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Interview: Vela Magazine Founder Sarah Menkedick on Women Writers and Sustainable Publishing

Cheri Lucas Rowlands | Longreads | Oct. 2 2014 | 10 minutes (2,399 words)

 

Three years ago, Sarah Menkedick launched Vela Magazine in response to the byline gender gap in the publishing industry, and to create a space that highlights excellent nonfiction written by women. Last week, Menkedick and her team of editors launched a Kickstarter campaign to grow Vela as a sustainable publication for high-quality, long-form nonfiction, to pay their contributors a competitive rate, and to continue to ensure that women writers are as recognized and read as their male counterparts. Menkedick chatted with Longreads about her own path as a writer, the writer’s decision to work for free, building a sustainable online publication, and the importance of featuring diverse voices in women’s nonfiction.

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Let’s talk about Vela’s origins. You created Vela in 2011 as a space for women writers in response to the byline gender gap — yet it’s not a “women’s magazine.” Can you explain?

Like so many women writers, I was discouraged by the original VIDA count in 2011. I was also a bit disenchanted with a certain narrowness of voice and focus in mainstream magazine publishing, which tended to be very male, because men tend to dominate mainstream magazine publishing. Talking about the alternative to that gets really dicey, because it’s icky to talk about a “womanly” or “female” voice. I wanted to say: nonfiction and literary journalism written by women doesn’t have to sound like this sort of swaggering male writing, or like the loveable snarky-but-sweet meta writing of John Jeremiah Sullivan or David Foster Wallace. It can be like . . . and there we run short on models, because there aren’t very many women being widely published whose work falls into that middle zone between “creative nonfiction” — which tends to be more academic, more experimental, more the types of essays appearing in literary magazines — and traditional journalism.

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How to Spell the Rebel Yell

Elena Passarello | The Normal School | 2010 | 14 minutes (3,470 words)

The Normal SchoolOur latest Longreads Member Pick is a deep dive into the sounds of history, from Elena Passarello and The Normal School. The essay also is featured in Passarello’s book, Let Me Clear My Throat.
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“Yee-aay-ee!” “Wah-Who-Eeee!” -Margaret Mitchell

 

“Wah-Who-Eeee!” -Chester Goolrick

 

“Rrrrrr-yahhhhhhhhhhhhhhhhhh-yip-yip-yip-yip-yip!”

-H. Allen Smith

 

“More! More! More!” -Billy Idol

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The Believer Interview: Ice Cube

Linda Saetre | The Believer | 2004 | 26 minutes (6,574 words)

 

The below interview is excerpted from The Believer’s new book, Confidence, or the Appearance of Confidence: The Best of the Believer Music Interviews. Thanks to The Believer for sharing this with the Longreads community.

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‘Music Is a Mirror of What We’re Going Through, Not the Cause of What We’re Going Through. It’s a Reaction, It’s Our Only Weapon, It’s Our Only Way to Protect Ourselves, It’s Our Only Way to Fit, It’s Our Only Way to Get There.’

Before rap music, New York might as well have been:

Paris


Africa


Australia


A thousand miles away from a thirteen-year-old Ice Cube

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Once upon a time, the name Ice Cube was analogous to explicit lyrics, guns, women as “bitches,” South Central, and attitude. Bad attitude. Not to mention mind-blowing rap music wrapped in raw emotions. But those were Ice Cube’s teen years, before he married Kimberly Jackson, became father to four kids, and turned into a true Hollywood player. A legend long before he turned thirty, Ice Cube, together with his fellow N.W.A. members, revolutionized not only the rap/ hiphop genre, but all music, by making it OK for musicians to speak their minds and then some.

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Cats and Their People: A Reading List

While my boyfriend’s parents are away, their cat(s) and I play. Well, one of them plays. The other, a very, very large tabby, resents my presence and hides under the bed, sneaking downstairs to eat only when Micah, a slim Russian Blue, and I have fallen asleep on the couch. This is my first time cat sitting.

For years, I was an avowed dog person, despite the yapping tendencies of my family’s Bichon Frisé. I liked the validation dogs provide, and I didn’t think cats liked me. I was also allergic to cats, like my mom.

Micah and his brother, Jonah, lived together in a swanky nursing home. When the authorities decided the situation wasn’t ideal for the residents or the felines, my friend Abbie adopted Jonah. Jonah won over everyone he met, including me. Russian Blues are notoriously friendly. They’re extremely affectionate, and never standoffish. In other words, they defy every cat stereotype.

Once I met Jonah, I lamented my allergies. I told Abbie I’d been searching for hypoallergenic breeds online, hoping that I, too, could own a cat. “I’ve been looking at Russian Blues,” I said. Abbie said, “Don’t you know? Jonah is a Russian Blue.” That meant Micah was a Russian Blue, too. I actually got up and danced around the apartment. Hands shaking (not a joke), I texted my boyfriend in all caps. I think I interrupted a family dinner.

A few months after my initial plea, my boyfriend’s parents took Micah home for a trial run. The week up to his homecoming, I felt like a child at Christmas. I could not get out of the office fast enough that Friday. Micah was adjusting to life in his new house, camping out in my boyfriend’s bedroom. He preferred to nap under the desk rather than in the bed of toys my boyfriend had prepared. He forced his head into my hands, begging to be petted. Now, he loves ham and cream cheese. He tends to box with Benny, the largish tabby upstairs. He sleeps on my boyfriend’s chest when he comes home from work. He’s a delight.

To honor all the cool cats in our lives, here is a list of stories. Read more…

Call It Rape

Margot Singer | The Normal School | 2012 | 23 minutes (5,683 words)

The Normal SchoolThanks to Margot Singer and The Normal School for sharing this story with the Longreads community.
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Still life with man and gun

Three girls are smoking on the back porch of their high school dorm. It’s near midnight on a Saturday in early autumn, the leaves not yet fallen, the darkness thick. A man steps out of the woods. He is wearing a black ski mask, a hooded jacket, leather gloves. He has a gun. He tells the girls to follow him, that if they make a noise or run he’ll shoot. He makes them lie face down on the ground. He rapes first one and then the others. He walks away. Read more…

The Hidden Truth About the Cold War Roomba

Over at Paleofuture, Matt Novak looks back at the 1959 Cold War cultural exhibitions hosted by both the United States and the Soviet Union. For the United States, the Moscow exhibition was a chance to show off the newest products and technology from companies like IBM, Sears and Kodak—and perhaps the most important innovation of all when it came to highlighting America’s high-tech future:

Today the autonomous robot vacuum cleaner is passé. Or at the very least, no longer representative of something terribly futuristic. iRobot, the Boston-based company that makes the Roomba, has been churning those things out for over a decade. But in 1959, there was nothing more techno-utopian. The Exhibition had one, thanks to RCA/Whirlpool and a little bit of trickery.

The Exhibition had four demonstration kitchens, but the RCA/Whirlpool Miracle Kitchen was by far the most futuristic. It promised super-fast meal preparation, push-button everything, and automatic robot cleaners. There were even large TV monitors for monitoring different parts of the home, which reportedly impressed Khrushchev. But not everything worked exactly as the exhibitors claimed.

“They had a two-way mirror with a person sitting behind it that could see the room,” Joe Maxwell told me over the phone in his light southern drawl. “And they radio-controlled the vacuum cleaner and the dishwasher.”

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Photo: Library of Congress, via Shorpy

Rebecca Solnit on the Political and the Trivial

Apolitical is a political position, yes, and a dreary one. The choice by a lot of young writers to hide out among dinky, dainty, and even trivial topics—I see it as, at its best, an attempt by young white guys to be anti-hegemonic, unimposing. It relinquishes power—but it also relinquishes the possibility of being engaged with the really interesting and urgent affairs of our time, at least as a writer. The challenge is how can you not be the moralizing, grandstanding beast of the baby boomers but not render yourself totally ineffectual and—the word that comes to mind is miniature. How can you write about the obscure things that give you pleasure with a style flexible enough to come round to look at more urgent matters? Humor matters here, and self-awareness, and the language of persuasion and inclusion rather than hectoring and sermonizing. You don’t have to be a preacher to talk about what matters, and you don’t have to drop the pleasures of style. If you can be passionate about, say, Russian dictionary entries from the early nineteenth century, can you work your way up to the reconstruction of New Orleans? And can you retain some of the elegance and some of the pleasure when you look at big, pressing topics? I think you can. It’s what I’ve tried to do. I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small, and I feel that we’ve lost if we don’t practice and celebrate them now, instead of waiting for some ’60s never-neverland of after-the-revolution. And we’ve lost the revolution if we relinquish our full possibilities and powers.

-Rebecca Solnit, in The Believer (2009).

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Photo: internaz, Flickr

First Chapter: Dave Eggers’ Novel, ‘Your Fathers, Where Are They? And the Prophets, Do They Live Forever?’

Dave Eggers | Your Fathers, Where Are They? And the Prophets, Do They Live Forever? | June 2014 | 23 minutes (5,800 words)

 

BUILDING 52

—I did it. You’re really here. An astronaut. Jesus.
—Who’s that?
—You probably have a headache. From the chloroform.
—What? Where am I? Where is this place? Who the fuck are you?
—You don’t recognize me?
—What? No. What is this? Read more…

The Pre-Internet Small Town

Mary Karr
Mary Karr. Photo: AP Images

Mother—crazy as she was—had an exquisite sensibility. She read nonstop. Loads of history, Russian and Chinese particularly, and art history. There was nothing else to do in that suckhole of a town. You go outside, you run around, people throw dirt balls at you, you get your ass beat. But reading is socially accepted disassociation. You flip a switch and you’re not there anymore. It’s better than heroin. More effective and cheaper and legal.

People who didn’t live pre-Internet can’t grasp how devoid of ideas life in my hometown was. The only bookstores sold Bibles the size of coffee tables and dashboard Virgin Marys that glowed in the dark. I stopped in the middle of the SAT to memorize a poem, because I thought, This is a great work of art and I’ll never see it again.

-Mary Karr, in The Paris Review (2009), on growing up in Southeast Texas.

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All You Have Eaten: On Keeping a Perfect Record

Illustration by Jason Polan

Rachel Khong | Lucky Peach | Spring 2014 | 20 minutes (5,009 words)

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Over the course of his or her lifetime, the average person will eat 60,000 pounds of food, the weight of six elephants.

The average American will drink over 3,000 gallons of soda. He will eat about 28 pigs, 2,000 chickens, 5,070 apples, and 2,340 pounds of lettuce. How much of that will he remember, and for how long, and how well? Read more…