The first in a new series at the Paris Review, featuring “underrated and underread” female authors. This one profiles British Novelist Olivia Manning (1908-1980), known best for her novel School for Love and for her Balkan and Levant trilogies. Manning’s books featured less likable women characters, who might have been better appreciated if they were […]
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The Ugly History of Beautiful Things: Lockets
Lockets simultaneously display and hide. But does squirreling our love and grief away in a piece of jewelry keep the memories and emotions present for us, or minimize them?
The Top 5 Longreads of the Week
This week, we’re sharing stories from Chris Outcalt, Corie Brown, Daniel Immerwahr, Toniann Fernandez, and Karen Abbott.
Toni Morrison, 1931-2019
An elegy and reading list for Toni Morrison, the Nobel Laureate and Pulitzer Prize-winning novelist who died Monday, August 5, 2019.
Art in the Age of Blockchain
Why a rare Pepe meme is now easier to authenticate than a Leonardo.
On Keeping a Notebook: A Reading List
In this reading list, Jeanne Bonner ruminates on the joys of writing by hand and keeping a notebook.
The Jumpsuit That Will Replace All Clothes Forever
Heather Radke writes about JUMPSUIT, a political art project by The Rational Dress Society’s Abigail Glaum-Lathbury and Maura Brewer. Glaum-Lathbury and Brewer aim to call attention to the ills of late capitalism — and to “make America rational again” — by manufacturing non-gendered, nearly shapeless jumpsuits, and encouraging people to wear them to the exclusion […]
The Top 5 Longreads of the Week
This week, we’re sharing stories from Sloane Crosley, Jason Fagone, Bronwen Dickey, Heather Radke, and Kelly Conaboy.
“We’re All Still Cooking…Still Raw at the Core”: An Interview with Jacqueline Woodson
“When I look at that dress and how much intention went into the making of it…it’s like we want to have something that can’t be destroyed, because so much of the past has been destroyed…”
‘I’m a Big Fan of Writing To Find Out What You Don’t Know.’
Mark Haber discusses “Reinhardt’s Garden” and its protagonist’s quest for a true understanding of melancholy: “not a feeling but a mood, not a color but a shade, not depression but not happiness either…”

