Search Results for: The Atlantic

Where Have You Hidden the Cholera?

getty images

Rowan Moore Gerety | Excerpt adapted from Go Tell the Crocodiles: Chasing Prosperity in Mozambique | The New Press | February 2018| 19 minutes (5,070 words)

 

Stones and brickbats were thrown at the premises, several windows were broken, even in the room where the woman, now in a dying state, was lying, and the medical gentleman who was attending her was obliged to seek safety in flight. Several individuals were pursued and attacked by the mob and some hurt. The park constables were apparently panic struck, and incapable of acting.

— Liverpool Chronicle, June 2, 1832

Rioting and social unrest in response to cholera was not entirely confined to Britain. Civil disturbances arose in Russia in 1830, and were followed elsewhere in mainland Europe in 1831. In Hungary, castles were attacked and nobles murdered by mobs who believed the upper classes were responsible for cholera deaths.

— Gill, Burrell, and Brown, “Fear and Frustration”

It was a story of bicycles.

— Domingos Napueto

In October 2010, a government laboratory in Port-au-Prince confirmed Haiti’s first cholera case in nearly a century. The Ministry of Health quickly flooded the airwaves with spots urging residents to wash their hands and treat their water. International observers who were surprised that cholera would resurface after such a long absence reacted skeptically at first, but the disease’s path of devastation quickly proved them wrong. The outbreak tore through the central plateau and up and down the coast of the Gulf of Gonâve, the bay that forms the hollow middle of Haiti’s horseshoe-shaped map. Four thousand five hundred people died, and nearly three hundred thousand fell ill.

Cholera was a second, shattering blow to a country already crippled by an earthquake that had struck earlier that year, destroying much of the capital and leaving more than a hundred thousand people dead. Where had the disease come from? Had the jostling of tectonic plates during the earthquake unleashed cholera-carrying waters in the Gulf of Mexico? Had benign strains of the cholera bacterium already present in Haiti somehow morphed and become virulent? Suspicions quickly fell on a contingent of Nepalese soldiers with the United Nations Stabilization Mission in Haiti, MINUSTAH, whose camp was in Mirebalais, near the outbreak’s start, and where sewage was said to have leaked into a tributary of the Artibonite River. Cholera outbreaks occur in South Asia every single year, and it was presumed that UN soldiers had unwittingly carried the pathogen with them to Haiti.
Read more…

The Writers’ Roundtable: Fiction vs. Nonfiction

Illustration by Kjell Reigstad and Katie Kosma

Eva Holland | Longreads | April 2018 | 23 minutes (5,900 words)

A lifetime ago, it seems, I used to write fiction. I wrote little stories on scraps of paper as a young kid; throughout grade school, I filled my unused notebooks with attempts at novels; I wrote a few short stories in high school and college. But since I started freelancing full-time a decade ago, I haven’t written a single line of fiction.

For a few years now, I’ve been intrigued by the writers who manage to produce both fiction and nonfiction work — the ones who excel on both sides of the divide. How do they do it? Why? Do they prefer one to the other? Does one feed the other? I had so many questions, I finally decided to convene another writers’ roundtable (last time around, we talked freelancing) and I asked a few writers I admire to weigh in.

Benjamin Percy is a Minnesota-based writer of novels (most recently, The Dark Net), comics, and the nonfiction book Thrill Me: Essays On Fiction. His nonfiction stories have also appeared in the likes of GQ, Esquire, Outside, and Men’s Journal. Taffy Brodesser-Akner is a staff writer at the New York Times, a contributor to GQ and many other fine magazines, and the author of a forthcoming novel. Mary H.K. Choi has written for Wired, GQ, The Atlantic, and more. Her first novel, Emergency Contact, recently debuted on March 27. Adam Sternbergh is an editor at New York magazine and the author of the novels The Blinds, Shovel Ready, and Near Enemy.

ORIGIN STORIES

Eva Holland: When I was younger, I admit I barely even understood that nonfiction writing existed, outside of daily hard news reporting. My understanding of “writing” was entirely “fiction writing,” and I only fell in love with magazines and narrative nonfiction much later. So, my first question is: What came first for you as a writer — fiction, or non?

Benjamin Percy: Growing up, my only doses of nonfiction came from The Oregonian, Time, Newsweek, Fangoria, National Geographic, and Archaeology Magazine. Most of my reading was devoted to novels — mass-market paperbacks with embossed titles and dragons on the cover — and that’s what I hoped to become when I stepped into my first creative writing workshop: a genre novelist. The first time I wrote something that resembled “creative nonfiction,” I was in my mid-20s and only attempted it because a magazine approached me about an assignment.

Taffy Brodesser-Akner: I was absolutely, definitely, without a doubt going to be a fiction writer or a screenwriter. And then I wasn’t! When I left NYU with a BFA in screenwriting, I realized I had zero version of a plan. I didn’t know what to do, so I got a job that was advertised in the New York Times classifieds (a fiction writer might call this foreshadowing). It was to work at a Soap Opera Magazine. I was still writing screenplays, but they weren’t good—they were cynical, in the way that ’90s screenplays were cynical. And I was taught how to write those things so that they would sell, not so they would be meaningful. So I worked at the soap opera stuff, and I wrote profiles of the actors. I was going to get back into fiction…one day. But it was always hovering in the background. It seemed very fancy to me, to write a novel. And very big and out of reach. I became a freelance writer after a time, and realized I couldn’t devote the amount of time to a novel that a novel would need because I couldn’t bet so many working hours on something that wasn’t a sure thing. Read more…

The Way We Treat Our Pets Is More Paleolithic Than Medieval

Egyptian mummy of a cat from the Louvre's collection. (Photo by CM Dixon/Print Collector/Getty Images)

John Bradshaw | Excerpt adapted from The Animals Among Us: How Pets Make Us Human | Basic Books | October 2017 | 18 minutes (4,861 words)

 

We have no direct evidence proving that people living prior to 10,000 bce had pets. Any kept by hunter-gatherers must have included species tamed from the wild, which would leave little archaeological evidence: their remains would be impossible to distinguish from those of animals killed for food or kept for other — perhaps ritualistic — purposes.

Since we don’t have evidence from the prehistoric past, we must look to that gleaned from the past century. A remarkable number of hunter-gatherer and small-scale horticultural societies that persisted into the nineteenth and twentieth centuries in remote parts of the world — Amazonia, New Guinea, the Arctic, and elsewhere — give us insight into the behaviors of earlier Stone Age societies. We can start by asking whether hunter-gatherers already kept pets when they were first documented, before they had time to acquire the habit from the West.

It turns out that many small-scale “Paleolithic” societies kept pets of some kind: sometimes dogs, but mostly tamed wild animals, captured when young and then brought up as part of the human family. Native Americans and the Ainu of northern Japan kept bear cubs; the Inuit, wolf cubs; the Cochimi from Baja California, racoons; indigenous Amazonian societies, tapir, agouti, coati, and many types of New World monkeys; the Muisca of Colombia, ocelots and margays (two local species of wild cat); the Yagua of Peru, sloths; the Dinka of the Sudan, hyenas and Old World monkeys; native Fijians, flying foxes and lizards; the Penan of Borneo, sun bears and gibbons.

Read more…

The Last Resort

Illustration by Xenia Latii

Lindsay Gellman | LongreadsMarch 2018 | 23 minutes (5,754 words)

Read the story in German

Soon after Kate Colgan’s mother, Janet, awoke from surgery in a hospital near Manchester, U.K., last summer, she made a simple request of her daughter: “Get me to Germany.”

So Kate, then 25, fitted the family sedan with a roof rack and piled it with luggage. She arranged for her mother’s voluntary discharge from the hospital, against doctors’ wishes, and eased her from a wheelchair into the car’s passenger seat. Kate’s then-fiancé Chad drove them, along with the couple’s infant daughter, some 16 hours straight to a private treatment clinic on the outskirts of Dornstetten, a quiet medieval town in southern Germany.

Janet was diagnosed with metastatic stomach cancer in September 2016, when she was 54 years old. British doctors with the National Health Service gave her up to a year to live and offered only palliative care with chemotherapy.

Choosing palliative care felt to Kate like giving up. She scoured the web for other options for her mother, and came across the Hallwang Private Oncology Clinic, a for-profit institution that operates outside of the strictly regulated German hospital system. The Hallwang Clinic has emerged in recent years as the highest profile of a bevy of cancer clinics to gain traction in Germany. It markets itself as a luxury spa of sorts, touting its individualized treatments, pastoral setting in southern Germany’s Black Forest, and delicately plated dining-room meals.

The clinic’s online testimonials looked promising, so the Colgans inquired about treatment. After reviewing Janet’s medical records, a Hallwang Clinic doctor told the Colgans a cocktail of experimental drugs not widely available elsewhere could mean eventual remission for Janet. But the price would be staggering — more than $120,000. The clinic does not accept insurance and typically requires an 80% deposit before treatment can begin.

A chance at remission seemed worth a try — at any cost.

Read more…

Welcome to the Center of the Universe

Illustration by Jacob Stead

Shannon Stirone | LongreadsMarch 2018 | 22 minutes (5,546 words)

The power has just gone out in mission control. I look to Jim McClure, operations manager at the Space Flight Operations Facility, and he assures me that everything is fine. A power outage like this hasn’t happened at NASA’s Jet Propulsion Laboratory in nearly eight years, and while it’s only been out for a few seconds, the Deep Space Network is disconnected and NASA has temporarily lost contact with Cassini, the nearly 20-year-old space probe in orbit around Saturn, as well as all spacecraft beyond the moon.

We’re standing in JPL’s mission control, known simply as the Dark Room to those who work here. Five men and women are glued to their screens, the artificial pink-and-white glow highlighting their faces. I’ve been here twice before, but I have never seen this many people running the consoles. The operators are calm and hyper-focused despite the unexpected hiccup, both hands typing, eyes darting at one another’s screens.

While the quiet panic plays out, I walk over to a sunken plaque in the middle of the room that glows with blue neon lights: the center of the universe. Above it is a large metal coin embossed with the images of three spacecraft and a DSN antenna, below is JPL’s motto, “Dare Mighty Things.” Teddy Roosevelt offered these words during an 1899 speech in approbation of the virtues of a “strenuous life” and they are now synonymous with the risks taken when it comes to spaceflight. “Far better is it to dare mighty things,” he said, “to win glorious triumphs, even though checkered by failure…than to rank with those poor spirits who neither enjoy nor suffer much because they live in a gray twilight that knows not victory nor defeat.”

I catch a bit of conversation. “Are you having any luck over there?” the data controller asks the person sitting at the Tracking Support Specialist desk. “Not yet.” Above the consoles near the ceiling are six large television screens that curve around the room. Usually, these screens stream real-time telemetry from dishes around the world and are labeled with the name of the spacecraft they’re talking to. Right now, most of them are blacked out. The only active monitors display images of celebrities who’ve visited JPL: Matt Damon in the Mars Yard, William Shatner giving the Vulcan salute. Read more…

The Koch Brothers vs. God

Koch Brothers, Rev. Paul Wilson
Illustration by Amelia Bates

Kenya Downs | Grist and Longreads | March 2018 | 12 minutes (2,896 words)

GristThe following Longreads Exclusive was produced in partnership with Grist.

 

Rev. Paul Wilson fastens enough buttons on his jacket to stay warm on a chilly fall afternoon but still keep his clergy collar visible. He’s whipping up a crowd of demonstrators in downtown Richmond, Virginia, where they’re waiting to make a short march from Richmond’s Capitol Square Bell Tower to the nearby National Theatre. His eyes covered by sunglasses, and his head by a newsboy hat, Wilson speaks to the assembled about their Christian responsibility to protect the planet.

They’ve gathered for the Water Is Life Rally & Concert, an event to protest the proposed construction of the Atlantic Coast Pipeline. The development, a joint venture between several energy companies (including Richmond-based Dominion Energy), would carry natural gas 600 miles from West Virginia to North Carolina.

The pipeline’s proposed route runs directly between Union Hill and Union Grove Baptist churches, the two parishes where Wilson serves as pastor in rural Buckingham County, 70 miles south of Richmond. The proposed site for the pipeline’s 54,000-horsepower, gas-fired compressor station is also set to be built right between them. Read more…

The Top 5 Longreads of the Week

(Jan Rieckhoff / ullstein bild via Getty Images)

This week, we’re sharing stories from Lili LoofbourowRachel Monroe, Benjamin Weiser, Karla Cornejo Villavicencio, and Megan Greenwell.

Sign up to receive this list free every Friday in your inbox. Read more…

Kara Walker’s Subtlety

(Photo by Andrew Burton/Getty Images)

Natalie Hopkinson | A Mouth Is Always Muzzled: Six Dissidents, Five Continents, and the Art of Resistance | The New Press | February 2016 | 14 minutes (3,721 words)

* * *

Like a web
is spun the pattern
all are involved!
all are consumed!
Martin Carter

Inside the abandoned Domino Sugar Refinery in New York, the first thing that hits you is the smell: over a century’s worth of industrial grime, clinging to black, molasses-coated walls. At first whiff, it is kind of sweet, like stale cake. As you go deeper into the cavernous brick building, it gives way to a sour curdling. As my ten-year-old daughter, Maven, describes it: “It’s like how my cat smells when he throws up.”

Maven, my friend Izetta, and I are among more than a hundred thousand people who make a pilgrimage in the summer of 2014 to pay homage to the “Sugar Sphinx,” the seventy-five-foot-long, forty-foot-high creation of Kara Walker, one of the most important and provocative artists working in the United States. The sculpture is forty tons of sugar molded into a ghostly white apparition, part mammy, part sphinx. The line to see her takes more than an hour to travel and stretches out for four long Brooklyn blocks. I spot the writer Gaiutra Bahadur, whose recent book, Coolie Woman, explores the history of indentured sugar workers in Guyana. Bahadur’s research on sugar plantation life and its bitter aftertaste among Guyanese women speaks forcefully to the exhibit we came to see. I wave Bahadur over to join us in line.

The installation’s title, displayed in bold black type painted along the Domino Sugar factory’s brick façade:

A Subtlety

or the Marvelous Sugar Baby

an Homage to the unpaid and overworked Artisans who
have refined our Sweet tastes from the cane fields to
the Kitchens of the New World on the Occasion of the
demolition of the Domino Sugar Refining Plant

The original Domino factory—first built in 1850s Williamsburg— was being torn down, along with the stories of generations of lives that it touched around the world. The factory was just one stop in the sugar industry’s “triangular trade” that created the blueprint for the globalized economy. Investors came from Europe; labor came from Africa; the cane fields were located in points across the Global South. The Domino refinery was the final step before the sugar reached consumers. Raw sugar would arrive at Domino’s forty-thousand-square-foot facility. Through the magic of refinery, pristine white sugar would come out. The profits that followed made sugar a key fuel of Empire.

The title, A Subtlety, is taken straight from history. Centuries ago, “subtleties” referred to elaborate, edible toys made of sugar. These exotic treats and status symbols were first made in the Middle East and popularized among the seventeenth-century European aristocracy. These “subtleties” could be trees, architectural models, or depictions of peasants holding baskets of fruit. There was nothing subtle about them, given what a rare and expensive luxury sugar was at the time. Unveiled at dinner parties, these were ostentatious displays of the host’s clout. The sugar sculptures could also be used to send more subversive messages. “Sly rebukes to heretics and politicians were conveyed in these sugared emblems,” writes Sidney Mintz in Sweetness and Power. Read more…

The Dark Side of Amazon’s Job Creation

Applicants wait in line to enter a job fair, Wednesday, Aug. 2, 2017, at an Amazon fulfillment center, in Kent, Wash. (AP Photo/Elaine Thompson)

Amazon’s announcement that it would invest $5 billion and create 50,000 jobs in the location where they choose to build their second headquarters set off intense competition among cities hoping to lure the e-commerce giant. But Alana Semuels reminds us in The Atlantic that cities desperate for jobs have welcomed Amazon before in the form of warehouse work at distribution centers. These jobs have typically started at $12 an hour and are so grueling that very few workers “make it to two years of continuous service.” Despite this, locals say any job is better than no job, but the adverse effects of low-paid, high turnover work on a depressed city have been clear:

San Bernardino is just one of the many communities across the country grappling with the same question: Is any new job a good job? These places, often located in the outskirts of major cities, have lost retail and manufacturing jobs and, in many cases, are still recovering from the recession and desperate to attract economic activity. This often means battling each other to lure companies like Amazon, which is rapidly expanding its distribution centers across the country. But as the experience of San Bernardino shows, Amazon can exacerbate the economic problems that city leaders had hoped it would solve. The share of people living in poverty in San Bernardino was at 28.1 percent in 2016, the most recent year for which census data is available, compared to 23.4 in 2011, the year before Amazon arrived. The median household income in 2016, at $38,456, is 4 percent lower than it was in 2011. This poverty near Amazon facilities is not just an inland California phenomenon—according to a report by the left-leaning group Policy Matters Ohio, one in 10 Amazon employees in Ohio are on food stamps.

Nearby, unionized warehouse workers at grocery chain Stater Bros. have jobs that start at $26 an hour and full benefits, a sign that things could be better at fulfillment centers whose boss at the top is currently the richest person in history.

Read the story

A Teen and a Toy Gun

(Illustration by Nicole Rifkin)

Leah Sottile | Longreads | February 2018 | 33 minutes (8,200 words)

I.

The night before Quanice Hayes was shot in the head by a police officer, the skinny 17-year-old was snapping selfies with his girlfriend in a seedy Portland, Oregon, motel room.

Bella Aguilar held her phone close when she clicked off the photos: In one, the 18-year-old girl pushes her tongue out through a smile, her boyfriend leaning over her right shoulder, lips pressed to her cheek, his dreads held back with one hand.

In another, Aguilar cradles her cheek against a black-and-sand-colored gun. It’s fake — the kind of air-powered toy that kids use to pop each other with plastic pellets in indoor arenas. Hayes peeks into the frame behind her.

If you know that the gun is fake, you see a snapshot of two kids playing tough; if you don’t, those photos looks like the beginning of a story about to go terribly wrong.

A few hours later, it did.

It was a cold night in February — a Wednesday. Aguilar and Hayes  snapped photos and danced when friends came by the motel room where the couple had been crashing. They drank cough syrup and booze. There were pills and pot and a bag of coke.

They fired the toy gun at the motel’s dirty bathroom mirror, laughing when they couldn’t get the glass to break.

When the long night caught up with Aguilar and she lay down to pass out on the room’s queen-size bed, Hayes yanked on her arm, nagging her to stay awake. Two friends crashed on a pullout couch; two more were on the floor. But Hayes didn’t want to sleep. He walked outside.

Hours passed. The sun came up. Aguilar jolted awake and felt the bed next to her, but her boyfriend wasn’t there. His phone was — it sat on the table next to the bed. She felt frantic. Panicked. Confused. “I don’t know why, but it was that moment. I just felt really, really bad,” she said last summer, sitting outside a Portland Starbucks where she took drags from a Black and Mild.

She couldn’t remember why Hayes had left. She couldn’t remember so much of the night.

She frantically tapped out a text to her boyfriend’s mother, Venus: Do you know where Quanice is? Read more…