A Longreads Guest Pick from Rebecca Hiscott, a graduate student at NYU and a features writer for Mashable:
“I’m still marveling at ‘Him and Her’ by Mark Harris from the Oct. 14 issue of New York magazine. The piece is both a nuanced profile of director Spike Jonze — despite Joaquin Phoenix’s stony-faced cameo on the cover — and an eye into the making of Her, the quasi-sci-fi movie that aspires to be ‘a cautionary meditation on romance and technology’ and ‘a subtle exploration of the weirdness, delusiveness, and one-sidedness of love.’ The narrative follows Jonze through the process of writing, shooting and editing the film, and his subsequent efforts to correct a cinematic gamble that hasn’t paid off. Harris’s lush prose mimics Jonze’s aesthetic as a filmmaker, which the author describes as ‘disarmingly sincere, and melancholy in surprising places”; the article also has an evocative opening scene that perfectly captures the spirit of the film and its enigmatic director.”
“I never saw my mother happy with me or proud of me doing something. I never got a chance to talk to her or know her. Professionally, that would have no effect on me, but emotional and psychologically, it was crushing. I would be with my friends, and I’d see their mothers kiss them. I never had that. You’d think that if she let me sleep in her bed until I was 15, she would have liked me, but she was drunk all the time.”
Kate Cox is a freelance writer and editor living in New York.
Nobody will say this, but the secret to New York City survival is a sturdy emotional filter. The flipside of said filter is that hundreds of our daily encounters fail to penetrate: the deli guy, the dry cleaner, fellow commuters—we so rarely engage in any authentic way. Jennifer Gonnerman’s 2007 piece for New York magazine, ‘The Deliverymen’s Uprising,’ did for bicycle deliverymen what the best writing always does; it burst that bubble. A successful longread can disrupt the practiced rhythm of our daily interactions. Gonnerman’s account of the deliveryman revolt against a local noodle shop disrupted mine. I haven’t undertipped since.
Gary Hart was frontrunner for the 1988 Democratic presidential nomination when rumors of an extramarital affair began to swirl. He responded to the rumors with a strong denial and a dare: “Follow me around. I don’t care. I’m serious. If anybody wants to put a tail on me, go ahead. They’ll be very bored.” Unfortunately for him, the Miami Herald had already been doing just that. Their intrepid reporting not only uncovered an affair between the senator and a 29 year-old model, but also rewrote the rules of political reporting.
Deborah Jeane Palfrey, the “D.C. Madam,” delivered high-end escorts to Beltway elite, until the whole thing came crashing down with a fiery conviction, suicide and media spectacle.
One of the great scandals in British political history, the Profumo Affair—which paired then War Secretary John Profumo with a teenaged former showgirl—had it all: sex, drugs, photographs, spies and a proto-Clintonian denial.
Of course Vanessa Grigoriadis would write the perfect early-aughts New York magazine piece on Monica Lewinsky’s post-scandal second act as a Manhattan twenty-something.
In this episode of Stuff You Should Know, hosts Chuck and Josh discuss the history of hip-hop, from The Sugar Hill Gang to the present. They add their own personal history, which includes stories of attempted breakdancing and well-intentioned clothing choices.
Co-authors Jeff Weiss and Evan McGarvey speak with host Colin Marshall about their book 2pac vs. Biggie: An Illustrated History of Rap’s Greatest Battle. They talk about the artists’ rivalry, their beginnings, how their styles differed, and why you’re missing out if you only listen to one and not the other.
The drummer for The Roots talks about his influences growing up, how he listens to music, and his favorite part of Soul Train. (Bonus: Also check out Terry Gross’s classic 2010 interview with Jay-Z.)
Dan Charnas, a veteran hip-hop journalist and one of the first writers for The Source, talks with Jesse Thorn about the history of the hip-hop music business and how executives and entrepreneurs turned an underground scene into the world’s predominant pop culture.
Andrew Rice, contributing editor for New York magazine, spoke about his article on Jay-Z’s business acumen with James Braxton Peterson, director of Africana Studies, professor of English at Lehigh University, and founder of Hip Hop Scholars. Together they delve into the financial side of Jay-Z’s career.
If you were around in the ’90s, you might recognize Michael Rapaport from movies like Zebrahead, Poetic Justice, and Higher Learning. In 2011, he came out with a documentary on A Tribe Called Quest. He talks to The Treatment’s Elvis Mitchell about his love of hip-hop, his childhood in New York City, and his experience filming his favorite artists.
Got a favorite podcast episode on hip-hop? Share it in the comments.
Picks from Emily Perper, a freelance editor and reporter who blogs about her favorite longreads at Diet Coker. This week’s picks include stories from New York magazine, The Toast, and Medium.
Traditional interviewing with a twist: Luna interviews T.J. Kincaid, better known as YouTube’s The Amazing Atheist. (Full disclosure: I am the editor-at-large for The Annual, a monthly humor magazine founded by my childhood friend and comedy connoisseur, Kevin Cole.)
Their former venues include a bloody delicatessen basement and a low-fi burlesque club frequented by Hasidic Jews. Upright Citizens Brigade has produced some of the wildest and funniest folks in comedy today. Here, Raftery compiles the experiences of the early days of Amy Poehler, Ed Helms, Bobby Moynihan, Horatio Sanz, Janeane Garofalo and many more.
The conservative Christian evangelical homeschooling community can be a world of harsh legalism. Here, Haley relates her story of nonconformity for Homeschoolers Anonymous, a blog that shares stories of struggle and abuse within this subculture.
Elgort’s piece shares some of the The New Muslims Project study, in which subjects of all races and ages shared the beauty and pain of conversion to Islam.
Thomas Rhiel and Raphael Pope-Sussman are the founding editors of BKLYNR, a new online publication that features in-depth journalism—including more than a few #longreads—about Brooklyn.
It’s 2013—three long years since New York magazine asked “What was the hipster?”—and yet there are still people for whom Brooklyn means Bedford Avenue. It’s depressing that so played out a trope could displace, in the popular imagination, everything else that the borough is: more populated than Manhattan and three times as massive; a patchwork of neighborhoods, some of which, incredibly, aren’t Williamsburg or Park Slope; and a place whose history stretches as far back as the country’s.
A restorative for the trend piece du jour is Pete Hamill’s “Brooklyn: The Sane Alternative,” a New York magazine cover story from 1969. It’s an oldie but goodie, a look at the borough’s bounce back from what Hamill sees as its postwar (and post-Dodgers) decline. As a snapshot of an evolving Brooklyn from decades ago, the story’s a fascinating read today. And Hamill’s wide-angle view of the borough’s complexities, as well as his celebration of its energy and diversity, still rings true.
There’s a story many Brooklynites tell in which the moment of their arrival in a neighborhood coincides with the last breath of its “authentic” life. Those who came after, this story goes, never knew the “real” neighborhood. They missed the junkies who hung out on the stoops down the block, the bodega on the corner that sold 40s, the drop ceilings and vinyl siding and linoleum. It’s a seductive story, to hear and to tell. But it’s also a destructive story—really a myth—that valorizes an arbitrary authenticity at the expense of a more complex understanding of the place we call home. What is the “real” Brooklyn—what is the “real” anywhere?
If you’re interested in interrogating that question, I strongly recommend Elizabeth Gumport’s 2011 essay “Gentrified Fiction,” which explores the fixation on authenticity in contemporary literature about Brooklyn.
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