbound life was intuited—and celebrated. Our ancestors revered the moon as the equal of the sun, a dynamic signature of time, and a potent source of fertility.

“Time was first reckoned by lunations, and every important ceremony took place at a certain phase of the moon,” wrote English classicist Robert Graves in The Greek Myths. A 25,000-year-old limestone carving discovered in a rock shelter in France depicts a pregnant woman holding what appears to be a bison horn with the swoop of a crescent moon and 13 small notches—a possible paean to reproductive and lunar cycles. And some early Meso-American cultures seemed to believe that the moon deity controlled sexuality, growth, rainfall, and the ripening of crops.

In more recent times, the importance of the moon to Earth’s creatures has been eclipsed by the great solar engine of life. The sun is searingly bright, palpably hot, bold, and unmissable; our steadfast companion for many of our waking hours. The moon is spectral and elusive; we typically catch it in glimpses, in partial profile, a smudge of white in the dark or a glinting parenthesis. Sunlight bakes the soil, bends the heads of flowers, pulls water from the seas. Moonlight seems to simply descend, deigning to visit us for the evening. We still perceive the sun as the great provider—the furnace of photosynthesis—but the moon has become more like mood lighting for the mystical and occult; more a symbol of the spirit world than of our own. “There is something haunting in the light of the moon; it has all the dispassionateness of a disembodied soul, and something of its inconceivable mystery,” wrote Joseph Conrad in Lord Jim. The sun’s immense power over Earth and its creatures is scientific fact; to endow the moon with equal power is to embrace fairy tales and ghost stories.

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Body Positivity Nudges Plus-Size Fashion Forward

Photo by Jessie Obialor, via Flickr Commons (CC BY-ND 2.0)

For New York Magazine‘s The Cut, Ashley C. Ford writes about the burgeoning plus-size fashion business, and how much of a surprise missed opportunity it’s consistently been for major manufacturers and retailers. When you consider that some 67 percent of women reportedly wear size 14 or larger, it’s remarkable how hard it is for them — Ford included — to find a selection of “fun and quality” clothes designed specifically with larger bodies in mind.

Ford comes at the story from a personal angle, not only as a plus-size customer, but also as someone who was discouraged away from her dream of designing plus-size clothes.

I began my freshman year of college double-majoring in fashion merchandising and apparel design. At the end of my first semester, a professor told me I would be better off changing my major. I had earned an A in her course — for the first time in my life, I was a perfect student. But I was already a size 12, inching closer and closer to 14 each day. My professor was also big, and she told me there was no place for a body like mine in the fashion world unless I was a man or a genius, so I was wasting my money and my time. I don’t believe she meant me harm. I believe she meant to save me: Her experience working in fashion as a fat woman had been abysmal. I wasn’t even comfortable enough to go into some stores at my size, so how was I going to design for them? I changed my major to psychology.

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The Case for Believing Women Who Are In Pain

If there’s only one important takeaway from the backlash to Gwyneth Paltrow’s Goop, it’s that women seek alternative medicine — and therefore the “wellness” movement — because traditional doctors have never taken them seriously.

As Annaliese Griffin pointed out for Quartz, the American healthcare system, while undeniably terrible for nearly everyone, damages women to an extreme. Their “experience of pain is routinely minimized by health practitioners,” resulting in longer wait times, misdiagnoses and even an increased chance of death from things as common as heart attacks.

When Maxwell Williams learned a female friend of his was incapable of having sex without feeling excruciating pain but struggled to find a doctor who would take her pain seriously, he decided to investigate what was really causing the stabbing sensation that doctors kept telling his friend was all in her head. (Never mind that the head is part of the body, indeed controls all of the body, so it makes little sense to discount it.)

For his piece for GOOD Magazine, Williams spoke with about a dozen women who shared his friend’s experience, including one whose marriage unraveled because of it, and he learned of vulvodynia, a Latin medical term that roughly translates to “vulva pain.” The condition plagues far more than the dozen women he spoke with — as much as 16 percent of the female population, or 14 million women, markedly more than those who experience endometriosis or breast cancer. So why don’t we know about it? And why are treatment options so scarce?

“If you were a woman and you were asked, ‘In your last sexual encounter or your last series of sexual encounters, did you experience pain?’ what would you think the answer would be?” he says. “It’s a little over a third. That’s a freaking epidemic. One third of women in our environment are having pain during sex. That’s an unnecessary, bothersome, distressing issue. We need a lot more effort in understanding it.”

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The Engineers Who Can’t Quit Voyager

A copper record containing sounds of the Earth, greetings in 60 languages, songs of birds, whales and animals, is mounted onto Voyager 2. (Photo by SSPL/Getty Images)

For the New York Times Magazine, Kim Tingley profiles the nine flight-team engineers of the 1977 Voyager mission, who have been putting off retirement to see through one of NASA’s most successful missions all the way to the end. They estimate Voyager will run out of energy by 2030 at the latest, marking the end of an era when deepest space was seen by the government, and the public at large, as a mystery worth exploring.

The two Voyager spacecraft famously carried a “golden record” to the deepest reaches of the universe, which contain sounds and images of Earth, selected by a committee helmed by Carl Sagan, should Voyager encounter any intelligent life. The mission was one of optimism and wonder. But with the end of the shuttle program in 2011, and NASA under threat of severe cuts from the Trump Administration, the wonder of space is under attack from those who would commodify it. What is the purpose of space if you can’t make money from it?

The mission quite possibly represents the end of an era of space exploration in which the main goal is observation rather than commercialization. In internal memos, Trump-administration advisers have referred to NASA’s traditional contractors as ‘‘Old Space’’ and proposed refocusing its budget on supporting the growth of the private ‘‘New Space’’ industry, Politico reported in February. ‘‘Economic development of space’’ will begin in near-Earth orbit and on the moon, according to the president’s transition team, with ‘‘private lunar landers staking out de facto ‘property rights’ for Americans on the moon, by 2020.’’

All explorations demand sacrifices in exchange for uncertain outcomes. Some of those sacrifices are social: how many resources we collectively devote to a given pursuit of knowledge. But another portion is borne by the explorer alone, who used to be rewarded with adventure and fame if not fortune. For the foreseeable future, Voyager seems destined to remain in the running for the title of Mankind’s Greatest Journey, which might just make its nine flight-team engineers — most of whom have been with the mission since the Reagan administration — our greatest living explorers. They also may be the last people left on the planet who can operate the spacecraft’s onboard computers, which have 235,000 times less memory and 175,000 times less speed than a 16-gigabyte smartphone. And while it’s true that these pioneers haven’t gone anywhere themselves, they are arguably every bit as dauntless as more celebrated predecessors. Magellan never had to steer a vessel from the confines of a dun-colored rental office, let alone stay at the helm long enough to qualify for a senior discount at the McDonald’s next door.

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The Hippies Who Hated the Summer of Love

Newcomers to the Haight-Ashbury neighborhood in April, 1967. At the height of the "Summer of Love," the area had a population density greater than Manhattan.

Kate Daloz | Longreads | August 2017 | 11 minutes (2700 words)

The posters began to appear around the city just after New Year’s, 1967. “A Gathering of the Tribes for a Human Be-in…Bring food to share, bring flowers, beads, costumes, feathers, cymbal flags.” On Saturday, January 14, a crowd of young people began to form on the open fields of Golden Gate Park. Throughout the day, local bands — not yet famous — took turns on the stage: The Grateful Dead, Jefferson Airplane, Janis Joplin’s Big Brother and the Holding Company. Poets Allen Ginsberg and Gary Snyder led Hindu chants to the bouncing rhythm of finger cymbals. Timothy Leary addressed the crowd, urging them for the first time ever to “turn on, tune in, and drop out.” Owsley Stanley, the rogue chemist credited with manufacturing the period’s highest-quality LSD, donated 75 turkeys for sandwiches — the bread was sprinkled lightly with crushed White Lightning acid. At one point, a skydiver descended gently into the crowd, borne by a white parachute.

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The Top 5 Longreads of the Week

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This week, we’re sharing stories from Libby Copeland, Patrick Blanchfield, Taffy Brodesser-Akner, Cory Taylor, and Tabitha Blankenbiller.

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The Brief Career and Self-Imposed Exile of Jutta Hipp, Jazz Pianist

Detail of the cover for Jutta Hipp with Zoot Sims, Blue Note 93178. Via flickr4jazz on Flickr

Aaron Gilbreath | This Is: Essays on Jazz | Outpost19 | August 2017 | 21 minutes (5,900 words)

In 1960, four years after the venerable Blue Note Records signed pianist Jutta Hipp to their label, she stopped performing music entirely. Back in her native Germany, Hipp’s swinging, percussive style had earned her the title of Europe’s First Lady of Jazz. When she’d moved to New York in 1955, she started working at a garment factory in Queens to supplement her recording and performing income. She played clubs around the City. She toured. Then, with six albums to her name and no official explanation, she quit. She never performed publicly again, and she told so few people about her life in music that most of her factory coworkers and friends only discovered it from her obituary. For the next forty-one years, Jutta patched garments for a living, painted, drew and took photos for pleasure, all while royalties accrued on Blue Note’s books.

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Diet Is a Four-Letter Word

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In recounting the history of America’s obsession with thinness, Taffy Brodesser-Akner explores her own struggles with weight loss and the weight loss industry. She relates how “diet” has become a four-letter word, out in favor of a new form of personal imprisonment — “eating clean,” “getting fit, and “being strong” — none of which offer any magic in a lifetime of struggle between body acceptance and losing weight.

I went to an intuitive-eating class — intuitive eating is where you learn to feed yourself based only on internal signals and not external ones like mealtimes or diet plans. Meaning it’s just eating what you want when you’re hungry and stopping when you’re full. There were six of us in there, educated, desperate fat women, doing mindful-eating exercises and discussing their pitfalls and challenges. We were given food. We would smell the food, put the food on our lips, think about the food, taste the food, roll the food around in our mouths, swallow the food. Are you still hungry? Are you sure? The first week it was a raisin. It progressed to cheese and crackers, then to cake, then to Easter candy. We sat there silently, as if we were aliens who had just arrived on Earth and were learning what this thing called food was and why and how you would eat it. Each time we did the eating exercise, I would cry. ‘‘What is going on for you?’’ the leader would ask. But it was the same answer every time: I am 41, I would say. I am 41 and accomplished and a beloved wife and a good mother and a hard worker and a contributor to society and I am learning how to eat a goddamned raisin. How did this all go so wrong for me?

I nodded into the phone because I didn’t want Oprah to hear me crying. I wanted to quit dieting, but had come to realize that dieting was all I had. I was completely perplexed by food — food! Stupid food! That’s what this was about! I dieted because I wanted to maintain hope that I could one day manage my food intake, because my bewilderment around the stuff was untenable. When I didn’t have that hope, I was left with too much worry about pain, about how much my knees hurt now and how much more they would in just a few years. I could be enlightened about my body. I could have acceptance. But nobody would tell that to the people who saw me as a target; nobody would tell that to my knees.

Weight isn’t neutral. A woman’s body isn’t neutral. A woman’s body is everyone’s business but her own. Even in our attempts to free one another, we were still trying to tell one another what to want and what to do. It is terrible to tell people to try to be thinner; it is also terrible to tell them that wanting to lose weight is hopeless and wrong.

I don’t know if diets can work in the short term or the long term. For the first time, I began to think that this was something worth being made crazy over. Our bodies deserve our thoughts and our kindness, our acceptance and our striving. Our bodies are what carry our thoughts and our kindness and our acceptance and striving.

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