Search Results for: The New Yorker

Curiosity, Unfettered: Margaret Atwood as the Prophet of Dystopia

Photo by Larry D. Moore (CC BY-SA 4.0)

At The New Yorker, Rebecca Mead profiles Margaret Atwood, Canada’s prolific queen of literature. Mead and Atwood cover the resonance of The Handmaid’s Tale in Donald Trump’s America, Atwood’s approach to feminism, and the purpose of fiction today. Beloved for her incisive mind along with her works, Atwood uses unlimited curiosity as her approach to a life well-lived—whether that’s tenting while birding in Panama, engaging with her 1.5 million Twitter followers, or writing as a septuagenarian. “I don’t think she judges anything in advance as being beneath her, or beyond her, or outside her realm of interest,” says her friend and collaborator, Naomi Alderman.

Atwood has long been Canada’s most famous writer, and current events have polished the oracular sheen of her reputation. With the election of an American President whose campaign trafficked openly in the deprecation of women—and who, on his first working day in office, signed an executive order withdrawing federal funds from overseas women’s-health organizations that offer abortion services—the novel that Atwood dedicated to Mary Webster has reappeared on best-seller lists. “The Handmaid’s Tale” is also about to be serialized on television, in an adaptation, starring Elisabeth Moss, that will stream on Hulu. The timing could not be more fortuitous, though many people may wish that it were less so. In a photograph taken the day after the Inauguration, at the Women’s March on Washington, a protester held a sign bearing a slogan that spoke to the moment: “MAKE MARGARET ATWOOD FICTION AGAIN.”

Given that her works are a mainstay of women’s-studies curricula, and that she is clearly committed to women’s rights, Atwood’s resistance to a straightforward association with feminism can come as a surprise. But this wariness reflects her bent toward precision, and a scientific sensibility that was ingrained from childhood: Atwood wants the terms defined before she will state her position. Her feminism assumes women’s rights to be human rights, and is born of having been raised with a presumption of absolute equality between the sexes. “My problem was not that people wanted me to wear frilly pink dresses—it was that I wanted to wear frilly pink dresses, and my mother, being as she was, didn’t see any reason for that,” she said. Atwood’s early years in the forest endowed her with a sense of self-determination, and with a critical distance on codes of femininity—an ability to see those codes as cultural practices worthy of investigation, not as necessary conditions to be accepted unthinkingly. This capacity for quizzical scrutiny underlies much of her fiction: not accepting the world as it is permits Atwood to imagine the world as it might be.

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‘Every Watch Geek Has an Origin Story’

watches and watch parts, on a black background
Photo by Kozuch, via Wikimedia Commons (CC BY-SA 3.0)

Novelist and memoirist Gary Shteyngart has an essay in The New Yorker about his growing obsession with high-ticket mechanical wristwatches, a fixation that escalated throughout the 2016 Presidential race and peaked around the inauguration. Something about the reliability and precision of German and Swiss ticking timepieces helps quell Shteyngart’s growing anxiety; delving into his expensive new hobby, he’s able to divert his attention away from his growing fears and the residual unrest from his childhood as a Jewish refugee from Russia.

Along the way, he visits watch factories in Germany, the offices of the online publications Hodinkee and TimeZone, the Horological Society of New York, and other exclusive halls where his fellow watch enthusiasts gather.

As the election approached, I started going to meetings of the Horological Society of New York. On the streets of Manhattan, I never have any idea which celebrity is which—they all seem to be Matt Damon—but at the Horological Society I could identify all my new heroes, many with full, Portlandian beards, across the vast hall of the library of the General Society of Mechanics and Tradesmen, in midtown, while they waited in line for their free coffee and Royal Dansk butter cookies. There was the nattily dressed Kiran Shekar—yes, the Kiran Shekar, noted collector, author, and proprietor of the independent watch purveyor Contrapante. I ran over to introduce myself and a few moments later he gave me his watch to hold, and a few weeks later he arranged for me to attend the secret RedBar, a meeting of the watch elect, at a bar in Koreatown. You need a regular to invite you to a meeting, and the idea that I could be welcomed into this exclusive world kept me from sleeping. I lay in bed practicing what I might say about “perlage,” “three-quarter plates,” and the rare lapis-lazuli dials on some seventies Rolex Datejusts.

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‘Smoking freebase has pretty much been my job for the past year.’

Writer Cat Marnell speaking on a panel in 2012
Cat Marnell speaking on a panel in 2012. (Photo by edenpictures via Flickr, CC BY 2.0).

In the New Yorker, Naomi Fry writes about Cat Marnell’s new memoir, How to Murder Your Life. Fry’s piece is part review, part analysis of women’s addiction stories.

In the familiar eschatology of addiction memoirs—David Carr’s “The Night of the Gun,” say, or Bill Clegg’s “Portrait of an Addict as a Young Man”—an ambitious protagonist is bested by the wearying force of substances, only to later conquer his dependency and return, relatively unscathed, to the more wholesome business of achievement and success. But both “You’ll Never Eat Lunch” and “How to Murder Your Life” are remarkably honest in foregrounding the invidious parallelism of their subjects’ multifarious drives. It turns out that, for some addicts, drug use doesn’t just subvert ambition—it also mimics it. For Phillips, the deal-making stops, but the same desires that fuelled her career trajectory continue to animate her addiction. “Smoking freebase has pretty much been my job for the past year,” she writes of a particularly extreme period. And even after she quits cocaine, she begins exercising compulsively so as not to become a “fat tub of goo.” “Had she figured out a new and exciting addiction?” she wonders after injuring herself working out, describing the pain in a swollen ankle as “little jolts all along the way . . . painumb, painumb, painumb,” beating rhythmically like so many ticks on a never-ending workday clock.

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Who’s Been Seeding the Alt-Right? Follow the Money to Robert Mercer

stacks of united states $10 bills
Photo by Keith Cooper via Flickr (CC BY 2.0)

Jane Mayer profiles hedge fund manager, alt-right supporter, and political funder Robert Mercer in the New Yorker. He’s the man who brought us Kellyanne Conway, Steve Bannon, and eventually, Donald Trump, and his worldview may sound particularly familiar to anyone who’s been reading up on Bannon.

Magerman told the Wall Street Journal that Mercer’s political opinions “show contempt for the social safety net that he doesn’t need, but many Americans do.” He also said that Mercer wants the U.S. government to be “shrunk down to the size of a pinhead.” Several former colleagues of Mercer’s said that his views are akin to Objectivism, the philosophy of Ayn Rand. Magerman told me, “Bob believes that human beings have no inherent value other than how much money they make. A cat has value, he’s said, because it provides pleasure to humans. But if someone is on welfare they have negative value. If he earns a thousand times more than a schoolteacher, then he’s a thousand times more valuable.” Magerman added, “He thinks society is upside down—that government helps the weak people get strong, and makes the strong people weak by taking their money away, through taxes.” He said that this mind-set was typical of “instant billionaires” in finance, who “have no stake in society,” unlike the industrialists of the past, who “built real things.”

Another former high-level Renaissance employee said, “Bob thinks the less government the better. He’s happy if people don’t trust the government. And if the President’s a bozo? He’s fine with that. He wants it to all fall down.”

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Why We Still Can’t Quit F. Scott Fitzgerald

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It’s been almost a century since a 23-year-old F. Scott Fitzgerald penned “The I.O.U.,” a short story that pokes fun at the publishing industry’s obsession with sensation over substance. But until now, you couldn’t read it; it was among Fitzgerald’s still-unpublished papers. Last week, the long-lost story appeared in The New Yorker, another chapter in what the magazine calls its “imperfect romance” with the author. In 1925, Fitzgerald was “was a little too famous to appear often in its upstart pages,” though they were able to snag two poems and three “humorous short stories” before he died in 1940. Read more…

A Conversation With Ariel Levy About Writing a Memoir That Avoids ‘Invoking Emotional Tropes’

Photo Credit: David Klagsbrun

Jessica Gross | Longreads | March 2017 | 17 minutes (4,391 words)

 

When she was 22 and an assistant at New York Magazine, Ariel Levy, hungry for success and action, went to a nightclub for obese women and reported her first story. New York published the resulting piece with what Levy, two decades later, claims is still the best headline she’s had: “WOMEN’S LB.” Levy worked for New York until 2008, when she was hired as a staff writer at The New Yorker. There, she has focused largely on gender and sexuality: she’s profiled comedian Ali Wong, long-distance swimmer Diana Nyad, boxer Claressa Shields, and Nora Ephron. She has traveled to Jerusalem with Mike Huckabee, to Italy to report on Silvio Berlusconi, to South Africa to report on runner Caster Semenya.

And she has traveled to Mongolia. In 2012—38 years old, married and in love, and five months pregnant—Levy got on a plane for what she felt would be her last big trip for a long time. But, while there, a pain in her abdomen grew and grew until, in the middle of dinner at a Japanese restaurant, she had to rush back to her hotel room before the food came. On the floor of her hotel bathroom, an “unholy storm” moved through her body, and she gave birth to her son. Less than twenty minutes later, he died.

Levy recounted this experience in her first piece of personal writing, the essay “Thanksgiving in Mongolia.” Her new memoir, The Rules Do Not Apply, tells the broader story of her gradual realization, through trauma and loss—including divorce from her wife, who struggled with alcoholism—that our options are limited by nature.

Having read your work and knowing how adventurous you are, I was surprised to read about how fearful you become before you travel. I’m the type of person who, when I feel very fearful, often heeds that and runs away. You seem to do the opposite—diving headfirst into fear. What’s that about?

That’s just how I’ve always done it. I mean, you’re absolutely right.

If you’re an only child, you only ever talk to grown-ups; it makes you a very weird kid. So when I was a kid learning how to talk to other people my own age, I do think my initial problem was that I’d be really scared, and I’d come on so strong. People were like, “Who is that aggressive, terrifying child?” I was just overcompensating for fear.

That’s definitely how I deal. I hope I’ve gotten less weird socially, but if a story scares me, if a job scares me, I’m definitely going to dive in. I just didn’t like the idea of living a terrified life, you know? I didn’t want to go down that way. Read more…

Iraqi Special Forces Fight to Liberate Mosul

Jawad’s body was put in a bag and placed on the patio, by Thamer’s feet. Thamer looked as if he wanted to move away from it but was too tired to get up. More swat-team members had arrived. I spotted Bashar, the policeman who’d saved the video of his brother Salem’s beheading. Blood stained his ammo vest. When Thamer told him that the body bag contained Jawad, Bashar wept silently. A policeman unzipped the bag and removed a silver bracelet from Jawad’s wrist. He handed the bracelet to Bashar, who fastened it on his own wrist.

Another Humvee arrived, and a second dead swat-team member was carried out. The corpse, set down beside Jawad, was coated in gray dust. I recognized him as a young man with whom I’d stayed up talking in the abandoned house the previous night. He’d scrolled through his phone, showing me pictures of his father and brother, both of whom were in an isis prison in Mosul. He feared for his mother, he’d told me, now that she was alone.

Bashar sat down and covered his eyes with his scarf. No one spoke. Mortars, tank cannons, air strikes, small arms, and high-calibre machine guns continued sounding up the road. After a few minutes, Bashar said, “We need to go back.”

In this The New Yorker piece, Luke Mogelson embeds himself with the Nineveh Province swat team. For these tireless special forces, defeating ISIS in Iraq’s most contested city is not just strategic, it’s personal.

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Over 40 Years in “Closed Cell Restricted”: How Albert Woodfox Survived Solitary

Photo by msppmoore CC-BY SA 2.0

When Woodfox was eighteen, he was arrested for robbing a bar and sentenced to fifty years in prison.

Two weeks after Miller’s death, the four men were charged with murder. There was an abundance of physical evidence at the crime scene, none of which linked them to the killing. A bloody fingerprint near Miller’s body did not match any of theirs.

Woodfox often woke up gasping. He felt that the walls of the cell were squeezing him to death, a sensation that he began to experience the day after his mother’s funeral, in 1994. He had planned to go to the burial — prisoners at Angola are permitted to attend the funerals of immediate family — but at the last minute his request was denied. For three years, he slept sitting up, because he felt less panicked when he was vertical. “It takes so much out of you just to try to make these walls, you know, go back to the normal place they belong,” he told a psychologist. “Someday I’m not going to be able to deal with it. I’m not going to be able to pull those walls apart.”

Woodfox is reserved, humble, and temperamentally averse to drama. When he talked about himself, his tone became flat. He was scheduled to speak at a panel on solitary confinement the next day, and he felt exhausted by the prospect. “I get apprehensive when somebody asks me something I can’t answer, like ‘What does it feel like to be free?’ ” he said. “How do you want me to know how it feels to be free?” He’d developed a stock answer to the question: “Ask me in twenty years.”

At The New Yorker, Rachel Aviv profiles Albert Woodfox, a man originally sentenced to 50 years in prison for robbery. A member of the Black Panthers and the Angola 3, Woodfox spent over four decades in solitary confinement, despite a stunning lack of evidence against him in a prison murder.

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Ayahuasca 2.0: Journeying to the Swampland of the Techie Soul

I live in Ulster County–hippie country–not far from a longstanding “Church of Ayahuasca,” where devotees take what they describe as life-altering psychedelic trips induced by drinking a precise mixture of B. caapi tea and chacruna leaf. While I’ve been curious about the experience, I haven’t been enough so to get past the vomiting that’s pretty much a standard part, and the stories I’ve heard about bad trips.

At The New Yorker, Ariel Levy reports on ayahuasca’s recent uptick in popularity in San Francisco among young people in the tech world, and in New York City among the young and the hip. As part of her reporting, she braves one of the ceremonies in Williamsburg, led by an ayahuasquera called Little Owl .

One at a time, we went into the front room to be smudged with sage on the wrestling mats by a woman in her sixties with the silver hair and beatific smile of a Latina Mrs. Claus. When she finished waving her smoking sage at me and said, “I hope you have a beautiful journey,” I was so moved by her radiant good will that I nearly burst into tears.

Once we were all smudged and back in our circle, Little Owl dimmed the lights. “You are the real shaman,” she said. “I am just your servant.”

When it was my turn to drink the little Dixie cup of muck she presented, I was stunned that divine consciousness—or really anything—could smell quite so foul: as if it had already been vomited up, by someone who’d been on a steady dieta of tar, bile, and fermented wood pulp. But I forced it down, and I was stoked. I was going to visit the swampland of my soul, make peace with death, and become one with the universe.

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The Wrong Woman to Eff With: Mary Karr on Being Groped in NYC

In 1997, at almost 32, I took a trip, alone, to Istanbul. Before I left, a male acquaintance suggested it was naive of me to think I’d be safe traveling in that part of the world–or anywhere, really–by myself. There was a condescension in his tone that annoyed me when he said it, but incited rage in me later when I found myself being groped in broad daylight by two young men as I crossed the Galata Bridge on foot. I was angry at my acquaintance for being right, angrier at the men who grabbed me for feeling entitled to do so, but also angry with myself for being so bold–my only regrettable anger of the three. In the New Yorker, memoirist Mary Karr recounts a recent, similar casual sexual assault by a “crotchgrabber” on a street in Manhattan.

Underlying all these actions exists the apparently unshakable tenet that any expression of male sexuality is somehow normal and every man’s right, whether or not a woman on the receiving end is repulsed or upset by it. All of us—male and female—envision all manner of erotic encounters without acting them out. But many of my male friends brush aside the behaviors that women find truly scary, the kind we know from experience can be the prelude to a nasty or even dangerous run-in. And something in the repetition of these behaviors—and in the culture’s blindness to the insult—wires itself into your body fibers and instills a debilitating sense that you’re not quite safe walking around.

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