Search Results for: New York Times

The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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Heirs, Heiresses and Inheriting a Company

America is not kind to the heir. He is a stereotypical figure in our literature, and not an appealing one at that. He tends to be depicted as weak, pampered, flawed, a diluted strain of the hardy founding stock. America celebrates the self-made. Unless an heir veers sharply from his father’s path, he is not taken seriously. Even in middle age he seems costumed, a pretender draped in oversize clothes, a boy who has raided his father’s closet. The depiction may be unfair, but it is what it is.

But Arthur wasn’t just born to his position—the story is more complicated. He may have been the firstborn son in the line of succession, but he also staked his claim to the crown deliberately and dramatically, when he was only 14 years old. His mother, Barbara Grant, and Punch Sulzberger divorced when Arthur was just five. He lived throughout his early childhood on the Upper East Side with his mother and her new husband, David Christy, a warm and supportive stepfather. Punch is nominally Jewish, although not at all religious, while his son was raised Episcopalian. Arthur senior and Arthur junior were not close: Punch was generally aloof, even when Arthur was around. Yet, understanding what his famous name meant, and who his distant father actually was in the world, he packed up his things and moved himself the half-mile to his father’s home on Fifth Avenue, to live with Punch and his stepmother and their daughters. He was not pulled by any strong emotional connection. It seemed more like a career move. His biological father and his stepmother were wealthy, socially connected, and powerful; his biological mother and his stepfather were not. Arthur opted for privilege and opportunity. That his stepmother, Carol Sulzberger, despised Arthur—she would stick out her tongue at pictures of him—did not seem to matter. He was Arthur Ochs Sulzberger Jr., and showing up on his father’s doorstep was a way of asserting, consciously or not, that when Punch changed wives he had not washed his hands of an obligation to his son. While the inheritance was his by birth, it was also very much Arthur’s choice.

From Mark Bowden’s 2009 Vanity Fair profile of fourth-generation New York Times publisher Arthur Ochs Sulzberger Jr.

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NYT in the Longreads Archive

Photo: jamescridland

The Good Girls Revolt

Lynn Povich | The Good Girls Revolt, Public Affairs | 2012 | 14 minutes (3,368 words)

 

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“Editors File Story; Girls File Complaint”

On March 16, 1970, Newsweek magazine hit the newsstands with a cover story on the fledgling feminist movement titled “Women in Revolt.” The bright yellow cover pictured a naked woman in red silhouette, her head thrown back, provocatively thrusting her fist through a broken blue female-sex symbol. As the first copies went on sale that Monday morning, forty-six female employees of Newsweek announced that we, too, were in revolt. We had just filed a complaint with the Equal Employment Opportunity Commission charging that we had been “systematically discriminated against in both hiring and promotion and forced to assume a subsidiary role” simply because we were women. It was the first time women in the media had sued on the grounds of sex discrimination and the story, irresistibly timed to the Newsweek cover, was picked up around the world:

• “‘Discriminate,’ le redattrici di Newsweek?” (La Stampa) “Newsweek’s Sex Revolt” (London Times)
• “Editors File Story; Girls File Complaint” (Newsday)
• “Women Get Set for Battle” (London Daily Express)
• “As Newsweek Says, Women Are in Revolt, Even on Newsweek” (New York Times)

The story in the New York Daily News, titled “Newshens Sue Newsweek for ‘Equal Rights,’” began, “Forty-six women on the staff of Newsweek magazine, most of them young and most of them pretty, announced today they were suing the magazine.”

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It's Never Too Late, Vol. 1

Continuing to brave the Indian Ocean, and continuing to die, only illustrates their desperation in a new, disturbing kind of light. This is the subtext to the plight of every refugee: Whatever hardship he endures, he endures because it beats the hardship he escaped. Every story of exile implies the sadder story of a homeland.

-From Luke Mogelson’s National Magazine Award-winning story, “The Dream Boat,” in The New York Times Magazine (November 2013).

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More National Magazine Award winners

Class, Privilege and Wealth at Two Very Different High Schools

University Heights High School is located in one of the poorest congressional district in America, and six miles away, the Ethical Culture Fieldston School charges $43,000-a-year for tuition and is attended by the children of celebrities. In The New York Times Magazine, students from both schools discuss coming together to share their stories, talk about class and privilege, and find the things they have in common.

ANABEL: “I’m very lucky and privileged to have the parents I have. They’ve never stressed money in my life, which has given me an idea of success that isn’t based on money, but rather happiness and self-fulfillment. This may be because my family hasn’t ever openly struggled financially in my lifetime. I don’t usually think of money in a social context — who has more and who has less — but again, maybe this is due to the fact that I’ve never personally struggled to make money or get by.”

KIANA: “I went in there thinking none of the students at Fieldston would understand what any of the kids from my school go through on a daily basis, because they’re most likely all from rich households. But my partner and I had a lot more in common than I thought we would, and these kids were not stuck up like I thought they’d be. Some of them went through similar things that kids from my school have gone through — in some cases, maybe worse.”

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Nora Ephron's Son Describes a Rare Glimpse of His Mother's Vulnerability

Last year, Jacob Bernstein wrote about his mother Nora Ephron’s last days for The New York Times Magazine. In the following excerpt, Bernstein writes about the moment he learned that his mother’s aggressive blood disorder had turned into leukemia and saw his mother in a rare state of vulnerability:

When I arrived in her room, my mother was crying. She cried a lot that first night, and then, the next day, she cried some more because she was certain Christopher Hitchens had done no such thing, and she was devastated at the thought that she might not be as brave as him about death.

It terrified me to see her cry like that. She loved me, showered me with gifts, e-mailed or called every time I wrote something that made her proud. But even after all the weekly meals, the shared vacations, the conversations about movies and journalism and the debt ceiling and Edith Wharton, I still viewed her with a mix of awe and intimidation. It wasn’t often that I caught a glimpse of her vulnerability.

Now there she was, in her Chanel flats and her cream-colored pants and her black-and-white-striped blouse, looking so pretty and so fragile as she dabbed her eyes with a Kleenex; and I finally understood what she meant when she said she was a bird — that she wasn’t just talking about her looks but something inside as well.

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Photo: TechCrunch

Working 9 to 5: A Reading List About the Way We Work

Longreads Pick

This week’s picks from Emily include stories from The Billfold, the Walker Art Center, The New Yorker’s Currency blog, and The New York Times.

Source: Longreads
Published: May 4, 2014

Working 9 to 5: A Reading List About the Way We Work

The lines between my life and these lists blur often, and this week is no exception; I begin a new job tomorrow.

1. “Workin’ 9 to 5 (What a Way to Make a Living).” (Megan Reynolds, The Billfold, April 2014)

“I can’t shake the feeling that the 9-to-5 grind carries the one hallmark of adulthood—obligation. The work of the modern office employee is finely tuned drudgery, a daily exercise in doing stuff that you don’t necessarily want to do, but know you have to.”

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The 2014 National Magazine Award Winners: A Reading List

The American Society of Magazine Editors handed out its 2014 National Magazine Awards Thursday night, with Fast CompanyNew York magazine, Inc., Poetry magazine and Modern Farmer all taking home trophies. Boston Magazine’s stirring cover image (above) following the Boston Marathon bombings was named ASME’s Cover of the Year.

Below is a reading list featuring some of the stories honored Thursday night. Read more…

Reading List: Leslie Jamison, Author of ‘The Empathy Exams’

“When people ask what kind of nonfiction I write, I say ‘all kinds,’ but really I mean I don’t write any kind at all: I’m trying to dissolve the borders between memoir and journalism and criticism by weaving them together.” – Leslie Jamison

This week, Choose Your Own Adventure with Leslie Jamison. I’ve compiled a collection of interviews with and essays and short stories by the author of The Empathy Exams. But the way you approach this list is up to you. Ready? Let’s begin.

To read Jamison’s interview with the Virginia Quarterly Review, proceed to number 1 (this is a good introduction to the author, if you’ve never heard of her or only know her a bit).

To read Jamison’s interview with Flavorwire, proceed to number 2 (best if you’ve already read The Empathy Exams, or are about to).

To read Jamison’s interview with The Paris Review, proceed to number 3 (best if you love the particular flavor of Paris Review interviews and have not read The Empathy Exams yet, because a version of this interview appears there).

Want to get to know Jamison through her writing first? To skip these interviews altogether, proceed to numbers 4 or 5.

1. “An Interview with Leslie Jamison.” (John Lingan, VQR, April 2014)

 

2. “‘The Empathy Exams’ Author Leslie Jamison on the Empathy of the Internet and the Limits of Opinion.” (Elizabeth Donnelly, Flavorwire, March 2014)

 

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