Search Results for: Review

The Pre-Internet Small Town

Mary Karr
Mary Karr. Photo: AP Images

Mother—crazy as she was—had an exquisite sensibility. She read nonstop. Loads of history, Russian and Chinese particularly, and art history. There was nothing else to do in that suckhole of a town. You go outside, you run around, people throw dirt balls at you, you get your ass beat. But reading is socially accepted disassociation. You flip a switch and you’re not there anymore. It’s better than heroin. More effective and cheaper and legal.

People who didn’t live pre-Internet can’t grasp how devoid of ideas life in my hometown was. The only bookstores sold Bibles the size of coffee tables and dashboard Virgin Marys that glowed in the dark. I stopped in the middle of the SAT to memorize a poem, because I thought, This is a great work of art and I’ll never see it again.

-Mary Karr, in The Paris Review (2009), on growing up in Southeast Texas.

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Reading List: Summertime and the Reading Is Easy

Longreads Pick

Five stories about summer from The New Yorker, The Rumpus, Flavorwire, The Paris Review, and Autostraddle.

Source: Longreads
Published: Jul 7, 2014

Reading List: Summertime and the Reading Is Easy

“Ah, summer, what power you have to make us suffer and like it.” – Russell Baker

1. “Why Summer Makes Us Lazy.” (Maria Konnikova, The New Yorker, July 2013)

Productivity in the summertime is a delicate equation. Everything, from temperature hikes to sunny skies to humidity, affects how much work we do and how happily we do it.

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Philip Levine’s Advice for ‘Making It’ as a Writer

When I was about nineteen I showed my poems to one of my teachers at Wayne. He said these were incredible poems, poems that should be published. I said, “Oh really?”—I was thrilled—“How would I go about doing that?” He walked over to his bookshelf and brought back a copy of Harper’s. He wrote down the name of the editor and said, “Send the poems to him. I met him once at a party, he may remember me. It doesn’t matter, the poems are so good. Just send them.” So I sent them. A month later they came back with a little printed note telling me they didn’t suit their present editorial needs. I was just shocked. I took it to the teacher and said, “Why, you assured me.” He said, “I don’t understand it.” He was a very sweet man, but he didn’t know the first thing about publishing. …

Many young poets have come to me and asked, How am I gonna make it? They feel, and often with considerable justice, that they are being overlooked while others with less talent are out there making careers for themselves. I always give the same advice. I say, Do it the hard way, and you’ll always feel good about yourself. You write because you have to, and you get this unbelievable satisfaction from doing it well. Try to live on that as long as you’re able.

-Philip Levine, in the Paris Review (1988).

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Photo: usdol, flickr

After the Television Cameras Go Away

In MIT’s Technology Review, Antonio Regalado reports that paralyzed patients are participating in long-term studies of how putting implants in the brain to create brain-controlled prosthetics and computers may help paralyzed people in the future. Jan Scheuermann, 54, is one of these patients. After she awoke from her brain surgery, she was able to control a robotic arm within days. The findings from these studies were published in journals and made it onto the newsmagazine program 60 Minutes. But Scheuermann wasn’t expecting what would happen to her after she was out of the spotlight:

Since the TV cameras went away, however, some of the shortcomings of the technology have become apparent. At first Scheuermann kept demonstrating new abilities. “It was success, success, success,” she says. But controlling Hector has become harder. The reason is that the implants, over time, stop recording. The brain is a hostile environment for electronics, and tiny movements of the array may build up scar tissue as well. The effect is well known to researchers and has been observed hundreds of times in animals. One by one, fewer neurons can be detected.

Scheuermann says no one told her. “The team said that they were expecting loss of neuron signals at some point. I was not, so I was surprised,” she says. She now routinely controls the robot in only three to five dimensions, and she has gradually lost the ability to open and close its thumb and fingers. Was this at all like her experience of becoming paralyzed? I asked her the question a few days later by e-mail. She replied in a message typed by an aide who stays with her most days: “I was disappointed that I would probably never do better than I had already done, but accepted it without anger or bitterness.”

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Photo: Joshua Zader

All Together Now

Longreads Pick

The Spice Girls were the biggest, brashest girlie group ever to have hit the British mainstream. Kathy Acker was an avant-garde American writer and academic. They met up in 1997 to swap notes—on boys, girls, politics.

They are here to rehearse for an appearance on Saturday Night Live. Not only is this their first live TV performance, it’s also the first time they’ll be playing with what Mel C calls a ‘real band’. If the Girls are to have any longevity in the music industry, they will have to break into the American market; and for this they will need the American media. Both the Girls and their record company believe that their appearance here tonight might do the trick. There is a refusal among America’s music critics to take the Spice Girls seriously. The Rolling Stone review of Spice, their first album, refers to them as ‘attractive young things . . . brought together by a manager with a marketing concept’. The main complaint, or explanation for disregard, is that they are a ‘manufactured band’. What can this mean in a society of McDonald’s, Coca-Cola and En Vogue?

Source: The Guardian
Published: May 3, 1997
Length: 16 minutes (4,211 words)

Why Do We Get Suspicious About ‘Extreme Morality’?

“Some thought people who appeared to be extremely ethical must be somehow cheating—that they couldn’t actually be doing all those good things. Others believed they were doing those things, but they found that so weird that they thought they must have some kind of mental illness—that they must lack the ordinary component of desires or feelings, or that there was something robotic about them.

“I think that if you’re doing something that’s hard to do and good to do, and that makes you feel proud, I just don’t see why that’s so terrible. One kidney donor told me that his donation made him feel better about himself—that it was one really good thing he’d done in his life, which he had otherwise made a pretty complete mess of. Some psychologists think you shouldn’t donate in order to feel better about yourself, but it strikes me as an excellent reason!”

-The New Yorker’s Larissa MacFarquhar, in conversation with the Boston Review’s David V. Johnson, on “extreme moral virtue.”

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'Orange is the New Black' is Back: A Reading List on the Representation of Prison

Now that we’ve all had a chance to finish watching Orange is the New Black (who am I kidding — we all binge watched it in a day or two, right?), I thought I’d share four pieces that clarify and critique the way prison is represented on the show. The first two pieces cover season one, for all you newbies out there. The second two address the most recent season.

1. “Five Formerly Incarcerated Women on Prison, Relationships, and Orange is the New Black.” (Kat Stoeffel, The Cut, August 2013)

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Maya Angelou on the Joys of Being Edited

When I finish maybe fifty pages and read them—fifty acceptable pages—it’s not too bad. I’ve had the same editor since 1967. Many times he has said to me over the years or asked me, Why would you use a semicolon instead of a colon? And many times over the years I have said to him things like: I will never speak to you again. Forever. Goodbye. That is it. Thank you very much. And I leave. Then I read the piece and I think of his suggestions. I send him a telegram that says, OK, so you’re right. So what? Don’t ever mention this to me again. If you do, I will never speak to you again. About two years ago I was visiting him and his wife in the Hamptons. I was at the end of a dining room table with a sit-down dinner of about fourteen people. Way at the end I said to someone, I sent him telegrams over the years. From the other end of the table he said, And I’ve kept every one! Brute! But the editing, one’s own editing, before the editor sees it, is the most important.

-Maya Angelou, in a 1990 Paris Review interview with George Plimpton.

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Photo: wheelockcollege, Flickr

A Brief History of Disney

Walt Disney, from the 1937 trailer for "Snow White," via Wikimedia Commons

Here’s a reading list exploring Disney’s more than 80-year grip on popular culture—the animation, the music, the princesses, and the parents killed off in the First Act. Read more…