Search Results for: The Atlantic

Why Don’t We Work Less?

workers working
(Getty Images/Oli Scarff)

At a recent conference in Detroit, billionaire Jack Ma, founder of the online marketplace Alibaba, told CNBC that, thanks to advances in artificial intelligence, people will soon work less.

“I think in the next 30 years, people only work four hours a day and maybe four days a week,” Ma said. “My grandfather worked 16 hours a day in the farmland and [thought he was] very busy. We work eight hours, five days a week and think we are very busy.”

People have been making this prediction for generations. Economist John Maynard Keynes posited, in an essay published a year after the 1929 Wall Street crash, that his grandchildren would work 15-hour weeks, with five-day weekends. In 2015, NPR caught up with some of his descendants and discovered Keynes — who, according to his grand-nephew died “from working too hard” — was wrong. His grand-nephew reported working over 100 hours a week as a professor, and his grand-niece, a self-employed psychotherapist, said she has to write in her agenda “not working” to remind herself to take breaks.
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Where Have All The White House Press Briefings Gone?

(Photo by Win McNamee/Getty Images)

The Trump administration’s combative relationship with the media is no secret, and the president’s supporters have happily rallied behind his purported distaste for the Fourth Estate — apparently not caring that, though he tweets angrily about the New York Times, his first call on issues is often to Times reporter Maggie Haberman.

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Unknowable Dads: A Father’s Day Reading List

Billy Ray Cyrus and Miley Cyrus in 1994. (Ron Galella, Ltd / WireImage)

Dear old Dad. To hear retailers tell the story, he’s a transparent creature, someone who is pleased by the simple things: a shirt, a book, a steak, a new gadget. But the dads most of us grew up with — and without — are a more inscrutable lot. They’re people, after all, whose past lives, present concerns, and future legacies can vex, perplex, and frustrate their children. Can we ever really know these men? Some of the best writing about dads embraces that mystery, confronting the hard questions of what it truly means to know one’s father.

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Will Jeff Sessions’ Testimony Delight Us Like James Comey’s Did?

Jeff Sessions last testified at his confirmation hearing in January before the Senate Judiciary Committee in Washington, DC. (Photo by Melina Mara/The Washington Post via Getty Images)

Attorney General Jeff Sessions is expected to testify in an open hearing today as part of the congressional investigation into Russian meddling in the 2016 election. Some believe he may be more truthful this time than he was at his last public hearing, when he falsely claimed he never communicated with Russian entities. (Sessions met with the Russian ambassador twice, and will likely be asked about a possible third meeting.)

Others are concerned President Donald Trump may try to block Sessions’ testimony at the eleventh hour. He has until 2:30pm to make his decision.

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Twinless in Twinsburg

Illustration by Laura McCabe

Anya Groner | Longreads | June 2017 | 20 minutes (5,065 words)

I’m stopped at a red light in Twinsburg, Ohio, when I spot my first pair riding in the Jeep behind me. Matching blond hair, bug-eye sunglasses, and pink chins fill the rearview mirror of my rental car. I glance and glance again before texting my sister. “It’s begun,” I type. “They’re here and you’re not.” I erase the last three words and press send. No point in guilting her for a decision she can’t reverse.

When the light turns green, I press the gas, heading to the local high school where a wiener picnic and silent auction will kick-off the 41st annual Twins Days festival. An identical twin myself, I’ll be eating my hot dog alone tonight. My sister, a marine biologist, has opted not to join me, instead signing up for a dive certification class the same weekend. Though she apologized for the timing, she didn’t offer to reschedule. Twins Days doesn’t interest her much.

I’m not sure what to expect or even why I’ve decided to come. The website tells me the three-day fete is patriotic and sweet, a massive show-and-tell where the attendees are also the main attraction. Last year, 2,053 sets of twins, triplets, and quads journeyed here from as far away as South Korea and Australia. The revelry includes competitive cornhole, look-alike and un-lookalike contests, talent shows, and a research plaza where scientists collect data from volunteers. My surface excuse for flying out is that I’m a writer, trying my hand at journalism, but even a rookie like me knows the event is far too personal for objectivity. I’ve known about the fest for as long as I can remember, and for most of those years I wouldn’t even consider attending. Lying on stacked bunks in our childhood bedroom well before our age reached double digits, my sister and I put Twins Days somewhere on the continuum between obnoxious and offensive, a gathering of voyeurs looking to celebrate sameness, the facet of our identity that frustrated us most. The best parts of twinhood we knew to be exclusive, shaped by our two unique personalities, shareable only with each other. For us, the festival held no appeal.

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El Padre de Los Migrantes

El Padre Javier, director del albergue en Juárez durante los últimos siete años, sentado en su oficina entre pilas de libros. Fotos de Itzel Aguilera.

Alice Driver | Longreads | Junio ​​2017 | 22 minutos (5,698 palabras)

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“¿Qué tan buena es una frontera si no hay gente dispuesta a abrirla de par en par?”
— Hanif Willis Abdurraqib *cita del relato en vivo en el “California Sunday Popup” en Austin, Texas, 4 de marzo de 2017

* * *

A la orilla de la tierra prometida se levantan tormentas de polvo provenientes del desierto obscureciéndolo todo, incluso los migrantes tienen que esperar frente a un complejo rodeado por una valla metálica coronada por alambre de púas. Pero el Padre Javier Calvillo Salazar es oriundo de Ciudad Juárez, México, y está acostumbrado a todo esto, así como a todos aquellos que llegan después de una jornada en la que bien pudieron haber transcurrido miles de kilómetros y cientos de días, casi todos llegan cubiertos de cicatrices, con huesos rotos o sin alguno de sus miembros, con heridas que dejan en evidencia la falta de humanidad que se encuentra a lo largo del camino. Son personas que llegan llorando, con rostros endurecidos, con embarazos, con enfermedades venéreas y hasta con historias que remiten a las de Gabriel García Márquez, en las que cuentan haber visto con sus propios ojos a un cocodrilo devorar a un recién nacido de una sola y tajante mordida.

Nicole fue entregada en los brazos de su madre, Ana Lizbeth Bonía de 28 años, en un hospital de la frontera norte de México. Después de una travesía de 9 meses, que inició en Comayagua, Honduras, Ana Lizbeth llegó al albergue de migrantes Casa del Migrante Diócesis de Juárez con su esposo Luis Orlando de 23 años, y su desnutrido hijo José Luis de 2 años, que tenía unos ojos redondos como platos que brillaban con emoción. Ana nunca terminó la primaria, y pasó su niñez en las calles, vendiendo verduras desde los 4 años.

El albergue para migrantes en Juárez está tan cerca de El Paso, Texas, que los migrantes sienten el agridulce llamado de una tierra que pueden ver pero en la que difícilmente pueden vivir de manera legal. El albergue cuenta con 120 camas para hombres, 60 para mujeres, 20 para familias, así como con un área aparte en donde los migrantes transgénero pueden quedarse si así lo desean. La mayoría de los migrantes que llegan son hombres solteros, y durante las entrevistas realizadas ellos mencionaron que la amenaza del presidente Trump de separar a los niños de sus madres ha provocado una caída en la migración de estos grupos. Inicialmente, cada migrante tiene permitida una estancia no mayor a tres días, pero pueden quedarse más tiempo dependiendo de su condición, como es el caso de Ana, que necesitaba tiempo para descansar y recuperarse después de haber dado a luz a Nicole. Read more…

The ‘Artwashing’ of East Los Angeles

In the late 1950s, a thriving Mexican-American neighborhood was bulldozed to build Dodgers Stadium. Not far away, a half a century later, that same process continues, except the process now has name: gentrification. The socio-economic forces of gentrification are creating activists everywhere from Queens to London. At Newsweek, Alexander Nazaryan reports from the front line in Boyle Heights, Los Angeles, where activists are fighting art galleries, which they believe are the first wave of gentrification and real estate redevelopment that lead to the inevitable the predictable displacement of people of color. This process is called “artwashing.” In this historically Latino community, where 89% of residents rent and 5% have college degrees, activists have drawn a line in the Los Angeles sand, and if some of them get squeezed out, they will do so with their voices carrying news of this problem to the world.

The above process is known as artwashing, which has come to widely describe displacement efforts in which the artistic community is tacitly complicit. The term appears to have first been used in mainstream media in 2014 by Feargus O’Sullivan of The Atlantic, in an article about a tower in once-destitute East London that had been redeveloped for high-paying tenants. They were being enticed, in part, by suggestions that they wouldn’t be gentrifiers but, rather, original members of a new artistic community. “The artist community’s short-term occupancy is being used for a classic profit-driven regeneration maneuver,” O’Sullivan wrote. He labeled the process “artwashing.”

Yet for many the notion of artwashing is no less urban myth than alligators in the sewers of New York. Several studies have concluded that art galleries do not displace low-income residents, but Defend Boyle Heights and the Boyle Heights Alliance Against Artwashing and Displacement (BHAAAD, pronounced “bad”) don’t care about academic urbanists’ peer-reviewed studies. They know the galleries are a cancer that must be eradicated, for they are “enemies of the people,” as Luna called them. “I want these galleries to get the fuck out of Boyle Heights,” he said, finally managing a bite of food.

The course of chemotherapy recommended by Defend Boyle Heights is relentlessly aggressive. Someone shot a potato gun at the attendees of an art show, and someone spray-painted “Fuck white art” on the walls of several galleries. Like the Battle of Stalingrad, this is a furiously contested, block-by-block affair. Both sides have suffered painful losses: the closure of Carnitas Michoacan #3, a 33-year-old eatery beloved for its nachos, the shuttering of PSSST, one of the Anderson Street galleries.

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Was It a Story of Love or Exploitation? It Was Both, and More

Photo illustration via The Atlantic

Reality is always ambiguous, and that is something stories do not want to be.

In real life, people are riddled with conflicting motives, emotions, and ideas. We can both love and hate our families with equal intensity. We can make choices not for one reason, but for a multitude of reasons, sometimes in opposition to each other. Our identities are inevitably, and infinitely, hyphenated.

Stories, by their nature, tend to resist ambiguity. A story is a kind of model of the world, a map rather than the terrain, and therefore they tend toward simplification. This is especially true in journalism, which in its most basic form asks “what happened?” with the expectation that there will be a single, knowable answer.
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The Top 5 Longreads of the Week

A new room in the maternity ward of Maine Medical Center. (Photo by Shawn Patrick Ouellette / Portland Press Herald via Getty Images)

This week, we’re sharing stories from Renee Montagne, Nina Martin, Alex Tizon, Mary Mann, Rachel Kaadzi Ghansah, and Andy Newman.

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Not Really A Distant Aunt: My Family’s Slave

The Atlantic -- June, 2017

In this poignant, posthumous feature at The Atlantic, Alex Tizon tells the story of his family’s slave, Lola. An utusan (“person who takes commands”), Lola was given as a gift from his grandfather to his mother in 1943, when Lola was 18 years old. Lola worked, unpaid, for Tizon and his family for 56 years. During a turbulent childhood where his parents were out of the house for days at a time, Lola was a constant source of love and devotion for Alex and his three siblings. In this moving piece, Tizon attempts to understand his parents’ point of view and motivations, and reconcile himself with Lola’s life of servitude.

We landed in Los Angeles on May 12, 1964, all our belongings in cardboard boxes tied with rope. Lola had been with my mother for 21 years by then. In many ways she was more of a parent to me than either my mother or my father. Hers was the first face I saw in the morning and the last one I saw at night. As a baby, I uttered Lola’s name (which I first pronounced “Oh-ah”) long before I learned to say “Mom” or “Dad.” As a toddler, I refused to go to sleep unless Lola was holding me, or at least nearby.

Mom would come home and upbraid Lola for not cleaning the house well enough or for forgetting to bring in the mail. “Didn’t I tell you I want the letters here when I come home?” she would say in Tagalog, her voice venomous. “It’s not hard naman! An idiot could remember.” Then my father would arrive and take his turn. When Dad raised his voice, everyone in the house shrank. Sometimes my parents would team up until Lola broke down crying, almost as though that was their goal.

It confused me: My parents were good to my siblings and me, and we loved them. But they’d be affectionate to us kids one moment and vile to Lola the next. I was 11 or 12 when I began to see Lola’s situation clearly. By then Arthur, eight years my senior, had been seething for a long time. He was the one who introduced the word slave into my understanding of what Lola was. Before he said it I’d thought of her as just an unfortunate member of the household. I hated when my parents yelled at her, but it hadn’t occurred to me that they—and the whole arrangement—could be immoral.

“Do you know anybody treated the way she’s treated?,” Arthur said. “Who lives the way she lives?” He summed up Lola’s reality: Wasn’t paid. Toiled every day. Was tongue-lashed for sitting too long or falling asleep too early. Was struck for talking back. Wore hand-me-downs. Ate scraps and leftovers by herself in the kitchen. Rarely left the house. Had no friends or hobbies outside the family. Had no private quarters. (Her designated place to sleep in each house we lived in was always whatever was left—a couch or storage area or corner in my sisters’ bedroom. She often slept among piles of laundry.)

The woman who used to hum Tagalog melodies as she rocked me to sleep, and when I got older would dress and feed me and walk me to school in the mornings and pick me up in the afternoons. Once, when I was sick for a long time and too weak to eat, she chewed my food for me and put the small pieces in my mouth to swallow. One summer when I had plaster casts on both legs (I had problem joints), she bathed me with a washcloth, brought medicine in the middle of the night, and helped me through months of rehabilitation. I was cranky through it all. She didn’t complain or lose patience, ever.

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