Search Results for: The New Yorker

The Latest Human Rights Crackdown in Uncle Xi’s China

Chinese authorities have recently detained or questioned more than 150 human rights lawyers and activists in an unprecedented nationwide crackdown. Some detainees are missing, and a petition is calling on the U.S. to cancel the Chinese president’s upcoming state visit. In his April New Yorker story “Born Red,” Evan Osnos profiled Big Uncle Xi (the state news agency’s nickname for the president), “China’s most authoritarian leader since Mao”:

Before Xi took power, he was described, in China and abroad, as an unremarkable provincial administrator, a fan of American pop culture (“The Godfather,” “Saving Private Ryan”) who cared more about business than about politics, and was selected mainly because he had alienated fewer peers than his competitors. It was an incomplete portrait. He had spent more than three decades in public life, but Chinese politics had exposed him to limited scrutiny. At a press conference, a local reporter once asked Xi to rate his performance: “Would you give yourself a score of a hundred—or a score of ninety?” (Neither, Xi said; a high number would look “boastful,” and a low number would reflect “low self-esteem.”)

But, a quarter of the way through his ten-year term, he has emerged as the most authoritarian leader since Chairman Mao. In the name of protection and purity, he has investigated tens of thousands of his countrymen, on charges ranging from corruption to leaking state secrets and inciting the overthrow of the state. He has acquired or created ten titles for himself, including not only head of state and head of the military but also leader of the Party’s most powerful committees—on foreign policy, Taiwan, and the economy. He has installed himself as the head of new bodies overseeing the Internet, government restructuring, national security, and military reform, and he has effectively taken over the courts, the police, and the secret police. “He’s at the center of everything,” Gary Locke, the former American Ambassador to Beijing, told me.

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In Xi’s early months, supporters in the West speculated that he wanted to silence hard-line critics, and would open up later, perhaps in his second term, which begins in 2017. That view has largely disappeared. Henry Paulson, the former Treasury Secretary, whose upcoming book, “Dealing with China,” describes a decade of contact with Xi, told me, “He has been very forthright and candid—privately and publicly—about the fact that the Chinese are rejecting Western values and multiparty democracy.” He added, “To Westerners, it seems very incongruous to be, on the one hand, so committed to fostering more competition and market-driven flexibility in the economy and, on the other hand, to be seeking more control in the political sphere, the media, and the Internet. But that’s the key: he sees a strong Party as essential to stability, and the only institution that’s strong enough to help him accomplish his other goals.”

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The World’s Most Notorious Drug Trafficker Breaks Out of Prison (Again)

Photo via Day Donaldson

Drug kingpin Joaquín Guzmán Loera, known as “El Chapo,” escaped from a maximum-security prison in Mexico this weekend. It’s his second prison escape. “Anyone who makes a mile-long tunnel from his cell and escapes on a motorcycle is necessarily in collusion with the government,” a government official told Patrick Radden Keefe in his New Yorker post about the news. Last year Radden Keefe described for the magazine how Chapo, whose Sinaloa cartel has long used tunnels to evade law enforcement, was captured after more than a decade on the run:

In the early days of Guzmán’s career, before his time at Puente Grande, he distinguished himself as a trafficker who brought an unusual sense of imagination and play to the trade. Today, tunnels that traverse the U.S.-Mexico border are a mainstay of drug smuggling: up to a mile long, they often feature air-conditioning, electricity, sophisticated drainage systems, and tracks, so that heavy loads of contraband can be transported on carts. Guzmán invented the border tunnel. A quarter of a century ago, he commissioned an architect, Felipe de Jesús Corona-Verbera, to design a grocery store that served as a front company, and a private zoo in Guadalajara for his collection of tigers, crocodiles, and bears. By this point, Guzmán was making so much money that he needed secure locations in which to hide it, along with his drugs and his weapons. So he had Corona-Verbera devise a series of clavos, or stashes—secret compartments under the beds in his homes. Inevitably, a bolder idea presented itself: if you could dig a clavo beneath a house near the U.S. border, why not continue digging and come out on the other side? Guzmán ordered Corona-Verbera to design a tunnel that ran from a residence in Agua Prieta, immediately south of the border, to a cartel-owned warehouse in Douglas, Arizona. The result delighted him. “Corona made a fucking cool tunnel,” he said. Since then, U.S. intelligence has attributed no fewer than ninety border tunnels to the Sinaloa cartel.

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Science, Chance, and Emotion with Real Cosima

Clone dance party. Photo via BBC America

Maud Newton | Longreads | June 2015 | 24 minutes (5,889 words)

 

BBC America’s Orphan Black seems so immediate, so plausible, so unfuturistic, that Cosima Herter, the show’s science consultant, is used to being asked whether human reproductive cloning could be happening in a lab somewhere right now. If so, we wouldn’t know, she says. It’s illegal in so many countries, no one would want to talk about it. But one thing is clear, she told me, when we met to talk about her work on the show: in our era of synthetic biology — of Craig Venter’s biological printer and George Church’s standardized biological parts, of three-parent babies and of treatment for cancer that involves reengineered viruses— genetics as we have conceived of it is already dead. We don’t have the language for what is emerging. Read more…

Defending Journalist Joseph Mitchell

In the April issue of the New York Review of Books Janet Malcolm wrote about the legendary New Yorker journalist Joseph Mitchell, and responded to Thomas Kunkel’s new Mitchell biography. The biography reveals how Mitchell invented some of his beloved material, which raises questions about larger journalistic standards, betraying readers’ trust, and what effect Mitchell’s invention and embellishment might have on the reputation of pieces like “Mr. Hunter’s Grave.” On this Malcolm is clear:

Every writer of nonfiction who has struggled with the ditch and the bushes knows what Mitchell is talking about, but few of us have gone as far as Mitchell in bending actuality to our artistic will. This is not because we are more virtuous than Mitchell. It is because we are less gifted than Mitchell. The idea that reporters are constantly resisting the temptation to invent is a laughable one. Reporters don’t invent because they don’t know how to. This is why they are journalists rather than novelists or short-story writers. They depend on the kindness of the strangers they actually meet for the characters in their stories. There are no fictional characters lurking in their imaginations. They couldn’t create a character like Mr. Flood or Cockeye Johnny if you held a gun to their heads. Mitchell’s travels across the line that separates fiction and nonfiction are his singular feat. His impatience with the annoying, boring bits of actuality, his slashings through the underbrush of unreadable facticity, give his pieces their electric force, are why they’re so much more exciting to read than the work of other nonfiction writers of ambition.

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Mr. and Mrs. B

Illustration by Kjell Reigstad

Alexander Chee | Apology Magazine | Winter 2014 | 19 minutes (4,822 words)

 

This essay by novelist Alexander Chee first appeared in Apology magazine’s third issue (Winter 2014). Apology is a semiannual print journal of art, interviews and literature, created by ex-Vice editor-in-chief Jesse Pearson. The fourth issue is available for preorder. Our thanks to Alexander Chee and Apology for allowing us to reprint this essay here.

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How could you, my friends would ask, when I told them. How could you work for someone like him? Do you ever want to just pick up a knife and stab him in the neck? Poison his food?

You would be a hero, one friend said.

I did not want to stab him, and I did not want to poison him. From our first meeting, it was clear, he was in decline. And as for how could I, well, like many people, I needed the money. Read more…

The Beginnings of Ivan Ramen

Longreads Pick

From Lucky Peach‘s long out of print inaugural issue, an essay about what it’s like to operate one of Japan’s finest ramen restaurants while being a white Jewish New Yorker who sneaks rye flour into his noodle dough.

Author: Ivan Orkin
Source: Lucky Peach
Published: Jul 1, 2011
Length: 9 minutes (2,492 words)

Four Stories About Merle Haggard

Merle Haggard, 1975. Photo by Wikimedia Commons

Legendary country singer Merle Haggard died today at 79. Here are four profiles of the master, by four master writers, that follow him through the years.

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The Art and Business of Book Covers

When I moved out of my previous home, I donated more than three-fourths of my book collection because I was moving into a tiny space. I had no logical process for deciding which books I kept. Some were sentimental, with handwritten notes written inside; others were souvenirs I bought during my travels. These books seemed obvious to keep. Yet I was also inclined to keep hardcovers I’d never read or even opened, simply because the covers were attractive. All of these books, together, would represent my best self — the one I wanted to display on my shelves.

As I read more online, and since my physical shelf space has dramatically shrunk, I wonder: what makes an eye-catching, effective book cover? Which books will make the final cut?

Here are pieces I’ve enjoyed, new and old, about the art and business of book cover design.

1. “Judge This: The Power of First Impressions.” (Chip Kidd, Medium, June 2015)

In this excerpt from his new book, Judge This, Chip Kidd explains that balancing clarity and mystery is important in design, and shows how both elements informed the covers he designed for books by Oliver Sacks, Harry Kramer, Haruki Murakami, and David Sedaris.
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Kalief Browder, Jailed at Rikers for Three Years Without a Trial, Commits Suicide

Last fall, we featured Jennifer Gonnerman’s New Yorker story, “Before the Law,” an investigation into a crippled legal system that left 16-year-old Kalief Browder imprisoned on Rikers Island for three years, waiting for a trial that never happened. Browder had been charged for a crime based on shaky evidence. Gonnerman’s story made it onto our list of the best stories of 2014.

This weekend, Gonnerman had an update on the story: Kalief Browder committed suicide. She writes:

His relatives recounted stories he’d told them about being starved and beaten by guards on Rikers. They spoke about his paranoia, about how he often suspected that the cops or some other authority figures were after him. His mother explained that the night before he told her, “Ma, I can’t take it anymore.” “Kalief, you’ve got a lot of people in your corner,” she told him.

One cousin recalled that when Browder first got home from jail, he would walk to G.E.D. prep class every day, almost an hour each way. Another cousin remembered seeing him seated by the kitchen each morning with his schoolwork spread out before him.

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The Top 5 Longreads of the Week

Photo courtesy of Matthew Teague

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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