Search Results for: The Paris Review

Longreads Member Pick: 'A Semester with Allen Ginsberg,' by Elissa Schappell

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This week we’re excited to feature Elissa Schappell‘s essay, “The Craft of Poetry: A Semester with Allen Ginsberg,” as our Longreads Member Pick. Her recollections are an intimate window into the Beat legend. The piece originally appeared in the Summer 1995 issue of the Paris Review and was later anthologized in their 1999 collection Beat Writers at Work. Thanks to Schappell and the Paris Review for sharing it with the Longreads community:

Of all the literature classes I have ever taken in my life Allen Ginsberg’s “Craft of Poetry” was not only the most memorable and inspiring, but the most useful to me as a writer.
First thought, best thought.
It’s 1994 and I am getting my MFA in fiction at NYU. I’m sitting in the front row of a dingy classroom with a tape recorder and a notebook. The tape recorder is to record Allen Ginsberg, the big daddy of the Beat’s “Craft of Poetry” lectures for a feature I’m writing for The Paris Review. No. Lectures is the wrong word—Ginsberg’s thought operas, his spontaneous jet streams of brilliance, his earthy Dharma Lion roars—that’s what I’m there to capture. His teaching method is, as he explains it, “to improvise to some extent and it have it real rather than just a rote thing.”
It was very real.
The education Ginsberg provided me exceeds the bounds of the classroom, and far beyond the craft of poetry. Look inward and let go, he said. Pay attention to your world, read everything. For as he put it, “If the mind is shapely the art will be shapely.”

—Elissa Schappell, 2013

Read an excerpt here. 

Become a Longreads Member to receive the full ebook.

Photo via MCDarchives

Longreads Member Pick: ‘A Semester with Allen Ginsberg,’ by Elissa Schappell

Longreads Pick

This week we’re excited to feature Elissa Schappell‘s essay, “The Craft of Poetry: A Semester with Allen Ginsberg,” as our Longreads Member Pick. Her recollections are an intimate window into the Beat legend. The piece originally appeared in the Summer 1995 issue of the Paris Review and was later anthologized in their 1999 collection Beat Writers at Work. Thanks to Schappell and the Paris Review for sharing it with the Longreads community.

Become a Longreads Member to receive the full ebook.

Published: Oct 3, 2013
Length: 62 minutes (15,685 words)

A Longreads Guest Pick: Sari Botton on ‘Not Weird About Brooklyn’

Sari is a writer and editor living in Rosendale, N.Y. She writes the Conversations With Writers Braver Than Me column on The Rumpus. An anthology she edited for Seal Press, Goodbye to All That: Writers on Loving and Leaving New York, will be released Oct. 8.

“My favorite longread this week is ‘Not Weird About Brooklyn‘ by Helen Rubinstein in the Paris Review Daily. Having left the East Village for upstate eight years ago with very mixed feelings on the matter, I tend to be very curious about other people’s stories of quitting New York City. Love-hate relationships with the place are so common as to border on the cliche – ditto the city’s tenacious gravitational pull despite the hate part of that equation, despite diminishing returns over time lived there. Rubinstein acknowledges the cliche, even the one inherent in writing about it, ‘the trope of the single woman in New York,’ while giving new, nuanced, if meta, voice to it. Her criteria for a potential mate made me laugh (and I cheered this one: ‘Not anti-memoir.’). I was reminded of an essay by John Tierny in the New York Times Magazine in the mid nineties about how fundamentally picky single New Yorkers can be. (In that one, a criteria for potential mates was, ‘…has resolved her control drama.’) Nine days before she leaves, as she packs up her apartment, Rubinstein seems at once melancholy and resigned to leaving, and as if she’s trying to convince herself she’s made the right choice. It’s a familiar conversation, one I have with myself all the time.”

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18 Deep Interviews with Great Writers

"Frost/Nixon" — Imagine/Working Title Films

Kevin Smokler is the author of Practical Classics: 50 Reasons to Reread 50 Books you Haven’t Touched Since High School, an essay collection on the year he spent rereading 50 canonical texts from high school English class as a 39-year-old adult.

Out of everything shared in the #Longreads community, I particularly love the interviews. I even created my own hashtag (#deepinterviews) and you can find my most recent picks here.

And when it comes to authors, a great interview can completely reframe a book that you’ve read a thousand times, or give you the onramp into an writer’s work you haven’t yet experienced. Below are five of my favorite sources and recent discoveries for outstanding author interviews:

1. The Paris Review

Favorites: Take your pick. I’m particularly fond of authors you know are great talkers (Dorothy Parker, James Ellroy), who don’t show up much in MFA programs (William Gibson, Maya Angelou) and those who work in more than one genre (Joan Didion, Lillian Hellman).

2. The Millions

Favorites: Adam Mansbach, Michelle Orange and Katherine Boo.

3. AV Club

Favorites: Terry Pratchett, TV Critic Alan SepinwallJonathan Franzen.

4. eMusic Q&A

I’ve been an eMusic subscriber for years and had no idea they trafficked in audiobooks. That is until I ran across a very fine Q&A with short story writer Elissa Schappell. The audiobook of Schappell’s collection “Building Blueprints for Better Girls” was the excuse to talk with her not only about her work but the music that inspired it.

Other favorites: Eddie Huang, George Saunders, Greil Marcus, Ernie Cline.

5. Book Riot

Favorites: “Their 15 Minutiae” (with Emma Straub here) in which writers are asked about everything EXCEPT books and writing. Conceived and executed by bookseller Liberty Hardy, it’s a brilliant example of how an interview with an author should reveal the author as an interesting person who writes books not someone interesting because they write books.

Addendum: Ms. Hardy is also the creator of Paperback to the Future, a Netflix/Personal Shopper for Books kind of program. Which means she is crazy busy these days and “Their 15 Minutiae” is on temporary hold. We understand why but still say “come back soon.”

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Share your favorite interviews in the comments.

articles read & loved no. 53

dietcoker:

Emily Perper!

Longreads Guest Pick: Emily Keeler on 'To Err, Divine, so Improvise' and 'Afterlife'

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Today’s guest pick comes from Emily M. Keeler, a writer, critic, and the editor of Little Brother Magazine. She recommends two stories, “To Err, Divine, so Improvise” by Kaitlin Fontana in Hazlitt and “Afterlife” by Chris Wallace in The Paris Review:

“This past week was one of several missteps; headlines and cover lines and tweets let us down even though we already were so low. Breaking news is broken. Steven Saideman put it another way in The Globe and Mail: ‘It is natural that we are impatient and curious, but we must be conscious that false steps may do much damage to innocents along the way.’ Sometimes it’s better to wait for the longreads.

“Here are two things I read while I waited:

“1. On the topic of shortcomings, Kaitlin Fontana has a wonderful three-part essay on Hazlitt this past week, describing the evolution of failure, and it’s eventual adulation, in the public imagination. For the time pressed, I’d jump to the final section—or do it right and space parts one, two, and three out over a few days, give yourself over gradually to your own failures.

“2.  While it’s not fiction—the place I’m most likely to find solace, this essay on self mythology, the interaction between a name and a story, and Big Poppa nonetheless does the trick. After all, one particular Chris Wallace would go so far as to say that ‘Biggie was a fiction—not so farfetched as to court incredulity, but idealized, a romanticization of the writer.’”

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Longreads Guest Pick: Emily Keeler on ‘To Err, Divine, so Improvise’ and ‘Afterlife’

Longreads Pick

Today’s guest pick comes from Emily M. Keeler, a writer, critic, and the editor of Little Brother Magazine. She recommends two stories, “To Err, Divine, so Improvise” by Kaitlin Fontana in Hazlitt and “Afterlife” by Chris Wallace in The Paris Review.

Source: Longreads
Published: Apr 22, 2013

Longreads Best of 2012: Emily M. Keeler

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Emily M. Keeler is a writer and the founding editor of Little Brother Magazine.


Best Pair of Essays on Loneliness

Emily Cooke, “The Lonely Ones” – The New Inquiry

Susan Sontag is a force that continues to be reckoned with, and the publication of her second volume of journals this year occasioned this incredible piece. I think I’ve re-read this essay three or four times now, and I just keep coming back for more.

Sonya Chung, “On Loneliness” – The Millions

Tacking a different walk down the same path, Chung looks to DFW’s adage about being a fucking human being and unpacks it until all that’s left is that intense feeling of being alone, but together. The problems of how to be alone and how to be with others are not new, but at the same time both Chung and Cooke cast reassuring lights onto this well worn and sort of depressing path.

Would’ve been a contender in this category, but for it being six years too early: Sheila Heti’s 2006 Trampoline Hall talk, “Why Go Out.”


Best Essay on the Museum of Innocence

Elif Batuman, “Pamuk’s Museum” – London Review of Books

Batuman has a bit of a magic touch in her ability to put you right on the scene, and she generously seems to fill your head with her knowledge and enthusiasm beforehand. For a diary entry, it’s surprising how quickly Batuman comes to seem just slightly out of frame, revealing instead the mysterious world of Orhan Pamuk’s strange, physically embodied and built literature.


Best Pair of Bookish Essays on Pornography

Josh Lambert, “James Deen vs. the Nebbishes” – Los Angeles Review of Books

It seems as though 2012 could’ve been called the year of James Deen. The charming porn star received so much media attention, and was the cause of so much hand-wringing this year, that for a time it seemed like he and his widely beloved penis were all anyone could talk about. Or maybe that was just my particular Twitter feed. Anyhow, this LARB piece was my favorite of the ones I read about Deen.

Avi Steinberg, “Checking Out” – The Paris Review Daily

Steinberg is a perpetual favorite of mine, in part because of the offbeat and unexamined subjects he chooses to write about, but mostly because of his thoughtful and good humored sensibility. On the topic of the relationships between librarians and pornography, he is simply without parallel. Who else could trace pretty much everything great in this world back to pornos? From who else would I be able to take a question like “What was the relationship between these library fuckers and what I had been reading?” completely on its face?

Best Profile of Jay-Z

Zadie Smith, “The House that Hova Built” – New York Times T Magazine

Duh. One of Smith’s many gifts is her ear, and it was thrilling to see one of my favorite language manipulators enraptured fannishly before another dextrous word slinger.


Most Likely To Lead You Down a Penn and Teller YouTube Rabbit Hole

Chris Jones, “The Honor System” – Esquire

Seriously, this Chris Jones story radically altered the texture of my life; for weeks afterward I became obsessed by magic. I watched at least one episode of Penn and Teller’s Fool Us per night, but usually more than one. I sacrificed a thing I tend to hold pretty sacred (my sleep) in order to feed a hunger I haven’t felt since I was child. This story made me ravenous for real magic, for showmanship, for being told the right kind of lies. The key to the joy of this story is, I think, in how Jones refuses to give away any of his or Teller’s tricks and instead zeroes in on the delight that the magician imparts on his audience—how pleasurable it is to revel in our own foolishness, for a change, to feel that ticklish sense of wonder.

Read more guest picks from Longreads Best of 2012

A depressed writer sends a letter to a popular advice columnist:

I couldn’t seem to go above the Twelfth Street location of my class, not to Central Park or the Metropolitan Museum of Art or the New York Public Library. I had no interest in going below Twelfth Street, either. I definitely couldn’t go to the youthful hub Williamsburg, specifically to the newly opened McCarren Park Pool, at any time of day, for any reason, ever; all the people my age made me feel old. I put on makeup in the morning and washed it off before bed, having never gone outside. The idea of “making it” was everywhere, and I needed to avoid it. I’d moved to the supposed greatest city in the world in order to spend seventy-two hours at a time insulated and solitary, developing an allergy to people and a near-romantic attachment to Netflix. Like a crazy hermit in the cave on the hill—my hill being Brooklyn Heights—I watched movies like The Human Centipede and wrote to a popular online advice columnist about my thoughts of jumping out of a window because I couldn’t do what I’d moved to New York to do. I was full of the vulnerability that drives people toward the Internet.

Writing a letter to ‘Dear Sugar,’ the advice column of TheRumpus.net, was a last resort: it felt just short of running into the street, dropping to my knees, and begging no one, desperately, for help.

“The Human Centipede; Or, How to Move to New York.” — Elissa Bassist, The Paris Review

More from the Paris Review

Top 5 Longreads of the Week: Slate.com, GQ, Tampa Bay Times, The New Republic, Mother Jones, fiction from The Paris Review, plus a guest pick from Sarah Pynoo.