Search Results for: The Nation

The Inside Story of Michigan’s Fake Voter Fraud Scandal

Longreads Pick

“How a state that was never in doubt became a ‘national embarrassment’ and a symbol of the Republican Party’s fealty to Donald Trump.”

Source: Politico
Published: Nov 24, 2020
Length: 29 minutes (7,400 words)

The 25 Most Popular Longreads Exclusives of 2020

All Best of Longreads illustrations by Kjell Reigstad.

Our most popular exclusive stories of 2020. If you like these, you can sign up to receive our weekly email every Friday.

1. The Strange and Dangerous World of America’s Big Cat People

Rachel Nuwer | Longreads | March 2020 | 28 minutes (7,033 words)

A headline-grabbing murder-for-hire plot helped expose the dark side of exotic animal ownership in the U.S. Is there now enough momentum to reform the industry?

2. Whatever Happened to ______ ?

Anonymous | Longreads | January 2020 | 20 minutes (4,879 words)

Envy over her success led her husband, also a writer, to become violent. She fights every day for her safety — and to avoid being relegated to obscurity like so many writers who are mothers. Read more…

Motherhood on the Line

Migrant women and children, like Fania and her infant son Bilfani, seek care at the Mother and Child Hospital and refuge at the Path of Life (Senda de Vida) shelter, both in Reynosa, Mexico. Photo by Jacky Muniello.

Alice Driver | Longreads | December 2020 | 12 minutes (3,442 words)

 
FANIA*

* Fania’s last name is withheld for privacy.

The doctor made a uterine incision on the woman’s body to extract the fetal arms, then grasped the baby’s feet and pulled him from the womb upside down, delivering him into the era of coronavirus. Fania, 33, had traveled 1,726 miles from Haiti to Reynosa, Mexico. She had not planned to become pregnant nor imagined giving birth during a pandemic. “In my life, I did not want to have children. I was very careful, and I managed for four years with my husband. The idea was not to have a child who is suffering,” she explained.

When Mexican photographer Jacky Muniello and I met Fania on August 3, 2020, in Reynosa, Mexico, her C-section scar was fully healed. Muniello and I had worked together in Reynosa on several projects, and we were familiar with the risks of working in a city controlled by cartels, one whose militarized streets suggested a city at war with itself. This, however, was our first time working in the city during the pandemic, walking its streets in N95 masks. We found citizens wary, on edge, suspicious, anxious, and struggling to process the coronavirus death news cycle alongside the conspiracy theories spreading like wildfire on social media. Read more…

Open the Door to the Political World of Narnia

Photo by E. Charbonneau/WireImage for Disney Pictures. Getty Images.

C.S. Lewis’ The Chronicles of Narnia have sold over 100 million copies worldwide. The adventures of dwarves, talking animals, and some plucky children have engaged people throughout generations — but Lewis was selling more than just stories — he was also selling Christianity, having discovered, “that a children’s book was the best way of conveying his devoutly Christian message to the world.” While Christianity is indisputably intertwined with the chronicles, according to Mark Jones, writing for The Independent, Lewis’ work also contains a less obvious theme — politics. When we walk with Lucy through the cupboard door into Narnia, we should be aware we are entering a world with a political agenda.

… The four children from England are now kings and queens of Narnia. This is how they rule: “They made good laws and kept the peace … and generally stopped busybodies and interferers and encouraged ordinary people who wanted to live and let live.”

I don’t know if Boris Johnson read Narnia as a child. He’d be a rare English middle-class child if he hadn’t. But the adult Johnson could easily lift those words for his next manifesto. As a summary of benign, libertarian Conservative politics, it is nigh-on perfect. And it’s the libertarians who are most on his back now. A visit to Narnia might do him the power of good.

In Narnia Lewis created a vision of these islands that Johnson, not to say Michael Gove and Nigel Farage would heartily endorse. It’s a happy, small, independent nation, bursting with neighbourliness and godliness, where the food is honest and healthy, the beer is excellent, where everyone knows their place – and they’re happy with it.

Narnia also resents modernism and progress — apparent in the third chronicle, The Voyage of the Dawn Treader. 

The central theme of the story is a familiar one: a priggish, unpleasant boy called Eustace Scrubb comes to acknowledge god through the figure of Aslan, learning courage, steadfastness and loyalty along the way. He has a Lewisian mountain to climb.

On that first page we discover Eustace’s mother and father are “modern parents” in the manner satirised a few decades later in Viz magazine. He calls them Harold and Alberta, not mother and father. They are “very up to date and advanced people”. Among their many sins – and there is no question Lewis does view these things as sins – they are vegetarian, teetotal non-smokers who (shame!) like to have their windows open and, bizarrely – what was on Lewis’s mind? – “wore a special kind of underclothes”.

But don’t despair of Narnia just yet. It may be full of religious and political messages you are not expecting, but it is also a magical story that children have loved for 70 years.

But there are other roads we can take. Lewis had every chance to “get at” me, in Pullman’s words: I’ve read the chronicles dozens of times as well as his adult novels and Christian apologetics. Yet I turned out to be an atheist, liberal pro-European – a Narnia-loving one.

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The Top 5 Longreads of the Week

The Smithfield Foods pork processing plant in South Dakota, one of the countrys largest known Coronavirus clusters, is seen on April 20, 2020 in Sioux Falls, South Dakota. (Photo by Kerem Yucel / AFP) (Photo by KEREM YUCEL/AFP via Getty Images)

This week, we’re sharing stories from Nick Roberts and Rosa Amanda Tuirán, Carroll Bogert and Lynnell Hancock, Kiese Makeba Laymon, Alicia Kennedy, and Kitty Kelley.

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1. ‘It’s a national tragedy’: What a devastating Covid-19 outbreak at a California slaughterhouse reveals about the federal government’s failed pandemic response

Nick Roberts, Rosa Amanda Tuirán | The Counter | November 24, 2020 | 22 minutes (5,691 words)

“In the face of an unprecedented public health crisis, the federal agency responsible for workplace safety has essentially allowed meatpackers to regulate themselves—leading to chaos, confusion, and fear in facilities across the country.”

2. ‘Superpredator’

Carroll Bogert, Lynnell Hancock | The Marshall Project | November 20, 2020 | 10 minutes (2,500 words)

“The media myth that demonized a generation of Black youth.”

3. Now Here We Go Again, We See the Crystal Visions

Kiese Makeba Laymon | Vanity Fair | November 19, 2020 | 6 minutes 1,565 words)

“With the help of Fleetwood Mac, the mailman, and 68 high school students, the author of Heavy finds hope for the future.”

4. Eat Your Vegetables

Alicia Kennedy | The Baffler | November 24, 2020 | 6 minutes (1,530 words)

“On Deborah Madison and the taint of vegetarianism.”

5. Death and the All-American Boy

Kitty Kelley | Washingtonian | June 1, 1974 | 18 minutes (4,728 words)

“Joe Biden was a lot more careful around the press after this 1974 profile.”

How Should We Talk About Suicide Online?

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After her son, Junior, killed himself in April 2020, Kelli Wilson discovered that he’d been active on a “pro-choice” website — the choice in question being to kill oneself. In her deep dive into the intersection of suicide and the internet, Vice writer Shayla Love describes how Wilson is now advocating for legislation that would “increase the liability website servers have for the content on the sites they host.” Love doesn’t name the website Junior frequented “due to the concerns of experts who believe that naming it explicitly could lead to self-harm by distressed people.” She refers to it instead as “Suicide Solution.” It wasn’t an easy choice to make, Love explains, because there’s nothing easy when it comes to suicide — including assigning blame:

I wrestled with how to write about a site like Suicide Solution. Even publishing an article at this length, that includes details of what makes the site dangerous, is a controversial choice. Suicide survivors and researchers alike cautioned against publishing the site’s real name. At least one expert I spoke to was hesitant to be interviewed at all because of the fear that they would contribute to driving more people to the site. And, in fact, it might. In one thread I read on Suicide Solution about how people found the website, several users referenced a past VICE article from 2015. Our choice to not to use Suicide Solution’s real name is a reflection of the uncertainty that plagues this arena— about how the internet confers risk, how the ease of finding the site contributes to that risk, and the variability in how people will use the forum.

Still, [April] Foreman [ a psychologist on the executive board of the American Association of Suicidology], said that it makes sense to think that if we just control all the information online about suicide, then people won’t die by suicide anymore. But Suicide Solution’s many incarnations throughout the decades are enough proof that a community like this one may never fully disappear. Trying too hard to stifle it could only drive it back to the Dark Web, out of sight.

“Suicide was a leading cause of death for youth before the internet and before social media, before bulletin boards,” Foreman said. “It has gone up some, but it was a leading cause of death before all of those things because something else is going on. At the end of the day, you could get rid of that website. And I don’t think that you would see an appreciable change at all in in suicide deaths.”

Instead, she thinks the more critical question to ask is: What need is Suicide Solution meeting—even dangerously so—and how do we create systems and supports around the person so that they don’t have to turn only to the internet to feel supported?

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The Secret Group Trying to Topple North Korea’s Regime

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When writer Suki Kim heard on the news that there had been a break-in at North Korea’s embassy in Madrid, led by a young man named Adrian Hong, she “sat upright.” She had known Adrian for several years. They had crossed paths at a Korean Students Conference in 2003, after which Kim went on to write the book Without You, There Is No Us, about her time as an English teacher in Pyongyang, and Adrian became an activist who spread awareness about human rights abuses in the Hermit Kingdom. Now he was being hunted by two governments. When Kim texted Adrian, he agreed to meet with her at a barbecue restaurant in Times Square. He told her that, yes, he’d led the break-in, but for good cause: He was now a leader of Free Joseon, a secretive international network of activists seeking regime change in Pyongyang:

“Regimes like this don’t collapse slowly. It happens instantly. Every revolution is that way, and this will be the same,” Adrian told me. “I don’t mean a revolution in a figurative sense. I don’t mean the revolution of the mind. Or some kind of fantasy where five hundred thousand people protest in Pyongyang and the regime just packs their bags and leaves and some transitional government comes in place. This is not like any other country, where offering them enough money will mean they will liberalize—any opening or reform will result in their insecurity. The only way to make them change is to force them to change.”

Adrian had no formal protection for his actions, not even from the U.S. government: If he was apprehended in New York for what happened in Madrid, he could be extradited and face up to 28 years in prison. In her New Yorker feature “Follow the Leader,” Kim recounts how Adrian went from working at NGOs to risking his life in the name of freedom alongside likeminded activists. One of them is Chris Ahn, who Kim called on to help with a high-profile defection. Ahn was traveling at the time:

“Holy shit, it’s perfect,” Adrian said, when Chris told him that he was in Manila. “You know what’s happened with Kim Jong Nam, right?” Chris did. The day before Adrian’s call, the eldest son of Kim Jong Il had been assassinated at the Kuala Lumpur airport, by two women who smeared a nerve agent on his face. The killing was assumed to have been ordered by Kim Jong Un, his half brother, in the interest of eliminating a potential rival. Adrian told Chris that he had just received a call from Kim Han Sol, who is believed to be Kim Jong Nam’s eldest son. According to Adrian, they were introduced in Paris, around 2013, by a mutual contact. Han Sol, who was wearing a pair of Gucci shoes, told Adrian that he was aware of his work with North Korea. The two men kept in touch. Adrian told me, “Never met a kid with so much money. Kim Jong Nam had stashed away a lot of cash during his life.” Immediately after his father’s death, Han Sol noticed that the Macau police who typically guarded his house had disappeared. He called the mutual contact to tell Adrian that he, along with his mother and his sister, needed to get out of Macau as soon as possible. It was easy to see why Han Sol would be of interest to various countries and their intelligence services. Considered by some to be the rightful heir of the former Great Leader, Han Sol represented valuable leverage to whoever captured him, dead or alive—Adrian called this a “zero-sum game.”

Adrian, who was in the U.S., asked Chris, “Can you go meet them at the airport in Taiwan tonight, and make sure that no one is following them?” Chris threw some clothes in his backpack and headed to the airport. It was after midnight when he arrived in Taipei. He had Han Sol’s flight number, and he found a small noodle stand by the gate, where Han Sol and his family could sit while he scanned the crowd for threats.

The family arrived early that morning, wearing sanitary masks to cover their faces, which wasn’t unusual in Asia even then. Han Sol was about five feet ten inches tall, wearing a long-sleeved shirt and a coat, and rolling a suitcase. His mother was a pretty middle-aged woman, who reminded Chris of his own mother. Han Sol’s sister, who was wearing jeans, looked to be in her late teens. Adrian had told the family that Chris would be wearing a black T-shirt and a Dodgers cap and would answer to the name Steve. Han Sol spotted Chris and said, “Steve?” Chris nodded and said, “Let’s go.”

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‘Transforming Craft Into An Act of Protest’: Embroidery In Response to Femicide in Mexico

Photo by Eva Elijas

In “Memory Weavers,” a piece in Hazlitt on the femicide crisis in Mexico, Amandas Ong writes about Bordamos Feminicidios, an embroidery collective that sews the stories of murdered women and, through their handmade creations, raises awareness of female-targeted violence.

There are only three basic requirements to be part of Bordamos Feminicidios, and for Minerva to assign you a story to embroider. First, the embroiderer must tell the narrative in first person. “I want them,” she says, “to really try and imagine the life of this woman, who we only know in her last moments.” To honor her is to build a profound empathy with the fantasy of a life fuller and more complex than a broken body. Second, the embroidery should be done on a pañuelo, a standard white handkerchief, though Minerva has begun allowing deviations to this rule, because she finds it endearing when the embroiderers add personal touches to their work. “I have received tablecloths or fabric of all shapes and sizes, stained with coffee and wine, with little cats and flowers sewn into the bottom,” she says. “I love it. It means that these women are working on the embroidery everywhere and whenever they can, and the decorative details are like little kisses to the deceased.” The third rule, she says, is that the words must be in purple.

Transforming craft into an act of protest against indifference, against the lack of willpower to reverse or address a societal ill, is something that Mexican women, and women around the world, are familiar with. For centuries both in reality and the literary imagination, women have been the faithful scribes of tales revealing personal and social resistance to injustice or oppression. They did not do this with pens, or quills, or rigid implements that were good for scratching script onto stone—all of these were traditionally believed to be instruments that wielded real power in the realm of the public, where only men’s words counted. Instead women spoke through the objects they had created with their hands, some of which would never cross the threshold of the home.

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A Reading List on Travel Influencers and the Politics of a Place

Photo by Oleg Magni

Influencers come in many flavors, including kid stars who make more money than you, self-made online traders involved in shady financial schemes, women hunters of #huntstagram, and COVID-denying wellness experts. At the end of 2019, brands were forecast to spend as much as $15 billion on influencer marketing by 2022. The pandemic, however, has forced many influencers to shift business models and strategies, especially those whose livelihoods depend on traveling the world.

But even before COVID-19, jet-setting content creators entangled themselves in problematic scenarios, posing questions about privacy, safety, and ownership, among other issues. These seven reads explore the world of travel influencers in the age of Instagram, and the implications of the industry and its content on tourism and politics.

1. How Western Travel Influencers Got Tangled Up in Pakistan’s Politics. (Samira Shackle, November 2020, The Guardian)

In recent years, Western travel bloggers and “adventure tourists” have come to Pakistan to discover the country and write about its beauty, while some — like Cynthia Ritchie — have ended up becoming political voices. Ritchie, who calls her work strategic communications, has received extraordinary access to restricted areas and officials, and her critics accuse her of being “a propagandist for the military with a white saviour complex.” In response, Ritchie and others, like Polish travel vlogger Eva zu Beck, see themselves as truth-tellers and storytellers. At the Guardian, Samira Shackle reports on the politicization of tourism in Pakistan.

The fanbase that has developed around Ritchie can be split into two camps. The first enjoys her travel content, and her sunny portrayals of Pakistan. For the second camp, who actively support the military and spend their time on social media attacking anyone they see as insufficiently patriotic, Ritchie is a useful ally, an outsider who reflects their worldview. “More power to you Cynthia. Keep exposing the filthy culprits who have eaten up this country like mites,” wrote one Twitter user.

In 2019, questions about Ritchie’s links to the army intensified on social media when she posted footage of a trip to Pakistan’s heavily contested tribal areas. She told me that the trip had actually taken place in the run-up to the 2018 election, and that it had been part of an “interview process” at which military officials were “assessing and monitoring me, my experience, and determining my worth and capacity as an individual”, and that afterwards she was offered a big project. It is difficult to know what to make of comments like this, given that at other times Ritchie flat-out denies working for the military.

Having offered this puzzling explanation, Ritchie then dismissed the entire controversy over the pictures as just another fuss about nothing. “Look, if I had anything to hide, I wouldn’t be publishing these things,” she said. She pointed out that anyone who wants to travel to the tribal areas needs army permission: “You can’t access some of these areas without the military.”

2. Instagram Influencers Are Wrecking Public Lands. Meet the Anonymous Account Trying to Stop Them. (Anna Merlan, April 2019, Jezebel)

In the spring of 2019, when areas of Southern California experienced a vibrant superbloom, thousands of tourists trekked to the fields of Lake Elsinore to pose with the poppies. And when the owner of the Instagram account @publiclandshateyou saw a photo of an influencer sitting among (and ruining) the flowers while holding a can of soup, he’d had enough. At Jezebel, Anna Merlan talks with the man behind this account, who educates people on the negative effects of Instagram tourism on the environment.

Right now you’re focusing pretty heavily on damage done during the superbloom. That must be because it’s the hot thing to photograph right now.

Exactly. Previously it was graffiti on rocks in national parks, but the superbloom is the thing of the moment. Influencers see this cool thing, do what they need to do to promote their products or take a cool picture. And then they move on to whatever else is cool, whether it’s, for instance, going out to the California coast, going past “closed” signs and taking a picture under a waterfall. Or whatever. And then Lake Elsinore, where Walker Canyon is, gets stuck with the aftermath. The people who live there. They have a poppy preserve that looks like a checkerboard. The people who did the damage are long gone. They’re on to the next thing.

The pushback you get seems to be a lot of comments like “they’re just flowers,” with the case of the superbloom photos, or comments that you need to calm down and focus on “real problems.”

I do try to respond to that and try to provide my point of view and get people to see, who might have lived in a city their whole life, who might not understand the biology of these areas. I say to them, “You’re not wrong, but I think that a lot of these bigger problems are symptoms of people not thinking about the little things and their impact.” Whether it’s the impact of of me stepping on a couple poppies or me getting my takeout tonight in a styrofoam container, people aren’t thinking about the impact of their actions and that’s applicable to small things like going off the trail, all the way up to big global issues like climate change or microplastics in the water.

3. Selfies and Sharia Police. (Mehr Nadeem, November 2020, Rest of World)

Instagram is the last open social media platform in Iran, where Iranians have felt freer to be themselves. For high-schooler and influencer Roya, this means taking photos of herself on the streets of Tehran, sans hijab, or wearing bright eye makeup or going sleeveless — types of things that are frowned upon by Iranian authorities. But as Instagram evolves into more of a space for organizing and political change in Iran, the government has increased surveillance on the app, writes Mehr Nadeem at Rest of World.

The increased threat of arrest is giving pause to Iranian Instagrammers who once saw the platform as a safe space to post freely.

Vania, a 17-year-old aspiring violinist who created her Instagram account to post videos of her music, saw that her friends were becoming careful of their online activity in the wake of the crackdowns. “One of my friends sings [on Instagram], and she was so worried, she did an encrypted location of another country in the caption so that they wouldn’t think she was Iranian,” Vania told Rest of World. It’s illegal for women to publicly sing in Iran, unless they perform to female-only audiences.

Sahba, an Iranian artist based in Canada, said she has second thoughts before posting to Instagram, even from her home in Vancouver. “I wasn’t really worried until the November protests, when I saw how people were arrested on the streets because of their social media posts,” Sahba said. “I try not to censor myself politically, but it’s something that’s always going to be in my head.

4. Whose Facade Is It, Anyway? (Alexandra Marvar, February 2019, Curbed)

Posing in front of photo-worthy facades like colorful street murals and famous buildings is one thing, but snapping a picture on someone’s property — in front of their pretty pastel door or on their adorable wraparound porch  — raises issues of privacy and etiquette. At Curbed, Alexandra Marvar explores homeownership in the age of the Instagram travel influencer.

Travel blogger and micro-influencer Valerie Furgerson, @redgypsea, says she’s never had a negative interaction with a homeowner: “A sort of influencer photographer’s code that I live by is, if you’re going to be shooting in a residential area, know what shots you want to get ahead of time and be quick about it. Not all tourists live by this code,” she says. “We definitely saw full-on photo shoots happening at Rainbow Row in Savannah, complete with big reflective umbrellas. I have found that if you are respectful of the residents, they will also be respectful of you.” I came across Furgerson’s feed by searching for pictures of Rainbow Row and reaching out to users who did photoshoots directly on the shipping pallet-sized front porches of these private homes.

“I don’t mind people just taking photos,” said T’s pink-shutters neighbor (whom I’ll keep anonymous), “but really I find it an invasion of my space when it’s on my porch.” If she’s returning on foot to her home and sees someone on her porch taking pictures, she hangs back until they’ve wrapped up their activities. But on more than one occasion, she’s been startled to open her front door to a person, or a group of people, posing in front of her. “The other thing,” she says, “is that it opens up liability issues that I don’t even want to think about.”

5. What I Learned at the Most Instagrammed Outdoor Places. (Lisa Chase, July 2020, Outside)

While visiting Arizona’s iconic landmarks and tourist hotspots like the Grand Canyon and Horseshoe Bend, Lisa Chase, writing for Outside, examines our obsession with documenting ourselves in nature, and the evolving art and process of photography in the era of iPhone-toting outdoor enthusiasts.

There have to be 75 to 100 of us here, all with smartphones in hand, tapping away. One teenage girl positions herself in warrior one pose on a rock, her back to the sun, slender arms overhead, taking a selfie. Nearby there’s a group of French guys murmuring “C’est magnifique” as they take photos of themselves in the gloaming. I think about an article I’d read by Sherry Turkle, an MIT professor who has studied the psychology of selfie culture. “A selfie, like any photograph, interrupts experience to mark the moment,” she wrote in The New York Times in 2013. “The selfie makes us accustomed to putting ourselves and those around us ‘on pause’ in order to document our lives. It is an extension of how we have learned to put our conversations ‘on pause’ when we send or receive a text, an image, an email, a call. When you get accustomed to a life of stops and starts, you get less accustomed to reflecting on where you are and what you are thinking.”

6. Travel Influencers, Meet Authoritarian Regimes. (Krithika Varagur, October 2020, Rest of World)

In December 2019, celebrities and Western travel bloggers were invited to attend a music festival in Riyadh, put on by Saudi Arabia’s General Entertainment Authority, in order to promote tourism to the region. “The Instagram posts coming out of the festival looked more Coachella than Sharia,” writes Krithika Varagur, and for those who attended the event, criticism was harsh. At Rest of World, Varagur asks: How could these influencers accept a paid trip from a repressive monarchy?

Despite this, several prominent influencers turned down the MDL Beast trip on ethical grounds, including American actress Emily Ratajkowski and American model Teddy Quinlivan. Quinlivan, who is transgender, said on her Instagram story: “If you have any semblance of journalistic integrity, maybe it might be a cute idea not to take money from foreign governments that, um, I don’t know, openly kill and assassinate journalists [and] LGBTQ+ people. Suppress women’s rights, suppress religious rights – I mean the list of shit goes on.”

“Every traveler has an obligation to think about the ethical consequences of their trip. … But it is even more critical for influencers because they are such important role models, especially for young people,” said Dr. Ulrike Gretzel, who researches technology and social media marketing at the University of Southern California. “Uncritically spreading political propaganda is unethical under all circumstances and especially in the form of branded content, where the lines are very blurry, and the audience might therefore not recognize it as such.”

7. The Digital Nomads Did Not Prepare for This. (Erin Griffith, November 2020, The New York Times)

“If you’re going to work from home indefinitely, why not make a new home in an exotic place?” In the New York Times, Erin Griffith shares the stories of those privileged enough to escape lockdown by joining the globe-trotting, remote-working set. But they eventually realize it’s not what they expect it to be. These digital nomads may not call themselves travel influencers, but the idyllic, away-from-home settings they work in — as they wait out the pandemic — are the same.

They Instagrammed their workdays from empty beach resorts in Bali and took Zoom meetings from tricked-out camper vans. They made balcony offices at cheap Tulum Airbnbs and booked state park campsites with Wi-Fi. They were the kind of people who actually applied to those remote worker visa programs heavily advertised by Caribbean countries. And occasionally they were deflated.

Others are struggling with the same vacation fatigue experienced by Mr. Malka, the Cabo-to-London-to-maybe-Bali wanderer. According to research conducted at Radboud University in the Netherlands, it takes eight days of vacation for people to reach peak happiness. It’s downhill from there.

When the pandemic hit, Mr. Stylianoudis, the lawyer, was on the island of Koh Phangan in Thailand. At first, he couldn’t complain about the tropical locale. Each day, after work, he swam in crystal-clear water. But after five months, he was itching to get out. He had become a regular at the island’s 7-Eleven. He even grew tired of the beach — something he hadn’t thought was possible.

The feeling of being trapped in paradise was hard to explain. “I started to feel like I was in a sequel of ‘Lost,’” he said.

The Beautiful Incompleteness of Dusk

Getty Images

At Guernica, Pamela Petro explores dusk during a writing retreat in New Hampshire and gets a beautiful and unexpected surprise after taking photographs of the peak fall colors in dwindling daylight.

Regardless, when I was tromping around MacDowell’s woods, trying to fix the iconic fall leaves in my viewfinder, I was irritated. I didn’t have a tripod with me, or any serious camera equipment that would have helped in the low light. All I had was my frustration.

On the third day of bad pictures I got angry. As I released the shutter, I jerked the camera up and down, like I could teach it a lesson. I probably looked like some kind of strange, large bird, pecking in the dusk on the edge of the forest.

Actually, it was fun. I did it over and over again.

When I saw the results that evening, I was astonished. The images looked more like abstract pastels than photographs. Like I’d wrought some kind of accidental magic with light and motion. I hadn’t taken pictures of what I’d seen, but of the moment my imagination moved in the semi-dark, groping towards the half-obscured woods around me. A moment of fusion rather than focus. A moment “so imperceptible,” as Scottish poet Annie Boutelle writes in her poem “Liminal,” that “one perceives.”

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