Search Results for: The Awl

Doomed in Nashville

Scott Boehm via AP

Monica Drake | Longreads | March 2018 | 19 minutes (4,778 words)

 

When my second novel came out, Chuck Palahniuk invited me, along with best-selling thriller writer and friend Chelsea Cain, to share his book tour. We’d make a joint venture of it.

Chuck is established, the author of the novel Fight Club, of course … “and 15 other books,” as he says. We’ve workshopped together for decades. A tour with Chuck would be a roving literary rave! My only hesitation? At 8 years old, my daughter was still young. She wasn’t a baby; still, I was her daily support.

Her father spent long days earning an hourly wage, leaving our house mid-morning and coming back too late to manage her life. A 40-minute commute on public transit added to his workday. He regularly stopped off at a bar before he made it all the way to the house.

When my first novel, Clown Girl, came out, she was a toddler. I’d brought her along on a homespun, couch-surfing road trip of a tour. She and I darted every which way in an old Nissan sedan, sharing bags of chips and sleeves of Oreos, driving between small towns. We met fabulous people. In other words, I juggled indie lit and parenting, and managed without childcare because as a family, we ran on a very slim budget.

Consequently? She attended 43 readings in 52 weeks, pre-kindergarten. It was boot camp; she learned to sit quietly and color while grown-ups did their thing. She learned patience.

This round, my daughter would stay with her grandmother — and she’d be fine — but still I had a clutch of apprehension. If anything were to go wrong, I’d be across the country, reading stories, tipping up a drink, laughing with strangers. The mother-guilt was thick and ready.

Hesitantly, I released myself, temporarily, from the obligations of daily parenting, and went, joining the team.
Read more…

Guantánamo, Forever

Guantanamo guards keep watch over detainees inside a common area at Camp 6 high-security detention facility at Guantanamo Bay U.S. Naval Base, Cuba. (AP Photo/Brennan Linsley)

Amos Barshad | The Marshall Project & Longreads | February 2018 | 16 minutes (4,100 words)

This article was co-published with The Marshall Project, a nonprofit news organization covering the U.S. criminal justice system. Sign up for their newsletter, or follow The Marshall Project on Facebook or Twitter.

The message came in on a spring day via the undisclosed U.S. government facility that approves all correspondence out of the military prison in Guantánamo Bay. It was a request for representation from Haroon Gul, a detainee, to Shelby Sullivan-Bennis, an attorney. Gul had never had a lawyer. He was one of the last men in Guantánamo without one.

Now, in 2016, his request was urgent. After nearly a decade of nothing, he was being given the chance to explain himself. It would happen through the Periodic Review Board, an administrative body that considers whether Guantánamo prisoners who have not been charged should be transferred home or to another country. A board representative wrote Sullivan-Bennis an email explaining that Gul, also identified as detainee number ISN 3148, “has requested in writing that you assist him with … proceedings before the PRB, at no cost to the Government.” When the email arrived, Gul’s first hearing was weeks away.

Guantánamo lawyers are famously overworked. At the time, Sullivan-Bennis was juggling five other clients. She and her coworkers at the human rights organization Reprieve asked themselves: How can we possibly handle another one? “And then everyone was like, ‘Let’s just try,’” Sullivan-Bennis recalled. “Because otherwise he’ll be alone.’”

She typed Gul a brief note saying that she’d take his case and that she’d come see him soon. She asked if he wanted anything from Guantánamo’s all-purpose department store, the Navy Exchange.

“Dear Honorable Miss Shelby Sullivan Bennis,” he wrote back in sloping, cursive handwriting, “I have no words to express my feeling of gratitude, appreciation and Thanks for your timly legal and moral help in my PRB hearing. I was in a helpless and hopeless state of my mind in my legal affairs you gave me emotional psycholgcal help.”

A few weeks later, they met for the first time in a windowless cement cellblock on prison grounds. Gul sat across a plastic-top table from Sullivan-Bennis in a loose-fitting, tan-colored T-shirt, with his ankle shackled to a metal ring secured to the floor. He’d been detained in Guantánamo since 2007, shortly after Afghan National Directorate of Security forces burst with guns into the rural guesthouse where he was staying outside Jalalabad and threw a bag over his head.

For the first time, he told his story to a lawyer. He was in his early 30s, like her. He had a wife, Halimah, and a 10-year-old daughter, Maryam, living in a refugee camp in Pakistan. Gul himself grew up in a Pakistani camp after violence forced his family to flee his home in Afghanistan. Despite harsh camp conditions, he’d earned an economics degree at Hayatabad Science University. He spoke four languages, including Pashto and Dari. While at Guantánamo he’d learned a fifth, English.

And like nearly every other detainee held at Guantánamo since 9/11, Gul had never been charged with a crime. The U.S. government was justifying his detainment under the law of war. In a secret government dossier on Gul released by Wikileaks, Gul (also known as Haroon al-Afghani) is described as “high risk” and of “high intelligence value.” The dossier alleges that he was an explosives expert and a high-ranking military strategist who had executed attacks on the Northern Alliance on behalf of Hezb-e Islami Gulbuddin, or HIG, a party affiliated with al Qaeda in the 2000s. U.S. intel also indicates that, in 2001, Gul attempted to help Osama bin Laden escape from Tora Bora.

Gul was too polite to put it this way, but he was effectively saying that it was all, all of it, bullshit. His affiliation with HIG was the same as that of millions of other Afghans: The group ran the refugee camps he needed to survive. He said he supported his family by selling small goods, like used books and jars of honey. He said the reason he was in that guesthouse that night was because he was on the road, selling, trying to scrape together some money. He said the Afghans had grabbed the wrong person.

The government’s allegations were built on secret interrogations and unidentified sources named things like IZ-10026. Sullivan-Bennis came to believe that Gul was innocent. It had happened before: An alleged al Qaeda agent named Mustafa al-Aziz al-Shamiri was detained for 13 years before his release; during his PRB hearing, the government admitted it may have had the wrong man. Read more…

Asking For It

Andrew Matthews/PA Wire

Piper J. Daniels | Hotel Amerika | Winter 2017 | 12 minutes (3,365 words)

When I was a girl, the thing I loved most was the game Light as a Feather. Back then, I felt weightless when any girl had her hands on me, so lying there with six girls’ fingers tucked beneath my body, I’d float to the ceiling, flushed and breathless. The touching was permissioned, so I could just enjoy it, though there was, of course, that fear of the occult. In the days that followed the game, I’d worry about the evil spirits that might’ve entered me. I would lie awake feeling something of the devil a-flicker inside.

Light As A Feather was a ritual performed in murmuring secrecy. It was sexy and witchy, but did not require me to invite anyone or anything inside. Ouija, on the other hand, was a kind of penetration I was not yet prepared for, a game my mother called the occult version of asking for it. 

There are many reasons why in girlhood, we become necessarily preoccupied with possession. It makes sense—the fascination, as you are trying so desperately to grow into your body, with the dark thing that would drag you away. For girls are taught that the zenith of our lives occurs when we are most deeply inhabited by another. It is no coincidence in The Exorcist that the devil selects Regan for writhing. She is a pre-teen, which means most poised to be entered.

Once upon a time, everything carnal or feral in me was made, by faith, moribund.  For fourteen years, my body remained this way — untouchable, untouched.

Once upon a time, I had no idea what I felt like inside. I’d lie in bed at night, fingers pinned beneath the small of my back so that God would not mistake a single movement for a sin.

It was only a matter of time before I was broken open.

***

He was, at the time, my best friend. When I wouldn’t let him kiss me, he shoved his fingers in my mouth. They were cold and smelled sharply of clementines.

And then it happened that he wormed my clothes away, and made me try things on, made me spin in a circle, motioning with his finger, a 360-degree humiliation.

He choked me out on the heart-shaped canopy bed my father built for me when I was a little girl. There was a Maglite under the mattress I used to read past my bedtime, and he fished it out and beat me with it until I agreed to lie still.

“I love you,” he said, like I was an idiot not to know it. “I love you.”

As he entered me, the room went black and filled with tiny stars. I had no idea I was so connected inside.

It was over for maybe minutes, and then it was never over. [1]

For months afterward, I avoided the eyes of my mother, father, and sister. I was worried they could tell by my face that I was changed. And then there was the feeling that everyone could see and smell my hymen ripped open, that the bruised triangle between my legs would point now only to what was missing.

I kept thinking, this creature, this monster, that my friend whom I loved turned out to be — was it there all along? Or was it culled from his body by my body, twirling as his finger guided me, tracing slow circles in the air?

***

In the game Bloody Mary, where girls summon a murderous spirit in the mirror, the point is not to invite evil, to stir the supernatural pot. To summon evil is to acknowledge its inevitability, to address that each moment spent in safety feels like holding your breath. If being a girl means leaving this world in little pieces, let’s get it over with. In chanting, let us exact some small control, let it be clear when and how we are asking for it.

It was over for maybe minutes, and then it was never over.

Sleep was something to be avoided then. Within sleep, all the hidden things choiring like starlings.

The dream in which the graveyard slides into the sea, and I drink the water clogged by corpses’ long, still-growing hair.

The dream where I feel safe from harm in a field of sunflowers until one by one, they give me up like a name they swore they’d take to the grave.

So much of my life was spent in that blue hour of morning, too early for waking and much too late to fall asleep. I’d put myself in a kind of trance watching bloody true crime television. Like melancholic music when your heart is broken, sometimes the only thing you can do with a feeling is lean into it.

Fictional shows in which rapists were captured and punished enraged me. I preferred survivors of torture talking straight to the camera. Stalked, abducted, raped, shot at point-blank range. Then burned, tossed in a trunk, tied with rebar to a desert stone. The actresses reenacting the story crawling so convincingly across lush lawns in blood-soaked nightgowns or running through a dark wood with only half of their heads attached.

A documentary about Seattle singer Mia Zapata, who wrote a song about being murdered and spread in pieces all over town just before being killed by a stranger who strangled her with her own sweatshirt.

A documentary about the Tate murders, in which the crime scene photo of Abigail Folgers shows her less heiress, more lawn stain. Her last words to the man stabbing her, “You’ve got me.  I’m already dead.”

Maybe I was morbid to find comfort or, at the very least, distraction in these stories which were gruesome beyond my imagination. But I needed a break from the narrative I was living. The one where girls in my town were fish that fill a manmade lake, or fair chase pheasants set loose in the forest. The narrative where being hunted was the only thing they ever had in mind for us.

On a popular daytime talk show, footage of a body being exhumed. There are machines to help with the unearthing of the burial vault and tools to break its seal, revealing a cherry colored casket still draped in withered white roses. The shock of these bright colors coming out of the dirt makes it seem as though the casket too could be pried open to reveal a girl who is more like a Russian doll than a decomposing body or even a girl who would open her eyes, like the murder never happened, and say: I feel like a wet seed wild in the hot blind earth.[2]

When as children, my sister and I named Ken dolls after our enemies and buried them alive beneath the evergreens, and when we dug up dead frogs from the glittery coffins we made for them, praying over their tiny souls in tongues of necromancy, these were not merely games to us, though that is what we said. We knew survival would depend increasingly upon our relationship to resurrection.

***

And so, just as the corn was silking, all I could think about was driving till I hit the Pacific, becoming for all intents and purposes a ghost.

You see, I come from a town where no one leaves and there’s only one way a girl goes missing. Every few years, weighted to the bottom of a golf course pond or stuffed in a storm drain she will be discovered, made Legend.

You see, I come from a town where there’s only one way a girl is made Legend.

And in that town, that the air does not ring with them, that the new crocuses do not chatter with what has become of them, that the hushed ground is filled with them where they will remain forever, it is that more than anything that gave me the courage to leave.

Give me a world, I said aloud to no one.  You have taken the world I was.[3]

And a new world opened for me, by and by.

Each night in that blue light, they flickered across the ceiling. Pretty girls turned hungry ghosts who wanted to leave with me. I could see each of their lives like little boats upon the water, bright first, then burning, then snuffed out by the breakers of the sea.

I come from a town where no one leaves and there’s only one way a girl goes missing. Every few years, weighted to the bottom of a golf course pond or stuffed in a storm drain she will be discovered.

I will not say to you that the Legends as I experienced them were real, that I can prove how the room filled with strange heat, buoyed by their breath.

What I’m saying is whether they were real or mere projections of the mind seen with intense clarity, we belonged to one another. And knowing them, what was done to them, gave me one hundred new reasons to survive.

***

I began at dawn through the green maze of corn, an achingly familiar crop that dizzied suddenly with its vastness, its flickering infinity. I drove all day long, straight through Des Moines’ end-of-the-world darkness, where I made believe the few flickering lights were lanterns of the last survivors. Throughout Nebraska, day and night, earth and sky fused together, falling like a white sheet over me. That such monotony gave way to mountains was its own little miracle, though I couldn’t decide at first whether they made me feel sheltered or loomed over. By the time I got to Oregon, the clouds seemed close enough that you could reach your hand through the sunroof and come back with a fistful of nimbostratus.  And when at last I reached Seattle, lush and so fervently green it bordered upon narcotic, I knew for certain I would find heaven there.

The first thing I did was drive to the corner of 24th Avenue and South Washington Street, the place where Mia Zapata was made Legend. It felt like the only right place to start.  Twenty years had passed since her death, something like 5,520 days of rain, and it seemed to me she still smudged the earth, though there was nothing of her spirit there, which I knew would move through darkened rooms bright as aurora borealis.

I could see each of their lives like little boats upon the water, bright first, then burning, then snuffed out by the breakers of the sea

It was like stepping inside a house where you intuit immediately that something horrible has happened, except that there were no walls around it, making it that much harder to escape.

Aside from my books, I didn’t want anything that home had threaded through. Everything else I burned or left on the side of the road. What I needed, more than anything, was a perfect loneliness, pure and cold and bright. I found a studio two streets east of where Mia had lived when she’d been alive. With the apartment empty but for a mattress, windows clean, ceilings high, walls freshly white, I loved Seattle, which was more a city in the evening when its greenery folded into darkness. That first night, there was whiskey, and the Legends partnered and danced sweetly across the ceiling, and Nina Simone sang to a lover I hadn’t met yet: You’re spring to me / all things to me / don’t you know you’re life itself?

Back in high school, there were girls I loved for their beauty, and for their ability to receive pleasure without needing to return it. I would learn little things about them—a favorite song, a moon sign so I could joke that we were star-crossed or destined depending—but I did not use or remember their names. I wanted them for the way they kissed, the way they moved and sounded in the dark, that they smelled of rosehip and jasmine or Parliaments and Jameson, that beneath my tongue, they’d rise to the ceiling like steam. The only girls I named were the girls with whom things went terribly wrong.

For instance, there was I Should’ve Loved A Thunderbird Instead, who threw a brick through the window of my car, filled the driver’s seat with mayonnaise, and lit all of my shoes on fire before trying to fuck me in the driveway of my parents’ home.

There was What Spring Does To The Cherry Trees, who had feverish dreams I was the devil and tried, on more than one occasion, to spoon holy water into my hair before accosting me one day when I was at the dentist, marching right up to the chair to hit me in the face with the zippered end of her leather jacket.

In both instances, the authorities had to be called, and I authored wild explanations that absolved me entirely. I did not learn, in either instance, that for all the charm in the world, I would always be out of my depth until I could become a woman who could set her heart on something.

***

My favorite book as a girl was Truman Capote’s In Cold Blood. I found myself in the farewell letter Willie-Jay addresses to Perry, one the novel’s killers:

You are a man of extreme passion, a hungry man not quite sure where his appetite lies, a deeply frustrated man striving to project his individuality against a backdrop of rigid conformity. You exist in a half-world suspended between two superstructures, one self-expression and the other self-destruction.

The juxtaposition of individuality and conformity could be true of anyone, as could the notion of existing in a half-world. What frightened me then was the misplaced hunger, the way that Perry, pulled by confusion and desire, became a killer, a grown man who had yet to understand his appetite.

The trouble with being a girl is that you are expected to trade craving for hunger, hunger the specter that looms over you even as you sleep. And this makes you feel like a predator, a prowler in the lambs’ midst.

Being both evangelical and gay from birth, I worried at purity balls that my sinner’s skin would singe my satin gown. I was made to wear a purity ring that only a wedding ring could remove—this, an offering of love from my earthly and heavenly fathers.

What I knew that they did not: If God made me, he made me an aberration of nature.  Try as I might to people the wedding chapels of my imagination, there were other things consuming me, other fires, which burned the bridegrooms, and leveled the altars to ash.

It was with this same burning that I left my hometown, determined to find what I wanted and, for the first time in my life, to ask for it.

***

I learned Seattle by watching it like a television. Learned, for example, that I would need to trade my thick Midwestern skin for indifference. Learned that a morning’s bleariness was known to burn away like a marine layer, at which point the branches, hanging lush and wet and low, flickered for a bit in the wide pinking light. And on those days, people would stand in the street with reverence, or perhaps I imagined it that way. In any case, it made me feel that I was less alone.

I met her at a bar called Flowers, quiet and dark, three whiskies in.

From the start it was almost too much to look at her, so I stared instead out the windows, balmy with breath, tracing my fingers through their slow sweat.

The trouble with being a girl is that you are expected to trade craving for hunger, hunger the specter that looms over you even as you sleep.

When I worked up the nerve to be near her I was hooked right away by the friction between the few cautious words she afforded me and the way she knew, like no one had ever known, how to own me with her hot, hungry look. Those eyes that reduced continents to kindling, crisping planets of the Milky Way until the known universe scattered like ash from a cigarette’s sleeve and in that bar, it was only the two of us. And in that moment, I was the first woman ever made or the last one alive at the end of the world.

We compared scrapes born of war stories, and secretly, I named hers after summer constellations.

Southern Crown.
Northern Crown.
Arrow.
Archer.
Shield.

When I touched myself and was close to coming, I whispered her name, evoking her: a séance.

In the nights that followed, she was the specter. Bright, inscrutable orb darting the darkened room.

Every day the Legends got hungrier. I could hear the grinding of each twinkling maw. We were all starving in our own way, them because they’d been denied their rightful lives as women, me as a woman with the world before her too frightened and scarred to do a damn thing about it.

My days with them were lucid dreams. Their stories swirled around me, and if I wanted, I could pluck one from the air and ask her.

Legend who spoke of her body discovered in the dumpster behind Dot Liquor.

Legend who was murdered while playing Bloody Mary in the mirror.

Legends whose sweet mouths appeared still singing in the water, multiples of Millais’ Ophelia.

Legend three days shy of her sweet sixteen birthday party, who received instead the party where everyone searches and searches, finding nothing in the end but a crawl space filled with bone.

I say that I asked them for their stories, but over time, the room became cacophonous. It was sometimes hard to remember I wasn’t one of them. I was beginning to feel like my body was an Ouija board full of vague answers: yes, no, goodbye. Forever anticipating that moment where the wind shifts and the room moves from carefree to electric and malevolent.

The ghost I knew by heart was Mia. She was the only one who moved through the world with me. It was, after all, her neighborhood, and she was nice enough to show me around. We spoke through a kind of telekinesis, girl to ghost, and although it is strange to say so, Mia was my first Seattle friend. I would learn I wasn’t the only one who felt that way, that many girls in Seattle were descendants of Mia, beautiful and strange but because of her story, less innocent, walking home from the Comet Tavern, their keys tiny knives between their fingers, their eyes two fierce dogs gone hunting in the night.

In Buddhism, there is a creature known as the Hungry Ghost, a spirit characterized by great craving and eternal starvation. Small of mouth, narrow of throat, Hungry Ghosts are all desire, with no way to satiate. Sometimes they’ll receive a drop of water which evaporates upon the lips, or food, which bursts into flames before they can swallow. Each iota of desire comes with the consequence of pain, and being a woman had me like a Hungry Ghost. I am no longer willing to forfeit the wild and beautiful things I thirst for all for some craving gone quiet.

What I want now is a balance between woman and ghost.

A courage that has nothing to do with survival.

I want to eat a Clementine without thinking of his cold fingers.

I want Mia to eat my heart from cupped hands as Beatrice did Dante’s, and for everyone to vow on her behalf: I will not let him make of me a craven thing when bravery is so much sweeter.

I want to never forget the Legends, but to set them free, or to trap them in a lucid dream from which I will myself awake, so that I may finally see past them, see instead the first sailboats of morning upon the water, salty and cerulean, and wonder how I got so lucky. And wonder I am alive to know it at all.

“I want to be with someone who knows secret things,” Rilke said, “or else alone.” And I would like that to be my love letter to her.

I want her to see in perfect detail the things that might have destroyed me, and how I chose beauty instead. I want her to know so she never doubts it again, that she is commensurate of that beauty.

I want to move into the terror and the awe of this rare and beautiful thing between us, and hold there until we forget who we are, or how we might ruin one another, for as close and as long as she’ll let me.

And if ever she asks, without a word, I will gently
let her go.


[1] Heather McHugh
[2] William Faulkner
[3] Anne Carson

* * *

The essay first appeared in the Winter 2017 issue of Hotel Amerika, a biannual print literary journal based in Chicago, and is forthcoming in Daniels’ debut essay collection, Ladies Lazarus, from Tarpaulin Sky Press.

It’s a Wonderful World: The Remaking of California Agriculture

(Trent Davis Bailey/California Sunday)

Aaron Gilbreath | Longreads | February 2017 | 15 minutes (4,100 words)

The February issue of The California Sunday Magazine devoted its feature well to a single piece, 20 years in the making. Mark Arax, a native of California’s San Joaquin Valley and the son of a grape grower in Fresno, has spent the last several decades working on a story about billionaires Lynda and Stuart Resnick, who transformed an agricultural desert into a cornucopia of pistachios, pomegranates, and oranges — cleverly marketed as “Cuties” and “Halos” by their business, The Wonderful Company. In just a few decades, the Resnicks rebranded of San Joaquin Valley agriculture, and the impoverished community of Lost Hills, in their image, despite never having farmed a day in their lives. Arax is writing a book about water wars in California that will be published by Knopf.

***

Aaron Gilbreath: You said you carried around notes about Stewart Resnick for nearly two decades. How did you first hear about him?

Mark Arax: When I was writing The King of California, about J.G. Boswell in the Tulare Lake Basin, I started hearing about this guy from Beverly Hills who had bought a bunch of farmland. This was around the late 1990s. People mentioned this guy in the next basin over who was attempting to be the new King of California. Boswell grew up in the San Joaquin Valley; this other guy came from the East Coast. I did a piece on Resnick’s capture of the Kern Water Bank right toward the tail end of finishing the Boswell book. That was twenty years after he’d arrived. This land is so big, so vast, that these stories go undetected for years and years.

AG: One of the strangest things about Resnick and Boswell is how they really wanted to remain invisible. You kept knocking on doors trying to get interviews. Resnick declined multiple times and finally agreed to sit down with you in 2008 because he wanted a book about himself. Then he lost interest.

MA: Today the Resnicks have a PR office that’s a million-dollar-plus operation. In 2008, they didn’t have anybody. You had to call the attorney, then the secretary would hang up the phone and the attorney would just say “No comment.” It was really secretive, but I was used to that. The Boswell family saying was “As long as the whale never surfaces, it’s never harpooned.” That’s the way these guys operated. Obviously, persistence paid off in getting Boswell to talk, so I figured the same thing would happen with Resnick.

AG: Even though you chipped away at Boswell to make that whale surface, did you just assume that Resnick’s story would take a long time? Did you ever think it wouldn’t come together?

MA: I told Resnick’s story in pieces as I got it. In 2003, I got the piece about the Kern Water Bank without his cooperation. I gathered some more notes, some more string as we call it, and did that piece in the opening of my third book West of West. I have this scene with Resnick in his mansion, so I started playing with that whole thing. It’s almost like a first stab at a painting. Then I decided for this new book that I had to tell as much of his whole story that I could, and that’s when I went back into it. Each time I’ve gone in and taken something out, written about it, and this was the time that I decided to do the definitive Resnick chapter, which became the magazine piece.

AG: So you’ve been working with this material for years.

MA: And the virtue of that is you get to see how a story and operation evolves. It’s been almost 20 years — had I done this piece back in the early 2000s, there would have been no philanthropy to write about, they weren’t doing that kind of philanthropy in Lost Hills yet. Writing about the Resnicks now, you see how they evolved as people, how their farming evolved, how Lost Hills and their engagement with the community evolved.

AG: That philanthropy is a huge part of your California Sunday piece. To me, it’s one of the most interesting things about their business, because as consumers we don’t often think about farmers as philanthropists. Yet the Resnicks have such keen marketing instincts that their philanthropy is designed to both indoctrinate their workers and to show the world that they’re a good company, growing healthy food and treating their employees well. Have you ever encountered any other farming company that does that sort of thing?

MA: Most of the big farmers that live in the Valley don’t actually reside in their communities. A lot of them live in Fresno and farm outside of town, and their idea of philanthropy is giving to the Valley Children’s Hospital or Fresno State Bulldogs, or maybe giving back to a university they attended, like Cal Poly. They rarely give back to the little rural towns they farm in, so very little of their philanthropy affects the Mexican farm worker. Boswell took the town of Corcoran as his company town: He built the football stadium and social services, senior citizen and community centers, but the level of philanthropy the Resnicks practice is unprecedented in American agriculture. You can’t help but be dazzled by it, but it also raises some disturbing questions.

You use the word “indoctrinate.” I never used that, but that’s actually a good word because the Resnicks are really trying to change everything, right down to the habits of the Mexican farmworker, including what they eat. It crosses over into a kind of a social engineering that raises troubling questions. They’re not just writing checks; Lynda Resnick is also running and helping design their charter schools’ educational programs. She’s working with doctors and dieticians to design their weight loss and exercise programs. That level of involvement is a very different kind of hands-on philanthropy.

AG: What do you think about the Resnick’s philanthropy and level of engagement signals about the future of the agriculture in the West? It’s strange to think of these white, rich, Whole Foods-types pushing their dietary values and philosophy on immigrant communities.

MA: It’s almost like Lynda Resnick wants to change the microbial content in their stomachs. Before the farmworkers eat lunch at the company restaurant, she encourages the workers to drink this little concoction she’s made from apple cider vinegar, turmeric, ginger and mandarin juice. All the times I’ve been in the restaurant I never saw any workers partake of this concoction, but that’s what she’s pushing. I drank it. It was nice. Apple cider vinegar is good for your stomach and all that, but when you read about that level of involvement, you’re very conflicted about all of this.

The level of philanthropy the Resnicks practice is unprecedented in American agriculture. You can’t help but be dazzled by it.

Lost Hills is now the ultimate company town; everything is branded. You see this incredible five-acre park with a playground with water fountains where kids can play. The Resnicks built soccer fields with artificial turf and lighting. The park itself is named the Wonderful Park. If you look at the ‘o’ on the ‘wonderful,’ it’s the same heart-shaped ‘o’ that stamps the Resnick’s brand of pomegranate juice, so that makes it a little creepy.

AG: It seems like Orwellian brainwashing. Wonderful, wonderful, wonderful, the word “wonderful” everywhere.

MA: That’s Lynda, she brands everything. She even changed the company name: It wasn’t enough that it was called Paramount, that’s a pretty grand name right there, it had to become The Wonderful Company. I think that’s the kind of nth degree of marketing that raises troubling questions.

AG: With Wonderful, it seems like she’s really trying to get into consumers’ heads, to make them think that this company, not just these products, is wonderful. Despite being born in the Valley, you did such a great job presenting the Resnicks’ complex story fairly, in a way that didn’t present an unjustified bias, and let readers draw their own conclusions.

MA: They’re tackling diabetes and obesity, and you can’t help but applaud those efforts. There’s what I call a tussle inside my head, between the skeptic and the believer, and I think that held through throughout the story is a need to constantly try to look at this through both of those sensibilities

They don’t know their own motives. When you ask them how this all began and why it began so late, the Resnicks talk about a lecture they attended in Aspen, where Harvard Professor Sandel comes out to talk about the moral obligations of wealth. Then they get in the car and look at each other and say, “Are we doing enough?” They decided that they were not. And yet, when they decided to jump in, they jumped in in a way that’s never been done in agriculture in the United States, certainly not in California.

AG: In the piece, you describe how the Bruce Springsteen played a show in Fresno, and how nobody at the concert put any money in the piggy bank he left at the front of the stage for the people who work the fields. Springsteen was so shocked he asked you, “What kind of place is this?” Do landowners care more about Mexican-American workers than they used to?

MA: In between songs at that concert, Springsteen talked about what motivated a particular song or where it came from, and some of the people in the audience got so upset that they walked out and demanded their money back. I’m not sure he understood the kind of place he was coming to, where there was this almost self-hatred about needing to rely on that labor.

It’s a really complex psychology, where you have to go into the rural heart of Mexico to pull your workforce, you’re dependent on these people, and yet you sort of hate yourself for being dependent on them, and there’s a certain hatred of them too, for them making you feel that shame. I’m not a psychologist, but there is something deeply broken psychically about this place, and I try to get at that in this California Sunday piece a little bit. The Springsteen anecdote helped me do that.

AG: The story also implied the way growers who rely on Mexican-American labor are people who would rather physically separate themselves from the workforce, so they don’t have to feel those bad feelings. And yet, Lynda Resnick engages them directly.

MA: What the farmer has done is put the labor contractor between him and the labor, to give himself that psychological distance. What Lynda Resnick is doing is getting intimately involved in their workers’ lives, breaking past that barrier. In my story, when she’s on stage talking to farmers about what they’re doing, there’s a real discomfort on the part of these farmers who are listening, because she’s challenging the whole way that they’d gone about this, challenging this relationship where they increasingly distance themselves, and don’t live in those farm communities, don’t deal with their own labor.

AG: Do you feel like the Resnicks might signal some sort of larger change in Valley agriculture?

MA: This place has been resistant to change for about a century and a half, so I don’t see that relationship changing. I see increasing mechanization replacing the usual farm labor, and that’s one of the reasons that these farmers are switching to growing nuts. Nuts are obviously high-dollar crops, but they can also be done with machines. What I see is the farmer now replacing human labor with mechanical labor. Ultimately they’re going to continue to dodge that issue and keep that distance between them and their workers.

You’re dependent on these people, and yet you sort of hate yourself for being dependent on them. There’s a certain hatred of them too, for them making you feel that shame.

AG: What happens to these workers who are living in shacks in Lost Hills? These good hard-working people who have families and ambitions and debts to coyotes? What do they do when mechanization replaces them?

MA:. You’ll still have the great fields that need to be handpicked, and you’ll still have citrus that’ll need to be handpicked, but mechanization is going to shrink the workforce. These folks will continue to work in kitchens, they’re going to work in the hotels, they’re going to be tending peoples’ front yards and backyards, but I think that is going to be a fundamental shift. I don’t see them discovering their labor in the way that the Resnicks have.

AG: Let’s talk about the scale of the landscape. J.G. Boswell and Resnick are superlative landowners. To me, the Valley itself is a land of superlatives, yet somehow you shrunk this land’s complexity down to two very condensed paragraphs early in the piece, setting the scene for people who don’t know this region.

MA: It’s almost taken me thirty years of writing and researching this place to do those two paragraphs in that kind of big distilled way. I found studies that said that the leveling of land that took place here, the alteration, was unprecedented in human history. This Valley is one of the most altered landscapes in human history. So how do you tell that in two paragraphs? That was the challenge there.

AG: Having explored this Valley a lot in the last twenty years, I could sense that this was the kind of introduction that only somebody who’s been working and living in this land for their whole lives could do this well. You set the stage as only a lifer could.

MA:. In each of my books, I try to reckon with the land, to describe it. I’ve described it from the vantage of the pass called the Grapevine, that last mountain road that divides L.A. from the Valley; I’ve called that a kind of a Mason-Dixon line, with the sprawl of L.A. giving way to the sprawl of the farmlands. I’ve told it from other vantages, and each time it’s gotten a little more precise and a little better, but this one certainly was a kind of telling that took a lot of years to try to nail down.

AG: One of the other things you did was demystify the invisible, misunderstood mechanics of Valley agriculture. In your piece, you say “I pity the outsider trying to make sense of” California’s Central Valley. What do you think mystifies outsiders most about this place?

MA: There’s a tendency to paint it broadly. The Central Valley is two valleys: It’s the San Joaquin Valley and the Sacramento Valley, and they are very different. They have different relationships to water. The Sacramento River up north is a big, badass river. It flows. It still floods Our five rivers down here have been tamed. They follow the demands of agriculture.

The San Joaquin Valley’s water isn’t inside our rivers anymore. It’s inside the irrigation canals that take from those rivers, so it’s two different valleys. When you look at the San Joaquin Valley itself, there are three different Valleys within the San Joaquin Valley. There’s an east side that couldn’t be more different than the west side. Then there’s a middle center Valley that is different than the other two. They look different. The farms are vast on the west side, smaller in the center. Then there are communities on the east side and the center of the Valley, and no substantial communities in the west side. Making sense of this place is about being true to what this place is, and so much of those differences have to do with the relationship to water, how easy is it to access. Do you have to pump? Is there an extraction model at the heart of the agriculture, or is there a more sustainable model? That question has created different communities, different Valleys, inside the San Joaquin Valley.

AG: My sense is that few outsiders see any of that.

MA: I know it’s hard to see it. We’re all dumb to our place. John Keats talked about how we’re in these hallways between these chambers, and we’ve just left one where it’s pretty dark, we’re moving into another chamber where there’s a little more light, and we’re starting to understand our existence and who we are, and then we understand our place. The problem today is that so many folks are fixated on themselves, trying to understand themselves and their own internal journeys, that they don’t have any space leftover to really understand their place, and this is a big, big place.

I was dumb to this place at age fifteen, sixteen, literally. My family was living in town, and there these ditches that are shunting water from one side of the Valley to the other, and they’re just part of the landscape. We don’t even think where’s that water going? Who’s it going to? The only time you thought about an irrigation ditch was when some kid drowns in it during summer, so there’s a dumbness to place. Part of why I came back is to try to figure out this place. A lot of the big, great stories of migrations in America played out on this land.

AG: In your California Sunday story you mention how you “never stopped to wonder: How much was magic? How much was plunder?” Moving away helped you see the place more clearly.

We’re all dumb to our place. We don’t even think, where’s that water going? Who’s it going to?

MA: I left for a good ten or twelve years, came back, and that helped. As a writer, I moved from the state’s center where I grew up, to this new book, where I take on the entire kind of state of California, looking at how the bending of water created the state, so I worked my way from the middle outward. Then I came back in the middle because 80 percent of California’s water is used by agriculture, so I don’t apologize for telling the story of the farmer. I mean, can you own 25,000 acres and be a family farmer? It seems an absurd notion. Folks in San Francisco just can’t wrap their heads around that. But then when you go out with one of these farmers onto his land and his children are working it too, it’s a little harder to demonized that guy. What I’m trying to do is play with those notions of what a corporate farm is. What’s a mega-farm? What’s an absentee landowner? What’s a family farmer?

AG: This is where marketing like the Resnick’s really comes in to play. Branding helps manipulate the public’s perception of farms, farm values, family values.

MA: Yeah, that’s right.

AG: Despite how many urban Californians might love fancy meals and farmer’s markets, there seems to be a lot of animosity about the water farmers use outside of the cities.

MA: Oh, it got really ugly this last time. Los Angeles turned on the Valley, turned on the almond. The almond became the demon. They started doing these graphics, showing how many gallons it takes to make a single nut. These are absurd because it takes water to grow food, so there’s a real disconnect that allowed L.A., and in some degree San Francisco, to demonize the farmers here. Some of that is justified because what’s happened is that Valley farmland has gone from the best land to some of the worst land, and the greed of agriculture to grow and keep growing. When it’s a human body, we call that growth something else and try to arrest it with chemicals. Ours is kind of reverse: we use the chemicals to make it grow bigger. It’s a weird little metaphor for cancer.

AG: One of the things about the Valley that is so obviously staggering is how flat and how big it is. Visitors see the surface. It’s overwhelming what goes on out there. It’s hard to comprehend how deep a 2,500 foot well really is. But that’s as important as what’s happening above ground, maybe even more important now that people are pumping so much ancient water out of these shrinking aquifers. As a writer, how do you get people to understand what is happening at that depth underground?

MA: In the new book I have a chapter called “Sinking.” It takes the reader into this whole subsidence phenomenon, the science of it, how it happens, the pumping and sinking of the land. You’re right. You think, well, the crops are on the surface, but so much of the drama is playing out 2,000 feet below ground. To see a rig set up and drilling for water ─ it reminds me of the Texas oil fields. It’s that deep. These are million-dollar holes they’re digging.

AG: What do you think about this idea that water represents the next gold – not just a gold rush, but the source of riches, collapse, and wars, like petroleum?

MA: It is, and one of the things I do in the book is trace back the entire history of our bending of water, to show that the mining of gold was really the mining of water. The hydraulics of the system that we’re using today to move water up and down the state was developed during the Gold Rush. The first ditches, the web of ditches, that were built in California, were built during the Gold Rush, and where they couldn’t carve ditches into the land, they built these wooden irrigation ditches, called flumes, to move water across canyons. That extraction started very early on, and it just kept increasing in magnitude, moving up in degrees.

AG: It’s a really disturbing irony that, now that the Gold Rush is over, the same water that extracted gold could be worth more than gold.

MA: I mean, it’s going to get that way. Farming here is problematic, with the need to import labor, the need to import water from northern rivers, the chemical applications – oh, and they’re calling this place Parkinson’s Alley because there are so many cases of Parkinson’s Disease that can be traced back to pesticides and herbicides. And yet, as problematic as farming is, if you lived here all or most of your life, you don’t want to see that farmland turn into suburbia. You don’t want to see another Los Angeles or San Fernando Valley here. Ultimately what you fear is that the water is going to be worth so much, that the farmers are going to strip the water from the land and sell it to developers, so these rivers of agriculture that have been rivers of agriculture for more than a century are going to turn into these rivers of suburbia, and to me, that suburbanization is going to be the ultimate tragedy.

If this place ultimately gets paved over, I don’t know if it will be missed or not. The disconnect between people and the land, and the eater and his or her food, is so great, who knows if they’ll ever miss it?

AG: So is there a solution outside of market economics, like planting crops that can deal with salty soil, less water, less irrigation? Is there hope that the rural Valley won’t become more suburban?

MA: I have hope in this new Groundwater Sustainability Act we finally passed. California is the last state to allow the unregulated drilling of wells. For all of our progressiveness, California was the last state to regulate groundwater extraction. Well now that we’ve regulated groundwater, you’re going to see the issue of sustainable yield drive groundwater use. Meaning, how much can you take out of the ground and then have that water be replenished by snowmelt? That alone will probably idle a million and a half acres of Valley farmland. It’ll get it back to more a sustainable system.

We ended up taking a 100 percent of the rivers. We should have probably taken 60 to 70 percent of the rivers for agriculture and left the other 40 percent for the environment. We would have had fewer crop gluts, fewer surpluses. We would have farmed only the best land instead of now farming some of the worst land. That’s what we’re going to have to legislate ourselves back to, and if California can ever put together these urban growth boundaries, where you draw lines around cities the way Portland drew a line around itself, and you say Okay, this is the city, this is farmland, and you don’t violate that land, then that’s the way you can really develop a farm belt here that really makes sense: smaller, smarter.

AG: Talking about the aesthetic qualities of the Valley, there’s another aspect of the great loss of California to rampant suburbanization: irreplaceable local beauty. Do you as a resident feel that Californians always undervalued this region, that one day maybe they’ll recognize its beauty?

MA: It’s a kind of ugly beauty. The San Joaquin Valley doesn’t please the eyes like Napa and Sonoma, and so much of it is industrialized, but there are parts when you drive to the east side, in particular, the citrus belt, that are gorgeous. The citrus belt sits right there at the foot of the Sierra. When you go through parts of the Valley’s center and see these 40-acre vineyards, and the vines are all twisted and gnarled and have moss growing on them — there is a beauty there. You have to go looking for the little bits. It’s not so obvious. If this place ultimately gets paved over, I don’t know if it will be missed or not. The disconnect between people and the land, and the eater and his or her food, is so great, who knows if they’ll ever miss it?

We’ve Always Hated Girls Online: A Wayback Machine Investigation

Illustration by Katie Kosma

Julianne Aguilar | Longreads | February 2018 | 14 minutes (2,894 words)

Once upon a time, in 1999, when the internet was small, when it came through your phone and not just on your phone, when the first browser war had not yet been won, when you had to teach yourself a few lines of code if you wanted to exist online, when the idea of broadcasting your real name for anyone to see was unthinkable — in those early days, before Twitter revolutions, before Facebook Live homicides, when the internet was small and most people didn’t understand it, and only the nerds hung out there even then, it was already happening.

Even then, people hated girls on the internet.

* * *

Eighteen years went by before I thought about Sara again.

I’d just finished a project in which I had tracked down a fanfiction author I’d loved in the early 2000s. Jami had been relatively easy to find: It turns out that if you’d had a sprawling internet presence as a child, you probably have one now, under new names, on new websites. Not only had I found Jami, but I learned that she is now a successful, Hugo-nominated author. I was deliriously happy. She’d made it — this girl who’d written fanfiction had achieved the wildest dream and turned that talent into an actual writing career. I wanted the same for Sara, a tangible success that followed minor internet celebrity.

In 1999 Sara had a website hosted on Expage, and so did I. I didn’t know her: I was attracted to Sara’s website because it was incredibly well-designed for 1999, and because Sara, like me, was a middle school girl who loved the internet. Her “About Me” page listed her age as 12, same as me. I don’t remember how I found her site but I do remember that it’s what initially sparked my interest in web design and the internet in general.

Between 1999 and now, I would occasionally think of Sara. I’d been addicted to her website. In the design anarchy of Web 1.0, Sara had an eye. She had a sense. Her website looked like few others at the time, in that it looked good, like something you couldn’t make yourself. She knew how to hold an audience: she updated frequently, changing her layouts often and offered the code for free. Because of this, her website was hugely popular. Many years later I’d see her name mentioned in a discussion about early internet celebrities. I was there, I thought. I was one of her biggest fans.

Read more…

The Internet Isn’t Forever

Illustration by Shannon Freshwater

Maria Bustillos | Columbia Journalism Review | February 2018 |2900 words (12 minutes)

This story is published in collaboration with the Columbia Journalism Review, whose Winter 2018 issue covers threats to journalism.

The Honolulu Advertiser doesn’t exist anymore, but it used to publish a regular “Health Bureau Statistics” column in its back pages supplied with information from the Hawaii Department of Health detailing births, deaths, and other events. The paper, which began in 1856 as the Pacific Commercial Advertiser, since the end of World War II was merged, bought, sold, and then merged again with its local rival, The Honolulu Star-Bulletin, to become in 2010 The Honolulu Star-Advertiser. But the Advertiser archive is still preserved on microfilm in the Honolulu State Library. Who could have guessed, when those reels were made, that the record of a tiny birth announcement would one day become a matter of national consequence? But there, on page B-6 of the August 13, 1961 edition of The Sunday Advertiser, set next to classified listings for carpenters and floor waxers, are two lines of agate type announcing that on August 4, a son had been born to Mr. and Mrs. Barack H. Obama of 6085 Kalanianaole Highway.

In the absence of this impossible-to-fudge bit of plastic film, it would have been far easier for the so-called birther movement to persuade more Americans that President Barack Obama wasn’t born in the United States. But that little roll of microfilm was and is still there, ready to be threaded on a reel and examined in the basement of the Honolulu State Library: An unfalsifiable record of “Births, Marriages, Deaths,” which immeasurably fortified the Hawaii government’s assertions regarding Obama’s original birth certificate. “We don’t destroy vital records,” Hawaii Health Department spokeswoman Janice Okubo says. “That’s our whole job, to maintain and retain vital records.” Read more…

Is This the Most Crowded Island in the World? (And Why That Question Matters)

(Alex MacGregor)

Alex MacGregor | Longreads | February 2018 | 19 minutes (5,053 words)

Geographers have an affinity for superlatives. Among the millions of named features on Earth, if something can claim to be the biggest, tallest, deepest, longest, or otherwise most extreme, it gets a lot of attention.

Asserting any superlative involves a degree of hubris. Our world has been picked over for superlatives, but how sure can we really be about any one claim? Any elementary school class will recite in unison that Mount Everest is the tallest mountain in the world — that is, unless the class happens to contain an Ecuadorian student. Ecuadorians correctly learn that the highest mountain in the world could be measured by distance from the center of the earth, rather than from mean sea level. By this measure, Ecuador’s Chimborazo is taller than Everest. An asterisk is warranted for even this basic claim.

Of much less prominence on the globe, but also a tricky superlative to nail down, is the most densely populated island in the world. A handful of the perhaps 100,000 islands on Earth have stratospheric population densities: Ultra-crowded islands exist in places as disparate as Kenya, Hong Kong, France, and the Maldives, but it’s regularly cited that, by the numbers, the densest of all is Santa Cruz del Islote, a 3-acre islet of about 1,200 people off the coast of Colombia. This claim has been repeated in numerous publications, most recently by The New York Times, and it’s even the subject of a short documentary. Journalists usually emphasize the bonds of family and community in a place so radically removed from western consumerism.

All of which makes for an uplifting read about a fascinating place. But what if the premise is wrong? I can’t comment on the experience of life on the island. But we’ve already learned to be wary of superlative claims, especially when westerners are the ones keeping score; what about this one? What if this is merely a very crowded island, and not the most crowded island?
Read more…

The Great Stink

CSA Images/Mod Art Collection

Laurie Penny | Longreads | February 2018 | 17 minutes (4270 words)

My heart goes out to men right now. Actually, my heart goes out to all sorts of unsavory places these days, no matter how much I warn it. My heart goes out to men most nights, wearing precarious outfits, no doubt getting exactly what it deserves. It brings back stories.

In the past weeks and months I’ve spent a lot of time sitting across tables from men who have been accused of sexual assault and rape — men who are angry, and afraid, and have no idea what to do now. Men for whom the fast-changing code of sexual and romantic conduct is not the most immediate problem: theirs is that they have been called out, condemned, and are wondering what the next months and years of their lives are going to look like. And in their bitterness I can hear a backlash coming down the tracks.

Read more…

A Teen and a Toy Gun

(Illustration by Nicole Rifkin)

Leah Sottile | Longreads | February 2018 | 33 minutes (8,200 words)

I.

The night before Quanice Hayes was shot in the head by a police officer, the skinny 17-year-old was snapping selfies with his girlfriend in a seedy Portland, Oregon, motel room.

Bella Aguilar held her phone close when she clicked off the photos: In one, the 18-year-old girl pushes her tongue out through a smile, her boyfriend leaning over her right shoulder, lips pressed to her cheek, his dreads held back with one hand.

In another, Aguilar cradles her cheek against a black-and-sand-colored gun. It’s fake — the kind of air-powered toy that kids use to pop each other with plastic pellets in indoor arenas. Hayes peeks into the frame behind her.

If you know that the gun is fake, you see a snapshot of two kids playing tough; if you don’t, those photos looks like the beginning of a story about to go terribly wrong.

A few hours later, it did.

It was a cold night in February — a Wednesday. Aguilar and Hayes  snapped photos and danced when friends came by the motel room where the couple had been crashing. They drank cough syrup and booze. There were pills and pot and a bag of coke.

They fired the toy gun at the motel’s dirty bathroom mirror, laughing when they couldn’t get the glass to break.

When the long night caught up with Aguilar and she lay down to pass out on the room’s queen-size bed, Hayes yanked on her arm, nagging her to stay awake. Two friends crashed on a pullout couch; two more were on the floor. But Hayes didn’t want to sleep. He walked outside.

Hours passed. The sun came up. Aguilar jolted awake and felt the bed next to her, but her boyfriend wasn’t there. His phone was — it sat on the table next to the bed. She felt frantic. Panicked. Confused. “I don’t know why, but it was that moment. I just felt really, really bad,” she said last summer, sitting outside a Portland Starbucks where she took drags from a Black and Mild.

She couldn’t remember why Hayes had left. She couldn’t remember so much of the night.

She frantically tapped out a text to her boyfriend’s mother, Venus: Do you know where Quanice is? Read more…

The Month of Giving Dangerously

Illustration by Stephanie Kubo

Elizabeth Greenwood | Longreads | January 2018 | 25 minutes (6,900 words)

Another fit of insomnia. I reach for a book I’ve read before, in times both happy and sad: Sharon Salzberg’s Lovingkindness. I open at random to a chapter toward the end, on the subject of generosity. “When a strong urge comes up in my mind to give something — even though the next fifty thoughts may be ‘Oh, no, I can’t do that. I might need it!’— I give it,” Salzberg writes. “Even if fear or other considerations come up, my resolve is to honor that first impulse to give.” As I read these lines, my heart seizes. Something in this passage contained the remedy I’d been craving because everything in my life felt as if it was contracting.

My first book was hot off the presses. I’d heard about the cruel process from other authors: You expect your life to change dramatically. This will not happen. There will be a short-lived flurry of attention and things will go back to normal. I steeled myself, but a part of me thought maybe they are wrong. Maybe my life will change!

 Dear reader, I am here to tell you there was no such reversal of fortune. I’d spent the past six years researching people who had faked their deaths and I was back to the drawing board. Typically, I would have been teaching several writing classes, but due to the vicissitudes of the adjunct professor labor market I was underemployed, anxious, and blue.

I got a prescription for Klonopin and I started getting acupuncture, which left me weeping on the table for thirty minutes while the poker and her interns assured me this outsized reaction to tiny pinpricks was totally normal. I’d have loved to have indulged in some old-fashioned talk therapy, but my disaster health insurance didn’t cover it. I even tried equine therapy, which I wrote about for a travel magazine, and spent the afternoon corralling two miniature horses in order to learn to trust myself.

I was still questioning whether the choices I’d made over the past few years were worth it if all I had to show for it felt like a big nothing. The luxury of complaining about any of this — I’m a childless, educated woman in America — made it feel all the more shameful. So the cycle compounded. Something needed to change.

Then the election happened. In a confluence of a precipitous adrenalin crash, a gaping daily schedule, limited finances, and a political climate that had everyone adjusting their meds, I was crying almost every day at the pointlessness of it all. My sleepless nights stretched into twos and threes. I wanted to figure out the way I was going to help but had no clue as to how.

That’s when insomnia propelled me to open randomly to Salzberg’s lines about generosity. Something in this challenge to give blindly, to listen to the part of oneself that blithely seeks to contribute, instead of the cacophony of voices concerned with balancing the checkbook. Expanding beyond one’s postage-stamp reality seemed like it could be the antidote to the feelings of scarcity propelling my anxiety.

We all want to give, at least in theory. But when presented the opportunity, we come up with excuses as to why the time is not ripe. We imagine we’ll donate to charities when we are more financially secure. We consider getting up from our subway seat for the weary-looking woman, then demur. As if extending beyond ourselves even slightly will make our precarious balance of time, energy, and emotional resources come crashing down.

So I made a resolution — for the first month of 2017 I would give everything. The rules were simple: If I got the urge to be generous, I’d try to honor it. I would try to do this in every category of giving I could imagine — in time, in money, in undivided attention, in suspending judgment, in forgiveness, in giving people the benefit of a doubt. I’d volunteer, drop dollars in the most dubious panhandlers’ cups, I’d pick up the tab. I’d try to take generous interpretations of others’ baffling behavior, as I take most everything personally. I’d dispense unsolicited praise. For years I’d resisted the urge to invade other New Yorkers’ privacy. No more! I would compliment freely, and they could put my name on a registry if they wished. My great hope for this experiment was to plug back into my life and to brandish a big middle finger to a regime intent on making us feel separate from one another.

Then, just before Christmas, my dog decided to treat herself to a Ziploc of trail mix from my purse. The concoction contained raisins, which are lethal to canines. One $1500 vet bill later I was feeling exceptionally broke. This was the exact moment when excuses are made, when we chicken out. But I’d already committed to my experiment. With utter terror in my heart, I stepped off the ledge. It was time to give dangerously.

Day 1

I wake up in Oakland, having spent a few days with my best friend from college who is tremendously pregnant. Our daily routine consists of binge-watching shows, doing a light activity, and then returning home to rest. I’ve been giving Zoë shoulder rubs all week and paying for whatever she’ll let me — ice cream, gas, Mexican takeout.

What isn’t as easy is lunch with Krista, a longtime family friend, something of a cousin to me. We have a strained relationship and have little in common, but get together when I’m out west due to a misplaced sense of obligation. We were raised high WASP, and the conversation glides along the surface of things like a figure skater. Resentment? What resentment! Isn’t this cheese divine? We meet at a loud, overpriced restaurant in the Ferry Building. We discuss her kids, her “personal brand,” and Marin County real estate, all of which she has achieved. She takes a tone with the busboy when our food takes over half an hour to arrive. When the bill comes, I pick it up, much to her surprise and mine. The total comes to just over a hundred dollars because I tip extra.

I get back on BART in a disassociated state as I often do after spending any amount of time with Krista. Zoë picks me up, and we repair to an outdoor mall, my favorite California institution, and I spend over $200 dollars on various serums and unguents at Sephora. This doesn’t feel like self-care or generosity. This feels like mania.

Day 3

Back in New York I have ten dollars out for the cabbie on the way home from JFK and put two back in my wallet. Shameful. I go to a crowded resolutions-fresh yoga class. I typically set up in the front row, not because I am good at yoga but because I want as few toned yoga bodies in my line of sight as possible. A Lululemon doyenne with the triceps to show for it takes her place to my right, and I wedge into the front corner with the wall to my left. Perfect, I think. Just one other human in my peripheral vision, the rest of the class a jam-packed sweaty moving organism of good intentions. I will really kick this year off right.

Once the sun salutations begin, my neighbor flings her arms out to the side to Namaste the morning. She makes strong contact with me and gives not a nod of apology or acknowledgment. Oh well, I think. Round two, smacks me again! Every New Yorker knows well and good that in a crowded yoga studio you throw your arms up, not out. Round three, full on bopped this time! My heart starts pounding. She’s interrupting my flow with zero regard! After exchanging sweat with this precious soul several more times, and audibly sighing with each brush of her manicured hand, I decide: Fuck it.

I will extend generosity to her by allowing her to hit me. I will offer my body to her as a battering ram for full sun salutation. This requires much deep breathing on my part in lieu of biting her, but I am shifting my mind toward expansive acceptance rather than anger at a person oblivious to my moral outrage. I still want to bite her.

Day 4

I go to work on my laptop at a coffee shop near my house. I usually tip my beloved baristas $1 — and only about half the time, depending on my feelings of poverty that day. I will do this only if the coffee slinger sees me, in the sad hope that maybe she’ll give me an extra shot of espresso for free. But not today! I slip two dollars into the jar while the woman working the counter grabs my drink. She doesn’t even see me do it. I am basically Mother Teresa.

Day 5

The super in my building is a lanky fellow named Junior. He runs a small racket out of the recycling in the basement, distributing cans and bottles to neighborhood vagrants who line up around 10 a.m. every other day, for which I imagine Junior is taking a cut. Since I work from home and walk the dog around this time, I have a front row seat to the cottage industry. Junior will often stop me to kvetch about the weather for a while, then ask me “to hold ten dollars” so he can buy cigarettes. I rarely carry cash as part of an ill-advised ploy to spend less. I instead offer cigarettes from my own aging stash. He refuses, preferring Kools. Today we go through the same rigmarole, and in my wallet, I have a twenty, not a ten. “Here, take this,” I say, my hand quivering in giving over an Andrew Jackson. Junior is pumped and promises to get me back in the next few days. I never see the money again.

If I claimed this was an act of selfless generosity, I’d be lying. Junior lives in the apartment above me and often cares for his toddler granddaughter, whose bedtime is around 1 am. Junior seems to be prepping for his Riverdance audition both day and night. It is not infrequent that I will stomp upstairs after midnight in my housecoat asking in my white girl voice to “Please be mindful, as I am trying to get some sleep.” I’m hoping the crisp $20 will buy me some quiet. It does not.

Day 7

I’ve been meditating for a few years now, and not because I am virtuous. I have to meditate for 15 minutes each day in order to not get arrested. I bust out my meditation technique prior to nerve-wracking situations, like giving a talk. I’ll begin to summon the feeling I’d like to exude, sit on a few couch cushions, take some deep breaths and visualize myself fielding questions and criticisms with a smile and élan.

I’ve been trying the same strategy in the morning for the past week or so to psyche myself up to be generous. I close my eyes, picture an exhausted mother with bratty children entering the subway and see myself magnanimously, selflessly, standing up for her. Other passengers notice my benevolence, maybe even rousing inspiration. I see myself standing aside in line, letting some harried citizen to cut me. The bill comes after a big dinner with friends, and I quietly pick it up. The waitress even writes a small note on the receipt: If only there were more people like you.

But today it isn’t working. Seeing the slideshow of generous events only makes me feel stricken with anxiety, more aware of my limitations.

So I try something different. I instead conjure the feeling of having enough, visualizing what that would look like. I see myself engaged in each moment of my life — the tedious answering of emails, listening to my boyfriend instead of unloading on him, responding to prison letters for my new book project with the utmost care. My bank account doesn’t contain a certain target number, but I engage a feeling of peace toward it. I try to sit in the sensation of having enough, feeling generosity move through me. I am the conduit — the thing I am giving away was never mine in the first place. My chest begins to swell and my limbs experience a pleasant, groggy glow. I feel rooted to the ground in a way that doesn’t seem ponderous. I feel bolstered instead of weighed down.

Rather than picturing myself giving, I reverse engineer the feeling of abundance to make that the baseline for the day. I manage to:

  • Drop off my boyfriend’s bags of detritus that had been lingering in the hallway to Goodwill
  • Respond to all correspondences and queries, even ones I’ve been avoiding
  • Try to be extra nice to all customer service people I speak with, even the trifling representatives of New York Sports Club
  • Give a $20 tip (double the amount I normally would!) to the aesthetician who lasers my bikini line. She basically works with genitals all day and didn’t go to medical school for the privilege.
  • Let my dad lament my failure to procreate without rebuff
  • Drop $1 bills into four different panhandler’s cups

I felt a little surge, a little electrical current of belonging, each time. Belonging to what? I’m not quite sure, but it was something bigger than my own plight.

Day 8

There’s a homeless woman who sits in front of the falafel place near my boyfriend’s apartment. I can understand the words she says individually, but collectively they make no sense. She has a kindly way about her, so I call her Eunice.

Today I pack up a sack of food to give her on my way to the gym — clementines, granola bars, bananas, trail mix — a cornucopia of organic Brooklyn fare. I hand it to her, and she is gracious. I see her carefully stuff it into the innards of several bags nestled inside one another like skins. She smiles, I smile back. She thanks me, and I say “you’re welcome.” It’s all so easy. I could do this every day. I am a motherfucking saint.

On my way back to Scott’s building, I see his neighbor. She’s wheeling a little grocery cart, closes in on Eunice, and…she’s giving it to her! Goddamn her! Here’s something Eunice can actually use! I was supposed to be the good person today, and here she goes, showing me up.

Perhaps I still have a few dark and petty corners where the light of generosity could give a good scrub.

Day 11

I have volunteered to subject myself to something called MulchFest.

It’s Sunday. I’m hungover, it’s freezing, and Scott is sprawled out on the couch with coffee and The New York Times. I sit with him and debate the relative merits of submitting myself to the elements, and to the perky knowingness of the Park Slope canvas bag-toting crowd. Scott is from the Midwest and believes that life should be difficult. I put on two pairs of socks and my heaviest coat and head out.

I’m several hours late and somebody in a neon pinafore hands me a clicker counter to tick off the trees as they get mulched. I have the overwhelming urge to punch my thumb down, to feel the satisfying click click click but know this will irretrievably fuck up the count. So I stand at attention, desperately resisting the urge to pull out my phone and appear occupied. The point of MulchFest, I have decided, is to commune with my surroundings, my neighbors, to behold the circle of life as manifested by browning pine needles, the melancholy stench of decomposition signaling the promise of a new year. A fellow who looks to me like a human hacky sack sees me with my brow furrowed and waiting to count trees that never arrive. Everyone is still at lunch, he informs me. I return the clicker and he gently ushers me over to a little white tent and presents me with a new task: creating pine sachets from freshly mulched trees to distribute to park patrons.

For years I’d resisted the urge to invade other New Yorkers’ privacy. No more! I would compliment freely. They could put my name on a registry if they wished.

The rhythm of dipping a trowel into the needles and tying off the bag is lulling, relaxing. I merchandise my wares attractively on a card table. Park goers stop by and ask, “May I take one?” “Take TWO!” I implore, “and a snack!” chucking an apple and a granola bar at them. I am giving people something they want, for free, something crafted by these two hands. I’m loving this. An hour and a half passes and it feels like but a moment. I’m in love with Brooklyn, with humanity.

I once dated a journalist who never stopped giving — to strangers, to the less fortunate, to people he was writing about, mostly. Every Sunday morning, Rob would throw back the comforter and go to prepare lunch for homeless people in a church basement. He became close with one of the regulars, helping him advocate to get his VA benefits reinstated, putting his name on housing lottery lists, taking him to doctor’s appointments for his chronic pain. Rob was widely regarded as someone who would interrupt his life for the benefit of others, one of the most generous people anyone had ever known. But I could never get him to open up to me, not in any deepening intimacy. A frustrating part of our relationship was how his service made him somehow unimpeachable.

To whom are we generous, and why? For Rob, caring for strangers came second nature. For me, not so much. Looking back, I think Rob threw himself into others because he was a little scared of his own life, and of people getting close. Giving, for him, was, in part, a way to hide. This is an ungenerous interpretation, I realize — but on which side of the ledger does our giving fall? And who is keeping score?

Day 12

The worst words a New Yorker can hear on the subway: What time is it? SHOWTIME! Out-of-town visitors film the acrobatics with glee while I contract further into myself. I give a dollar to Showtime, which I loathe. But giving the dollar somehow makes me loathe them less.

Day 15

I am still meditating in my new style, conjuring a sense of abundance. The phrase that came to me today was “less afraid.” In that tiny moment in the morning, I certainly feel a wash of quiet confidence. Getting up off my meditation cushion, well, that’s a different story.

Day 18

I understand my little experiment is made possible by the fact of my privileges: I enjoy a degree of freedom and mobility unknown any time in previous human history. I am in charge of keeping alive no one but myself and a 15-pound dog. My career choices may not pay in money, but I am wealthy in time, flexibility, and multiple breakfasts. I’m healthy and able-bodied. Perhaps my generosity experiment is a foray into a kind of first-world problem, manufacturing a false sense of adversity. What would, say, a single mom think of my enterprise? I ask the best one I know: my own.

I give her a call and explain the project. “What would you have said to somebody embarking on such a journey back when my sister and I were younger?”

“Well, I can tell you what I would’ve thought,” she says laughing with the irreverence that is my genetic inheritance. “My whole life is about being generous to my children. I use up my finite supply of generosity in keeping the household together.” It’s true. I remember her falling asleep on the couch by 9 p.m. every night of my childhood.

“But generosity can also be about receiving, allowing others to be generous to you,” I counter.

“When I was raising you guys, I had to convince myself of my own strength. I had to get into the mindset that I was capable of doing this on my own. If the spark plug went out on the lawnmower, then I needed to know how to fix it myself.”

Then she tells me something I didn’t know: “I also felt so alone, and I didn’t want to depend on anyone else. And then you start to build up walls, and even a martyr complex, like, ‘I’m the good responsible one, I have to be sensible.’”

“It does seem we expect more automatic generosity from women, and are then delightfully surprised when men go beyond themselves, huh?” I say.

“Hell, yes! Women are always putting other people first. All our energy goes into other people. Think about Grammy, her life was cut short because of it,” my mom says breathlessly. My grandmother had three kids, a paraplegic husband, a rural mail route as a postal worker, her elderly parents across the street, a dozen grandchildren, and innumerable wayward souls she cared for. She literally worked herself to death.

“If you could go back in time, what generosity would you have offered yourself?” I ask.

“I would’ve just allowed myself to take more time for me, I suppose. I could’ve hired a babysitter for the night, but that seemed unthinkable. Same too with little splurges, like a facial or a massage. Those lines just seemed so clear to me then, and I couldn’t cross them. It’s not selfish to take care of yourself.” she says. 

Day 20

One of the greatest generosities I’ve known is when strangers reach out to let me know they’ve enjoyed my book. This means more to me than any review or professional accolade; it buoys me during the rough times and makes my whole day. I think about how many books I’ve devoured and recommended to anyone who will listen — save the author. So today I send laudatory notes, thanking writers whose work has meant much to me.

When you truly love something, there is nothing easier or more natural in the world than to say so. I write my friend Amitava, letting him know I will teach his essay about performing Hindu burial rites for his mother, and how moving I found his recollection. I send an earnest letter of gratitude to a beloved actress thanking her for a recent personal essay she wrote about her relationship with reviews, and how it made me feel less alone. I write an Irish fellow about how much I enjoyed an excerpt of his book. Though it feels a bit awkward to telegraph admiration to total strangers, the feeling of lift far outweighs the embarrassment. It feels like an unburdening.

Day 21

Generosity, thus far, has proved illuminating when giving comes easily — giving compliments, sending texts to friends trying to brighten their day, in little gestures like getting up to offer a lady in nurse’s scrubs my subway seat.

But money is where I am stuck. Scarcity is the heart of my fear. Being in deep student loan debt and in precarious employment, my inner monologue is a stream of calculations, always trying to suss out how many more months I can exist in New York. Instead of getting a real handle on my finances, like by following a budget, I adhere to Coinstar, consigning clothes, cooking big batches of chili to eat throughout the week, and prayer.

So today I decide to give away money. I send $10 to a friend of a friend’s GoFundMe to help replace clothes and furniture lost in a fire. I then notice more calls for help which I skillfully tend to ignore — $10 to a friend’s sister’s boyfriend’s sister’s fundraiser to get a seeing-eye dog, $10 to my second cousin who wants to record a demo of songs. And because we live in end times I send $10 to the ACLU, the Southern Poverty Law Center, and Planned Parenthood. Then I give a whopping $50 to WNYC because it’s pledge drive time and every little bit helps. That’s $110 in total. Turns out that donating via the internet is pretty much like any kind of online shopping: You end up spending far more than you would if the cold currency were to physically depart from your wallet.

By evening I receive an email from a former tutoring client about starting sessions with her younger son, and another query about subletting my room. Did parting with my funds send a rupture of wealth through the universe? Did I just manifest money by giving it away? Steeped in the culture of The Secret and living in late capitalism, it’s tough to imagine giving without getting anything back in return. Does this mean my project is sullied?

Day 24

I decide to take this line of inquiry to somebody who may know. I meet Richard Bascetta, a senior Buddhist teacher at the Shambhala Center of New York, for coffee. He’s a bit of a silver fox and wears cool square-framed glasses. I explain my project and my query — how can we give selflessly without expecting anything back? Since this giving thing has been feeling pretty good, is it okay to use generosity as a panacea to feeling bad?

Richard has lived in New York and practiced Buddhism here for decades, and realizes generosity’s challenges: “In this environment, we are fighting for space, for money, for status, for a fear of not having that money and status. People come here to accomplish. I’m sure you’re a good writer, but there are at least a hundred people here who are as good or better.” Damn, Richard.

To whom are we generous, and why? For Rob, caring for strangers came second nature. I think Rob threw himself into others because he was a little scared of his own life, and of people getting close.

“Our inertia typically prevents us from acting for others,” he says, his eyes never wavering from my gaze. “We buffer ourselves through our lives. Through parenting, running a business, careers, chasing one love after another, our anger — whatever buffers us from the rawness of the moment. The more layers we put on like an itchy coat, the more difficult it is to access a sense of generosity. Generosity, in its most powerful form, is breaking through the inertia.”

Richard tells me that a few years back he started carrying a stack of ones in his front pocket. Each time he’d pass a panhandler or street musician whose tunes he admired, he’d drop a dollar in their cup. But lately, he’s been pulling his hand back. And he’s not sure why. “It’s been a pinching reminder that I’m compromising my original intention—to give regardless of my inner commentary about the person,” he says. But he doesn’t see this as all bad: “It’s given me the chance to reflect and see how my judgments get in the way and clog the flow of generosity.”

Richard assures me this is okay, because the benefit of generosity — beyond how good it feels, beyond helping someone else — is that it reveals to us where we are stuck. “We are working with that resistance. Where does that mistrust and worry reside in you? That’s the investigation.”

Buddhists believe that one moment of presence is a moment of enlightenment. And when I think back over the past month, I see I’ve built a repository of these moments: connecting with Eunice before I was shown up; becoming hypnotized by the rhythm of filling a cloth bag with pine needles; hearing about a time in my mom’s life that was a struggle. Enlightenment is a distant shore for me but these moments are undeniably fractals of a larger mosaic.

Day 27

On Inauguration Day I take a train to Philadelphia to rendezvous with my sister, mom, and aunt, where we will set out for the Women’s March before dawn the next day. I expect to have many opportunities to exercise generosity, what with thousands of strangers vying for catharsis and a bathroom. The last time I saw my sister was over Christmas, when she called me a sausage, referring to the growing weight differential between us. I close my eyes on the train and silently release that hardened gem of hurt. The release is more gestural than actual, a bit of fake-it-till-you-make-it.

Day 28

We are on the road and our excitement swells as we pass dozens of charter buses at rest stops and see pink floppy hats all around. But when we go to drop our bags at our hotel, it hits me. The inauguration crowd is still in town. Staying at our Marriott Courtyard just outside the Pentagon are not only protesters of the new regime but supporters as well. I see whole families decked out in matching red hats and commemorative t-shirts. My body seizes up. I actually feel terrified of these people, even though I think the fear is irrational. I’d been envisioning practicing my giving toward allies, my family, people as outraged as me. Now I have to dive deep into the wells of whatever reserves of compassion I’ve been cultivating over the month toward my perceived enemies. How can I engage those from the other side? What will be my part in making things better? I decide today will be about extending generosity to these folks, to people who took off work and spent their hard-earned money to bear witness and lend their enthusiasm to the installation of our new president.

The march itself is magical, and exhausting, and inspiring. I behold so much generosity around me: There are people passing around bags of trail mix and carrot sticks; people creating a human microphone to reunite a lost child with her mother; there are cops and medics rushing to help the fallen in the crush of humans. But what impresses me most about the day is the new reality we live in. I feel safe and secure in the sea of witty signs and like-minded representatives of the popular vote. But the second we break away and walk along the Mall we pass more Trump supporters. What would my generosity even look like to them? Would it register? Right now the most generous thing I can do is to not push them into traffic on Independence Avenue. But I think about a quote, supposedly from the Dalai Lama: “If you can, help others; if you cannot do that, at least do not harm them.”

As we walk back across the bridge toward Arlington Cemetery, where my grandfather, a veteran of World War II and Korea is buried, I lag behind. The day is gray, thick, and unseasonably warm. We are all hungry and cranky, legs achy from standing for hours. In the distance, I see a pack of white boys in red caps walking toward us. My body responds before my brain, sensing a threat. They pass my mom and sister, who are still wearing their pink hats, ahead of me. I took mine off when we left the March because I am an actual pussy, fearful a Trump supporter would hurl an epithet or punch me in the face. When I catch up with them, my mom and sister seem shaken and tired, trying to be stoic.

“They called us ‘clits,’” my mom says, shaking her head.

Now my limbic system is just confused, outraged that these assholes would dare speak to anyone, let alone two women. But I’m doubly confused because “clit” is perhaps the most bizarre term they could have lobbed. “They wouldn’t know where to locate one on a human female!” I counter. I try to make light of it, but we are all on edge.

Back at the hotel, the air conditioning is blasting and we devour our burgers. More white people are milling around in stars-and-stripes gear. It occurs to me I have a choice. I can treat all of these people as a monolith of hatred and ignorance, or try to see them as individuals. The results are nothing stunning: I allow a Trump-supporting couple to enter the elevator ahead of me. I move my bag at breakfast the next morning so a teenage girl in a red cap can sit down. I leave a tip for the housekeeper, her political affiliations unknown. I let the same Trump-supporting couple board the airport courtesy van first. It doesn’t matter, we’re all going to the same place anyway.

***

The month ends. By my count I’ve given away 19 subway seats, picked up the check at dinner and drinks half a dozen times, sent 36 “I just called to say I love you” texts to friends, sent $320 dollars to different fundraisers and organizations, given $47 to the homeless, and spent 15 hours of my life volunteering. I’ve let Scott’s innocent yet potentially inflammatory comments slide more times than my ego is comfortable with. I bought coffee and a sandwich for my ex without sending a Venmo request for the privilege. I traveled to distant neighborhoods to meet friends for dinner closer to where they live. I’ve left notes in Scott’s pockets for him to discover during the day. I’ve bought bouquets of flowers to bestow upon unsuspecting pals. I’ve done nothing but listen on the phone, seated, taking it in, when usually doing household chores simultaneously. I’ve stayed past my office hours to meet a student who was freaking out about an assignment. I’ve sent e-books to a friend to use while nursing. I’ve been generous to myself by wearing the good underwear at the back of my drawer that I save for a special occasion that never comes. I’ve tried to do only one thing at a time.

We buffer ourselves through our lives. Through parenting, running a business, chasing one love after another — whatever buffers us from the rawness of the moment. The more layers we put on, the more difficult it is to access a sense of generosity.

But the experiment doesn’t feel like it’s over — I didn’t do this perfectly. There were times when I grabbed a subway seat like manifest destiny. There was a time I decided to get offended by a friend’s offhanded remark. I spent an afternoon at the Brooklyn Food Bank silently cursing the project director, who I took to be an imperious asshole. I noticed I have the hardest time letting things slide from the people closest to me. Like Richard said, examining oneself through the lens of generosity can be illuminating. At the beginning of the month I was listing all my generous acts. But by the end of the month, I was listing opportunities to be generous that I didn’t take up. Those moments taught me more about myself. Instead of feeling defeated by my imperfection, I feel curious, inspired even.

You make yourself vulnerable by making an offering the other may or may not take. You extend yourself in giving praise, attention, patience. You let the other in. You see the sky does not fall. You do it again. Giving becomes easier. Defensiveness can soften because you’re not fighting to preserve what little you feel you have to protect. From the constant gnaw of scarcity, you realize there is enough.

I’m still grouchy as hell. But I’ve found giving to be the easiest, quickest, even cheapest way to feel good, better than therapy, equine or otherwise. If I want to reset the chemistry of my brain on a particularly down day, I’ll just try to listen to what someone is telling me. I’ll text friends telling them how much I adore them. I’ll buy coffee for the person behind me in line. And a little bit of the weight lifts.

When I think back to the first day of my experiment, when I endured and paid for a frustrating lunch with Krista, I see it differently now. The truest generosity I could’ve offered wouldn’t have been in picking up the tab, but in looking directly in her eyes and meeting her where she is, where we all are: imperfect, flawed, all-too-human, locked into our own stories of what is going on, the only story we understand to be true. For all I know, she had to do deep breathing just to be around me.

I haven’t mastered generosity and the fearlessness that comes with it. But I’ve touched it in moments. I want to experience more of those moments. And because life always gives us a heaping helping of stress and awkward lunches and unexpected vet bills, I know I will have more to do. Because I didn’t die this month, nor did I go into the poorhouse, nor did I feel overextended. Instead, I felt connected. Instead of feeling overwhelmed by how much further I have to go, I feel ready. Instead of feeling stretched thin, I feel full.

***

Elizabeth Greenwood is the author of Playing Dead: A Journey Through the World of Death Fraud, a nonfiction book about people who have faked their deaths.