Search Results for: The New Yorker

Postwar New York: The Supreme Metropolis of the Present

Demobilized soldiers returning to New York. Via Flickr.

David Reid | The Brazen Age: New York City and the American Empire: Politics, Art, and Bohemia | Pantheon | March 2016 | 31 minutes (8,514 words)

 

The excerpt below is adapted from The Brazen Age, by David Reid, which examines the “extraordinarily rich culture and turbulent politics of New York City between the years 1945 and 1950.” This story is recommended by Longreads contributing editor Dana Snitzky

* * *

Probably I was in the war.

—NORMAN MAILER, Barbary Shore (1951)

*

A hideous, inhuman city. But I know that one changes one’s mind.

In march 1946 the young French novelist and journalist Albert Camus traveled by freighter from Le Havre to New York, arriving in the first week of spring. Le Havre, the old port city at the mouth of the Seine, had almost been destroyed in a battle between its German occupiers and a British warship during the Normandy invasion; huge ruins ringed the harbor. In his travel journal Camus writes: “My last image of France is of destroyed buildings at the very edge of a wounded earth.”

At the age of thirty-two this Algerian Frenchman, who had been supporting himself with odd jobs when the war began, was about to become very famous. By 1948, he would become an international culture hero: author of The Stranger and The Plague, two of the most famous novels to come out of France in the forties, and of the lofty and astringent essays collected in The Myth of Sisyphus.

Camus’s visit to the United States, sponsored by the French Ministry of Foreign Affairs but involving no official duties, was timed to coincide with Alfred A. Knopf’s publication of The Stranger in a translation by Stuart Gilbert, the annotator of James Joyce’s Ulysses. In the spring of 1946 France was exporting little to the United States except literature. Even most American readers with a particular interest in France knew of Camus, if at all, as a distant legend, editor of the Resistance newspaper Combat and an “existentialist.”

Reviewing The Stranger in the New Yorker, Edmund Wilson, usually omniscient, confessed that he knew absolutely nothing about existentialism except that it was enjoying a “furious vogue.” If there were rumored to be philosophical depths in this novel about the motiveless murder of an Arab on a North African beach, they frankly eluded him. For Wilson the book was nothing more than “a fairly clever feat”—the sort of thing that a skillful Hemingway imitator like James M. Cain had done as well or better in The Postman Always Rings Twice. America’s most admired literary critic also had his doubts about Franz Kafka, the writer of the moment, suspecting that the claims being made for the late Prague fabulist were exaggerated. But still, like almost everyone else, especially the young, in New York’s intellectual circles Wilson was intensely curious about what had been written and thought in occupied Europe, especially in France.

“Our generation had been brought up on the remembrance of the 1920s as the great golden age of the avant-garde, whose focal point had been Paris,” William Barrett writes in The Truants, his memoir of the New York intellectuals. “We expected history to repeat itself: as it had been after the First, so it would be after the Second World War.” The glamorous rumor of existentialism seemed to vindicate their expectations. Camus’s arrival was eagerly awaited not only by Partisan Review but also by the New Yorker, which put him in “The Talk of the Town,” and Vogue, which decided that his saturnine good looks resembled Humphrey Bogart’s. Read more…

Savoring the Quintessential New York Hot Dog Experience

A much better example came on Central Park West in the lower Sixties, where a second Mohammad operated a stand. He told me that he’s from Alexandria and has been in New York for four years. (“Some people are good. Others, not so much,” he said of his customers.) Every winter, when the hot-dog business is sluggish and the park is more amenable to sledding than to lolling and ruminating, Mohammad goes back to Egypt to see his family. I asked him for a hot dog with ketchup and mustard and called my father. It was good—he lives in Europe, and we don’t often get to see each other. The hot dog was good, too—smooth and snappy, the mustard sweet. The key, Mohammad told me, is to ask for the hot dog to be thrown on the grill.

After my filial phone call was finished, I pushed onward and upward along Central Park West. Outside the American Museum of Natural History, I approached a larger stand, where I heard the vendor tell a couple that their order had come to forty-nine dollars. At first, I thought that I’d soon be seeing an overzealous NBC New York camera crew rush up to expose the vendor’s racket. But moments later a flurry of food came through the window: chicken fingers, four cheeseburgers, fries, and some hot dogs for good measure. The couple brought their grub to a bench, where their eagerly awaiting children sat. I bought a single hot dog from the same cart and sat down on an adjacent bench to marvel at a museum poster featuring a tardigrade—a tiny creature that looks like an inflated vacuum bag. After seven hot dogs, I knew how he felt.

Colin Stokes writing in The New Yorker about eating a hot dog from many of the thirty or so licensed venders around Central Park, in search of variations in New York City’s frankfurter formula.

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A Moment of Zen: Seven Stories Looking Back at Jon Stewart’s Fake-News Legacy

Photo: Cliff

Tonight, Jon Stewart ends his 16-year run as host of “The Daily Show.” Here are seven stories looking back at how Stewart became the most influential fake-news anchor in the history of television:

1. Is Jon Stewart the Most Trusted Man in America? (Michiko Kakutani, New York Times, Aug. 15, 2008)

“Hopefully the process is to spot things that would be grist for the funny mill,” Mr. Stewart, 45, said. “In some respects, the heavier subjects are the ones that are most loaded with opportunity because they have the most — you know, the difference between potential and kinetic energy? — they have the most potential energy, so to delve into that gives you the largest combustion, the most interest. I don’t mean for the audience. I mean for us. Everyone here is working too hard to do stuff we don’t care about.”

Read more…

Slavery and Freedom in New York City

"A Ride for Liberty," by Eastman Johnson (1862).

Eric Foner | Gateway to Freedom: The Hidden History of the Underground Railroad | W. W. Norton & Company | January 2015 | 31 minutes (8,362 words)

Below is an excerpt from the book Gateway to Freedom, by Eric Foner, as recommended by Longreads contributing editor Dana Snitzky.

* * *

The history of slavery, and of fugitive slaves, in New York City begins in the earliest days of colonial settlement. Under Dutch rule, from 1624 to 1664, the town of New Amsterdam was a tiny outpost of a seaborne empire that stretched across the globe. The Dutch dominated the Atlantic slave trade in the early seventeenth century, and they introduced slaves into their North American colony, New Netherland, as a matter of course. The numbers remained small, but in 1650 New Netherland’s 500 slaves outnumbered those in Virginia and Maryland. The Dutch West India Company, which governed the colony, used slave labor to build fortifications and other buildings, and settlers employed them on family farms and for household and craft labor. Slavery was only loosely codified. Slaves sued and were sued in local courts, drilled in the militia, fought in Indian wars, and married in the Dutch Reformed Church. When the British seized the colony in 1664, New Amsterdam had a population of around 1,500, including 375 slaves. Read more…

When You’re Asleep, New York Becomes Another World

Longreads Pick

After surveying 50 New Yorkers about the way the city appears in their dreams, the author explores what those nighttime visions say about the city itself—and the psychology of dreams.

Published: Jul 5, 1998
Length: 13 minutes (3,280 words)

The Good Girls Revolt: When 46 Women Sued Newsweek for Discrimination

Longreads Pick

Following this week’s news about the firing of Jill Abramson from the New York Times and the discussion of gender pay disparity, here’s some historical context: The full opening chapter of Lynn Povich’s book, The Good Girls Revolt, about the first female class action lawsuit against Newsweek. Thanks to Povich and PublicAffairs for allowing us to reprint the excerpt.

Source: PublicAffairs
Published: May 16, 2014
Length: 13 minutes (3,368 words)

Confronting the Top Brass at The New York Times About Pay Discrepancy

Jill Abramson left the New York Times’s executive editor position today and was replaced by Dean Baquet, the managing editor at the newspaper. At The New Yorker, Ken Auletta writes about what happened behind the scenes:

As with any such upheaval, there’s a history behind it. Several weeks ago, I’m told, Abramson discovered that her pay and her pension benefits as both executive editor and, before that, as managing editor were considerably less than the pay and pension benefits of Bill Keller, the male editor whom she replaced in both jobs. “She confronted the top brass,” one close associate said, and this may have fed into the management’s narrative that she was “pushy,” a characterization that, for many, has an inescapably gendered aspect. Sulzberger is known to believe that the Times, as a financially beleaguered newspaper, needed to retreat on some of its generous pay and pension benefits; Abramson had also been at the Times for far fewer years than Keller, having spent much of her career at the Wall Street Journal, accounting for some of the pension disparity. Eileen Murphy, a spokeswoman for the Times, said that Jill Abramson’s total compensation as executive editor “was directly comparable to Bill Keller’s”—though it was not actually the same. I was also told by another friend of Abramson’s that the pay gap with Keller was only closed after she complained. But, to women at an institution that was once sued by its female employees for discriminatory practices, the question brings up ugly memories. Whether Abramson was right or wrong, both sides were left unhappy. A third associate told me, “She found out that a former deputy managing editor”—a man—“made more money than she did” while she was managing editor. “She had a lawyer make polite inquiries about the pay and pension disparities, which set them off.”

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Read Ken Auletta’s October 2011 profile of Jill Abramson

The Summer of Love and Newsweek

Longreads Pick

The New Yorker’s Hendrik Hertzberg reflects on his early career working as a correspondent for Newsweek in San Francisco, covering Jefferson Airplane, Ronald Reagan and hippies:

“If the S.F. music scene (I quickly learned that ‘Frisco’ was a no-no) was scarcely known outside the Bay Area, and neither was the larger cultural phenomenon it drew strength from. The word ‘hippie’—derived from ‘hipster,’ the nineteen-forties bebop sobriquet revived sixty years later in Brooklyn, Portland, and food co-ops in between—had been coined only a few months earlier, by Herb Caen, the Chronicle’s inimitable gossip columnist. (At the time, as often as not, people spelled it ‘hippy.’) Ralph J. Gleason, the Chron’s jazz critic, was the scene’s Dr. Johnson. (Pushing fifty, he was too old to be its Boswell.) Gleason’s protégé was the pop-music critic for the U.C. Berkeley’s student paper, the Daily Californian, Jann Wenner. But the national press had not taken much notice, if any. So getting something into Newsweek was a coup.”

Source: The New Yorker
Published: Aug 15, 2013
Length: 8 minutes (2,143 words)

Reading List: What's In A Dream? Writers Explore New York


Emily Perper is a freelance editor and reporter, currently completing a service year in Baltimore with the Episcopal Service Corps.

As my service year winds down and I begin to look for jobs, I’m simultaneously drawn to and repulsed by the New York mythos. Here are four pieces that explore the romance, the real estate, the heartbreak and the hard-at-work.

1. “Here is New York.” (E.B. White, 1949)

White discusses the “nearness of giants,” the essential alone/never alone dichotomy and general spectacle of New York, N.Y.

2. ”Goodbye to All That.” (Joan Didion, 1967)

The yin to White’s yang, here is Didion’s quintessential emotional examination of New York.

3. ”I Want This Apartment.” (Susan Orlean, The New Yorker, February 1999)

The cutthroat Manhattan real estate market calls for a sharp-eyed guru. Enjoy pre-recession prices and capitalization of the word “internet.”

4. ”At Home on the Church Steps.” (Mindy Lewis, Mr. Beller’s Neighborhood, February 2013)

As apartment buildings are converted to condos, Lewis watches a dear neighbor become homeless and wonders at “a future where compassion is always trumped by enterprise.”

•••

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Photo: JWPhotography2012

Reading List: Brave New Internet


Emily Perper is a freelance editor and reporter, currently completing a service year in Baltimore with the Episcopal Service Corps.

1. “The Vice Guide to the World.” (Lizzie Widdicombe, The New Yorker, 8 April 2013)

“My big thing was I want you to do stupid in a smart way and smart in a stupid way.” Vice pioneers methods of marketing, advertising and reporting while trying to mesh investigative journalism with its party image.

2. “‘There is no news industry’: An interview with media theorist Clay Shirky.” (Martin Eiermann, The European, August 2013)

Shirky talks about the nebulous definition of the journalist, the perilous combination of print and online news services, and the relationship between story and audience. Warning: somewhat jargon-y.

3. “The Secular C.S. Lewis: Neil Postman’s Unlikely Influence on Evangelicals.” (Arthur W. Hunt III. Second Nature Journal, May 2013)

Media theory classes have found an unlikely home in the hearts of Christian college students and other evangelical, primarily Reformed Christians. (I should know—the epigraph of this piece is from my Media Ecology professor, to whom I credit my deep unease toward Google Glass.)

•••

What are you reading (and loving)? Tell us.

Photo via Wikimedia Commons