Search Results for: Outside

Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London

Lauren Elkin | Flâneuse | Farrar, Straus and Giroux | March 2017 | 26 minutes (6,613 words)

 

Below is the first chapter from Flâneuse, Lauren Elkin’s incisive hybrid book of memoir, cultural criticism, and social history about the female urban walker, the contemplative, observant, and untold counterpart to the masculine flâneur. Our thanks to Elkin and FSG for sharing it with the Longreads community.

* * *

Flâneuse-ing

Where did I first come across that word, flâneur, so singular, so elegant and French with its arched â and its curling eur? I know it was when I was studying in Paris at university, back in the 1990s, but I don’t think I found it in a book. I didn’t do much required reading, that year. I can’t say for sure, which is to say I became a flâneur before I knew what one was, wandering the streets around my school, located as American universities in Paris must be, on the Left Bank.

From the French verb flâner, the flâneur, or ‘one who wanders aimlessly,’ was born in the first half of the nineteenth century, in the glass-and-steel covered passages of Paris. When Haussmann started slicing his bright boulevards through the dark uneven crusts of houses like knives through a city of cindered chèvre, the flâneur wandered those too, taking in the urban spectacle. A figure of masculine privilege and leisure, with time and money and no immediate responsibilities to claim his attention, the flâneur understands the city as few of its inhabitants do, for he has memorised it with his feet. Every corner, alleyway and stairway, has the ability to plunge him into rêverie. What happened here? Who passed by here? What does this place mean? The flâneur, attuned to the chords that vibrate throughout his city, knows without knowing.

In my ignorance, I think I thought I invented flânerie. Coming from suburban America, where people drive from one place to another, walking for no particular reason was a bit of an eccentric thing to do. I could walk for hours in Paris and never ‘get’ anywhere, looking at the way the city was put together, glimpsing its unofficial history here and there, a bullet in the façade of an hôtel particulier, leftover stencilling way up on the side of a building for a flour company or a newspaper that no longer existed, which some inspired graffiti artist had used as an invitation to add his own work, a row of cobblestones revealed by roadworks, several layers below the crust of the current city, slowly rising ever upward. I was on the lookout for residue, for texture, for accidents and encounters and unexpected openings. My most meaningful experience with the city was not through its literature, its food, or its museums; not even through the soul-scarring affair I carried on in a garret near the Bourse; but through all that walking. Somewhere in the 6th arrondissement I realised I wanted to live in a city for the rest of my life, and specifically, in the city of Paris. It had something to do with the utter, total freedom unleashed from the act of putting one foot in front of the other.

I wore a groove into the Boulevard Montparnasse as I came and went between my flat on the Avenue de Saxe and school on the rue de Chevreuse. I learned non-textbook French from the names of the restaurants in between: Les Zazous (named for a kind of jazzy 1940s hepcat in a plaid blazer and a quiff), Restaurant Sud-Ouest & Cie, which taught me the French equivalent of ‘& co,’ and from a bakery called Pomme de pain I learned the word for ‘pinecone,’ pomme de pin, though I never learned why that was a pun worth making. I bought orange juice on the way to class every day at a pretzel shop called Duchesse Anne and wondered who she was and what was her relationship to pretzels. I pondered the distorted French conception of American geography that resulted in a TexMex restaurant called Indiana Café. I walked past all the great cafés lining the boulevard, La Rotonde, Le Sélect, Le Dôme, and La Coupole, watering holes to generations of American writers in Paris, whose ghosts hunched under café awnings, unimpressed with the way the twentieth century had turned out. I crossed over the rue Vavin, with its eponymous café, where all the cool lycéens went when they got out of school, assertive cigarette smokers with sleeves too long for their arms, shod in Converse sneakers, boys with dark curls and girls with no make-up. Read more…

Follow the Oil Trail and You’ll Find the Girls

Photo property of Union of B.C. Indian Chiefs.

Riayn Spaero | Longreads | March 2017 | 14 minutes (2,400 words)

 

Duluth, Minnesota was dank and barren. Ice and mounted snow covered Lake Superior, save for scattered pools of howling waves. I picked this time because the ships weren’t in and wouldn’t be for several weeks. It was, for the moment, safe to stand by that great lake and speak on the silent affliction it routinely ushers to Duluth’s shores—the very same affliction that will spread across four states and infect each Dakota Access Pipeline construction site. I was there to meet Sarah Curtiss, an esteemed Anishinaabe activist at Men As Peacemakers, who’d agreed to an on-camera interview to discuss the predatory violence on this lake and other locations throughout Indian Country, such as oil fields and pipeline camps, that threaten the lives and bodies of Indigenous women on a daily basis. She wasn’t my first documentary interview on this subject, yet my hair raised in anticipation of absorbing more horrific accounts and the immense responsibility of honoring her every word.

Curtiss shook my hand and sighed. Her exhale eased my nerves. “You wouldn’t believe some of the questions I’ve been asked,” she said. “I once had this woman, a reporter, say ‘Are you sure? Are you sure you’re Indian?’”

Curtiss is astute, so I would not put it past her to pop this icebreaker as a litmus quiz for non-people of color documentarians (or journalists), but for me that morning it was an invitation to an honest interview built on trust in our convergent, but different, American experiences as “other.” Her last name, Curtiss, her milk complexion and loose auburn curls were more Anglo than Disney’s Pocahontas, but questioning her blood quantum never crossed my mind. How could it? Being of color, I’d long resigned myself to what most American minorities from families spanning the skin color spectrum know: If one of the three race-defining elements (skin color, features, hair texture) is off stereotype, “Are you sure?” or “What else are you?” looms over every discussion with the uninitiated. But, Curtiss and I were initiated.

We met on a February morning as if we were sorority sisters from distant chapters executing an exclusive greeting in the form of her sigh that said, Thank God I don’t have to explain myself to you. It was unexpected, but I was grateful. We discussed her advocacy in the fight against the epidemic of missing, murdered, and trafficked Indigenous women plaguing North America; the crisis that led her to divulge, “I do not go a month without someone I have a personal connection to passing away.” More specifically, she spoke of her prominent role combating trafficking on Lake Superior ships that pass through Minnesota’s Duluth Port—the reason for my sojourn to the frigid Midwest.

On a 17-degree day with sharp winds blistering her hands and cheeks, Curtiss stood beside the great lake that keeps sweeping away her stolen sisters. She detailed injustices against many Native women who live unrecognized lives, invisible to all but those who mean them harm—demeaning, brutal harm—and introduced me to invisibility as a handicap, rather than a privilege of gods. Read more…

They’re Good Dogs, Brent: Meet Costa Rica’s Stray-Dog Whisperer

three brown puppies
Photo by Anoir Chafik via Unsplash

In Outside magazine, Bob Shacochis profiles Lya Battle, creator of Costa Rica’s Territorio de Zaguates, an open-air shelter home to hundreds of dogs. His own love of man’s best friend comes through loud and clear in his descriptions of the Territorio’s denizens.

Incredibly, every dog has a name. Everybody’s different, clownish and hilarious: fuzzy splats of happiness, skeletal shells of wincing eagerness, buoyant lumps of grinning muscle, the faltering and the withered, the robust and the dignified, dogs like pieces of frayed rope with legs and head, senatorial dogs like Boris, old and wise and reposed, a seeming mix of corgi and Bernese mountain dog that resembles the 30-pound butt of a half-smoked cigar. Blanquita is a dirty-white floor mop who has betrothed herself to Ronney, one of the workers, and cries inconsolably from the minute he leaves the compound until his return the next morning. There’s a sweet little dog I of course call Stumpy, his right front leg hacked off with a machete by his owner after a long night drinking at the cantina. And there’s Milu, one of the precious cohort Lya calls her “walking dead,” who came to her with distemper a couple of years after she opened the Territorio in 2008. To save a dog from distemper is no small task, and now Milu, in his dotage, weighs less than a fart and walks like a drunken tarantula.

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The Story of Heady Topper, America’s Most Loved Craft Beer

The Alchemist brewery's John Kimmich. Photo: Corey Hendrickson

Sam Riches | Longreads and Food & Wine Magazine | March 2017 | 14 minutes (3,489 words)

 

For eight years, until Tropical Storm Irene struck the village of Waterbury, Vermont, the corner of South Main Street and Elm was occupied by The Alchemist Pub and Brewery. It was, by most measures, a common small-town bar. The walls were chocolate brown brick. The barstools were steel and backless and topped with black leather. A pool table sat in the corner. The ceilings were high, and the lighting was soft. A cast of regulars helped fill the pub’s 60 seats. It was charming in its familiarity, quaint and comfortable, but brewing in the basement was a beer capable of inspiring obsession. It was called Heady Topper and since the pub was the only place you could buy it, Waterbury—home to just a few thousand—soon became a mecca for craft beer drinkers.

The pub belonged to Jen and John Kimmich. Jen ran the business side, and John handled the beer. They first met in 1995, when they were both working at the Vermont Pub and Brewery in Burlington. John had made his way there from Pittsburgh. He’d been enthralled by a home brewer and writer named Greg Noonan who was a pioneer in craft brewing, especially in New England, where he helped push through legislation that recognized the concept of brewpubs.

After graduating from Penn State, John packed everything he owned into his Subaru and drove to Vermont in the hopes that Noonan would give him a job. He did, and for a year John waited tables, coming in on the weekends for no pay to learn the trade alongside the head brewer. Then John became the head brewer. Jen was a waitress at the pub. After turning down John’s initial first-date offer, she came back a week later and asked him out. A month later they were engaged.

Two months after the Kimmiches opened The Alchemist in Waterbury, John, driven by an obsession with fresh, floral, hoppy flavors, brewed the first batch of Heady Topper. The immediate response from customers upon tasting it was bewilderment, followed by intrigue. Their eyes scanned the room, meeting all the other eyes scanning the room, all of them in search of an answer to the same question: What is this? “People were shocked, maybe,” John says. “They would taste it and go, ‘Oh, my god.’ They’d never had anything like that before. People really went nuts for it.”

At first, John didn’t brew Heady year-round. He would make it two times a year, then three, then four, tinkering with the recipe each time. He had other beers to make, like Pappy’s Porter or Piston Bitter or Bolton Brown. They were all distinct, unusually compelling beers, but soon word began to spread about Heady: It was a hit. The problem, if there was one, was that it was only available in the pub. Enterprising customers solved it by sneaking pints into the bathroom, where they would pour them into bottles, screw on caps, and then shuffle out of the bar, pockets bulging. The business and the Alchemist name were growing with rapid, radical speed, beyond anything the Kimmiches had anticipated—and then the storm came.

Irene arrived in Vermont on a Sunday afternoon in August 2011. It roared north from the southern end of the state. Waterbury’s usually calm and placid Winooski River, a short distance from the pub, swelled uncontrollably. The local waterways and tributaries overflowed, and the contaminated water rushed through town, absorbing sewage and sodden trash and heating oil, staining everything it touched. Trees and shrubs were unearthed or turned gray and brown, like they’d been doused by a plume of ash. Cars were flipped; bridges buckled and collapsed; houses were left twisted and roofless. In some stretches of the state, more than a foot of water fell.

From their home in Stowe, just 10 miles north of Waterbury, Jen and John and their son, Charlie, watched the storm unfold. When they got the call that Waterbury was being evacuated, John jumped in the car and drove down, powerless but determined to see the destruction with his own eyes.

By the time he arrived at the brewpub, the basement—where he had been brewing for eight years, where he stored the original recipes for more than 70 beers, and where he and Jen had their offices and kept the food—was completely under water. On the first floor, John stepped inside. The water was not yet waist high, but it was well on its way, so he worked his way to the bar and poured himself a final pint of Holy Cow IPA. Then, with the water rising at his feet, he raised his glass skyward and toasted goodbye to everything they’d built. Read more…

Bird Man

Western Meadowlark (Sturnella Neglecta). (Design Pics via AP)

Eva Holland | Longreads | February 2017 | 10 minutes (2641 words)

 

Noah Strycker spotted the first bird before I made it from the parked car to the edge of the marsh. “It’s a rough-legged hawk,” he said when I caught up to him, gesturing for me to peer through his long, 60-power Swarovski scope. I obliged, and there it was: large, mottled white-and-brown, perched on the bare branch of a distant tree.

The sightings kept coming. Strycker picked out a Western meadowlark (“Oregon’s state bird,” he noted), a group of killdeer — lankier members of the plover family — and nearby, on an open mudflat, an American pipit, and a least sandpiper. He identified a red-shouldered hawk, pointing out the distinctive red-orange bars across its chest, and then two, three, four bald eagles. A red-tailed hawk and three northern harriers joined our growing list of raptor sightings.

“I’m just looking for something that doesn’t look like a tree branch,” he explained, scanning the horizon with binoculars. I imitated him with my borrowed binos, watching for lumps, movement, anything out of place. Around us, there was nothing — to my eye — but a sea of tall dried winter grasses and bare, dead-looking trees, lit up by the slanting winter sun.

It was January 16, 2016. Strycker had been home in Oregon for less than two weeks, after a year on the road. On December 31, 2015, he had completed his global “Big Year” — an attempt to see as many bird species as possible over 365 days. The previous world record, set in 2008 by a British couple, was 4,341 species. Strycker’s goal was to see 5,000 bird species; he finished the year with an astonishing list of 6,042. In one year, he saw more bird varieties than many elite birders will see in a lifetime. But the new record wouldn’t stand for long: a Dutch birder, Arjan Dwarshuis, cleared 6100 species sighted by early November 2016, and announced that he hoped to break 7000 by year’s end. On December 31, he spotted his 6,833rd variety. He had seen two-thirds of the world’s roughly 10,000 bird species.

Strycker and Dwarshuis are extreme practitioners of an extremely common practice. Birding is big business: in 2011, 18 million Americans traveled with the specific intent to see birds, spending an estimated $15 billion on food, lodging, transportation, and guides in the process. Birders are list-makers: they track their species sighted in a day, in a month, in a year, in a lifetime. In doing so, they act on a deeply ingrained human instinct: to classify and categorize the world around us. Animal behaviorists call that instinct our umwelt — the way we navigate the world.

Though he was attempting to complete the biggest Big Year of all time, Strycker’s goal, beyond tallying a massive list, was to build something larger: to both lean on and to nurture a growing global community, and to show the world that birding matters; that it taps into something larger — something human. He wanted, he told me, to sell the world on birds.

Across the marsh, a flock of tens of thousands of dunlins — gray-brown shorebirds from the sandpiper family — had taken flight. Unremarkable on the ground, in the air they became a shifting cloud of light and shadow, flying in tight formation. Their white bellies glinted in the sun when they turned one way, then the whole group seemed to vanish when they turned away again. Strycker kept pointing out new birds on the mudflats, but I couldn’t stop staring at the dunlins, following their zigs and zags through my binoculars. Like millions of other people, I had seen that viral video of a starling murmuration — but here was the real thing, unspooling in front of me. The dunlins flew back and forth in a rippling unison, moving like a flag in a high wind, gleaming in the January sun.

I had to admit: I was sold.

* * *

Modern birding began with Roger Tory Peterson’s A Field Guide to the Birds, published in 1934. The book was revolutionary: while naturalists had typically killed their specimens and carried them home in order to study them, the portable field guide meant that people — people in North America, at least — could now identify birds on sight, in the wild.

Once bird species were readily quantifiable by anyone who’d studied a field guide, it wasn’t long before birders began competing to see who could spot the most species. Big Days became Big Months became Big Years, and the North American Big Year was the biggest of them all. The original record, set at 497 species in 1939, was broken in 1953 (by Roger Tory Peterson himself, with 572) and again in 1956 (598).

The old style of watching birds — people of means, mostly, taking train or car trips, and eventually flights, to places with known guides, and with plenty of downtime between trips — stood until 1971, when a college student based in Arizona spotted 626 species. Young Ted Parker’s record, in turn, was broken by his close friend, Kenn Kaufman, in 1973. Kaufman was a long-haired teenager who’d dropped out of high school in Kansas to chase birds — he set his new record, 671 species, by spending the full year on the road. He hitchhiked back and forth across the continent, tapping into a network of local knowledge as he went, and sleeping out under the stars. His approach — grassroots knowledge and constant travel over targeted trips and hired guides — was an inspiration for Noah Strycker’s global big year.

* * *

One of the first things we do, from infancy, is learn to categorize the world around us: That’s a dog. That’s a cat. That’s a bird. We gain a more complex understanding as we go: that’s a blue jay. That’s a cardinal. That’s a bald eagle. But while the basic impulse behind birding — categorization and collection — is near universal, we don’t all advance to the level of knowledge or intense attention wielded by active birders. What makes someone take that leap?

To explain themselves, birders talk about “spark birds” — the single bird species, or single sighting, that cements a lifelong addiction. For Strycker, now 31, that encounter came at the Malheur National Wildlife Refuge when he was just 14 years old. The refuge is best known as the site of last winter’s armed occupation by an anti-government militia, but back then, it was a quiet, wild corner of eastern Oregon, popular with birders and virtually no one else. A couple of years earlier, Strycker’s fifth-grade teacher had installed bird feeders outside her classroom windows and passed out binoculars for each student’s desk. Her young pupil went home and begged his parents to build birdhouses on their wooded property just southeast of Eugene. He had already begun memorizing the identifying markers and distinctive chirps and calls of his local birds. Eventually he started birding farther afield — and Malheur was an early, favorite destination.

That’s where he spotted them, on a visit with his father during the spring migration: a barred owl and its heavyweight cousin, a great horned owl, brawling on the ground over a snake that each was intent on eating. This wasn’t a passive songbird on its perch. This was primal violence: beaks and talons, feathers and dust. He was hooked.

Barred Owl  -- Mircea Costina/Rex Features via AP Images

Barred Owl — Mircea Costina/Rex Features via AP Images

Since then, Strycker has made a career of watching birds, counting birds, and thinking and writing about birds. At 16, he landed a summer job surveying the bird population at a reservoir outside Eugene. He started submitting articles to birding magazines — they were good enough that one of his first editors initially wondered whether a parent wrote them. At 18, he was named “Young Birder of the Year” by the American Birding Association. While at Oregon State University (where he studied fisheries and wildlife science, with a minor in fine art), he did field research in Oregon, Panama, Michigan, Maine, and Hawaii. He was also hired as a part-time, paid editor at Birding magazine, a job he still holds a decade later. On customs and immigration forms, he lists his profession as “bird man” — as good a way as any to describe his cobbled-together, bird-themed professional life.

The nearly three months he spent in Antarctica after college, at a remote three-person research camp, inspired his first book, Among Penguins, published in 2011. It’s a young man’s memoir (count the penis jokes) that nonetheless established Strycker’s voice as a writer: earnest, light-hearted, informed, and likeable. Then came more field work in Australia, Costa Rica, Ecuador; California’s Point Reyes, and the Farallon Islands, and a side gig as the resident ornithologist/naturalist for a small cruise company specializing in the Arctic and the Antarctic.

…birds have something to teach people – that intensive, intentional observation of birds can reveal truths not just about life as a bird, but about ourselves.

In 2014, Riverhead Books published Strycker’s second book, a well-reviewed collection of essays called The Thing With Feathers. It mixes the latest academic research with Strycker’s own thoughtful observations from the field. Whether he’s discussing how the nesting habits of fairy wrens can illuminate some of human society’s norms, or exploring what nutcrackers can teach us about the limits and possibilities of memory, his premise, broadly speaking, is that birds have something to teach people — that intensive, intentional observation of birds can reveal truths not just about life as a bird, but about ourselves. (“It takes time to get to know birds,” Strycker writes, “as it takes time to get to know anyone.”)

During his Big Year, Strycker spotted an average of 17 bird species per day to hit his total of 6,042. In one hot streak, in Ecuador, he spotted 625 species in 12 days. There was no time to rest, or to contemplate what he was seeing. He crashed in hostels, with friends, and on birders’ couches, and lived out of a carry-on sized backpack. He moved rapidly from place to place — traveling mostly overland, averaging one short-haul flight per week. His carefully constructed around-the-world route took him to 41 countries and all seven continents. The year cost him, all in, roughly $60,000. (Nearly half of that went to flights alone.) A publisher’s advance, for a forthcoming book about the year, footed the bill.

He recalls sleeping past 6:30 a.m. just once in 2015. Most days he was up and on the hunt by 4:30 or five in the morning, often keeping at it until 10 or 11 p.m. that night. He had worried, before he started, about burnout, but instead, he just seemed to get stronger as he went. His ears and eyes got sharper; his list grew and grew.

On January 1, 2016, in India, the day after he’d completed his record-setting Big Year, Strycker woke up at 5 a.m. and…went birding.

* * *

By late afternoon, the sun was setting and the air had turned cool. Strycker suggested that we wait for dusk, in hopes of spotting a short-eared owl as it emerged for the night. I was game.

While we waited, we watched two northern harriers making low, lazy loops above the marsh. A type of hawk, the harrier tends to hunt from flight, Strycker explained. He’s a natural teacher, slipping casually into a clear, explanatory mode without ever seeming to lecture, delving into a memory bank of knowledge about hundreds, even thousands of bird species: their shapes and sizes, their feather colors and patterns, their calls and songs, their movements. In the fading light, and with the birds in near-constant motion, he could still easily identify the harriers by their style of flight.

The owl we were waiting for shared some habits with the harriers. It, too, hunts from the air, he explained: hovering low over the marshes and fields where its prey, small mammals, try to hide.

Then — speak of the devil — the short-eared owl appeared, flying behind one of the harriers, both of them just shadows in the dusk. Through my binoculars I could see its pale face popping out of the darkness — a sign that this was a male bird. Another owl joined the first, and then a third. Soon, with Strycker’s help, I could distinguish between their flight and the harriers’: the owls’ languid, deliberate wing beats reminded me of a ray’s slow underwater flight. I said so, and Strycker complimented me on the comparison. I felt that surging glow of achievement — the feeling you get when you answer a tricky question correctly at pub trivia, or you navigate the subway successfully in a new-to-you city.

Birding fulfills its practitioners on several levels. It can be about activism, or altruism, and about competition: Arjan Dwarshuis, throughout his mission to break Strycker’s record, was also aiming to raise money for BirdLife’s Preventing Extinctions Programme. It can provide the small, specific pleasure I experienced with the short-eared owls — the little thrill of lining up the details to make a correct identification — or moments of abstract, transcendent beauty, like my long drinking-in of the dunlins. Perhaps most importantly, it can feed our bone-deep, soul-deep need to classify and organize the world around us.

The term umwelt comes from the German word meaning, roughly, “environment” or “surroundings.” But in this context it refers to a given species’ way of perceiving the world around it: dogs organize their world by smell, bees by ultraviolet light, and so on. Carol Kaesuk Yoon, a biologist, proposed in her 2009 book, Naming Nature, that we humans, in turn, navigate through and organize our world via a system of ordering and classification of other natural beings, and that this system is remarkably consistent across history, languages, cultures, ecosystems, and societies. Our umwelt is “our shared human vision of life.”

This isn’t merely a vestigial trait from the days when our daily survival hinged on correctly identifying predators and prey. It’s a vital part of our orientation in the world. When brain-injured humans lose access to their umwelt, their ability to navigate the world through a system of classifications, they lose their bearings. One such patient, who otherwise acted and interacted normally, had to be regularly prevented from trying to consume his hospital blankets and other inanimate, inedible objects. Another, a former birder, could no longer distinguish between species of birds in the images shown to him — he told the doctors that they all “look the same.” Think of a musician who’s no longer able to distinguish between notes, or a foodie without taste and smell: their world is cruelly diminished.

The umwelt, Yoon writes, “is so potent, so compelling, and so vivid that we cannot ignore it. We find we simply must and do order and name the living world…We humans can be counted on to do a number of things: breathe, eat, walk, notice organisms, and organize them into a hierarchical classification.”

In Among Penguins, Strycker’s stock response to the inevitable question, “What got you into birding?” echoes that idea: “I sit back, smile, and ask the asker: ‘What got you so interested in eating, sleeping, walking, and talking?’”

What motivated Noah Strycker to spend a year circling the world, seeking out birds for up to 18 hours every day? What drives millions of birders to venture out into the fields and forests every year, ears cocked and field guides in hand? Call it competitive desire, or the collector’s compulsive need to make and complete ever-longer lists. Call it umwelt.

Maybe it’s all those things, or maybe it’s something less complex. When I asked Ted Floyd, Noah Strycker’s longtime mentor and editor at Birding magazine, what he thought drove Strycker, his answer was simple: “He’s just really, really interested in birds.”

That night in the marsh, we watched the short-eared owls bank and hover, glide and bank again, until their silhouettes faded into the deepening darkness — until even Noah Strycker couldn’t see them anymore.

* * *

Eva Holland is a writer and editor based in Canada’s Yukon Territory whose work we’ve featured on Longreads many times in the past. Visit her personal site at evaholland.com.

Editor: Krista Stevens | Fact checker: Matt Giles

One Novelist Remembers Her Moment

The cover was striking: it showed a syringe. On the back cover one character leaned over a table, snorting cocaine. The calls from radio stations began, the advertising spots, the letters, above all the letters. Girls telling me about their first acid trip. Gay guys who’d been thrown out of their houses. Girls in love with gay guys. Girls in love with my characters. Some I answered, others I didn’t. I didn’t know what to say to them. The reviews were what today we would call “mixed,” using the English word. My publisher’s head of PR would tell me that I ought to make thank you calls even to reviewers who had torn the novel apart, and I’d tell him to fuck off. People would ask me about my next novel. I didn’t know whether I wanted to be a writer. They’d say, “But you’re the spokeswoman of a generation,” and I’d want to cry. My mother drove me to some of the interviews. She was proud of me but didn’t comment on the contents of the book. I don’t know whether Bajar es lo peor is a good novel, but it is a sad novel: the boys shoot up with wine, have nightmares, prostitute themselves, talk to dead people, and love is no good for anything. There are no adults in the book.

The months of fame — there must have been six, maybe eight — were exhausting. I’d dress for television in a faux-leather miniskirt and an AC/DC T-shirt: I thought I looked like a rocker, daring, pretty. Seeing myself seated there in the talk show chair, I couldn’t help being horrified by my white, rather chubby legs and my obvious need for better makeup and hairstyling — not to mention my stammering in response to any question whatsoever. I was a terrible interviewee. With cultural journalists I was even worse. The humiliations piled up. They’d ask me about writers I had never heard of, and I’d pretend to know who they were talking about. My answers were muddled and left me looking like a fraud.

As part of Electric Literature’s The Writing Life Around the World series, Argentine novelist Mariana Enriquez tells how hype, honesty, and timing made her a brief media darling in 1995, when she lived on cheap intoxicants and low aspirations through a tumultuous era, before the news cycle delivered her back to where she wanted to be: quietly writing outside the spotlight. This is an homage to the power of youth and one’s influences, and coming out the other side.

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Greetings from Alabama

Alabama State Capitol
Alabama State Capitol via Wikimedia.

Overwhelmed by pieces that tell you how little you understand voters from “the other side”? Yeah me, too.

Here’s a different perspective. “The Alabamafication of America” compares that state government’s history of populism, corruption, and Evangelical roots with the attributes of 45’s administration.

On the populist scandal side:

Back in the 1940s and 50s, Governor “Big Jim” Folsom was one of the most popular men ever to hold the position. To this day, many Alabamians say that if another Folsom ever runs for office, they’ll vote for him, because Big Jim famously paved rural roads to underserved places (including my grandparents’ childhood homes). Big Jim was also famous for his vices—in a televised debate with George Wallace, Folsom showed up drunk and failed to remember the names of his many children. His apocryphal line—“if they bait a hook with whiskey and women, they’ll catch Big Jim every time”—remains prominent in Alabama lore.

The lesson is simple: populism rises above all other concerns in Alabama. Demagoguery has a long track record of success in the South, and a politician who sufficiently channels that energy can say and do most anything—“grab them by the pussy,” for example—and still win by a landslide. George Wallace’s racism cost Alabama millions in economic development and outside investment, yet his populist appeal won elections. He served several nonconsecutive terms as governor, including one as late as the 1980s.

Trump won the election with the same flair as Folsom. With his cabinet picks and his agenda, it looks like Trump will govern like an Alabamian as well, with the classic strategies of a Montgomery politician.

And on how to keep your own safe when they might be up to no good:

Newt Gingrich has suggested that Trump pardon his family members in advance for any violation while he is in office.

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How David Bowie Came Out As Gay (And What He Meant By It)

Simon Reynolds | Shock and Awe: Glam Rock and Its Legacy, from the Seventies to the Twenty-first Century | Dey Street Books| October 2016 | 19 minutes (5,289 words)

 

Below is an excerpt from Shock and Awe, by Simon Reynolds.

* * *

People like Lou and I are probably predicting the end of an era … I mean that catastrophically.
Any society that allows people like Lou and me to become rampant is pretty well lost.

On Sunday afternoon, 16 July 1972, David Bowie held a tea-time press conference at the Dorchester, a deluxe five-star hotel on London’s Park Lane. Mostly for the benefit of American journalists flown in to watch him and his new backing band, The Spiders from Mars, in action, the event was also a chance to show off Bowie’s new ‘protégés’, Iggy Pop and Lou Reed. They had – separately – made their UK live debuts on the two preceding nights, at the exact same venue, King’s Cross Cinema.

Glammed up in maroon-polished nails and rock-star shades, Reed sashayed across the second-floor suite and kissed Bowie full on the mouth. Sitting in the corner, Iggy also displayed a recent glitter makeover, with silver-dyed hair, eye make-up and T. Rex T- shirt. Reed, Iggy and Bowie would later pose for the only known photograph of the threesome together, Bowie looking resplendent in a flared-cuff Peter Pan tunic made from a crinkly, light-catching fabric. That was just one of three outfits he wore that afternoon – surely the first time in history a rock’n’roll press conference involved costume changes.

During a wide-ranging and somewhat grandiloquent audience with the assembled journalists, Bowie declared: ‘People like Lou and I are probably predicting the end of an era … I mean that catastrophically. Any society that allows people like Lou and me to become rampant is pretty well lost. We’re both pretty mixed-up, paranoid people, absolute walking messes. If we’re the spearhead of anything, we’re not necessarily the spearhead of anything good.’ What a strange thing to announce – that you’re the herald of Western civilisation’s terminal decline, the decadent symptom that precedes a collapse into barbarism or perhaps a fascist dictatorship. But would an ‘absolute walking mess’ really be capable of such a crisply articulated mission statement? There’s a curious unreality to Bowie’s claims, especially made in such swanky surroundings. Yet the reporters nodded and scribbled them down in their notepads. Suddenly Bowie seemed to have the power to make people take his make-believe seriously … to make them believe it too. Something that in the previous eight strenuous years of striving he’d never managed before, apart from a smatter of fanatical supporters within the UK entertainment industry.

Some eighteen months before the Dorchester summit, the singer had looked washed-up. Deserted by his primary collaborators Tony Visconti and Mick Ronson, he put out the career-nadir single ‘Holy Holy’. (Can you hum it? Did you even know it existed?)

Yet a little over a year later, Bowie had everybody’s ears, everyone’s eyes. His fortunes had transformed absolutely: if not the biggest star in Britain, he was the buzziest, the focus of serious analysis in a way that far better-selling contemporaries like Marc Bolan and Slade never achieved. No longer a loser, he had somehow become the Midas man, a pop miracle-worker resurrecting the stalled careers of his heroes, from long-standing admirations like Lou Reed to recent infatuations like Iggy Pop and Mott the Hoople. Sprinkling them with his stardust, Bowie even got them to change their appearance in his image. There was talk of movies and stage musicals, the sort of diversification that’s tediously commonplace in today’s pop business, but back then was unusual and exciting.

‘People look to me to see what the spirit of the Seventies is,’ Bowie said to William S. Burroughs in a famous 1974 dialogue convened by Rolling Stone. This was not boasting, just the simple truth. How did Bowie manage to manoeuvre himself into place as weathervane of the zeitgeist? The battle was not won on the radio airwaves or at record-store cash registers. There are bands from the early seventies who sold millions more records than Bowie ever did, but they never came near to having the high profile he had at the time and are barely remembered today. Bowie’s theatre of war was the media, where victory is measured in think pieces and columns, controversy and the circulation of carefully chosen, eye-arresting photographs. Read more…

How Would Jesus Treat Tech Workers Moving into an Impoverished Neighborhood? Love Them.

“Many of them have chosen to live here and just don’t know how to make a connection,” James Lin, Glide’s senior director of mission and social justice, tells me—they have a neighborhood, in other words, but scarcely know their neighbors. Enter Glide. The church had both the cred and the networks to facilitate an introduction between its oldest and newest residents. As cofounder and minister of liberation, Williams has stood astride poverty and fame for half a century; he marched in Selma, he’s counted the Mandelas and Obamas and Oprahs and Bonos of the world as friends. A newly arrived company looking for an ally on these blocks, or perhaps a broker, could do far worse.

To Felicia Horowitz, wife of tech luminary Ben Horowitz and a devoted Glide supporter, the tech industry has to work extra hard for community acceptance—even as far more insidious local industries mostly escape public reprobation. Chirag Bhakta didn’t mutter about predatory lending bros ruining the neighborhood. At the center, Horowitz sees an abiding tech truth. “We’re outsiders. That’s what it comes down to. We always have been,” Horowitz told me.

In Wired, Chris Colin writes about the determined reverend whose church provides services to the Tenderloin’s most disenfranchised residents, and helps gentrifying tech industry workers engage with the marginalized neighbors their presence directly effects.

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‘4 the Boys’: The Tunnel Creek Avalanche, Five Years Later

Photo by Sam DeLong (CC BY-SA 2.0)

At Seattle Met, Eva Holland talks to the survivors and explores the aftermath of the Tunnel Creek avalanche — the tragedy that inspired “Snow Fall” — five years after a massive snow slide claimed the lives of three men.

“The Boys,” in this small, ski-crazy community, is shorthand for three well-known, well-loved local men who were killed in an avalanche at Tunnel Creek, in the Stevens Pass backcountry, on February 19, 2012: Chris Rudolph, 30; Jim Jack, 46; and Johnny Brenan, 41. The men were part of a large group of visitors and local legends who ventured out of the resort gates late on a Sunday morning and were caught up in a massive snowslide.

Avalanches kill an average of 27 people in America every year. This one attracted the attention of the national media. Good Morning America and Today came calling, wanting to speak to the survivors just hours after the slide. Magazines, including Outside and Men’s Journal, published major features on the tragedy. And, most famously, The New York Times spent months producing “Snow Fall,” an ambitious, multimedia feature about the avalanche that would go on to redefine how stories are presented online. Written by John Branch, it won a Pulitzer Prize, spawned hundreds of imitators, and is now taught in journalism schools.

That’s when the snowpack on the hillside let go.

It shed more than 2,500 feet in altitude in a matter of seconds, gaining mass as it went, ripping up trees and rocks along the way and reaching a peak speed of about 70 miles per hour. The New York Times estimated its weight at 11 million pounds.

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