Choire Sicha is a very special human being. Just look at these Twitter mentions congratulating him on his new role as editor of The New York Times Styles section. It’s a trip through the past 20 years of New York media featuring an all-star cast of writers, many of whom he helped shepherd to fame (or at least a steady job).
Choire makes people feel good about themselves and their work, and this of course is what makes an editor truly great. Like any other nobody with a blog, I have my own Choire story: I started Longreads shortly after he and Alex Balk started The Awl, and he was supportive and encouraging from the start. (He also condemned me for not having Renata Adler anywhere on the site yet.) Great editors will save you from future embarrassment. Read more…
The publisher of the New York Times announced in a staff memo Wednesday that the position of public editor — an ombudsperson of sorts, meant to be an advocate for the paper’s readers — is being eliminated. The current occupant of the role, Liz Spayd, was expected to remain until summer 2018, but her tenure will now end on Friday.
According to a screenshot tweeted by Times reporter Daniel Victor, the memo read:
The public editor position, created in the aftermath of a grave journalistic scandal, played a crucial part in rebuilding our readers’ trusts by acting as our in-house watchdog. We welcomed that criticism, even when it stung. But today, our followers on social media and our readers across the internet have come together to collectively serve as a modern watchdog, more vigilant and forceful than one person could ever be. Our responsibility is to empower all of those watchdogs, and to listen to them, rather than to channel their voice through a single office.
NPR media reporter David Folkenflik noted on Twitter that the first public editor’s tenure also “coincided with growing outcry over failed WMD/Iraq coverage.” But as Huffington Post media reporter Michael Calderone noted, the “grave journalistic scandal” the publisher referred to was in 2003, when reporter Jayson Blair’s plagiarism and fabrications were revealed. In a lengthy story on their own investigation into Blair’s wrongdoings, Times reporters wrote that “something clearly broke down in the Times newsroom. It appears to have been communication — the very purpose of the newspaper itself.” Read more…
At The New York Review of Books, former New York Times reporter—and current salon co-owner—Richard Bernstein takes the paper to task for its much-talked-about two–part 7000-word exposé on the exploitation and abuse of employees at nail salons in New York City.
He says the article—which led to a state-wide investigation and a new law instituted by Governor Andrew Cuomo—misrepresents the salon industry as a whole by focusing mainly on one undocumented and unlicensed worker. He also suggests it wasn’t as thoroughly reported as author Sarah Maslin Nir claims—although apparently he didn’t reach out to her for comment.
As a former New York Times journalist who also has been, for the last twelve years, a part owner of two day-spas in Manhattan, I read the exposé with particular interest. (A second part of the same investigation, which appeared in the Times a day later, concerned chemicals used in the salon industry that might be harmful to workers.) Our two modestly-sized establishments are operated by my wife, Zhongmei Li, and my sister-in-law, Zhongqin Li, both originally from China, and “mani-pedi” is a big part of the business. We were startled by the Times article’s Dickensian portrait of an industry in which workers “spend their days holding hands with women of unimaginable affluence,” and retire at night to “flophouses packed with bunk beds, or in fetid apartments shared by as many as a dozen strangers.” Its conclusion was not just that some salons or even many salons steal wages from their workers but that virtually all of them do. “Step into the prim confines of almost any salon and workers paid astonishingly low wages can be readily found,” the story asserts. This depiction of the business didn’t correspond with what we have experienced over the past twelve years. But far more troubling, as we discovered when we began to look into the story’s claims and check its sources, was the flimsy and sometimes wholly inaccurate information on which those sweeping conclusions were based….
… How to account for these evident flaws, the one-sidedness of the Times story? Recently the Times’s own Nick Kristof wrote in a column that “one of our worst traits in journalism is that when we have a narrative in our minds, we often plug in anecdotes that confirm it,” and, he might have added, consciously or not, ignore anecdotes and other information that doesn’t. The narrative chosen by the Times, what might be called the narrative of wholesale injustice, is one of the most powerful and tempting in journalism. Certainly, as Mr. Baquet put it, it had “impact.” It was read, he told an audience in mid-June, by 5 million people, which is five times the readership of the Sunday print edition, and produced an immediate government response.
Surely, Bernstein’s exposé-on-the-exposé isn’t the last word. Nir and others at the Times have taken to Twitter, and Times deputy Metro editor Michael Luo has Storified that activity and other developing aspects of the story. In a tweet, Nir suggests that Times executive editor Dean Baquet has a response in the works.
Stay tuned to find out whether it might in fact be okay to get inexpensive manicures after all…
Salon workers describe a culture of subservience that extends far beyond the pampering of customers. Tips or wages are often skimmed or never delivered, or deducted as punishment for things like spilled bottles of polish. At her Harlem salon, Ms. Cacho said she and her colleagues had to buy new clothes in whatever color the manager decided was fashionable that week. Cameras are regularly hidden in salons, piping live feeds directly to owners’ smartphones and tablets.
Qing Lin, 47, a manicurist who has worked on the Upper East Side for the last 10 years, still gets emotional when recounting the time a splash of nail polish remover marred a customer’s patent Prada sandals. When the woman demanded compensation, the $270 her boss pressed into the woman’s hand came out of the manicurist’s pay. Ms. Lin was asked not to return.
“I am worth less than a shoe,” she said.
–Sarah Maslin Nir, in The New York Times, on the low wages and abuse suffered by manicurists.
Four years of covering Cuomo as a reporter have put me at his side day after day, week after week, from the Soviet Union to Canada, from San Francisco to the Upper West Side of Manhattan. We’ve drunk vodka together at backyard cookouts and in a Leningrad hotel. (Often after a few vodkas, and in other times of reflection, he dwells not on moments of glory but on those of defeat, especially the bitter 1977 New York City mayoral race he lost to Edward I. Koch.) He has fallen asleep next to me on the red-eye flight out of Los Angeles. (He snores.) He has threatened to ruin me for articles he perceived as negative. (”I could end your career. Your publisher doesn’t even know who you are.”) He has offered to have the state police bring me chicken soup when I was home with the flu.
The four years are a roller-coaster ride of images:
Cuomo pacing in his office: ”Lincoln. Lincoln had bad press, too. He wasn’t appreciated until after he was gone.”
Cuomo backstage in seclusion after one of his major speeches, bent over, breathless and spent, like an athlete who has just finished a race.
Cuomo, the lawyer and student of the Vincentians, playing his favorite role, part Socrates and part Clarence S. Darrow, grilling a 10-year-old boy in the halls of the State Capitol: ”And how do you know you’re 10 years old? Your daddy says so? How do you know your daddy’s right?”
Cuomo, at the age of 55, still wearing on his right hand his St. John’s University ring, so deep is his gratitude to the college that transformed a son of poor Italian immigrants into a member of the professional class.
Cuomo, the Roman Catholic and the quick wit, remaining calm as some around him panicked when one of the two engines on his state plane failed: ”What’s the matter? Aren’t you in a state of grace?”
Cuomo making his own coffee in the kitchen of the Executive Mansion on a Saturday morning, then walking through the residence pointing out the nicks in the woodwork left by Franklin D. Roosevelt’s wheelchair.
—Jeffrey Schmalz, writing in the New York Times Magazine, May 15 1988.