Search Results for: Science

Why Oil-Loving Louisiana Should Embrace America’s Coming Offshore Wind Boom

Sculptures and wind turbines on a Liverpool beach. (Photo by: Loop Images/UIG via Getty Images)

Justin Nobel | Longreads | August 2017 | 8 minutes (2,051 words)

The United States is on the verge of an energy transformation. This spring the nation’s first offshore wind farm officially began powering homes and businesses on Block Island, in Rhode Island. Bureau of Ocean Energy Management maps show 12 areas that have been leased for potential offshore wind development along the East Coast, from the Outer Banks of North Carolina to Cape Cod, and a thirteenth will be leased later this year. In December 2016, Statoil Wind US, part of the Norwegian oil and gas giant, bid $42.5 million to lease, for offshore wind development, a tract of ocean that begins about 15 nautical miles southeast of New York City.

“Since Block Island came online interest in offshore wind along the East Coast has gone through the roof,” says Lorry Wagner, an engineer whose company, Lake Erie Energy Development Corporation is pushing for a wind farm off Cleveland, in Lake Erie. “Every major developer in the world wants to get into the United States and get a project.”

In my first column we journeyed across toxic Louisiana, learning that many of the state’s most terrifying environmental problems are connected to the petrochemical industry. But is there another way to provide jobs for people in south Louisiana oil country? The answer appears to be yes. Read more…

The Top 5 Longreads of the Week

FREDERIC J. BROWN / AFP / Getty Images

This week, we’re sharing stories from Bee Wilson, Seyward Darby, Wil S. Hylton, Greg Milner, and Annie Dillard.

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New York City’s Final Frontier: Underground

Stuart McAlpine via Flickr (CC BY 2.0)

Doing construction in New York City is dangerous and expensive. Cut the pavement in the wrong place and crews can rupture gas lines. Hit a water main, short a backup generator. These sorts of mistakes cost the city $300 million each year. Worse yet are natural disasters like Hurricane Sandy — where floods caused a three-day blackout and left two hospitals without power — and threats like buried chemical tanks and national security issues. In Bloomberg Businessweek, Greg Milner follows the people who are creating the city’s first three-dimensional subsurface infrastructure map to create a safer city that can self-regulate and grow more efficiently, and where agencies and private utilities can coordinate. In a very real sense they are pioneers, of a frontier that lays below our feet. Detailing pipes, cables, sewers, wires and electric lines, even soil types, the map will be the first of its kind, and if it works, it could make New York a model for the world’s future smart cities.

Because of data from satellites, we can now map the world down to about 6 inches. We’ve almost reached the point Jorge Luis Borges describes in his short story “On Exactitude in Science,” in which cartographers built “a Map of the Empire whose size was that of the Empire, and which coincided point for point with it.” But the world beneath our feet remains shrouded in darkness. “Light and radio waves don’t go through dirt like they do air,” says George Percivall, chief technical officer for the Open Geospatial Consortium, which is helping to develop global standards for underground mapping. “The next frontier, in both a literal and figurative sense, is underground.”

New York City’s daunting infrastructural labyrinth is like the “Here be dragons” decorating ancient maps. Underneath the 6,000 miles of asphalt and concrete road lie thousands of miles of water, sewer, gas, telecommunications, and electrical infrastructure. And let’s not forget the 500 miles of underground subway tracks or Con Edison’s 100-mile steam delivery system. In its entirety, it’s known to no one. The individual details of the vast underground are hoarded and guarded by the various stakeholders. Con Edison has its electrical map; the Department of Environmental Protection (DEP) keeps track of water and sewer pipes; the Metropolitan Transportation Authority (MTA) could tell you where the transit tunnels are; and so on.

Imagine the city as a living organism, a body consisting of various systems—respiratory, nervous, skeletal—that share the same space and even intertwine. Now imagine surgery performed on that body by a surgeon who knows the location of only one system, who looks at the body and sees only blood vessels or bones. This is the odd condition of New York—a body subject to what, viewed through a wide lens, looks like perpetual triage. Each year, for repairs or to facilitate construction, the streets are sliced open 200,000 times—an average of almost 550 cuts per day, or 30 per street mile every year.

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The Sun Was Going and the World Was Wrong

The February 1979 solar eclipse as seen from Glasgow, Montana. (Bill Wunsch / Getty Images)

At The Atlantic, Ross Andersen excerpts Annie Dillard’s classic 1982 personal essay, “Total Eclipse,” from her new collection, The Abundance: Narrative Essays Old and New.

Dillard writes in exquisite detail about the haunting, surreal experience of witnessing the last solar eclipse to have been visible on the mainland of the United States on February 26th, 1979, after driving with her husband five hours inland in Washington State to catch the view from a hill top.

The full text of the essay will remain on the site for free until next Tuesday, August 22 — the day after “The Great American Eclipse,” which is inspiring eclipse tourism, and lots of astrological predictions.

Now the sky to the west deepened to indigo, a color never seen. A dark sky usually loses color. This was a saturated, deep indigo, up in the air. Stuck up into that unworldly sky was the cone of Mount Adams, and the alpenglow was upon it. The alpenglow is that red light of sunset which holds out on snowy mountaintops long after the valleys and tablelands are dimmed. “Look at Mount Adams,” I said, and that was the last sane moment I remember.

I turned back to the sun. It was going. The sun was going, and the world was wrong. The grasses were wrong; they were platinum. Their every detail of stem, head, and blade shone lightless and artificially distinct as an art photographer’s platinum print. This color has never been seen on Earth. The hues were metallic; their finish was matte. The hillside was a 19th-century tinted photograph from which the tints had faded. All the people you see in the photograph, distinct and detailed as their faces look, are now dead. The sky was navy blue. My hands were silver. All the distant hills’ grasses were finespun metal which the wind laid down. I was watching a faded color print of a movie filmed in the Middle Ages; I was standing in it, by some mistake. I was standing in a movie of hillside grasses filmed in the Middle Ages. I missed my own century, the people I knew, and the real light of day.

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Forever Yesterday: Peering Inside My Mom’s Fading Mind

Fauzi Anna Md Salleh / EyeEm

Kevin Sampsell | Longreads | August 2017 | 15 minutes (3,752 words)

 

Every time I talk to my mom on the phone, just as I’m getting ready to say goodbye, she slips in an abrupt update about her parents — my grandparents. Sometimes they’re in Switzerland. Sometimes they’re in Loma, Montana. Sometimes they’ve gotten “mixed up with bad people.” Sometimes they’ve completely disappeared or died mysteriously. Sometimes it sounds like a government conspiracy — a murder plot. At first, I didn’t know what to say in return. I’d ask how they died or what they were doing in Switzerland. In more recent conversations, I tried to place her back in reality. I’d say, “Mom, your parents have been dead for forty years.” I’d ask her how old they were and she would say 60, 70, or 75. She’s not sure. She says that all the time: I’m not sure. “How old are you?” I ask, and she laughs and says, “Oh, I think I’m about 25.” Once she said she was 18. She’s actually 88 years old.

For about two years now, my mother has been fighting with Alzheimer’s and the dementia that comes from that disease. She’s had years of struggle with diabetes and epilepsy — but her mental condition was always sharp. A lifelong democrat and the mother of six, Patsy loved sewing, making quilts, reading mystery novels, and watching Seattle Mariners baseball while enjoying a Pepsi (never Coke). I am her youngest son.

In 2015, she fell off a street curb and hit her head. She didn’t tell me about this until a week later. She prefaced the story of this accident by insisting that she was fine and only suffered some scrapes on her face and arm. I asked if she went to the hospital to make sure she didn’t break any bones or have a concussion. She said my brother, Mark, her main caregiver, took her to the emergency room but she left when they wanted to do some tests on her. She has long believed that doctors were just trying to take her money — which she has very little of anyway. I tried to chide her for not staying for the tests, for some kind of care, but she was stubborn and said it wasn’t necessary.

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Whose Fault Was Dunkirk?

British soldiers fire at German aircraft during the Dunkirk evacuation. Via Wikimedia.

Lynne Olson | Last Hope Island: Britain, Occupied Europe, and the Brotherhood That Helped Turn the Tide of War | Random House | April 2017 | 15 minutes (3,983 words) 

Below is an excerpt from Last Hope Island, by Lynne Olson. This story is recommended by Longreads contributing editor Dana Snitzky.

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In all the history of war, I have never known such mismanagement.

Winston Churchill arrived at the Ministry of Foreign Affairs on the Quai d’Orsay on the afternoon of May 16 and saw “utter dejection written on every face” of the officials with whom he met. In the gardens outside, clouds of smoke billowed up from bonfires stoked by official documents that government workers were heaping on the flames.

The French military leaders summarized for Churchill the disastrous news of the previous four days: the German breakthrough at the Meuse and the onrush of tanks and troops “at unheard-of speed” toward the northern French towns of Amiens and Arras. When Churchill asked about plans for a counterattack by reserve forces, General Gamelin shrugged and shook his head. “There are none,” he said. Churchill was speechless: no reserves and no counterattack? How could that be? Gamelin’s terse response, Churchill wrote later, was “one of the greatest surprises I have had in my life.”

The British prime minister’s shock and confusion, his failure to grasp the speed and immensity of the German onslaught, were no different from the dazed reactions of French and British officers and troops in the field. Years later, General Alan Brooke would write dismissively, “Although there were plenty of Frenchmen ready to die for their country, their leaders had completely failed to prepare and organize them to resist the blitzkrieg.” Brooke didn’t mention that he and his fellow British commanders were as guilty as their French counterparts in that regard—a point repeatedly made by General Bernard Law Montgomery, a subordinate of Brooke’s in France. In his diary of the campaign, Montgomery, who commanded a British division in the battle, was scathingly critical of General John Gort, the British Expeditionary Force commander. Later Montgomery would write, “We had only ourselves to blame for the disasters which early overtook us in the field when fighting began in 1940.”

Trained for static defensive warfare, the Allied military simply did not know how to react when the blitzkrieg—“this inhuman monster which had already flattened half of Europe,” in the words of an American observer—burst upon them. Coordination and communication between the French and British armies broke down almost immediately; within a few days, most phone and supply lines had been cut, and the Allied command system had virtually ceased to function. The only way army commanders could communicate was through personal visits.

While French and British units functioned without information or orders, their tanks and aircraft were running out of fuel and ammunition. An RAF pilot called the situation “a complete and utter shambles”; a British Army officer wrote in his diary, “This is like some ridiculous nightmare.” Back in London, Churchill told one of his secretaries, “In all the history of war, I have never known such mismanagement.” Read more…

My Mongolian Spot

Photo-Illustration by David Herbick

Jennifer Hope Choi | The American Scholar | August 2017 | 17 minutes (4,250 words)

 

First you should know: I was born with a blue butt.

So was my mother.

Thirty-two years and many thousands of miles of land, sky, and sea separated her creation from mine, yet we emerged the same: wailing, mad for first breaths, 10-fingered, 10-toed, chick-like tufts of black hair nested atop our soft skulls, and, incredibly, a wavy-bordered blue spot not unlike that of Rorschach’s inkblots, blooming across our tiny bums—blue like ice-cold lips, blue like the ocean at midnight, Picasso’s most melancholic bluest of blues.

By the time I learned about my blue butt, it was gone. Like a spy’s secret message written in vanishing ink, the spot disappeared sometime after my fourth birthday. The timing seems strange—to think that as soon as I could form my earliest memories, my blueness had already left me. In one such memory, I recall taking a shower with my mother. The water beat down on my shoulders thunderously. I’d misbehaved (perhaps, refused to wash my hair), and as I slid open the mottled glass door to escape, my mother smacked my bottom. Because this is my earliest butt-related memory, I mined it recently, hoping to uncover any clues of my former blue self. I remember wailing in the showy way children do when they’re old enough to know better, then peering behind me for proof: the fierce, fiery outline of my mother’s hand. But I can recall nothing but plain tush. I was neither red nor blue. We stood as nude as newborns, un-shy in our nakedness, water cascading across my mother’s towering body as she fumed and I wept in her shadow. Read more…

I’ve Found Her

Illustration by Kjell Reigstad

Martha Baillie | Brick | Summer 2017 | 17 minutes (4,882 words)

This essay first appeared in Brick, the beloved biannual print journal of nonfiction based in Canada and read throughout the world. Our thanks to Martha Baillie and the staff at Brick for allowing us to reprint this essay at Longreads.

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1.

“I have found her,” announced the email sent to me by a close friend, H, who was working in Paris. The attached photograph showed a person I recognized—an elderly woman standing on a street corner and clutching a notepad. Her abundant white hair was gathered into a loose knot at the back of her head; she had a fine nose, an open face lost in thought, and on her feet flat shoes. Her white dress, more coat than dress, I could picture a shopkeeper wearing half a century ago or a modern lab technician. A large, unadorned purse hung from her wrist. To the right of her, the glass wall of a bus shelter exhibited a map of the immediate neighborhood, the Fifteenth District, portions of which became legible when I enlarged the image by sliding my fingertips over it. Across the street behind the woman the name of a café could now be read: Le Puit. Read more…

Remembering When Puff Daddy Ruled the Summer

Puff Daddy, right, performs, with Mase (left), and dancers in background, during the MTV Video Music Awards at New York's Radio City Music Hall Thursday, Sept. 4, 1997. (AP Photo/Adam Nadel)

“De-spa-cito.”

It is impossible to stop the smash single, featuring Daddy Yankee, Justin Bieber, and Luis Fonsi, from forever embedding into your brain this summer. “Despacito” has all the qualities of a perfect ear worm, which is why you’re still humming Bieber’s chorus hours and days after you hear the tune. And since “Despacito” is now the most globally streamed song in history, surpassing 4.6 billion streams since debuting in January, there is really no way to escape what has become a worldwide phenomenon. The song of the summer has become the song of 2017.

Twenty years ago, before crowning a single as the song of the season emerged as part of the pop culture canon, Puff Daddy ruled the airwaves. 1997 was a tumultuous year: Tupac was gone, Notorious BIG would follow that March, and Diddy was striking out on his own. He was still an assembler of talent, signing artists like Black Rob and Mase to the Bad Boy label (as Jimmy Iovine states in the recent Defiant Ones docuseries, Puff has always had one of the best ears for talent), but he also was stepping into the booth, releasing his debut No Way Out in July 1997.

While “Despacito” is constantly streaming and filtering out of your radio, you couldn’t avoid Puff Daddy that summer. He had two contenders for songs of the summer: “It’s All About the Benjamins” and “I’ll Be Missing You,” which were both released within a period of roughly one month—which he then followed with “Mo Money, Mo Problems,” Life After Death‘s second single that hit airwaves that July.

Within 90 days, Puff had three songs all contending for the top spot on the Billboard charts. That is an incredible run.

There are few with an ego as outsized as Puff’s—from changing his name several times over the past two decades to Can’t Stop, Won’t Stop, his recently released biopic (don’t you dare call it a documentary!), the entrepreneur-artist never strays far from the spotlight. While what Daddy Yankee et al have achieved is certainly historic, it doesn’t come close to the dominance Puff achieved that summer. As Shea Serrano explained in a 2015 excerpt from his book The Rap Year Book,

The dominance of Puffy: The song that followed “Can’t Hold Me Down” on top of the Billboard’s Hot 100 was “Hypnotize” by the Notorious B.I.G., which is the most perfect example of Bad Boy’s We Have Money, Life Is a Party mission statement. It was there for three weeks. Hanson’s ridiculous “MMMBop” ba-duba-dopped its way to the top for three weeks (Puff did not produce that one, turns out). After that, it was “I’ll Be Missing You,” a tribute song to the Notorious B.I.G. by Puff, Faith Evans, and 112. It was at number one for 11 weeks. “Mo Money Mo Problems” was next (by the Notorious B.I.G., Puff, and Mase). It was there for two weeks. And then “Honey” by Mariah Carey came after. It was there for three weeks. Puff produced that one, too. That’s a stretch of 25 out of 28 weeks where Puff Daddy was, in part, responsible for the number-one song in the nation, and he’d spread it over five songs. It had never happened that way before. It hasn’t happened that way since.

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Mourning the Low-Rent, Weirdo-Filled East Village of Old

Jeremiah Moss | Vanishing New York: How a Great City Lost its Soul | Dey Street Books | July 2017 | 28 minutes (6,876 words)

As someone who was evicted from her East Village apartment in 2005 — and who now finds herself worried about losing her place in gentrifying Kingston, New York — I was excited to see that Vanishing New York blogger “Jeremiah Moss” (the pseudonym for psychoanalyst Griffin Hansbury) had a book coming out.

Since 2007, Moss’s blog has catalogued the shuttering of one New York City institution after another, and staged demonstrations (which he himself didn’t attend, for fear of outing himself) to try and save them. Where his blog has tended to focus mainly on the East Village and lower Manhattan, his book, Vanishing New York: How a Great City Lost its Soul, is more comprehensive, looking at the city as a whole, one borough and neighborhood at a time. It traces what he’s labeled today’s “hyper-gentrification” to the Koch era, and explores the problem in historical, economic, sociological, psychological, and personal terms.

Although Moss has been making his living for years as a shrink, he came to the city more than twenty years ago with the hope of becoming a writer. Having garnered glowing endorsements from veteran New York chroniclers like Luc Sante — not to mention the rare earnest blurb from Gary Shteyngart — it seems he’s now truly arrived.

Below, the first chapter, “The East Village.” — Sari Botton, Longreads Essays Editor

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