Search Results for: The New Yorker

[National Magazine Awards finalist, 2012] A family’s difficult journey after discovering their youngest daughter has a brain tumor: 

He would remove the tumor, and we would find out what kind it was only after the pathology report. ‘But it looks like a teratoid,’ he said. I didn’t comprehend the word ‘teratoid,’ either—it was beyond my experience, belonging to the domain of the unimaginable and incomprehensible, the domain into which Dr. Tomita was now guiding us.

Isabel was asleep in the recovery room, motionless, innocent. Teri and I kissed her hands and her forehead and wept through the moment that divided our life into before and after. Before was now and forever foreclosed, while after was spreading out, like an exploding twinkle star, into a dark universe of pain.

“The Aquarium.” — Aleksandar Hemon, The New Yorker, June 13, 2011

See also: “A Family Learns the True Meaning of ‘in Sickness and in Health’.” Susan Baer, Washington Post, Jan. 5, 2012

Macau’s rise as the new global gambling capital leads to complications for the Las Vegas casinos that have flocked to China for a piece of the action. Its differences are illustrated in the God of Gamblers case, in which a former barber named Siu Yun Ping won $13 million, setting off a chain of events, including a murder plot:

The files of the God of Gamblers case can be read as a string of accidents, good and bad: Siu’s run at the baccarat table; Wong’s luck to be assigned an assassin with a conscience; Adelson’s misfortune that reporters noticed an obscure murder plot involving his casino. But the tale, viewed another way, depends as little on luck as a casino does. It is, rather, about the fierce collision of self-interests. If Las Vegas is a burlesque of America—the ‘ethos of our time run amok,’ as Hal Rothman, the historian, put it—then Macau is a caricature of China’s boom, its opportunities and rackets, its erratic sorting of winners and losers.

“The God of Gamblers.” — Evan Osnos, The New Yorker

See also: “Online Poker’s Big Winner.” — Jay Caspian Kang, New York Times, March 25, 2011

Nieman Storyboard’s “Why’s This So Good” explores what makes classic narrative nonfiction stories worth reading.

This week: Tim Carmody examines Malcolm Gladwell’s “The Ketchup Conundrum,” which was originally published in The New Yorker’s Food Issue in Sept. 2004:

Note: I can’t stand ketchup. Any ketchup. I think it’s disgusting, and always have. I was averse to it as a kid, and unlike almost every other one of my wide list of childhood prohibited foods, it never made it off that list. But I am riveted by the story of ketchup regardless, because Gladwell’s offered me a route, through history, science, and the words of men and women here and now, to understand these odd human beings around me who love the stuff.

“Why’s This So Good?” No. 35: Malcolm Gladwell on Ketchup

Inside the making of a hit pop song—or hundreds of them. Stargate and Ester Dean are a producer-“top-liner” team that helps write hits for stars like Rihanna:

“The first sounds Dean uttered were subverbal—na-na-na and ba-ba-ba—and recalled her hooks for Rihanna. Then came disjointed words, culled from her phone—’taking control … never die tonight … I can’t live a lie’—in her low-down, growly singing voice, so different from her coquettish speaking voice. Had she been ‘writing’ in a conventional sense—trying to come up with clever, meaningful lyrics—the words wouldn’t have fit the beat as snugly. Grabbing random words out of her BlackBerry also seemed to set Dean’s melodic gift free; a well-turned phrase would have restrained it. There was no verse or chorus in the singing, just different melodic and rhythmic parts. Her voice as we heard it in the control room had been Auto-Tuned, so that Dean could focus on making her vocal as expressive as possible and not worry about hitting all the notes.

“The Song Machine.” — John Seabrook, The New Yorker

See also: “Daniel Ek’s Spotify: Music’s Last Best Hope.” — Brendan Greeley, Bloomberg Businessweek, July 12, 2011

The National Security Agency is building a “spy center” in Utah with the purpose of gaining intelligence by breaking codes. But the center will also collect massive amounts of private domestic data, including phone calls, emails and Google searches:

The NSA also has the ability to eavesdrop on phone calls directly and in real time. According to Adrienne J. Kinne, who worked both before and after 9/11 as a voice interceptor at the NSA facility in Georgia, in the wake of the World Trade Center attacks “basically all rules were thrown out the window, and they would use any excuse to justify a waiver to spy on Americans.” Even journalists calling home from overseas were included. “A lot of time you could tell they were calling their families,” she says, “incredibly intimate, personal conversations.” Kinne found the act of eavesdropping on innocent fellow citizens personally distressing. “It’s almost like going through and finding somebody’s diary,” she says.

“The NSA Is Building the Country’s Biggest Spy Center (Watch What You Say).” — James Bamford, Wired

See also: “The Journalist and the Spies.” — Dexter Filkins, The New Yorker, Sept. 19, 2011

What are the Gawker editors reading? Here’s their new Longreads page, with picks from The Hairpin, Warscapes, The New Yorker, plus more.

The story of “the world’s most notorious weapons trafficker”:

The longer we sat in the small, musty room, the more the tempered side of Bout’s personality receded. I asked whether he felt any remorse. “I did nothing in my mind that qualifies as a crime,” he replied. “Sure, I was doing transportation of arms,” he said. “But it was occasionally. Three hundred and sixty days were normal shipments. For five days, I shipped arms and made a couple of hundred thousand dollars.” (Mirchev, by contrast, recalls a period of “almost daily flights” for UNITA.)

“Disarming Viktor Bout.” — Nicholas Schmidle, The New Yorker

See also: “Glock: America’s Gun.” — Paul M. Barrett, Bloomberg Businessweek, Jan. 14, 2011

Featured Longreader: Luke Hackney, writer/designer. See his story picks from Bloomberg Businessweek, The New Yorker, The Nation, plus more on his #longreads page.

[Fiction] Taking a trip to Times Square: 

Ginny had promised to take the girls to M&M World, that ridiculous place in Times Square they had passed too often in a taxi, Maggie scooting to press her face to the glass to watch the giant smiling M&M scale the Empire State Building on the electronic billboard and wave from the spire, its color dissolving yellow, then blue, then red, then yellow again. She had promised. “Promised,” Olivia said, her face twisted into the expression she reserved for moments of betrayal. “Please,” Olivia whined. “You said ‘spring.’”

“M&M World.” — Kate Walbert, The New Yorker

See more #fiction #longreads

The true story of the case that helped change the legal landscape for gay rights in the U.S.: 

The story told in Lawrence v. Texas was a story of sexual privacy, personal dignity, intimate relationships, and shifting notions of family in America. By the time the tale poured from Justice Anthony Kennedy’s pen, in his decisive majority opinion, it was even about the physical dimension of love: “When sexuality finds overt expression in intimate conduct with another person, the conduct can be but one element in a personal bond that is more enduring.” The opinion used the word ‘relationship’ eleven times.

That is the story that Dale Carpenter, a professor at the University of Minnesota Law School, seeks to untell in his important new book, “Flagrant Conduct” (Norton), a chronicle that peels the Lawrence case back through layers of carefully choreographed litigation and tactical appeals, back to the human protagonists we never really got to know, and back again through centuries of laws criminalizing “unnatural” sexual activity. What if, Carpenter asks, this weren’t a story about love, or even sex?

“Lawrence v. Texas: How Laws Against Sodomy Became Unconstitutional.” — Dahlia Lithwick, The New Yorker

Previously: “The Making of Gay Marriage’s Top Foe.” — Mark Oppenheimer, Salon, Feb. 8, 2012