Search Results for: Prison

How Christy Plott Redd Became the ‘Queen of Gator’

The title is self-appointed. Several years ago, Redd heard about an alligator buyer from Italy working in Florida and calling himself the King. This was annoying. For one thing, there are no alligators in Italy. Live ones, anyway. More importantly, royalty is demonstrated by blood line, and nobody in the world can lay claim to one more established than Redd’s, whose great-grand­father founded the family business almost a century ago in Blairsville, whose grandfather served time in prison for illegally selling alligator skins in the 1970s, and whose father did too, for that matter. American Tanning is the oldest and largest alligator tannery in the country—and one of the only major ones in the world. Alligator mississippiensis, the American alligator, has been establishing its foothold in what is now the southern United States—its sole habitat—for 180 million years. The Plotts’ regional lineage may stretch back a mere 200 or so, but in any case, what family’s fortune has been entwined with the alligator’s for longer than theirs? Certainly no Italian arriviste’s.

Mary Logan Bikoff profiling Christy Plott Redd for Atlanta Magazine. Redd is co-owner and creative director of America’s largest alligator leather tannery.

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Graves of the Dead

Photo via Flickr

Ken Otterbourg | The New New South | April 2015 | 10 minutes (2,439 words)

 

 

After starting in Pittsburgh, the Ohio River heads north and then quickly loops south, as if realizing the error in its ways. It is a place to get lost and to get found. The river bends and twists here with energy, like a snake caught by its tail. There is an optimism in the current, movement and ambition, married with the skeletons of our built world and those worlds that came before that rise out of the fields and hills along the banks. Sometimes in the grace of dawn these structures appear as nearly flesh and blood. But that hope recedes as the sun climbs over the hill, past the chestnuts and maples. Time and gravity wait to do their parts. Read more…

Tennessee Williams on His Women, His Writer’s Block, and Whether It All Mattered

Maureen Stapleton and Don Murray in The Rose Tattoo. Photo via Wikimedia Commons

James Grissom | Follies of God: Tennessee Williams and the Women of the Fog | Knopf | March 2015 | 26 minutes (7,038 words)

 

Below is an excerpt from the book Follies of God, by James Grissom, as recommended by Longreads contributing editor Dana Snitzky. Dana writes:

“James Grissom wrote a letter to Tennessee Williams in 1982, when he was only 20 years old, asking for advice. Tennessee unexpectedly responded, ‘Perhaps you can be of some help to me.’ Ultimately he tasked Grissom with seeking out each of the women (and few men) who had inspired his work—among them Maureen Stapleton, Lillian Gish, Katharine Hepburn, Bette Davis, and Marlon Brando—so that he could ask them a question: had Tennessee Williams, or his work, ever mattered? This is Grissom’s account of their intense first encounters, in which Tennessee explains his thoughts on writing, writer’s block, and the women he wrote.”

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How Does a Magazine Go About Calculating the Financial Cost of Gun Violence?

To begin to get a grasp on the economic toll, Mother Jones turned to Ted Miller at the Pacific Institute for Research and Evaluation, an independent nonprofit that studies public health, education, and safety issues. Miller has been one of the few researchers to delve deeply into guns, going back to the late 1980s when he began analyzing societal costs from violence, injury, and substance abuse, as well as the savings from prevention. Most of his 30-plus years of research has been funded by government grants and contracts; his work on guns in recent years has either been tucked into broader projects or done on the side. “I never take positions on legislation,” he notes. “Instead, I provide numbers to inform decision making.”

Miller’s approach looks at two categories of costs. The first is direct: Every time a bullet hits somebody, expenses can include emergency services, police investigations, and long-term medical and mental-health care, as well as court and prison costs. About 87 percent of these costs fall on taxpayers. The second category consists of indirect costs: Factors here include lost income, losses to employers, and impact on quality of life, which Miller bases on amounts that juries award for pain and suffering to victims of wrongful injury and death.

Mark Follman, James West, Julia Lurie, and Jaeah Lee writing in Mother Jones about the magazine’s six-month-long investigation into the financial costs of gun violence in America.

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The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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Can Greek Life Be Diverse? Our College Pick

Northwestern University’s Greek-life population resembles what you see at most other private schools: white and well-off. So when a fraternity and a sorority planned a philanthropy event making light of imprisoned women last year, campus critics raged. Public apologies and calls to action followed, like it always does. In a wide-ranging story with several introspective interviews, reporter Katherine Mirani followed up to find out if a system based on private membership can ever really be inclusive.

Changing Composition

Katherine Mirani | North by Northwestern | March 9, 2015 | 3,800 words (15 minutes)

Unfreed

Longreads Pick

A clerical error freed a man from prison 88 years early—and then sent him back five years and eight months later after he found a stable job and started a family. This story was co-produced by Matter.

Published: Apr 7, 2015
Length: 22 minutes (5,603 words)

The Craft of Poetry: A Semester with Allen Ginsberg

Elissa Schappell | The Paris Review | 1995 | 63 minutes (15,685 words)

  
We’re excited to reprint Elissa Schappell‘s essay, “The Craft of Poetry: A Semester with Allen Ginsberg.” The piece was first featured on the site in 2013 as a Longreads Member Pick, and originally appeared in the Summer 1995 issue of the Paris Review. It was later anthologized in the Paris Review’s 1999 collection Beat Writers at Work. Thanks to Schappell and the Paris Review for sharing it with the Longreads community:

Of all the literature classes I have ever taken in my life Allen Ginsberg’s “Craft of Poetry” was not only the most memorable and inspiring, but the most useful to me as a writer.
First thought, best thought.
It’s 1994 and I am getting my MFA in fiction at NYU. I’m sitting in the front row of a dingy classroom with a tape recorder and a notebook. The tape recorder is to record Allen Ginsberg, the big daddy of the Beat’s “Craft of Poetry” lectures for a feature I’m writing for The Paris Review. No. Lectures is the wrong word—Ginsberg’s thought operas, his spontaneous jet streams of brilliance, his earthy Dharma Lion roars—that’s what I’m there to capture. His teaching method is, as he explains it, “to improvise to some extent and it have it real rather than just a rote thing.”
It was very real.
The education Ginsberg provided me exceeds the bounds of the classroom, and far beyond the craft of poetry. Look inward and let go, he said. Pay attention to your world, read everything. For as he put it, “If the mind is shapely the art will be shapely.”
—Elissa Schappell, 2013

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The news that Allen Ginsberg was going to be teaching at New York University was passed around campus like a joint, making some people giddy and euphoric, others mildly confused, and still others paranoid—teachers and students alike. The waiting list to get into the class was extraordinary not only in length, but for the sheer number of times students eagerly checked to see if they had moved up. As a graduate student in the creative writing program I was given first dibs. I was curious to meet Ginsberg, curious to see how he would commandeer the Craft of Poetry class, which in the past had been taught by Galway Kinnell and William Matthews. The following excerpts were culled from a diary I kept during the semester. Read more…

Escape from Baghdad!: Saad Hossain’s New Satire of the Iraq War

Saad Hossain | Escape from Baghdad! | Unnamed Press | March 2015 | 23 minutes (6,311 words)

 

Below are the opening chapters of the novel Escape from Baghdad!, by Saad Hossain, as recommended by Longreads contributor Dana Snitzky.

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A NOTE ON THE GLOSSARY AT THE END

There is a glossary of mostly factual terms and names at the end of the text (“factual” being a relative idea open to loose interpretation (“loose interpretation” meaning we’re aiming for a 50% chance of something on the page tallying with someone else’s verified opinion.)) So, if you find yourself wondering: Who’s Moqtada Al-Sadr again? Or what does JAM stand for? Or, bless you, IED? Just refer to the helpful, mostly factual glossary. Read more…

The Answer Is Never

Illustration by Devon Kelley-Yurdin

Sabine Heinlein | Longreads | April 2015 | 16 minutes (3,886 words)

 

One time, when I was in my early twenties, I shared a hospital room with a mother of many. I had a skin infection that wouldn’t respond to oral medication, and the 50-something-year-old woman had severe, inexplicable hives. Our main topic of conversation revolved around neither of our ailments. It was about my not wanting to have children. She was insistent, which seemed ironic considering her hives flared up whenever her family visited her on Sundays. I eventually compromised with the woman. Okay, I said, I will put off my decision until I reach my thirties. “You are starry-eyed,” she huffed. “You young women want it all. But you can’t have it all!” Maybe, I thought, some of us don’t want it all. Read more…