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Joan Rivers: 1933-2014

Joan Rivers, comedy legend, has died at age 81. Three stories from the Longreads Archive:

The Fresh Air Interview: Joan Rivers (Terry Gross, NPR)

GROSS: So, like, that’s kind of a paradox to me that you live to be on stage and at the same time, there’s this dread of being on stage.

Ms. RIVERS: Not a dread of being on stage, a dread of not doing well, of disappointing them. I you know, I always you think I have one friend who’s a very good, very, very famous comedian, comic, who once said to me: I give them five minutes. If they don’t like me, I go on automatic.

And I thought: They have bought the tickets, they have paid for a babysitter, they have come out to see you. They want to have fun. I want them to walk out of a show and say, that’s the best show I’ve ever seen.

I fight to the end. I worry to the end, worry are they having a good time?

 

Joan Rivers Always Knew She Was Funny (Jonathan Van Meter, New York magazine, 2010)

At the age of 76, it seems, she has been rediscovered. Much of it has to do with a new documentary about her life, Joan Rivers: A Piece of Work, which opens in theaters on June 11. Roger Ebert wrote, in one of the film’s many rave reviews, that it is “one of the most truthful documentaries about show business I’ve seen. Also maybe the funniest.” The film comes at the end of a remarkable year for Rivers, one that began when she won The Celebrity Apprentice (after one of the uglier reality-TV showdowns), outfoxing all those bimbos, has-beens, and two-bit poker players to emerge—somehow—as the sympathetic character. At long last, not fired! It’s unfamiliar territory for Rivers: to be the one people root for.

 

The Playboy Interview: Joan Rivers (1986)

I didn’t realize what a liberated lady I was. I always said, “My life is liberated. Leave me alone. I have no time to join a movement, because I am the movement.” I didn’t have time to go up to anyone and say, “Go out and make it in a man’s world.” I just said, “Look at me and you can see what I’m doing.” I never wanted to say that because I was a woman, things were harder for me or I was judged separately. It took two incidents — my book and this business about leaving the Carson show — to turn me around. With my book, as I said, women seem to understand it more than men. And when I left The Tonight Show, I got such good wishes, such support from women. I didn’t realize how nice it was that women were behind what I did. It’s wonderful.

Virginia’s Unregulated Day Care Industry

Of the 43 deaths in unregulated homes, The Post’s review found that 22 were sleep-related, 10 involved physical abuse, three were accidental and one was natural. In seven cases, the causes were unclear in the available records. All but one of the sleep-related deaths involved risky actions taken by caretakers, records show. These included leaving infants to sleep in an unsafe setting or failing to check on them for extended periods.

In 2010, 7-month-old Finnigan Bales was found unresponsive in an upstairs bedroom in a Virginia Beach townhouse where Deborah Blaney ran an unregulated day-care operation. He had not been “checked on or fed for hours,” according to an investigation by the local branch of Child Protective Services.

Blaney had too many children in her care — seven — and eventually was convicted of operating a day-care program without a license, a misdemeanor. She was sentenced to serve 10 days in jail.

Finnigan’s mother, Megan Bales, said she and her husband interviewed Blaney and checked her references, but they learned that Blaney had no license only after Finnigan died.

“They don’t even know what time Finn passed away,” Bales said.

— A two-part investigation by The Washington Post looks into unregulated day care providers in Virginia. Since there is a the shortage of licensed day care providers in the state, unregulated day care providers—who don’t need to have any child care licenses or CPR training as long as they are caring for five children or fewer—fill in the gaps, especially for families who are unable to afford to place their children in licensed centers.

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Photo: U.S. Army

Ursula K. Le Guin On ‘Starting Late’ as a Writer

LE GUIN: My mother had always wanted to write. She told me this only after she’d started writing. She waited until she got the kids out of the house, until she was free of responsibility for anybody except her husband. Very typical of her generation. She was in her fifties when she started writing—for kids, which is how women often start. It’s not threatening to anybody, including themselves. And she published a couple of lovely little kids’ books.

She wanted to write novels, and she did write a couple, but they never found a publisher. But what happened was that she got asked to write the biography of Ishi. Of course they asked my father and he said, No way, I cannot handle that story. He’d lived that story and didn’t want to write it. He wasn’t a reminiscer. He said, I think you might ask my wife, she’s a good writer. And they did, and she did it. So her first published adult book was a best seller, which was wonderful for her! She was in her sixties then. I would get letters from people who said, I read your mother’s book and it made me cry! That pleased her enormously. She would say, That’s what it was supposed to do.

It was also interesting because my mother and I were almost working together trying to get published.

INTERVIEWER: What an unusual beginning, for both of you.

LE GUIN: She beat me to it! Which is cool. Because I was late and slow. A slow learner. But not as late as her. I love to tell her story because people—particularly women—need to hear that you can start late. She figured she could put it off, which shocked the strong feminists of twenty or thirty years ago. I don’t know if anybody gets shocked anymore. But a lot of people don’t realize how strong the social pressure was on women.

Ursula K. Le Guin, in a Paris Review interview with John Wray.

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Photo: laura-kali, Flickr

A Family, a Fruit Stand, and Survival on $4.50 a Day

Illustration by Kjell Reigstad

Douglas Haynes | Orion | Summer 2014 | 22 minutes (5,391 words)

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Morning

“It’s like this here every day,” Dayani Baldelomar Bustos tells me as her dark eyes scan the packed alley for an opening. People carrying baskets of produce on their heads press against our backs. Read more…

Tony Judt’s Life with ALS: A Reading List

The Ice Bucket challenge raised millions for ALS research, not to mention awareness about the disease: the motor neuron disorder, also known as Lou Gehrig’s disease, affects thousands of Americans. It’s also served as a reminder about the work that Tony Judt did to convey what it was like to live with ALS, in his diary entries for the New York Review of Books. Judt died in August 2010. Here is a short collection of stories: Read more…

Tony Judt’s Life with ALS: A Reading List

Longreads Pick

The Ice Bucket challenge has raised millions for ALS research, not to mention awareness about the disease: the motor neuron disorder, also known as Lou Gehrig’s disease, affects thousands of Americans. It’s also served as a reminder about the work that Tony Judt did to convey what it was like to live with ALS, in his diary entries for the New York Review of Books.

Source: Longreads
Published: Aug 19, 2014

Loneliness and Solitude: A Reading List

When I moved from a small town in Northern California to Brooklyn, New York in the summer of 2010, I felt the pang of an inarticulable loneliness. Unable to string together words to describe this complicated feeling, I found Olivia Laing’s Aeon essay, “Me, Myself and I,” to be a starting point that began to map a cartography of loneliness. Published in 2012, Laing writes, “What did it feel like? It felt like being hungry, I suppose, in a place where being hungry is shameful, and where one has no money and everyone else is full. It felt, at least sometimes, difficult and embarrassing and important to conceal.” Four years into my New York experiment, the pang of loneliness has dulled and has been exchanged for a desire to retreat from an overstimulating city with my close friends and a bag of salted caramel.

This brief list takes a dive into the discussion about loneliness and solitude in our contemporary lives—what it is, how we cope, and how it affects our bodies. Please share your recommendations: essays and articles in this vein, if you have them.

 

1. “American Loneliness” (Emma Healey, Los Angeles Review of Books, June 2014)

I’ve been watching MTV’s reality show, Catfish in awe for the past two seasons. I vacillate between heavy feelings of eager empathy and awkward amusement. Healy explores what Catfish reveals about our common loneliness, longing and vulnerabilities as well as how easily we suspend logic in the pursuit of companionship.

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Cop Movies, Race, and Ferguson

Nonetheless, whenever I see masked and helmeted police in photographs and movies or on the street going after protesters, I wonder, as I did during a battle royal between peasants and cops in the summer’s class-war sleeper Snowpiercer: “Who are these hidden people?” It crosses my mind anytime I see a helmet swing a nightstick at a skull. The movies, especially dystopic science fiction, have gotten really good at siccing human drones on human beings or just showcasing warfare as stacks and stacks of computer-generated menace. Ferguson demonstrates how good life has gotten at turning into science fiction. That collapse of the real and the morally unreal took place in last summer’s Fruitvale Station, which dramatized the 2009 shooting of 22-year-old Oscar Grant on an Oakland train platform. It opened the weekend before the president made his remarks about Trayvon Martin and race, and bears a subdued kernel of resemblance to the events happening now in Ferguson.

— Grantland’s Wesley Morris, on the depiction of race and police officers in movies contrasted against recent events in Ferguson. Morris won the 2012 Pulitzer Prize for criticism for his work at the Boston Globe.

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The Top 5 Longreads of the Week

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‘I Will Try to Hold on to the Intense Feeling’

It’s been a meta-­adolescence. Tavi has enacted a camera-ready high-school life, one in which her fashion experimentations looked fantastic rather than just ill-fitting and strange, and the whole thing was seen as a lark, hilarity worth preserving. She’s been adopted by the pop intelligentsia, who perhaps see in her a younger version of themselves, either real or idealized and imagined. Zadie Smith, whom she met after speaking at The New Yorker Festival, wrote her an email urging her not to skip college, and Stevie Nicks, whom Tavi met after mentioning her in a TED talk, gave her a cashmere blanket to wrap herself in whenever she felt like she needed a hug. Ask her if she’ll miss being a teenager and she says, “I will try to hold on to the intense feeling. I will both be glad that that’s no longer happening and kind of miss it. When you’re 14, you’re basically on drugs all the time—the hormones in your body are so crazy. But I really loved and appreciated the intensity of that. And you’re experiencing everything for the first time, so everything feels like an epiphany. And, like, I really liked the experience of having a crush, because I was like, this is my thing and it doesn’t have to do with you and you’re just some dummy boy for me to project on.”

– Amy Larocca profiles Tavi Gevinson for New York Magazine’s fall fashion issue.

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Photo: YouTube/LA Review of Books