Search Results for: New York Times

Our Longreads Member Pick: A Look Back at New York Woman Magazine

Longreads Pick

This week a debate erupted about “serious journalism” in women’s magazines—and as part of this discussion, several magazine editors reflected fondly on the work of the late, great magazine New York Woman and its founding editor, Betsy Carter. New York Woman was published from 1986-1992; Carter went on to work for O, the Oprah Magazine and write books including Nothing to Fall Back On: The Life and Times of a Perpetual Optimist. She also just finished her fourth novel.

We asked Carter to share a story from the New York Woman archives, and she chose “The Jogger D.A.,” by Victoria Balfour, from 1991. Carter explains here.

Source: New York Woman
Published: Jun 21, 2013
Length: 15 minutes (3,856 words)

Now on Newsstands: Modern Farmer

image


One of our favorite parts about running Longreads is getting to know all the excellent magazine, book and online publishers out there producing great storytelling. We thought it would be fun to profile them—starting today with Modern Farmer. We spoke with deputy editor Reyhan Harmanci about their inaugural issue, out now.

Publication: Modern Farmer (inaugural issue)

Founded: April 2013

HQ: Hudson, New York

Editors: Ann Marie Gardner (Editor-in-Chief), Reyhan Harmanci (Deputy Editor), Andy Wright (Senior Editor), Jake Swearingen (Web Editor)

How did the magazine come together?

“The whole operation began when, a few years ago, Ann Marie was working for the New York Times and Monocle, and traveling a lot for stories. Living in upstate New York, she was surrounded by farmers, gardeners, people really connected to the food and the land; the fact that people everywhere were having the same conversations about food security, sustainability, localism, etc., surprised and inspired her. She began working on this in earnest about a year ago, and found an investor this fall. The editorial team (or part of it) began working in November.

“The basic idea behind MF is that knowing where your food comes from is extremely important — and, thanks in large part to climate change, so is self-reliance. We want to cover agriculture on a global scale, tell fascinating stories and also have fun. It doesn’t hurt that farms often have baby farm animals, key to any digital media operation.”

Tell us about the #longreads in the latest issue:

“Probably my favorite story in the magazine is by Jesse Hirsch (who has since come on as our staff writer) about the global wild pig explosion. It really needs to be read to be believed: boars are taking over the world and we can’t do anything to stop it. Less fun but extremely important is Mac McClelland’s story about humane slaughter—what does it even mean? How much should we care?”


Subscriptions: 
Print and digital

We Must Build An Enormous McWorld In Times Square, A Xanadu Representing A McDonald’s From Every Nation

Longreads Pick

What if there were a flagship McDonald’s store that served all the variations of country-specific fast food items found in chains from around the world?

“Everyone talks about how globalization ‘McDonalds-izes’ the world, but the funny thing about a place like New York is that you can get basically every kind of food *except* whatever they serve at the foreign outposts of our proud American chains. I would say I know more people who have had a lamb face salad from the Xi’an Famous Foods in the Golden Mall in Flushing than have had the poutine from the Montreal McDonalds, never mind something you really have to travel for, like a Chicken Maharaja Mac. Frequently, when I travel outside of the USA, my trips to the local McDonald’s are the most genuinely foreign-feeling and disorienting part of the trip. I went to Paris last year. There are probably ten restaurants within walking distance of my old Williamsburg apartment that are varyingly obsessive imitations of Parisian bistros, Parisian bars, Parisian brasseries. If they were hung in museums, the wall texts next to them would say ‘School of Keith McNally.’ But there is not a single place in New York that serves a Croque McDo.”

Source: The Awl
Published: Jan 23, 2013
Length: 9 minutes (2,406 words)

New York Magazine's Ben Williams: My Top Longreads of 2011

Ben Williams is the online editorial director at New York Magazine.

•••

1. Celebrity profiles are the hardest genre to make fresh. So props to GQ for doing it not once but three times, with Jessica Pressler on Channing Tatum, Edith Zimmerman on Chris Evans, and Will Leitch on Michael Vick. With Pressler and Zimmerman, what’s great is the willingness of both subject and writer to play, and the dynamic between them—these pieces exploit the “profile as date” subtext really well. It’s fun to think about them as a sort of inverse to Jennifer Egan’s brilliant satire of the profile biz in A Visit From the Goon Squad.  In the Vick piece, what I like is the way that Leitch uses the PR apparatus around the process of profiling Michael Vick to reveal what’s at stake for him. He didn’t get much time with Vick, just a photo shoot and a phone call, but he used it to both explain and complicate the Michael Vick Story that the quarterback’s handlers want to tell. 

2. There are a bunch of New Yorker stories I could pick—Ryan Lizza’s “leading from behind” piece on Obama’s foreign policy was so influential; Jane Mayer on Thomas Drake and state secrets was fascinating and moving; Kelefah Sanneh not only wrote a great analysis of Odd Future, he tracked down their missing member; David Grann is David Grann—but my favorite was Jeffrey Toobin’s take on Clarence Thomas. There are so many things going on here: It’s a revisionist view that frames Thomas as very smart and canny; it shows how one justice can move the entire Supreme Court over decades through the way opinions are written; it sets the stage for next year’s healthcare ruling as a culmination of Thomas’s entire mission; and it makes clear once again just what a strange, extremist man he is.

3. Overall, my favorite thing in the new New York Times Magazine is probably the Riffs section—it identified a gap in the preview-and-review saturated culture journalism market, which is (relatively) long form argument/idea-driven pieces. To pick a few highlights: Dan Kois’s piece on avant-garde movies kicked off a fierce, endless, at times kind of ridiculous debate that just about every movie critic had to weigh in on; Adam Sternbergh’s piece on jokeless comedies defined an era; Sam Anderson on Derek Jeter both mocked empty sports hagiography and read like a hilarious version of Donald Barthelme. Alternate winner in this category is the New York Review of Books, which published some of the best cultural essays this year—Daniel Mendelsohn on Mad Men and Spiderman, Lorrie Moore on Friday Night Lights, and Dan Chiasson on Keith Richards were all delightful and provocative.

4. I just loved Paul Ford’s “The Web is a Customer Service Medium.” It’s the kind of piece that would be hard to get into a print magazine for various reasons, but it resonated instantly online. It’s a pretty abstract argument about a subject that’s not exactly under-analyzed—what is web content about, and how is it different from other forms of content?—but it opens by coining a phrase which instantly makes sense to anyone who works on the web: “Why wasn’t I consulted?” And then it goes on to make a very detailed, specific, convincing, and non-buzzword-filled argument that isn’t formulated expressly to piss off anyone who works in “old media,” which is refreshing.

5. Finally, some favorites in the emerging multimedia genre of longform tweeting. I probably read more words on Twitter than anywhere else this year, and I am grateful for the stamina of those who somehow manage to tweet and retweet extended thoughts all day, every day on specific themes. I learned as much about the Arab Spring by dipping into @acarvin’s feed as from any essays about it. @daveweigel is constantly insightful, and one of the few people capable of being funny about politics. Following @questlove’s stream is like listening to the world’s kindest, most passionate music geek.

***

See more lists from our Top 5 Longreads of 2011 >

Share your own Top 5 Longreads of 2011, all through December. Just tag it #longreads on Twitter, Tumblr or Facebook. 

New York Magazine's Jessica Pressler: My Top 5 Longreads of 2011

Jessica Pressler is a writer for New York Magazine. See her recent stories here. (Pictured above, inexplicably, with New York Police Commissioner Ray Kelly in 2010.)

***

Ok, so: There are no New York magazine articles in this Top Five, because I work there, and letting them in would clog up the list and might make for awkwardness at the office Christmas party, which is awkward enough already. None of these are by my friends, although Sarah Miller is a friend of a friend, John Jeremiah Sullivan and I once had an email correspondence that consisted entirely of sending each other links about animal attacks, and I profiled Michael Lewis this year, although I never heard from him after so maybe we’re enemies. Also, I limited myself to just one New Yorker article, because those people get enough attention.

***

Michael Lewis, “When Irish Eyes Are Crying,” Vanity Fair, March 2011

There’s really no one other than Michael Lewis who can turn 13,000 words on the European debt crisis into an enjoyable read (If he doesn’t say so himself, ahem). He has an amazing ability to sort of ground these these ginormous, abstract events (Ireland somehow lost $34 billion Euros???) in reality and to bring characters to life, like with his description of the Irish chief regulator’s “insecure little mustache.”

Lawrence Wright, “The Apostate,” The New Yorker, March 14, 2011

Paul Haggis, what a badass. And Lawrence Wright, of course. You have to just sort of bow down to the reporting and the writing in this story, the image of the New Yorker fact checkers facing off against the Scientology bigwigs with their binders is just as awesome for me as the one of a group Scientologists ripping each other apart during a sick game of musical chairs.

“Sarah Leal: How Ashton Kutcher Seduced Me,” Us Weekly, October 11, 2011

Sarah Leal is the “hot-tub worthy” chick Ashton Kutcher hooked up with in San Diego and ultimately the first domino in the collapse of his marriage to Demi Moore, but that’s not why this Q&A with her is interesting. The interviewer manages to extract from her the details of the night she spent with Ashton in minute detail (“Then I had to pee..”) and it doesn’t feel airbrushed the way it can when a celebrity magazine has made promises to publicists or the subject. There’s enough moments of weird hilarity (WHY is the bodyguard wearing a priest outfit?) to kind of balance out the tawdriness, and there’s even an unexpectedly touching moment when Ashton described his life as “90% fake.” I feel like I learned more about him and his weird, lonely life than I would from a magazine profile of the man himself.

“At Least We Don’t Brag,” Sarah Miller, Five Dials Number 19, March 2011 (PDF)

As a childless person living in the Smug Parent Capital of the World, I’m still nodding and laughing at this.

“Peyton’s Place,” John Jeremiah Sullivan, GQ, October 17, 2011

I guess it’s because of his book, but this year it kind of felt like everyone discovered the greatness of John Jeremiah Sullivan, because suddenly he is everywhere, and I think I speak for a lot of magazine writers when I say it kind of feels like your favorite indie band has become super-popular. Everyone went nuts over his Disney World story in the Times, but I’m picking the B-Side, which is a classic JJS, a 6,000 word piece that is kind of about nothing and everything all at once.

Changing Times

Longreads Pick

Profile of new New York Times executive editor Jill Abramson. “Abramson put her purse down on a white Formica desk that she occupies in the middle of the third-floor newsroom. Someone had left her a sealed envelope with ‘Congratulations’ written on the front. It contained a cover note from a female editor at the paper along with a laminated letter passed down from that editor’s father. The letter was from a nine-year-old girl named Alexandra Early, who wrote that she got mad when she watched television: ‘That’s because I’m a girl and there aren’t enough girl superheroes on TV.’ The cover note to Abramson said, ‘Wherever Alexandra Early ended up, I hope that she heard about your new job.'”

Source: New Yorker
Published: Oct 17, 2011
Length: 43 minutes (10,777 words)

Portraits Redrawn: For 9/11 Families, Healing Comes With New Starts and Tributes Paid

Longreads Pick

Shortly after the Sept. 11 attacks, reporters at The New York Times began interviewing friends and relatives of the people whose lives had so suddenly been ended. The result was “Portraits of Grief,” a collection of brief sketches of the victims. These fresh visits with some of the families were written by Glenn Collins, Anthony DePalma, Robin Finn, Jan Hoffman, N. R. Kleinfield, Maria Newman and Janny Scott, all contributors to the original “Portraits of Grief” project in 2001. #Sept11

Author: Staff
Published: Aug 10, 2011
Length: 19 minutes (4,879 words)

Shaken-Baby Syndrome Faces New Questions in Court

Shaken-Baby Syndrome Faces New Questions in Court

India's New Generation of Caste Busters

India’s New Generation of Caste Busters

The Worst Bathroom in New York

The Worst Bathroom in New York