Search Results for: The Stranger

A Liberated Woman: The Story of Margaret King

Emma Garman | Longreads | May 2016 | 16 minutes (4,200 words)

 

In October 1786, 27-year-old feminist philosopher Mary Wollstonecraft journeyed from London to her new temporary home: an imposing Palladian-style mansion in County Cork, Ireland. Set in 1,000-plus acres of woodland, flanked by colonnades leading to outbuildings, and featuring statued terraces, vineyards, and conservatories, Mitchelstown Castle was the seat of Robert and Caroline King, who as Lord and Lady Kingsborough were the country’s largest landowners.

To Wollstonecraft’s radical sensibilities, such aristocratic excess was anathema. (As, no doubt, was the depiction of The Rape of Proserpina that graced the mansion’s entrance hall ceiling.) Still, she needed to financially support herself, as well as her two sisters, so had agreed to join the Kingsborough household’s 80-strong staff as governess to three girls. Caroline, it was rumored, had dismissed Wollstonecraft’s predecessor for sleeping with Robert. But she viewed the new hire as trustworthy, a principled woman of intellect unlikely to catch her husband’s eye. And Wollstonecraft, who had already written her first book—the soon to be published Thoughts on the Education of Daughters—wasn’t about to start batting her eyelashes at his lordship. His “countenance,” she wrote sniffily to her sister Eliza, “does not promise much more than good humour.” Read more…

I Can See Your Future: Six Stories About Psychics

I can see your future / there’s nobody around. 

It was a typically brutal Maryland summer, and I worked for a small music publishing company. I was often alone, collating or alphabetizing or organizing something, armed only with my iPod.  I alternated between Belle & Sebastian’s The Life Pursuit and Keane’s first two albums. When my workday was over I’d walk the half-mile to the church on Main Street where my mom was a secretary. Or I’d go to the local library, its silence so different from the tense quiet of the publishing office. With my soundtrack, these walks became existential adventures. Even now, as I hit play on “Another Sunny Day,” I am still walking down the sidewalk, my sternum swollen with something adjacent to love.

I like thinking about this time in my life. I think I am still looking for something that feels like those walks. They felt endlessly, stupidly romantic. I didn’t need anything except a charged battery. It’s unrealistic that my entire life should feel like a two-mile radius in the town where I had a dissatisfying part-time summer job. I think what I miss is a path with a destination. Then, I could take as long as I wanted on my walk or try a different route, but I knew where I was going. I don’t know where I’m going anymore. That’s what this part of my twenties is about, and that’s okay, but it’s deeply unsettling. I’m too anxious to take in the view or to consider an alternate path. I am desperate for news of the future.

1. “The Cat Psychic.” (Rachel Monroe, Hazlitt, May 2016)

When she returned from a month-long trip, Rachel Monroe’s cat, Musa, didn’t want to be near her anymore. He avoided their apartment and stayed outdoors for long stretches of time. Distraught, Monroe did something she never thought she’d do—she called a pet psychic to see if she could repair their relationship. Read more…

My Dinner With Rasputin

Teffi | Tolstoy, Rasputin, Others, and Me: The Best of Teffi | New York Review Books Classics | May 2016 | 39 minutes (10,692 words)

 

The essay below appears in the new collection Tolstoy, Rasputin, Others, and Me: The Best of Teffi, released this month for New York Review Books Classics. Teffi, whose real name was Nadezhda Lokhvitskaya, was born in St. Petersburg in 1872 and went into exile in 1919, first in Istanbul, then in Paris. “Rasputin” was orginally published in Paris in 1924.  This story is recommended by Longreads contributing editor Dana Snitzky.

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This isn’t simply because he was so very famous. In my life I’ve met many famous people.

There are people who are remarkable because of their talent, intelligence or public standing, people whom you often meet and whom you know well. You have an accurate sense of what these people are like, but all the same they pass through your life in a blur, as if your psychic lens can never quite focus on them, and your memory of them always remains vague. There’s nothing you can say about them that everyone doesn’t already know. They were tall or they were short; they were married; they were affable or arrogant, unassuming or ambitious; they lived in some place or other and they saw a lot of so-and-so. The blurred negatives of the amateur photographer. You can look all you like, but you still don’t know whether you’re looking at a little girl or a ram.

The person I want to talk about flashed by in a mere two brief encounters. But how firmly and vividly his character is etched into my memory, as if with a fine needle.

And this isn’t simply because he was so very famous. In my life I’ve met many famous people, people who have truly earned their renown. Nor is it because he played such a tragic role in the fate of Russia. No. This man was unique, one of a kind, like a character out of a novel; he lived in legend, he died in legend, and his memory is cloaked in legend.

A semi-literate peasant and a counsellor to the Tsar, a hardened sinner and a man of prayer, a shape-shifter with the name of God on his lips.

They called him cunning. Was there really nothing to him but cunning?

I shall tell you about my two brief encounters with him. Read more…

An Exegesis on Spanking Fetishists

Jessica Gross | Longreads | April 2016 | 23 minutes (5,803 words)

 

In 2012, Jillian Keenan came out as a spanking fetishist in a “Modern Love” essay for The New York Times. It marked the beginning of not only her involvement in the spanking community, but her freelance career as well. Since then, Keenan has written a series of controversial polemics—a case for legalizing polyamory, an argument that spanking is a sex act—as well as reported from countries across the globe.

In her new memoir, Sex With Shakespeare, Keenan examines her own relationships with both spanking and love through the lens of her longstanding obsession with Shakespeare. His characters, who appear in dialogue with Keenan, have as forceful a presence as the people in her life. I visited Keenan at her home in New York City, where we spoke about the difference between fetish and kink, her view of her fetish as innate, and her firm belief that spanking children is an act of sexual abuse.

This book struck me as such an empathetic text. I feel like sometimes, in our current cultural climate, there’s a lot of anger at and dismissal of anyone who’s ignorant about a topic, and I really appreciated that you treated the reader who didn’t know anything about fetishes with a lot of respect. Was that something you thought about as you were writing it? Or is that just how you feel, and it came out naturally as you were writing?

It’s not something I thought of consciously, but I’m thrilled to hear that’s what came across. I was conscious of the fact that, in my opinion, there’s nothing unique about the experience of feeling isolated. Whereas maybe most people don’t feel ashamed or isolated because they think about spanking all the time, I think that probably everyone has something in their lives—whether in their sex lives or in another part of their lives—that they feel insecure about or ashamed of or fearful about.

I didn’t want to act as if the experience of feeling lonely and ashamed is something that I needed to explain to people. I think that everyone already knows what that feels like. I was just trying to tell a story about the specifics of why I felt that way, and how I worked through it to the extent that I did. Read more…

What Ever Happened to Planet Vulcan?

An orrery, or mechanical model of the solar system. Via Wikimedia Commons.

Thomas Leveson | The Hunt for Vulcan: … And How Albert Einstein Destroyed a Planet, Discovered Relativity, and Deciphered the Universe | Random House | November 2015 | 27 minutes (7,305 words)

 

The excerpt below is adapted from The Hunt for Vulcan, by Thomas Leveson. In light of recent theorizing about a mysterious new Planet X, this story is recommended by Longreads contributing editor Dana Snitzky.

* * *

Not everyone follows a straight course to the person they might become.

In the 1830s (and still) number 63 Quai d’Orsay turned an attractive face toward the river. In the guidebooks already being read by that novel nineteenth-century species, the tourist, number 63 is described as a “handsome house”—one, the writers warned, that concealed a much more plebeian reality. Visitors—by appointment only, no more than two at a time, welcome only on Thursdays—would be ushered into a courtyard, and then on to the rooms where workers, mostly women, took bales of raw tobacco through every stage needed to produce the finished stuff of habit: hand-rolled cigars, spun strands of chew that became “the solace of the Havre marin,” gentlemen’s snuff. Most of the campus was turned over to laborers serving the machines—choppers, oscillating funnels, snuff mills, rollers, sifters, cutters, and more. By the latter half of the nineteenth century, the works at the Quai d’Orsay would turn out more than 5,600 tons of finished tobacco per year, and was, according to the ubiquitous Baedeker, “worthy of a visit”—though indulging one’s curiosity carried a price: “the pungent smell of the tobacco saturates the clothes and is not easily got rid of.”

A spectacle, certainly, and as an early palace of industry clearly worthy of the guidebooks (themselves novelties). By any stretch of the imagination, though, the Manufacture des Tabacs was an odd place to look for someone who would become the most celebrated mathematical astronomer of his day—but not everyone follows a straight course to the person they might become. Thus it was that in 1833 a young man, freshly minted as a graduate of the celebrated École polytechnique, could be found every working day at the Quai d’Orsay, reporting for duty at the research arm of the factory, France’s École des Tabacs.

No one ever doubted that Urbain-Jean-Joseph Le Verrier had potential: he had been a star student in secondary school, winner of second prize in a national mathematics competition, eighth in his class at the polytechnique. But his early career offered no hints to what would follow. Funneled into the tobacco engineering section in university, he was more or less shunted directly toward the Quai d’Orsay and the task of solving French big tobacco’s problems.

It’s not clear whether Le Verrier actively enjoyed the life of a tobacco engineer—or merely tolerated it. Nothing in his later career remotely suggests he was a born chemist. But he was consistent: if given a task, he got down to it. Never mind all that early training in abstract mathematics; if required, he could be as practical as the next man, and so turned himself into a student of the combustion of phosphorus. That was useful research—tobacco monopolists care about matches. But whether or not he relished his job, he certainly got out as soon as he could. A position back at the École polytechnique opened up in 1836 for a répétiteur— assistant—to the professor of chemistry. Le Verrier applied, and as an until-then almost uniformly successful prodigy, had every hope. . . until the post went to someone else.

Le Verrier would prove to be a man who catalogued slights, tallied enemies, and held his grudges close. But he never accepted a check as a measure of his true worth. A second assistantship became available, this time in astronomy. He applied for that too. Never mind his seven years among the tobacco plants; Le Verrier seems to have believed that he could simply ramp up his math chops to the standard required at the highest level of French quantitative science. As he wrote to his father, “I must not only accept but seek out opportunities to extend my knowledge. [. . . ] I have already ascended many ranks, why should I not continue to rise further?” Thus it was that Le Verrier came into orbit around the great body of work left by that giant of French astronomy, Pierre-Simon Laplace. Read more…

Can an Outsider Ever Truly Become Amish?

Two sisters in their traditional, everyday, Lancaster County Amish attire. Photo: Tessa Smucker

Kelsey Osgood | Atlas Obscura | March 2016 | 28 minutes (7,014 words)

 

Atlas ObscuraOur latest Exclusive is a new story by Kelsey Osgood, and is co-funded by Longreads Members and published by Atlas Obscura.

Author’s Note: “Alex” and “Rebecca” are not the real names of two people interviewed. They felt strongly that they should not be identified by name out of respect for their faith’s general belief in the body above the individual.

The road that runs through the main village of Berlin, Ohio, only about 90 minutes south of Cleveland, is called “Amish Country Byway” for its unusual number of non-automotive travelers and it’s true that driving down it, you’ll have to slow down for the horse-drawn buggies that clog up the right lane. But those seeking the “real” Amish experience in downtown Berlin might be disappointed. It’s more Disney than devout: a playground for tourists full of ersatz Amish “schnuck” (Pennsylvania Dutch for “cute”) stores selling woven baskets and postcards of bucolic farm scenes.

You only see the true Holmes County, which is home to the largest population of Amish-Mennonites in the world, when you turn off Route 62 and venture into the rolling green hills interrupted periodically by tiny towns with names like Charm and Big Prairie. You’ll likely lose service on your cell phone just as the manure smell starts to permeate the air. On my visit this past summer, I saw Amish people–groups of children sporting round straw hats, the young women in their distinctive long dresses–spilling out of family barns, where church services are held, in the distance. The Amish don’t have any spiritual attachment to a geographical location, the way Jews have to Jerusalem or Mormons to Salt Lake City; this spot, along with Lancaster County, Pennsylvania, is probably the closest they come to an idea of God’s Country. Read more…

Liar: A Memoir

Rob Roberge | Liar: A Memoir Crown | February 2016 | 23 minutes (5,688 words)

When Rob Roberge learns that he’s likely to have developed a progressive memory-eroding disease from years of hard living and frequent concussions, he’s terrified at the prospect of losing “every bad and beautiful moment” of his life. So he grasps for snatches of time, desperately documenting each tender, lacerating fragment. Liar is a meditation on the fragile nature of memory, mental illness, addiction, and the act of storytelling. The first chapter is excerpted below.

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Read more…

A Loaded Gun: The Real Emily Dickinson

Jerome Charyn | A Loaded Gun: Emily Dickinson for the 21st Century | Bellevue Literary Press | March 2016 | 24 minutes (6,471 words)

 

Below is an excerpt from A Loaded Gun, by Jerome Charyn, who writes that Emily Dickinson was not just “one more madwoman in the attic,” but rather a messianic modernist, a performance artist, a seductress, and “a woman maddened with rage—against a culture that had no place for a woman with her own fiercely independent mind and will.” This story is recommended by Longreads contributing editor Dana Snitzky

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I am, with all the world, intensely interested in Emily Dickinson.

Commentaries on her poems began 125 years ago, when Colonel Higginson’s little article, “An Open Portfolio,” appeared in The Christian Union on September 25, 1890, two months before Dickinson’s first batch of poems was published by Roberts Brothers of Boston. It was meant to give readers a pre-taste of the poems. Perhaps Higginson was a nervous impresario and worried that his name was attached to a book that might be mocked, and that he himself might be ridiculed as the presenter of Emily Dickinson.

Emerson, he said, had once talked about “The Poetry of the Portfolio,” the work of poets who never sought public acclaim, but “wrote for the relief of their own minds.” Higginson damned and blessed such primitive scratchings—“there will be wonderful strokes and felicities, and yet an incomplete and unsatisfactory whole.” And thus he presented his own “pupil,” whom he had reluctantly rescued from oblivion. “Such a sheaf of unpublished verses lies before me, the life-work of a woman so secluded that she lived literally indoors by choice for many years, and within the limits of her father’s estate for many more—who shrank from the tranquil society of a New England College town.” And yet he was startled by what she was able to dredge up from “this secluded inland life.” And he presented a few of his pupil’s poems, regularizing them as much as he could. The ellipsis was gone; so was every single dash.

Yet he was also a shrewd observer. “Her verses are in most cases like poetry plucked up by the roots; we have them with earth, stones, and dew adhering, and must accept them as they are. Wayward and unconventional in the last degree; defiant of form, measure, rhyme, and even grammar; she yet had an exacting standard of her own, and would wait many days for a word that satisfied.” He saw her wildness, and didn’t really know how to deal with it. Read more…

The Murky Importance of Giving: A Reading List

I have a Facebook “friend”—let’s call him Ken—who does something finance-y for the federal government. What I’m saying is, he has money to burn. Every few months, he’ll post a Facebook status along the lines of “For every ‘like’ I will donate $1 to _______ and for every comment I will donate $3 to ________.” Of course, his thousands of Facebook acquaintances are only happy to oblige. Most of my friends don’t make much more than their car insurance payments, student loans, rent and other bills; maybe that’s why Ken’s altruism seems so novel, almost suspect. In reading for this list, I discovered people who give freely, their generosity intertwined with thoughtfulness at best; carelessness, illness or guilt at worst.

1. “The Man Who Couldn’t Stop Giving.”

Sam Kean, The Atlantic, May 2015

Giving, it seems, might become compulsive in some people because they crave the rush of dopamine that accompanies it—a rush that might be similar to the spike in dopamine levels that gets some people hooked on drugs such as cocaine and amphetamines. In a real sense, pathological givers might be addicted to philanthropy.

Read more…

Narcissiana: On Collecting

Rudolf II painted as Vertumnus, Roman God of the seasons, by Giuseppe Arcimboldo. Rudolf was an avid collector. Via Wikimedia Commons.

Fredrik Sjöberg | The Fly Trap | Pantheon | translated from the Swedish by Thomas Teal | June 2015 | 12 minutes (3,476 words)

Below is an excerpt from The Fly Trap, by Fredrik Sjöberg, as recommended by Longreads contributing editor Dana Snitzky.  Read more…