Search Results for: New Yorker

Eight Days In a Hong Kong Hotel Room With Edward Snowden

Profiling documentary filmmaker Laura Poitras for The New Yorker, George Packer writes of her latest film, “Citizenfour,” which tells the story of N.S.A. whistleblower Edward Snowden. Packer describes the documentary as a political thriller in three acts, with the second act chronicling Snowden’s time in Hong Kong. Over the course of eight days Poitras filmed Snowden in a Hong Kong hotel room for twenty hours, and “the act proceeds chronologically through the eight days in the hotel room, taking up a full hour of the hundred-and-thirteen-minute film.”

We watch Snowden explain his background, his motivations, the nature and extent of N.S.A. eavesdropping, and his fears for the future. His control under immense pressure is unnerving. “I am more willing to risk imprisonment,” he says, “or any other negative outcome personally, than I am willing to risk the curtailment of my intellectual freedom and that of those around me, whom I care for equally as I do for myself.” The interviewer is Greenwald, and, soon enough, he and Snowden become defiant collaborators against power. Snowden, explaining why he plans to reveal his identity, speaks as if he were confronting a government heavy: “I’m not afraid of you. You’re not going to bully me into silence like you’ve done to everybody else.” Greenwald exclaims, “You’re coming out because you want to fucking come out!” (It’s a moment of inadvertent and unregistered humor, since Greenwald is gay.)

Snowden watches the global fallout from Greenwald’s stories on the TV in his hotel room. Snowden’s girlfriend, Lindsay Mills, whom he left behind in Hawaii without a word of explanation, writes him that police have come to question her. He is shaken, imagining her realization that “the person that you love, that you spent the decade with, may not be coming back.” He types something on his laptop—presumably, a reply to Mills—but Poitras, respecting his privacy, doesn’t move the camera to show its content. As the days go by, Snowden’s anxiety increases, and the room becomes claustrophobic. A fire alarm keeps going off—routine testing, he’s told. The bedside phone rings—“I’m afraid you have the wrong room,” he says, and hangs up. “Wall Street Journal,” he explains. His chin is stubbled and his hair won’t lie flat. He seems to be growing visibly paler, and the many stretches of silence last longer; Poitras’s camera stays close to him, at once exposing and protective. In such a small space, from which there’s no exit, the presence of a camera has a distorting effect, and it turns Snowden into a character in a play. Unlike Dr. Riyadh and his family, who went about their lives as Poitras trailed them, Snowden can never forget that he’s being filmed. There are few moments of self-betrayal.

“How do you feel?” we hear Poitras ask.

“What happens happens,” he says. “If I get arrested, I get arrested.”

In shots of him sitting on his unmade bed—white sheets and covers, white headboard, white bathrobe, white skin—Snowden seems like a figure in some obscure ritual, being readied for sacrifice. At one point, we hear his heart beating against a microphone. Still, he keeps speaking in the hyper-rational, oddly formal sentences of a computer techie. And then he’s gone.

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Photo: Wikimedia Commons

The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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Cultural Changes: A Reading List

September feels like a month of changes, to me. Growing up, the first day of school was my New Year. I made resolutions; I felt like a new person, at least for a little while. Today, I chose six stories about (possibly, eventually, hopefully, revolutionary) changes in television, fashion, religion and more.

1. Netflix Programming: “BoJack Horseman is the Funniest Show About Depression Ever.” (Margaret Lyons, Vulture, September 2014)

I’m still naive enough to think cartoons will always be lighthearted, despite the crudity of Family Guy and South Park. When the credits rolled on BoJack Horseman, I turned to my boyfriend, close to tears, and said, “That … that was really sad.” And that’s not a bad thing.

2. Supermodel Culture: “Will Model Chantelle Brown-Young Redefine What It Means to Be Beautiful?” (Isabel Slone, The Globe and Mail, September 2014)

Seeing the fashion blogger I used to follow in my tween years on the front cover of the style section of the Globe and Mail is a little surreal. Slone delivers an excellent piece on supermodel Brown-Young (a.k.a. Winnie Harlow), who has vitiligo and rocked the runway this September.

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The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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The Plus Side

Longreads Pick

The New Yorker’s Lizzie Widdicombe on the rapidly evolving full-figured fashion industry, and its place in the fashion world at large.

Source: New Yorker
Published: Sep 22, 2014
Length: 27 minutes (6,914 words)

How a Blog Post Sparked a Retail Movement

Once in a while, a single post can spark a movement. In the summer of 2011, Gabi Gregg, who writes the blog GabiFresh, went on a quest to find a bikini; at the time, bikinis were hard to find in large sizes. When she found one, she posted a picture of herself in it, calling it a “fatkini.” (Gregg says that she got the word and the idea from a Tumblr user.) The picture, and a follow-up article for the Web site xoJane, the next summer, went viral, prompting a wave of copycat posts. Plus-size women took bikini pictures and tagged them #fatkini. Gregg ended up on the “Today” show, and the retail landscape changed. Gregg told me, “Out of nowhere, all these plus-size brands were suddenly making bikinis.”

The fatkini movement—and plus-size fashion in general—has occasionally sparked a backlash. “Being really visible when you’re a plus-size woman is not for the faint of heart,” Conley told me. Many blogs attract lewd and misogynistic comments, but the more mild-mannered critics cite health concerns. “There’s a fine line between anti-body-shaming and obesity-glorification,” one reader wrote, at the bottom of a Buzzfeed article about the fatkini trend. Another added, “Celebrating obesity seems a bit ridiculous.”

Lizzie Widdicombe, writing for The New Yorker about the rapidly evolving plus-size fashion industry. For Gabi Gregg, being a pioneer in a shifting retail landscape has been lucrative—she now designs her own line of swimwear, and her most popular suit sold out in twenty-four hours.

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Photo: Gabifresh, Instagram

Tools of the Writer’s Trade: A Reading List

What are the stories behind our storytelling tools?

1. “Ungumming the Keys.” (B.J. Hollars, The Rumpus, September 2014)

The author purchases a typewriter engraved with mysterious initials and dives into the pasts of its potential previous owners.

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The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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What Ails Us: A Reading List About Disease

In last week’s Reading List, I wrote about Eula Biss and her new book, On Immunity: An InoculationIt is a meditation on the United States, disease, race and motherhood, using vaccination as a metaphor/catalyst. With that on my mind, this week’s list is about diseases—four essays about Ebola, Parkinson’s and more.

1. “My Mother, Parkinson’s and Our Struggle to Understand Disease.” (N. Michelle AuBuchon, Buzzfeed, July 2014)

In a combination of memoir and science writing, from her father’s careful logs to the books she reads to her ailing mother, AuBuchon comes to realize “we come from people who listen and people who believe in stories, because stories are the only thing getting them from one moment to the next.”

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The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

Sign up to receive this list free every Friday in your inbox.

* * *

Read more…