Illustration by Kjell Reigstad / Collage by Richard Kehl/Getty
Jason Diamond | Longreads | October 2017 | 19 minutes (4,639 words)
I had two wardrobes growing up: The first, at my father’s house, was made up of Air Jordans, Lacoste, Ralph Lauren, and Calvin Klein. At my mother’s house I had no-name brands, sneakers that were worn until they were falling apart, and second-hand shirts and sweaters that we’d pick up at the local Goodwill. That was life living under two different roofs of divorced parents in different economic brackets. My father had everything, my mother had very little. My father took us to the mall to buy things, my mother, more often than not, to thrift stores. Malls, where everything was laid out perfectly, were places to be seen carrying shopping bags; thrift stores, meanwhile, were intimate and offered more adventure. At some point, despite kids making fun of me for my shabby clothes, I grew to like the second-hand places more; you never knew what you would find. As I got older, I still shopped at thrift stores out of financial necessity, but it was also an aesthetic choice.
When I think back on the things I found in thrift stores as a teenager, my mind flashes to the jerseys of former Chicago Bulls who played during the first-half of the team’s dynasty run in the 1990s (#54 Horace Grant, #10 B.J. Armstrong), electronics no more than a decade old that were already considered obsolete, and countless copies of Whipped Cream & Other Delights by Herb Alpert & the Tijuana Brass. Like a prospector, I spent my high school years combing through Abercrombie & Fitch shirts worn by the kinds of kids I tried to avoid, strings of used Christmas lights, power suits I considered wearing as a David Byrne in Stop Making Sense Halloween costume, and other things people didn’t want or need anymore, all to find one tiny morsel of gold. Those little nuggets included an “Aloha Mr. Hand” Beastie Boys ringer T-shirt when I was 14 at a Salvation Army, an autographed picture of Tim Allen that I taped up in my locker as a joke, a sealed vinyl copy of Let it Be by The Replacements, and a Mies van der Rohe-designed Barcelona chair for $40. In my trash heap of a college apartment, I played video games and spilled beer on this pricey piece of designer furniture. I assume my roommates threw it out after I left.
I’ve always gravitated towards older things. I didn’t want to wear anything brand new from The Gap or “No Fear” shirts like my classmates did, and I liked the idea of being surrounded by items people didn’t want anymore. I preferred the old VHS players that went out when DVD players came in. Cassette tapes, old copies of National Geographic and Esquire, along with other relics, served as an education of sorts. They were things I saw as a small child but hadn’t been allowed to touch or own. I’d look at old furniture and notice hand-carved signatures in the wood, a sign that somebody had made it — it wasn’t some mass-produced lump of particle board.
Then there were the books. High school had taught me about Mark Twain, Charles Dickens, Virginia Woolf, Edith Wharton, F. Scott Fitzgerald, and James Baldwin. Thrift stores gave me my first tastes of Karl Marx, Saul Bellow, Albert Camus, Mary McCarthy, and Salman Rushdie. Both invaluable curriculums, but second-hand books allowed me an opportunity to design my own for about 25 cents a lesson, or five for a dollar. The covers made me feel like I was in a dusty little art gallery: The Modernist designs of Alvin Lustig for New Directions; the iconic, handsome, orange Penguin paperbacks; the seedy, sexy characters of 1950s pulp fiction.
I mostly judged the books by their covers, but there was one in particular I became obsessed with, inside and out. Used copies of this ghostly relic from 1984 are as common in thrift stores as old Barbra Streisand records or Sega Genesis video games. It’s a book I love, which I’ve had on every bookshelf I’ve owned; a book and a cover that I think sum up so much of my taste: Jay McInerney’s Bright Lights, Big City.
This week, T: The New York Times Style Magazine publishes “The Greats,” a package featuring masters in various artistic fields, profiled by great writers. There are seven profiles, and seven different covers to go with them.
Included is novelist Alexander Chee’s profile of Korean director Park Chan-wook, who has become the most celebrated filmmaker in Korea despite his informal training.
Park is an autodidact, a self-taught auteur. This wasn’t just by choice; the 1980s Korea in which he came of age had only a few film schools, and no serious cinematic culture for him to either engage with or ignore. He had only the American Forces Korea Network, a television channel famous for airing foreign movies, often without subtitles. (If there were subtitles, they were in English, not in Korean.) Park remembers watching these on his family’s black-and-white television. Later, he had his university’s cinema club, which showed bootleg VHS tapes of foreign films. “When you say you go to a film school in America or France, you would probably go to a lecture where they teach you about German Expressionism and show you what these German Expressionist films are,” he says. “But in Korea there was no systematic education I could be exposed to. It was sporadic, haphazard. And maybe that’s why my films have ended up in this strange form, where it feels like it’s a mishmash of everything.”
He recalls a James Bond film he saw in the theater as a boy — he doesn’t remember which one, but it excited him so much, he began imagining his own Bond films. But not just the stories: He saw them in his head, shot for shot, thinking of how lighting, angles and editing told stories, and he began formulating his own.
Matt Giles | Longreads | October 2017 | 1,800 words (7 minutes)
As a graduate student pursuing a Ph.D. in anthropology at Penn State, Jason De León spent a decade in Mexico studying debris left behind thousands of years ago by indigenous peoples crafting simple tools out of obsidian. The goal, he says, was to learn about ancient political economies, but he ultimately felt his future career path was too niche. “I looked at 40,000 little shiny pieces of rock and tried to say something meaningful,” he tells me. “I don’t know if I actually succeeded, but I definitely got to the point where I felt like that wasn’t the best use of my time.”
Last week, De León was awarded the MacArthur “Genius” grant, $625,000 doled out in installments over the next five years with no strings attached. I spoke with De León, now an associate professor of anthropology at the University of Michigan, about the origins of his Undocumented Migration Project, how border crossings have changed in the decade he’s been in the field, and how he’ll use the MacArthur funds.
***
When you first founded the Undocumented Migration Project, what was your end goal as you were getting it up and running?
I had some pretty simple goals: How can we learn about what border crossing looks like without physically being with migrants crossing the desert? Are there other ways to study that behavior? Is archeology one of those ways?
People have some pretty strong opinions about border crossing. Based on accounts of journalists who have talked to migrants, you tend to get black or white kinds of discussions. So I thought, what would the archeology tell us? Is there a way to study this process? At that point, I was naively thinking, ‘Oh I’m gonna be a scientist and study this process and it’ll be this apolitical kind of endeavor.’ It turned out to be an incredibly political endeavor, but it’s definitely science.
Was that something you were fascinated with while you were doing your undergrad and getting your Ph.D. or did this evolve?
I’m a classically trained archeologist. I spent about ten years in Mexico before I began this project. The migration stuff came incredibly late, which is surprising given the fact that I grew up on the U.S.–Mexico border and I have many family members who were immigrants and have undocumented family members. It wasn’t until I started having really deep conversations with people who worked on archaeological projects in Mexico, and hired laborers who told me about their immigration experiences. That’s when I really started getting interested in this as a topic of study.
Archeology uses artifacts from the past to explain the present. But this is archeology as it happens. Has it been difficult to address what you’re finding in terms of how it forms your opinion of what migration means in this 21st century?
All archeology really means is we’re studying the past through material traces. We tend to think these must be ancient things. But what happens if you think about the archeology of the recent past, as recently as this morning in some cases? Is that still archeology, or is that something else?
I’ve had to be really defensive when people would say to me, “you’re not an archaeologist.” I’m now at the point where I use archeology to understand border crossings, but that’s not the end of it. I have to draw on other things.
One of the cautionary tales that I tell students is that people love to talk about these migrant objects: the backpacks, the water bottles. It’s very easy for them to empathize with shoes and baby bottles and to be emotionally impacted by a giant wall of backpacks. It becomes more difficult for them to take those feelings and put them in the context of a real individual. It’s okay to think these objects are powerful, but you have to remember they are only powerful because of their connection to these people.
Items left behind by undocumented immigrants on the U.S. side of the Rio Grande River, 2014. (John Moore/Getty Images)
It’s forming a connection, it’s forming a bond to something that you’re powerless over, or that you find hard toaddress.
Archeology that happens this morning, or yesterday, is a difficult and murky territory. Our interpretations of these materials become very complicated. If you find these things in the desert and you use archeology to try to understand it, you’ll have your own opinions about it. Then a migrant comes by and blows your opinions out of the water; it can become very troubling for some archeologists. If we can’t even figure out what this shit means yesterday, how are we going to understand what these things meant five thousand years ago?
It’s interesting too because history is subjective.
It’s okay to be uncomfortable with this stuff, and it’s okay to embrace ambiguity and subjectivity. I’d rather talk about the diversity of interpretations of the past, or multiple types of explanations for an observed behavior, than to just give you my one expert opinion.
I think that people want definitive answers because they erroneously think about archeology as a truth-finding mission where the artifacts don’t lie. Of course artifacts lie all the time. Think about the manipulation of the past through monuments., There are active, purposeful adjustments to material culture that will subsequently impact the way things are interpreted later.
We’ve been collecting this stuff in the desert for a long time, whereas other objects that were left have been taken away and thrown in the trash. But if someone cleaned up the desert, and then we went back in a hundred years or in five hundred years, you wouldn’t even know the border crossing ever happened. This active destruction of the archeological record that’s occurring in real time really hints at the fact that the archaeology is not always going be truth finding. We’re manipulating it as we go.
In the decades that you’ve been doing this, have the objects that people have brought with them changed over time? Soes that help you sketch out a narrative of how migration is changing?
The technology evolves. Water bottles and clothing come in and out of style. The preferred objects to get through the desert have evolved and adjusted. In the beginning of this project, we would find a lot of personal items, a lot of heirlooms, things that people thought they were going need that were not very useful, so they ended up losing or discarding them.
Over 25 years, people crossing the border have become well informed about the dangers of the journey. The material culture in the aarchaeologicalrecord has become much more focused and more strategic. It’s really about survival, physical survival, mental survival.
People will say ‘I didn’t bring anything with me because I know I’m gonna lose it.’ I’d rather leave it at home or leave it in my home country than risk taking stuff to the desert. And what we’re also seeing now, with this increase in Central American migrants, are people showing up at the U.S.-Mexico border with nothing. They have to cross Mexico first before they can to the border, and they have been robbed so many times that they have literally no personal effects when they finally make it to the border.
(John Moore/Getty Images)
Has your project changed to study the archaeological record of Central American migrants?
We’ve definitely been focusing much more attention on Central America since 2015. We’ve done some archeology in Mexico, on the train tracks and other places where migrants are crossing and trying to look at that artifact assemblage as well. I have been working with smugglers as well.
I think the smugglers are an overlooked and misunderstood piece of this puzzle. Everybody, from migrants to law enforcement, loves to scapegoat the smuggler. So if a migrant dies in the desert, it’s because it’s the smuggler’s fault. Clearly, that’s not always the case. Smugglers don’t take migrants through the Arizona desert because they love nature. They’re taking people through the desert because of this border enforcement policy.
Looking at the smugglers, I’m trying to fill in some blanks and really humanize this group of people who obviously are doing some horrible things. At the end of the day, they are complex humans.
Are there are challenges to undertaking this project in the current political climate?
It’s not any more harder now in the Trump era than it was before. It has always been difficult dealing with the politics of the project, and people’s reactions to it. There are also the emotional difficulties of doing this type of research, working with people who are in the midst of so much trauma.
I just saw a report about a professor at UNLV getting called out by the Trump administration for bad-mouthing him in a classroom. We’re in this era where our civil liberties and free speech are being directly attacked by the people in charge. As someone who is committed to this issue, I’ve had to do some real soul searching about what my role would be. Am I gonna get quieter and try to protect myself? Or do I keep doing what I’m doing because I believe that it’s right?
I’ve got a lot of colleagues who didn’t think it was that important to be in the public or to engage with media. They are now trying to translate their work for a general audience. There are a lot of folks now who are so worried about what’s going on in this country that they are getting active and vocal.
What do you plan to use the MacArthur money for?
For many years I’ve wanted to have a research compound in southern Arizona, so we will buy some property in this little town called Arivaca, which is I think the greatest place on earth. I’ll probably start by putting a double wide on there so we have a permanent home base and then we’ll just start building facilities.
Part of this money will also go to buy a truck so I can stop renting vehicles all the time. We’re working on a new exhibition so some of these funds will be used to develop this multi-media traveling exhibition that we hope to launch next year.
The truck, the archeologist’s greatest tool.
You know, I’ve never owned a truck in my life. When I found out about the grant, I knew I could finally get my truck!
A hot Hollywood beauty optioned the film rights to my first novel, Clown Girl, then, months later, invited me out for dinner. Specifically, her people emailed my people — me.
Her agent asked if I’d be interested and available.
I was home alone when I got the message, and beyond interested. I was instantly dizzy, maybe sleep-deprived, over-caffeinated. I grabbed the back of a chair, knocking over a paper cup of cold coffee on our cluttered dining table. I teach English Composition at a small, private art school and I write. I’m a full-time mom with a full-time job and a full-time writing career on the side, wherever “the side” is. I live in a sea of student essays, department meetings, administrative work, my own pages of writing, submission, acceptance, rejection, my daughter’s projects and a lot of late nights at the computer. This Miss Hollywood, of course, is a movie star.
Now she’d reached out to me — she, this writer and actress, a woman said to have “single-handedly reinvented [the] romantic comedy formula,” hailed as a “comedic genius” by more than one publication.
Yowza!
I didn’t check my calendar. I’d make time. Morning, noon, night, I’d be in town. When opportunity knocks, right? “Yes,” I emailed back, tapping the single word into my phone. Coffee dripped to our worn floorboards.
Women attend a Tupperware party, 1955. (Archive Photos/Getty Images)
The commodification of female friendship began in the living room, often with a small party or a conversation between neighbors. Then the goods came out: cosmetics, vitamins, jewelry. The multi-level marketing scheme was a suburban phenomenon, a way for homemakers to earn some money among friends. In the 1960s and 70s, Mary Kay, the pink-hued cosmetics company, dominated the market; in the 1980s, it was the Pampered Chef, with its kitchen tools and cookbooks; in the 2010s it’s LuLaRoe, a clothing company with coveted patterned leggings that are sold primarily through social media.
Today, multi-level marketing is booming online, with entire transactions taking place in the comments sections of Facebook posts, and aspiring entrepreneurs dispensing tips on YouTube about unloading their inventory. The products may vary, but the tactics don’t. Products are displayed, promises made. And whether a woman calls herself a consultant, a retailer, a partner, or distributor, there’s always a thinly veiled sense of desperation beneath the pitch.
Women who participate in MLM companies make a hefty up-front investment. To profit, they’ll need to recruit others to invest, and once drawn in it can be difficult to get out. Take a look at any website for an MLM company, and you’ll see sparkling promises of wealth for women. They don’t just sell products; they sell fantasies of empowerment, control, and financial freedom. Thanks to the stories below, it’s easy to understand how and why these companies target women, and what happens when they do.
It’s easy to associate Tupperware with beehive hairdos and grimy leftovers, but the company—pushed to success by social networker Brownie Wise—set the stage for today’s MLM culture. Doll tells the story of how Wise grew the company from a food storage novelty to an unstoppable national phenomenon. Why did hosting home parties as a Tupperware consultant appeal to so many women? For many, it meant a chance to work again, after the loss of employment after World War II.
Most of Wise’s Tupperware recruits fit neatly into the stereotypical role of a proper housewife. But, in reality, they surreptitiously represented a new kind of female empowerment. During World War II, many women had no choice but to enter the workforce. At its end, many of them had no choice but to leave it. Suddenly, selling Tupperware at parties allowed women to straddle both worlds. They were employed, yet they didn’t appear to challenge their husbands’ authority or the status quo. This pioneering entrepreneurial model allowed them to inhabit a workforce outside of the one the hustling salesman inhabited, and, in many cases, to do even better than he did. And that power relied specifically on a network of female friends and neighbors.
The parties weren’t just a way for women to keep occupied—it was a way they could contribute to their family’s bottom line. Most women who worked outside the home had low-paying jobs in fields like light manufacturing, retail, clerical work, and health and education. The money—committed dealers could bring in $100 or more per week—was a revelation. The opportunity for success was so great that the husbands of some Tupperware ladies left their own jobs to work with their wives.
For decades, Mary Kay has sold a two-sided promise to women: You can buy cosmetics for youth, but for actual power, you should sell them. When Sole-Smith became a consultant for the cosmetic brand, then nearly fifty years in business, she witnessed the revival-style tactics used consultants to recruit women. She also saw a flip side of the brand for women who found both friendship and financial peril in their new roles.
Lynne resigned from her directorship soon after, but she stayed on as a consultant. She had over $15,000 in credit card debt and a basement full of unsold products inching closer to their expiration dates. It took three more years to fully extract herself, paint over the pink wall, and get rid of the products. In 2011, her husband filed for divorce, citing as one of the reasons their “different attitudes towards money.” “He meant the whole Mary Kay thing,” Lynne said. “We just never got past it.” But it wasn’t for lack of trying. When her husband first began to talk about leaving, Lynne cleared every last Mary Kay product out of the house, selling much of it at a loss and throwing the rest in the trash. “I didn’t want him to see so much as a bottle of lotion and be reminded,” she said. “I didn’t want to be reminded either.”
But she hasn’t left Mary Kay behind entirely. The consultant who debuted with only two guests at Lynne’s party remains one of her best friends and is her son’s godmother. Lynne’s new career in real estate allows her to apply her sales knowledge, and the commission checks are at least bigger.
“Oh gosh, we were all so happy,” Lynne said as we looked at a picture of women in sequined cocktail dresses and layers of Mary Kay makeup smiling into the camera, their arms slung around one another. “I guess I didn’t know who I would be without Mary Kay to define me.”
When Monroe embroiled herself in the wild world of MLMs that sell essential oils, she found that it meant more than money for its sellers. Part of the appeal of grassroots-style selling came from consultants’ belief in their products. And when it comes to essential oils, it could feel like a matter of life or death.
Lara distributed a handout that listed various ailments and their oil treatments: eucalyptus for bronchitis, lavender for third-degree burns, cypress for mononucleosis, rosemary for respiratory syncytial virus. Diffusion “kills microorganisms in the air which helps stop the spread of sickness,” the pamphlet read. Oils “repair our bodies at a cellular level so when you are not sure which oils to use, don’t be afraid to use several oils and the body will gain a myriad of benefits.” Lara told the people in the room that doTerra had oils that were “very antiviral” and could knock out bronchitis in twenty-four hours. She shared essential-oil success stories—her migraines gone, her friend’s rheumatoid arthritis reversing, a colleague’s mother’s cancer in remission. A blond woman at the back of the room raised her hand. “Cancer?” she said, sounding both skeptical and hopeful. She explained that her sister-in-law had recently been treated for breast cancer, and was taking a pill to prevent its recurrence, but the side effects were terrible. The blond woman was hoping for a more natural solution.
“There is an oil for that,” Lara said cautiously. “There is some research. It is an option. It would not have those side effects.”
Women can become involved in MLMs for both friendship and financial gain. But what happens when everyone you know is involved in a sales scheme? After all, there are only so many showcases and special sales a person can attend, and for some, it might feel like an entire friend group has morphed into eager saleswomen. As Lipton learned, not everyone is thrilled about those endless invitations and events.
There’s a fine line between inspiring and annoying, and not all Rodan + Fields consultants tread it well. In fact, if you sell Rodan + Fields and think your friends might be dodging you, they probably are. “This is the suburban scourge,” says Rachael Pavlik, a Houston mother and the blogger behind rachriot.com, who says she goes out of her way to avoid anyone trying to sell her anything. “At first I would buy all of their stuff because I was kind of guilted into it….What is that? That’s not friendship.”
Pavlik is more outspoken than most. Most women we spoke to can’t bring themselves to hurt their friends’ feelings, so they roll their eyes privately, secretly blocking Rodan + Fields consultants who clutter their Facebook feeds and deftly fending off clumsy come-ons. One East Coast mother says she’s been approached multiple times by everyone from the woman who does her brows to childhood acquaintances she hasn’t seen for decades. Last year, an old high-school friend asked her to lunch — for reasons that soon became all too clear: “It wasn’t long into the conversation before I realized that this was a thinly veiled attempt to make me join her team,” she says. “She’s not trying to be friends with me; she’s trying to build her empire.”
Wicker’s deep dive into the business practices of retailer LuLaRoe finds women grappling with everything from disappointment to financial disaster. On its website, LuLaRoe hypes not a company, but a movement—one that offers retailers a happy ending complete with balance, flexibility, and personal fulfillment. However, Wicker finds that the ending can happen quite differently for most consultants.
When consultants wake up to the fact they’ve been hoodwinked, many don’t warn their friends to stay away. That’s because if you speak out against any of LuLaRoe’s rules or mishaps, the community could publicly shame and harass you for being negative. “I can’t believe you call yourself a Christian,” one retailer wrote to someone trying to sound the alarm. “Where is the Jesus in you? I have to block you due to your constant-gross-delusional-uneducated opinions of LLR.” If you reveal you are struggling to make sales, you might be told to stop playing the victim, that you’re not putting in enough effort, to be more enthusiastic, and, of course, to buy more inventory.
“Success as a retailer results only from successful sales efforts, which require hard work, dedication, diligence, leadership, and perseverance,” says a LuLaRoe spokesperson. “Success will depend upon how effectively these qualities are exercised. As with any business, results will vary. In addition to the factors above, retailer success is influenced by the individual capacity, business experience, expertise, and motivation of the retailer.”
In other words, it’s not the system that’s broken — you’re just not trying hard enough.
A Maki Oh presentation during New York Fashion Week. (Ilya S. Savenok/Getty Images)
For The New Yorker, Alexis Okeowo profiles Nigerian fashion designer Amaka Osakwe, whose delicate yet adventurous creations from the line Maki Oh have been worn by Michelle Obama, Solange, and Lupita Nyong’o. Nigeria, a massive country with bustling metropolises, an expanding middle class, and a fashion-forward cadre of cosmopolitan “repats,” is still conservative about sexuality and female agency. Osakwe’s work pushes hard against those old mores while still embracing some of the country’s traditions in textiles and dressmaking.
Her first collection, that same year, was inspired by a coming-of-age ceremony called dipo, undertaken by girls of the Krobo ethnic group in Ghana. In the ceremony, girls are sent to the house of a chief priest, where they undress, have their heads shaved, and are given cloths to wear around their waists; strips of raffia are tied around their necks. During the next few days, older women teach them the skills of seduction, housekeeping, and child rearing. The girls wade into the river with sponges and calabashes for a communal bath, and sit on a sacred stone that affirms their virginity. At the culmination of the rite, they dress in bright kente cloth, adorn their bodies with beads, and dance before the community.
Osakwe, beginning her adult life in Lagos, was drawn to the ritual. “I thought it was fitting at the time,” she said. She broke calabashes into pieces, burned them in an oven to various shades of brown to match Nigerian skin tones, and drilled holes in them so that she could sew them onto blouses. “It was exhausting and exciting,” she said. She made gauzy tops with circles painted on them to accentuate the wearers’ breasts, a reference to the bare-chested girls of the rite. On a low-cut silk jumpsuit, she used an adire motif of a shekere, a dried-gourd instrument covered with beads, which conveys a wish for good times.
Rescue workers working through piles of rubble in Mexico City in 2017 (left) and helping a victim in 1985 (right). (AP Images)
Jesus Jimenez | Longreads | October 2017 | 13 minutes (3,155 words)
September 19 started out as a tranquil, but eerie day in Mexico City. The sun rose at 7:24 a.m. over the Popocatépetl volcano and onto the homes and offices and workplaces of the city’s nearly 8.9 million residents.
That Tuesday morning, commemorations were being held throughout the city. It was the 32nd anniversary of the 8.1 magnitude earthquake that killed more than 5,000 people in Mexico’s capital in 1985, causing 412 buildings to collapse and more than $3 billion in damages. Mexican law states that all schools and public institutions are required to hold earthquake safety drills every September 19. Some places choose to practice their safety drills earlier in the morning to avoid interfering with their work or school days, while others participated in the national earthquake drill scheduled for 11 a.m.
Just after 1 p.m., my uncle Ángel Jiménez was walking to the local market to buy some fresh produce. He pulled out a note on his phone to double-check his grocery list before turning it off to conserve the remainder of its low battery life. As he put his phone away, a peculiar thought popped into his head. If an earthquake ever happened again, I don’t care what happens to me. I’d be OK knowing my wife and two kids are safe.
“It was a one of those crazy thoughts,” Jiménez says. “It was one of those things you feel silly for even allowing it to pop into your head. At the time, I didn’t think of it as a premonition.”
At 1:14 p.m. the supermarket started shaking. Initially the shaking didn’t scare Ángel. Mexico City is in a subduction zone, which means the oceanic Cocos plate is slowly sinking under the continental North American plate, making Mexico prone to earthquakes. On February 5, 2012, a 4.8 magnitude earthquake shook Guerrero, Mexico, 218 miles from the nation’s capital. On May 6, 2013, a 4.1 magnitude earthquake struck Puebla, Mexico, 82 miles southeast of Mexico City. Earlier in the month, on Sept. 7, a deadly 8.1 magnitude earthquake hit offshore Chiapas, Mexico killing at least 90 people and damaging hundreds of homes and buildings.
Although earthquakes don’t happen every day, Ángel and the people of central Mexico are familiar with slight tremors. Ángel is blind, but he doesn’t use a walking stick, nor does he have a service dog. He didn’t think running out of the market would be a wise idea if he couldn’t see where he was going, so Ángel held onto one of the counters. He wanted to take cover under the counter, but his muscled, 5-foot-9-inch frame couldn’t fit. At first Ángel thought something was wrong with the counter, as if something was loose.
“It felt like a light tremor, then there was a sudden jerking pull,” Ángel says. Within a matter of seconds the shaking turned from innocent and forgettable to forceful and historic. It would be hours before Ángel would learn that the shaking came from a 7.1 magnitude earthquake about three miles northeast of Raboso, Mexico, 70 miles southeast of Mexico City.
As the shaking intensified, Ángel had flashbacks to the devastation that occurred 32 years ago. He’d been here before. Read more…
The nation’s third-largest state is currently engulfed by 17 separate wildfires, with more than a dozen people dead and additional 100 in the hospital. More than 80 percent of Puerto Rico, a U.S. territory, is still without electricity after Hurricane Maria devastated the island three weeks ago, and more than a third of the island’s population does not have access to drinking water. But the President of the United States, after throwing paper towels at Puerto Ricans, is tweeting vindictively about a cable television host he dislikes.
ESPN did not say exactly which of Hill’s tweets prompted her suspension, but it appears to stem from several tweets after Dallas Cowboys owner and general manager Jerry Jones said that players who don’t stand for the national anthem — “disrespects the flag,” in his words — will not be allowed to play.
Before we go any further, here are some things to know about Jerry Jones. Read more…
You must be logged in to post a comment.