Search Results for: Review

When Mary Martin Was the Boy Who Wouldn’t Grow Up

Ben Yagoda | Longreads | December 2014 | 12 minutes (3,094 words)

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One day early in 1954, Mary Martin and her husband, Richard Halliday, were driving on the Merritt Parkway, near their home in Norwalk, Connecticut. On the car radio came Frank Sinatra’s new hit, “Young at Heart.” It was perfect! That is, the song had the exact sentiment and feel they wanted for the pet project they’d long been planning, a musical version of J.M. Barrie’s 1904 play Peter Pan (original subtitle: “The Boy Who Wouldn’t Grow Up”). Right on the spot, they decided they’d hire whoever had written the song to compose the score for their production.

It turned out that the words were by a young New Yorker, Carolyn Leigh, and the music by the veteran West Coast jazzman Johnny Richards. The next morning the phone rang in Leigh’s apartment, and a man who identified himself as Richard Halliday said that he and Martin wanted her to write the lyrics for Peter Pan. “Naturally, I thought somebody was kidding,” Leigh told a reporter. “That sort of thing just doesn’t happen. So I arranged to call him back at his office, and I did and it was him all right.”

Leigh told Halliday she had a new partner, a young composer named Morris “Moose” Charlap, and in short order the two had a meeting with Martin, Halliday, and Jerome Robbins, who was to direct and choreograph the show. Leigh, who at that point had only seen one musical in her life, recounted years later, “I remember singing a line to Jerry, ‘If I can live a life of crime, and still be home by dinnertime,’ and we got a nod of approval from him.”

She and Charlap went on to write the score (with a little help from some songwriting veterans), and on October 20, 1954, Peter Pan—with Martin as Peter—opened on Broadway to enraptured audiences and rave reviews. Several months later, NBC broadcast the production live on television. It was an even bigger sensation, attracting 65 million viewers—still the fourth biggest audience of all time for a scripted TV show. Read more…

Longreads Best of 2014: Here Are All of Our No. 1 Story Picks from This Year

All through December, we’ll be featuring Longreads’ Best of 2014. To get you ready, here’s a list of every story that was chosen as No. 1 in our weekly Top 5 email.

If you like these, you can sign up to receive our free weekly email every Friday. Read more…

Sci-Fi Is for Everyone: Six Stories About Marginalized Groups in Science Fiction

Genre literature has power. Mainstream science fiction, historically, has a representation problem. (Why are there no black people in the future? Or, better yet, why is there only one black person in the future?! Did LGBTQ people disappear, too?) Where does that leave us? When I see a white-dominated cast in a sci-fi movie, or read a novel laced with not-so-subtle homophobia, it’s hard for me to believe that our imaginations cannot see beyond the basic power structures influencing our lives today and create something new. That’s why I’m intrigued by African sci-fi and Afrofuturism. I’ve included essays about women in sci-fi, as well as queer representation in the genre, because it’s a thrill to see traditionally marginalized groups take on a genre that has so much to offer them. Sci-fi should be for everyone.

1. “Women Rise in Sci Fi (Again).” (Rose Eveleth, The Atlantic, November 2014)

Women have been writing sci-fi for hundreds of years. Maybe you haven’t been paying attention.

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The Life and Afterlife of Julia Pastrana, a ‘Bearded Lady’

Mexican herders searching for a missing cow found Julia and her mother hiding in a mountain cave. They took them to the nearest city, where Julia was placed in an orphanage. Sweet, intelligent, and almost totally covered in black hair, she became a local celebrity. After hearing of her unusual looks and charming disposition, the state governor adopted Julia to serve as a live-in amusement and maid. She stayed with the governor until she was twenty, when she decided to return to her own tribe. But she never completed the trip home: an American showman known as M. Rates met her somewhere on her journey back to the mountains, and persuaded her to take up a life onstage.

Julia would go on to become one of the most famous human curiosities of the nineteenth century, variously known as “the Ape Woman,” “the Bear Woman,” or “the Baboon Lady.” She made her debut in December 1854, at the Gothic Hall on Broadway in New York City. She wore a red dress, sang Spanish folk tunes, and danced the Highland Fling. Huge, appreciative crowds flocked to see her, although it wasn’t really the singing and dancing they were after: they came to gawk at her hairy face and body, her jaw that jutted forward, her unusually large lips, and her wide, flat nose. The advance publicity billed Julia as a “Bear Woman from the wilds of Mexico!” while others said she looked like an ape.

– When does a body become public property, and how can we honor the exploited? In The Public Domain Review, Bess Lovejoy explores the life of Julia Pastrana, a Mexican woman whose unusual appearance brought her out of exile from her tribe to fame and its racist trappings.

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The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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Interview: Former ‘Matilda’ Star Mara Wilson on Leaving Hollywood and Becoming a Writer

Adele Oliveira | Longreads | Nov. 2014 | 15 minutes (3,798 words)

In 1994, when she was seven years old, Mara Wilson appeared on The Today Show with Katie Couric to promote a remake of Miracle on 34th Street, in which she starred.

Right away, it’s easy to see why Wilson, who’s also known for her work in Mrs. Doubtfire and Matilda, is a successful and endearing child actor. She wears a red-checked gingham shirt underneath a wooly red cardigan, and her feet stick straight off the armchair on which she sits, too short to reach the ground. Wilson is missing teeth, and despite lisping, her diction is perfect and she’s polite and sincere with Couric, who mispronounces Wilson’s first name. Couric asks Wilson if she’d like to be like Natalie Wood someday—Wood played Wilson’s role in the original 1947 version of Miracle on 34th Street. Wood started acting as a child, and in Couric’s words, grew up to be “a very famous, well-known, talented actress.”

Wilson hesitates, and you can see her thinking as she wrinkles her nose. “I don’t know,” she shrugs. “I might not want to be an actress all of my life.” Wilson says she wants to be a “script writer” and that while she hasn’t yet written down any of her stories, “I have a lot of them in my head.”

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The Bureaucracy of Death: A Reading List

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Although more and more countries are abolishing capital punishment, over half the world’s population lives in four of the countries that continue to use it: India, Indonesia, China — and the United States. U.S. public opinion continues to move against the death penalty, but while some states have overturned capital punishment (or never had it), most still sentence people to die. These four pieces examine the range of flaws in a system whose irreversible outcome can ill afford them.

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For the Public Good: The Shameful History of Forced Sterilization in the U.S.

Belle Boggs | The New New South | August 2013 | 62 minutes (15,377 words)

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We’re proud to present, for the first time online, “For the Public Good,” Belle Boggs‘s story for The New New South about the shocking history of forced sterilizations that occurred in the United States, and the story of victims in North Carolina, with original video by Olympia Stone.

As Boggs explained to us last year: 

“Last summer I met Willis Lynch, a man who was sterilized by the state of North Carolina more than 65 years earlier, when he was only 14 years old and living in an institution for delinquent children. Willis was one of 7,600 victims of North Carolina’s eugenics program, and one of the more outspoken and persistent advocates for compensation.

“At the time I was struggling with my own inability to conceive, and the debate within my state—how much is the ability to have children worth?—was something I thought about a lot. It’s hard to quantify, the value of people who don’t exist. It gets even more complicated when you factor in public discomfort over a shameful past, and a present-day political climate that marginalizes the poor.”

Thanks to Boggs and The New New South for sharing this story with the Longreads Community, and thanks to Longreads Members for your helping us bring these stories to you. Join us.

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Women vs. the Internet Trolls: A Reading List

I am the exception, not the rule; I am lucky. The writing I produce garners little to no (negative) attention. When it does, people usually correct my grammar or spelling. This is okay with me, because it’s constructive. To my knowledge, no one has called me ugly, or stupid, or any number of cruel epithets or slurs. This is privilege; I am lucky. But I am scared to put my name to controversial opinions, or to voice my own opinion at all. My tweets are innocuous quips or retweets of people far more articulate than I am. I hide behind other people’s words.

I scan Roxane Gay’s Twitter feed about once a day; she is one of my favorite writers. I don’t want to miss a thing. I know she must be exhausted from engaging with trolls, but she’s logical and courteous. She says, “God bless you” or “Live in the light,” and she sounds sincere, if not a little weary.

Ginsberg wrote, “I saw the best minds of my generation destroyed by madness.” I saw the best minds of my generation destroyed by public trials on Twitter; by nasty misogynists who critiqued their appearances rather than their creations; by hurricanes of anonymous cruelty. And I can’t even offer an umbrella.

If you have no idea what I’m talking about, you probably aren’t a woman on the internet. Fortunately, I’ve collected several pieces that illustrate this experience far better than I ever could.

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The Walls of Berlin: A Reading List

The Berlin Wall still exerts incredible power over our imaginations, 25 years after Germans on both sides of the city began the process of demolishing it. Its existence had always invited wildly divergent reactions, making it not only a physical structure, but also a canvas on which political and cultural dreams could be projected. This is as true today, for a generation that has never lived in its shadow, as it was during the Cold War. Here are four stories that attempt to trace its legacy.  Read more…