Learning how to code, and searching for a legendary figure in the Ruby who mysteriously disappeared:
Hackety Hack solved the “Little Coder’s Predicament”: It was fun enough to engage a kid, and smart enough to teach her something to boot. But just a few months after launching it, to the astonishment of the community of Ruby programmers who treated him with something approaching messianic worship, _why vanished.
On Aug. 19, 2009, his personal site stopped loading. He stopped answering email. A public repository of his code disappeared. His Twitter account—gone. Hackety Hack—gone. Dozens of other projects—gone.
A selection of all-time favourite articles from Wired contributing editor, former Slate and New York Times columnist, and the author of 2 excellent books, Brendan I. Koerner:
The Hunger Warriors by Scott Anderson – The story of Turkish women starving themselves to death for the most head-scratching of causes. Behold the sinister power of peer pressure.
Does a Sugar Bear Bite? by Lynn Hirschberg – A classic profile of Suge Knight at the zenith of his power. Maybe the best intro scene of any celebrity profile in history.
Pat Dollard’s War on Hollywood by Evan Wright – Rob Capps, my editor at Wired, turned me onto Wright’s work. This is my personal favorite—a portrait of a man blessed with bottomless energy and ambition, though only the smallest trace of empathy for his fellow man.
Reefer Madness by Eric Schlosser – A master class in narrative contrarianism. Deeply and elegantly reported, with a real human tragedy at its core.
A Better Brew by Burkhard Bilger – Perhaps the best story ever by one of my favorite writers. (His piece on cockfighting from several years back is a classic, too.) Bilger does a tremendous job of creating real tension, while never losing sight of his primary duty as an explainer of business and science.
And a few you’ll need a subscription to read:
Rock is Dead by David Samuels – This is what it felt like to be young in the ’90s. A terrifying portrait of morality adrift in a sea of excess.
Gangland by Jon Lee Anderson – There is no more badass reporter working in journalism today. No one else could have set up an interview with the most violent (yet complex) gangster in all of Rio’s slums. Truly intrepid reporting.
After Welfare” by Katherine Boo – The story that got me into Boo’s now much-heralded work. Still haunted by the scene of the two kids eating ramen and boiled eggs.
For more from the man himself head over to his blog or sign up for updates via Twitter.
Filmmaker Kunle Afolayan is looking to push the boundaries of moviemaking in Nigeria—but it’s still too early to know whether the audiences can support a film with even a $500,000 budget:
Twenty years after bursting from the grungy street markets of Lagos, the $500 million Nigerian movie business churns out more than a thousand titles a year on average, and trails only Hollywood and Bollywood in terms of revenues. The films are hastily shot and then burned onto video CDs, a cheap alternative to DVDs. They are seldom seen in the developed world, but all over Africa consumers snap up the latest releases from video peddlers for a dollar or two. And so while Afolayan’s name is unknown outside Africa, at home, the actor-director is one of the most famous faces in the exploding entertainment scene known — inevitably — as “Nollywood.”
On a continent where economies usually depend on extracting natural resources or on charity, moviemaking is now one of Nigeria’s largest sources of private-sector employment.
Scientist Tyrone B. Hayes discovered a link between the herbicide atrazine and male frogs developing female body parts. His work led to a bizarre battle with atrazine manufacturer Syngenta, in which the two taunted each other over email:
When a batch of these emails became public in 2010, Hayes’ supporters and critics alike were stunned. Here was one of the top scientists in his field, provoking one of the world’s largest agrichemical companies with crude sexual innuendos and LL Cool J-inspired raps:
tyrone b hayes is hard as hell
battle anybody, i don’t care who you tell
you object! you will fail!
mercy for the weak is not for sale
“It hasn’t been productive in the debate, and it hasn’t helped him,” Skelly says. “I mean, why do that?”
Ross Andersen is freelancer living in Washington, D.C. He has recently written about technology for The Atlantic, and is now working on an essay for the Los Angeles Review of Books. He can also be found on Twitter at @andersen.
Procrastination being my favorite vice —and the impetus behind many a plunge into Longreads.com— it is perhaps not coincidental that this essay, an elegant defense of idleness, is my favorite of the year. Reading Birkerts may mean forgoing more pressing tasks, but he at least has the decency to make you feel like a visionary for doing so:
“Idleness … It is the soul’s first habitat, the original self ambushed—cross-sectioned—in its state of nature, before it has been stirred to make a plan, to direct itself toward something. We open our eyes in the morning and for an instant—more if we indulge ourselves—we are completely idle, ourselves. And then we launch toward purpose; and once we get under way, many of us have little truck with that first unmustered self, unless in occasional dreamy asides as we look away from our tasks, let the mind slip from its rails to indulge a reverie or a memory. All such thoughts to the past, to childhood, are a truancy from productivity. But there is an undeniable pull at times, as if to a truth neglected.”
Orion, billed as America’s finest environmental magazine, is a strange place to find a moving paean to technology, but that’s exactly what Shellenberger and Nordhaus have written here: a brief, albeit sweeping, history of the relationship between man the toolmaker and his environment.
“After the project was approved, the head of World Wildlife Fund Italy said, “Today the city’s destiny rests on a pretentious, costly, and environmentally harmful technological gamble.” In truth, the grandeur that is Venice has always rested—quite literally—on a series of pretentious, costly, and environmentally harmful technological gambles. Her buildings rest upon pylons made of ancient larch and oak trees ripped from inland forests a thousand years ago. Over time, the pylons were petrified by the saltwater, infill was added, and cathedrals were constructed. Little by little, technology helped transform a town of humble fisherfolk into the city we know today.”
Because what’s not to like about a close look at the understudied phenomenon of ghostwriting in Hip-Hop? I’d almost forgotten about this piece until this superb tweet by John Pavlus reminded me of it.
I badgered my Google Reader clique (R.I.P.) relentlessly with this essay, a sprawling take on science fiction, prediction and futurism—first by sharing it twice, and second by commenting on both shares with selected excerpts from the piece, so that it would show up at the top of Reader’s (since departed) Comment View. One such excerpt:
“And when read now, forty years from when I first began to write it, what is immediately evident about my future is that it could have been thought up at no time except the time in which I did think it up, and has gone away as that time has gone. No matter its contents, no matter how it is imagined, any future lies not ahead in the stream of time but at an angle to it, a right angle probably. When we have moved on down the stream, that future stays anchored to where it was produced, spinning out infinitely and perpendicularly from there.”
Sure, Christopher Hitchens’ takedown of the Royal Wedding was a more satisfyingly vicious read (“By some mystic alchemy, the breeding imperatives for a dynasty become the stuff of romance, even fairy tale.”) but it missed the complexity of Freedland’s piece, which opens with a withering run of digs at the crown, before finishing on a grace note about the Queen’s place in British culture.
As the author notes, Vegas, particularly Hunter S. Thompson’s Vegas, is without peer as clichéd essay subject. Nonetheless, Baron manages a dazzling walk along the meta-tightrope he has stretched between himself and the strip’s gaudy towers. He manages to generate fresh insights about the culture of the city, while serving up a penetrating, and at times unflattering, look at the impulse behind Thompson’s original project and his own. Oh and all this before Baron goes undercover at DEFCON, an annual hacker convention at which journalists are notoriously unwelcome.
Anna Clark is a journalist and the editor of the literary blog Isak. (See more stories on her Longreads page.)
The infamous 3% statistic points to the percentage of publications each year in the U.S. that are translated into English. But even that number is inflated, as it includes technical material — manuals, guides, instructions — and new editions of canonized authors like Leo Tolstoy and Plato. American readers interested in the full-throated energy of contemporary world literature, of global book culture beyond their particular location and language, have limited options. Publishers suggest that literature in translation doesn’t sell — excepting a certain Swedish novelist called Stieg, of course — but my thinking is that readers like good things to read, wherever they come from. Readers are a curious sort.
I am ignited by literature of the world. I am fascinated by the stories and styles that come from different places. My Top 5 Longreads shouldn’t be considered a *best* list; rather, a cultivated selection of the year’s most interesting reading on international literature, translation, and storytelling. But this conversation isn’t finished; there is more to be said.
I prepared for my first-ever trip to Japan, this summer, almost entirely by immersing myself in the work of Haruki Murakami. This turned out to be a horrible idea.
An ongoing trial in Tel Aviv is set to determine who will have stewardship of several boxes of Kafka’s original writings, including primary drafts of his published works, currently stored in Zurich and Tel Aviv.
Today, the 60-plus year conflict between Israel and Arab countries has impacted heavily on translations between the two Semitic languages, which are now viewed by many with mutual suspicion and distrust.
Crispin interviews Dubravka Ugresic about her new essay collection, Karaoke Culture. Discussed: the author’s relationship to pop culture and how a Hemingway lookalike contest fits into the same essay as the war criminal Radovan Karadžic.
Sgt. Brian Keith boarded the plane home feeling a strange dread. His wife wanted a divorce and had moved away, taking their son and most of their bank account with her. At the end of his flight lay an empty apartment and the blank slate of a new life. “A lot of people were excited about coming home,” Sergeant Keith said. “Me, I just sat there and I wondered: What am I coming back to?”
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