Search Results for: New York Magazine

Trump’s Ghostwriter Tells All

Longreads Pick

Tony Schwartz was a New York magazine writer recruited by Donald Trump to ghost write his 1987 bestseller, The Art of the Deal. He now regrets what he created and says Trump is unfit to be president.

Author: Jane Mayer
Source: The New Yorker
Published: Jul 18, 2016
Length: 27 minutes (6,867 words)

How Author Helen DeWitt Uses Language to Address the Problems In Her Life

Helen DeWitt
Helen DeWitt. Photo by Zora Sicher/New York Magazine

In New York magazine, Christian Lorentzen has an interview with Helen DeWitt, author of The Last Samurai and Lightning Rods. Owing to a combination of misfortunes, misunderstandings and publishing-related snags, the critically acclaimed novelist has been perennially broke. But, despite a history of brushes with suicide, she has a secret weapon against letting life’s problems get her down:

There is something else that has all along kept DeWitt going in the face of academic disappointments, publishing fiascoes, and overextended credit cards. DeWitt knows, in descending order of proficiency, Latin, ancient Greek, French, German, Spanish, Italian, Portuguese, Dutch, Danish, Norwegian, Swedish, Arabic, Hebrew, and Japanese. Throughout her adult life she has taken refuge in these languages, and they were central to The Last Samurai. “The self is a set of linguistic patterns,” she said. “Reading and speaking in another language is like stepping into an alternate history of yourself where all the bad connotations are gone.”

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How Writing an Advice Column Changed Heather Havrilesky’s Life

Longreads Pick

Julie Beck talks to Heather Havrilesky about her new book How to Be a Person in the World: Ask Polly’s Guide Through the Paradoxes of Modern Life, a collection of her “Ask Polly” advice columns on New York Magazine‘s The Cut blog (originally at The Awl) plus some that haven’t been published before.

Author: Julie Beck
Source: The Atlantic
Published: Jul 14, 2016
Length: 14 minutes (3,723 words)

What ‘Ask Polly’ Columnist Heather Havrilesky Learned About Love as a Video Game

At The Atlantic, Julie Beck talks to Heather Havrilesky about her new book How to Be a Person in the World: Ask Polly’s Guide Through the Paradoxes of Modern Life, a collection of her “Ask Polly” advice columns on New York Magazine‘s The Cut blog (originally at The Awl) plus some that haven’t been published before.

In a voice that’s simultaneously compassionate, confessional and no-nonsense, Havrilesky regularly decodes the most frustrating human tendencies and the motivations behind them, leaving you to wonder how you never saw them so clearly before. Like this video game/manipulation analogy:

More and more, the longer I do this, I notice how much there’s this illusion that people have, especially with love, that they can control what happens next. It’s like they’re playing a video game, and if they play everything the right way, they can affect the outcome. It’s like, you meet someone, you decide this person is the person who is going to make everything right, who’s going to be your partner forever and ever, and you’re never going to have to solve this problem again. And then once you’re locked into that idea, it’s like you’re playing a video game.

It’s hard not to develop that idea that you can control the people around you. When you’re young, you suddenly realize that when you’re not interested, other people like you. I was literally just speaking to my 7-year-old, and she said when she wants to play, her big sister doesn’t want to play, but when she doesn’t want to play, that’s when her big sister wants to play with her. It makes her crazy. It’s like when you’re dating someone and you suddenly realize they’re losing interest, if you start acting like you’re losing interest—Ding! They’re back in the ring with you. So it’s hard not to believe you can manipulate your circumstances in various ways, because you can. It’s just, you’re not going to get what you want doing that, you know?

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Can Clinton’s Campaign Take Control of the Narrative in Time?

Image by Gage Skidmore

The idea that, at this point, there is some version of Hillary Clinton that we haven’t seen before feels implausible. Often, it feels like we know too much about her. She has been around for so long — her story, encompassing political intrigue and personal drama, has been recounted so many times — that she can seem a fictional character. To her critics, she is Lady Macbeth, to her adherents, Joan of Arc. As a young Hillary hater, I often compared her to Darth Vader — more machine than woman, her humanity ever more shrouded by Dark Side gadgetry. These days, I think of her as General Leia: No longer a rebel princess, she has made a wry peace with her rakish mate and her controversial hair and is hard at work, mounting a campaign against the fascistic First Order.

– Rebecca Traister followed Hillary Clinton on the campaign trail for this profile in New York magazine. With access afforded to few journalists, she saw both sides of the narrative made flesh: the stiff, loud, pedantic arena performer and the engaged, relaxed (yes, relaxed!), nose-to-the-grindstone public servant.

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The Top 5 Longreads of the Week

Photo: Julie Blackmon/Robert Mann Gallery

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.
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Longreads Best of 2015: Under-Recognized Stories

We asked all of our contributors to Longreads Best of 2015 to tell us about a story they felt deserved more recognition in 2015. Here they are. Read more…

Longreads Best of 2015: Investigative Reporting

We asked a few writers and editors to choose some of their favorite stories of the year in specific categories. Here, the best in investigative reporting.

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Lauren Kirchner
Senior Reporting Fellow at ProPublica.

The Price of Nice Nails (Sarah Maslin Nir, The New York Times)

I can’t remember another investigation that had as much widespread and immediate impact as this one. Through a year of persistent and patient reporting, Nir uncovered the ugly truth of New York’s nail salon industry: the labor exploitation, institutionalized racism, and dire health risks faced by its manicurists. It was an explosive story, but Nir told it with restraint. When this came out, everyone I knew was talking about it. Governor Cuomo and Mayor de Blasio both pretty much immediately launched emergency task forces and investigations to address the problems Nir described. Reforms continue to roll out for salon owners who put their workers at risk.

But I noticed a subtler impact, too: some real soul-searching among New Yorkers about the ethics of indulging in cheap luxuries—for many of us, the only luxuries we can afford. A lot of readers were asking themselves, how could we have not have seen it? “We hold hands with this person for a half hour; we look into her eyes,” as Nir later put it. “I think my investigation revealed that we are not seeing them.” Read more…

Longreads Best of 2015: Business & Tech

We asked a few writers and editors to choose some of their favorite stories of the year in specific categories. Here, the best in business and tech.

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Longreads Best of 2015: Arts & Culture

We asked a few writers and editors to choose some of their favorite stories of the year in specific categories. Here, the best in arts and culture writing.

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Shannon Proudfoot
Senior writer with Sportsnet magazine

The Late, Great Stephen Colbert (Joel Lovell, GQ)

Stephen Colbert has pulled off the rare feat of being a public figure for the better part of a decade while keeping his true self almost entirely obscured behind a braying façade. Here, with such uncommon intelligence, sensitivity and nuance, Joel Lovell shows us who’s been under there the whole time. The writer is very present in the story, sifting through the meaning of what he finds and tugging us along behind him through reporting and writing that starts out rollicking and then turns surprisingly raw and emotional. But Lovell never gets in his own way or turns self-indulgent; that’s a tough thing to pull off. The word I kept coming back to in thinking about this story was “humane”—it just feels so complex and wise, and unexpectedly aching, buoyed with perfect, telling details and effortlessly excellent writing. Read more…