Search Results for: The Stranger

A Murder in Hawaii: The Two Trials of Maryann Acker

In 1982, mere weeks before leaving Hawaii, author Linda Spalding had been summoned to serve as a juror on the murder trial of Maryann Acker. She ran five minutes late on the day the jury convened to reach a verdict; the judge promptly dismissed her and an alternate took her spot. Acker was found guilty and has spent the next 30 years in prison.

In this piece from Brick Magazine, Spalding reflects on memory, her own quixotic quest to help reverse Maryann’s conviction, and the outsized effect complete strangers can have on each other’s life.

A few months later, I spent three afternoons with Maryann behind the razor wire and chain-link fence at the California Institution for Women,where she had spent twenty-two years of her life. Because of the murder conviction in Hawaii, the California parole board considered her a serial killer, and with a life sentence they could hold her indefinitely. During those first visits I told her she had seemed frozen as she sat in our courtroom all those years before, never shaking her head or wiping her eyes. Never shouting. Never bursting into tears or insisting on her innocence. Even so, I had identified with her then, and now I watched her closely, trying to decide if my belief in her innocence had been justified.

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Atomic Summer: An Essay by Joni Tevis

Operation Teapot, the Met Shot
Operation Teapot, the Met Shot, a tower burst weapons effects test April 15, 1955 at the Nevada Test Site. Photo via Wikimedia Commons

Joni Tevis | The World Is On Fire: Scrap, Treasure, and Songs of Apocalypse  | Milkweed Editions | May 2015 | 28 minutes (7,494 words)

 

Below is Joni Tevis’s essay “Damn Cold in February: Buddy Holly, View-Master, and the A-Bomb,” from her book The World Is On Fire, as recommended by Longreads contributing editor Dana Snitzky. This essay originally appeared in The Diagram. Read more…

The Radical Pessimism of Dashiell Hammett

The Thin Man

David Lehman | The American Scholar | Fall 2015 | 19 minutes (4,696 words)

 

Our latest Longreads Exclusive comes from the new issue of The American Scholar. Our thanks to them for sharing this essay with us.

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The Jeopardy category is Opening Lines, and the literary answer is “Two Bars, 52nd Street.” You need to ask what works begin in such venues. One comes to mind quickly enough, but if you have only an out-of-towner’s awareness of New York City and you have not paid close enough attention to W. H. Auden’s “September 1, 1939,” you may misread yourself 10 blocks down past Times Square. Read more…

Yonkers, Housing Desegregation and the Youngest Mayor in America

Lisa Belkin | Show Me a Hero, Little, Brown and Company | 1999 | 25 minutes (6,235 words)

 

Below is the first chapter of Lisa Belkin’s 1999 nonfiction book Show Me a Hero, which was recently adapted by David Simon into a six-part HBO miniseries of the same title. Belkin’s book (and the miniseries) depict the fight to desegregate housing in Yonkers, New York during the late 1980s and early ’90s, and the story of a young politician named Nick Wasicsko.  Read more…

Putting a Writing Life on Display

It’s not uncommon for writers to document the writing process via an anxious dream journal, or on Twitter, or in emails to their friends. Artist and author Gabriela Denise Frank took this impulse one step further. Frank moved her living room furniture into Seattle’s Central Library. For 30 days, she brought her laptop and headphones and set up shop on her own couch, in the middle of the library. And her laptop? It was hooked up to a giant monitor, displaying her every typed word. Her roughest rough drafts were privy to observation and commentary by library patrons. Read about her “novel performance” at The Rumpus.

Around that time, I discovered a quote by John Green that cemented my resolve: “Writing is something you do alone. It is a profession for introverts who want to tell you a story but don’t want to make eye contact while doing it.” Why is it cool for writers to perpetuate their own isolationism? I wondered, and how are we to expect anyone to value our craft if we, ourselves, mystify it?

On Halloween, the day before my installation opened, my boyfriend and a friend helped me construct a simple wooden stage near the library’s Teen Center. Michael, Jeff and I draped the platform in black cloth then set down a Persian rug and my green microsuede sofa and ottoman along with a rustic floor lamp and a hand-painted side table. We trimmed the set with plants, a framed photo and red velvet throw pillows. By noon, the library’s Living Room contained an exact replica of my own.

Are writers really introverts, or do we hide our craft out of insecurity? I was about to find out via a large screen positioned behind my couch which, when connected to my laptop, allowed visitors to watch, word by word, as I wrote. Within the first hour, I realized that I would have to push myself in order to work under the eyes of the same strangers I hoped to inspire. I would have to endure people reading my unformed thoughts before I deleted and rewrote them again, sensing the cast of their unspoken scrutiny. My hands shook for most of the first few days; perhaps I was more of an introvert than I thought.

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Why Women Are Less Likely to Be Exonerated Using DNA Evidence

In a recent piece for Mother Jones, Molly Redden looked at why it can be particularly hard for wrongfully convicted women to be exonerated (Women make up about 11 percent of the people convicted of violent crimes, but just 6 percent of those exonerated of violent crimes). Despite their good intentions, most innocence projects fail to bring justice to wrongly convicted women.  Why? Karen Daniel and Judy Royal—lawyers with Northwestern University Law School’s Center on Wrongful Convictions —spent three years pursuing that question. Their research brought them a number of insights, including the fact that women are far less likely to be exonerated using DNA evidence:

Daniel and Royal started by digging deep into the exonerations database. Their first insight had to do with DNA evidence—the very breakthrough that launched the innocence movement a quarter century ago. “Women tend not to be convicted of the types of crimes that can be overturned based on the results of DNA testing,” Daniel explained. Men perpetrate the overwhelming majority of rapes and murders of strangers. These crimes are much more likely to leave behind DNA evidence that can rule out an innocent suspect, or point to the real rapist or killer.

But when women kill, they usually kill someone close to them. And in most of those cases, DNA isn’t relevant. When a woman is suspected of killing her husband or her child, investigators are likely to find her DNA all over the crime scene whether she’s guilty or innocent—so DNA testing can do little to exonerate her. Sure enough, 27 percent of the men in the exonerations registry were freed using DNA evidence. The same was true of only 7.6 percent of the women.

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In the Grand Scheme of Things

Illustration by: Kjell Reigstad

Hana Schank | From ‘The Edge of Normal’ | June 2015 | 11 minutes (2,634 words)

 

The following is an excerpt from The Edge of Normal, Hana Schank’s story about what it’s like to raise a child with albinism, a genetic condition whose most striking characteristic is white blonde hair and pale skin. Many people with albinism are also legally blind. Writes Schank, “The story is not just one of life with an unusual special need, but also the story of how I’ve changed, and continue to change, as I help my daughter navigate the world.”

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Two weeks after the pediatrician had introduced the word “albinism” to my vocabulary, my husband and I sat in the stuffy waiting room at the neurologist’s, gently rocking my daughter’s car seat. This was the man who would tell us what was going on with my perfect-imperfect daughter. There was still a chance the pediatrician was wrong. After all, everyone else agreed it was probably nothing. Or a brain tumor or cancer. Those were also things that could cause nystagmus or visual impairment. But it was probably nothing. Or albinism. Or nothing. It was probably nothing. Read more…

Backlash: Richard Bernstein on the New York Times’ Nail Salons Exposé

At The New York Review of Books, former New York Times reporter—and current salon co-owner—Richard Bernstein takes the paper to task for its much-talked-about twopart 7000-word exposé on the exploitation and abuse of employees at nail salons in New York City.

He says the article—which led to a state-wide investigation and a new law instituted by Governor Andrew Cuomo—misrepresents the salon industry as a whole by focusing mainly on one undocumented and unlicensed worker. He also suggests it wasn’t as thoroughly reported as author Sarah Maslin Nir claims—although apparently he didn’t reach out to her for comment.

As a former New York Times journalist who also has been, for the last twelve years, a part owner of two day-spas in Manhattan, I read the exposé with particular interest. (A second part of the same investigation, which appeared in the Times a day later, concerned chemicals used in the salon industry that might be harmful to workers.) Our two modestly-sized establishments are operated by my wife, Zhongmei Li, and my sister-in-law, Zhongqin Li, both originally from China, and “mani-pedi” is a big part of the business. We were startled by the Times article’s Dickensian portrait of an industry in which workers “spend their days holding hands with women of unimaginable affluence,” and retire at night to “flophouses packed with bunk beds, or in fetid apartments shared by as many as a dozen strangers.” Its conclusion was not just that some salons or even many salons steal wages from their workers but that virtually all of them do. “Step into the prim confines of almost any salon and workers paid astonishingly low wages can be readily found,” the story asserts. This depiction of the business didn’t correspond with what we have experienced over the past twelve years. But far more troubling, as we discovered when we began to look into the story’s claims and check its sources, was the flimsy and sometimes wholly inaccurate information on which those sweeping conclusions were based….

… How to account for these evident flaws, the one-sidedness of the Times story? Recently the Times’s own Nick Kristof wrote in a column that “one of our worst traits in journalism is that when we have a narrative in our minds, we often plug in anecdotes that confirm it,” and, he might have added, consciously or not, ignore anecdotes and other information that doesn’t. The narrative chosen by the Times, what might be called the narrative of wholesale injustice, is one of the most powerful and tempting in journalism. Certainly, as Mr. Baquet put it, it had “impact.” It was read, he told an audience in mid-June, by 5 million people, which is five times the readership of the Sunday print edition, and produced an immediate government response.

Surely, Bernstein’s exposé-on-the-exposé isn’t the last word. Nir and others at the Times have taken to Twitter, and Times deputy Metro editor Michael Luo has Storified that activity and other developing aspects of the story. In a tweet, Nir suggests that Times executive editor Dean Baquet has a response in the works.

Stay tuned to find out whether it might in fact be okay to get inexpensive manicures after all…

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Desperate Characters

Photo via Roger W/Flickr

Paula Fox | Desperate Characters | W.W. Norton & Company | 1970 | 16 minutes (4,046 words)

 

Below is an excerpt from Desperate Characters, the novel by Paula Fox first published in 1970 and re-(re-)released this year on the 45th anniversary of its publication. Read Sari Botton’s Longreads interview with Fox about her book.  Read more…

Love, Identity, and Genderqueer Family Making

Illustration by Kjell Reigstad

Maggie Nelson | The Argonauts | Graywolf Press | May 2015 | 17 minutes (4,137 words)

Published to great acclaim earlier this year, The Argonauts blends memoir and critical theory to explore the meaning and limitations of language, love, and gender. At its center is a romance: the story of the author’s relationship with artist Harry Dodge. This story, which includes the author’s account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, offers a firsthand account of the complexities and joys of (queer) family-making. 

A note: In the print edition of The Argonauts, attributions for otherwise unattributed text appear in the margins in grayscale. We’ve tried to recreate those marginal citations here. However, due to the limitations of digital formatting, if you are viewing this excerpt on a mobile device the citations may appear directly above the quotations, as opposed to alongside them.

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October, 2007. The Santa Ana winds are shredding the bark of the eucalyptus trees in long white stripes. A friend and I risk the widowmakers by having lunch outside, during which she suggests I tattoo the words HARD TO GET across my knuckles, as a reminder of this pose’s possible fruits. Instead the words I love you come tumbling out of my mouth in an incantation the first time you fuck me in the ass, my face smashed against the cement floor of your dank and charming bachelor pad. You had Molloy by your bedside and a stack of cocks in a shadowy unused shower stall. Does it get any better? What’s your pleasure? you asked, then stuck around for an answer.

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