Search Results for: The Atlantic

David Foster Wallace and the Nature of Fact

Josh Roiland | Literary Journalism Studies | Fall 2013 | 23 minutes (5,690 words)

Josh Roiland is an Assistant Professor in the Department of Communication & Journalism and a CLAS-Honors Preceptor in the Honors College at the University of Maine. Roiland is a cultural historian of the American news media, who researches and teaches classes on the cultural, political, and literary significance of American journalism. This piece originally appeared in the Fall 2013 issue of Literary Journalism Studies. Our thanks to Roiland for allowing us to reprint it here, and for adding this introduction:

David Foster Wallace saw clear lines between journalists and novelists who write nonfiction, and he wrestled throughout his career with whether a different set of rules applied to the latter category. In the years after his death, he has faced charges of embellishment and exaggeration by his close friend Jonathan Franzen and repeated by his biographer D.T. Max. Their criticisms, however, do not adequately address the intricate philosophy Wallace formulated about genre classification and the fact/fiction divide. This article explores those nuances and argues that Wallace’s thinking about genre was complex, multifaceted, and that it evolved during his writing life.

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Before he sat down with the best tennis player on the planet for a noonday interview in the middle of the 2006 Wimbledon fortnight, David Foster Wallace prepared a script. Atop a notebook page he wrote, “R.Federer Interview Qs.” and below he jotted in very fine print 13 questions. After three innocuous ice breakers, Wallace turned his attention to perhaps the most prominent theme in all his writing: consciousness. Acknowledging the abnormal interview approach, Wallace prefaced these next nine inquires with a printed subhead: “Non-Journalist Questions.” Each interrogation is a paragraph long, filled with digressions, asides, and qualifications; several contain superscripted addendums.  In short, they read like they’re written by David Foster Wallace. He asks Roger Federer if he’s aware of his own greatness, aware of the unceasing media microscope he operates under, aware of his uncommon elevation of athletics to the level of aesthetics, aware of how great his great shots really are. Wallace even wrote, “How aware are you of the ballboys?” before crossing the question out.

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The Bohemians: The San Francisco Writers Who Reinvented American Literature

Ben Tarnoff | The Bohemians, Penguin Press | March 2014 | 46 minutes (11,380 words)

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For our Longreads Member Pick, we’re thrilled to share the opening chapter of The Bohemians: Mark Twain and the San Francisco Writers Who Reinvented American Literature, the book by Ben Tarnoff, published by The Penguin Press. Read more…

Five Stories About Sports for People Who Hate Sports

OK, “hate” is too strong a word. But I fundamentally do not get sports. Playing them, yes, fine. But knowing players’ names, arguing that this one guy is better than that other guy, keeping a little Excel sheet of strikes and yards and rebounds in my head? Baffling.

But that doesn’t mean, as it turns out, that stories about sports can’t be fascinating. The economics! The moral gray areas! The egos! It’s like a reality show in there.

I’m not going to start watching sports anytime soon, but thanks to these stories, I’m starting to see why other people do.

Does Football Have A Future? The N.F.L. and The Concussion Crisis

Ben McGrath | The New Yorker | Jan. 31, 2011

This story has moved on quite a bit since 2011—there is now a book, a movie and something called The Concussion Blog—but McGrath’s story is a good primer on the issue of football players suffering severe mental damage in old age, and foreshadows both the huge pressure on the NFL and its head-in-the-sand response.

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Top 5 Longreads of the Week: Jan. 3, 2014

Below, our favorite stories of the week. Kindle and Readmill users, you can also save them as a Readlist.

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A Speck in the Sea

Longreads Pick

A fisherman’s improbable rescue after going overboard in the middle of the night:

The first thing you’re supposed to do, if you’re a fisherman and you fall in the ocean, is to kick off your boots. They’re dead weight that will pull you down. But as Aldridge treaded water, he realized that his boots were not pulling him down; in fact, they were lifting him up, weirdly elevating his feet and tipping him backward. Aldridge’s boots were an oddity among the members of Montauk’s commercial fishing fleet: thick green rubber monstrosities that were guaranteed to keep your feet warm down to minus 58 degrees Fahrenheit, a temperature Montauk had not experienced since the ice age. Sosinski made fun of the boots, but Aldridge liked them: they were comfortable and sturdy and easy to slip on and off. And now, as he bobbed in the Atlantic, he had an idea of how they might save his life.

Author: Paul Tough
Published: Jan 2, 2014
Length: 30 minutes (7,588 words)

Longreads Best of 2013: 22 Outstanding Book Chapters We Featured This Year

This year we featured not only the best stories from the web, but also great chapters from new and classic books. Here’s a complete guide to every book chapter we featured this year, both for free and for Longreads Members: Read more…

Longreads Best of 2013: The Best Story About Storytelling

Longreads Pick

Nicholas Jackson is the digital director at Pacific Standard, and a former digital editor at Outside and The Atlantic.

Source: Longreads
Published: Dec 13, 2013

Longreads Best of 2013: The Best Story About Storytelling

In Conversation: Robert Silvers

Mark Danner | New York magazine | April 2013 | 28 minutes (7,063 words)

 

Nicholas Jackson is the digital director at Pacific Standard, and a former digital editor at Outside and The Atlantic.

These year-end lists tend to be like the Academy Awards in that only work released during the last couple of months of the year are remembered well enough to make the cut. That’s a good thing. Sure, I’d like to recall every great quotation I read in 2013, every delightful turn of phrase. But it’s better that I can’t. It means, like movies, that there’s more work I would consider worthy of my time being produced than I could possibly make time for, and plenty that I did make the time for that’s already been displaced in my mind by just the latest of the hundreds of stories I read this year. So, I cheated. I went back through some archives to jog my memory and pulled up this comprehensive interview with Bob Silvers to mark the 50th anniversary of The New York Review of Books. Silvers has had his hands on several big pieces this past year (must-read stories by Zadie Smith and Nathaniel Rich; something about the favelas of Brazil; I vaguely recall an Oliver Sacks essay on, of course, memory), but ask any editor and I bet most would tell you that he’s influenced every piece on these round-ups … and any others you’ve read over the past five decades. This is a story about stories: How we make them, and why.

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Photo: Wikimedia Commons

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On Grieving: ‘If you think you’re doing okay, then you’re doing okay’

Grieving

“Bonanno doesn’t pretend that smiling is a magical elixir or that laughing will cure the hardest-suffering patients. Grief isn’t a single track, he’s found, but a long private journey that splits along three rough paths. Ten percent of us experience ‘chronic’ and relentless grief that demands counseling. Another third or so plunges into deep sadness and gradually begins recovery. But most of us—’between 50 and 60 percent,’ Bonanno said—quickly appear to be fine, despite day-to-day fluctuations. Scientists used to consider these patients tragic actors, shoving their feelings into the core of their bodies, where they would only explode with volcanic violence in dreadful ways later in life. But this, Bonanno says, might be the biggest myth of all. ‘If you think you’re doing okay,’ he said, ‘then you’re doing okay.'”

At The Atlantic, Derek Thompson talks about losing his mother to cancer and about the new science looking at the way we grieve.

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Image: George Bonanno, The Other Side of Sadness

Longreads Best of 2013: Favorite New Writer Discovery

Longreads Pick

Ross Andersen is a Senior Editor at Aeon Magazine. He has written extensively about science and philosophy for several publications, including The Atlantic and The Economist.

Source: Longreads
Published: Dec 3, 2013