Below is an excerpt from the book The Faithful Executioners, by Joel F. Harrington, which was recently featured as a Longreads Member Pick. Thanks to our Longreads Members for making these stories possible—sign up to join Longreads to contribute to our story fund.
Emily Perper is a word-writing human for hire. She blogs about her favorite longreads at Diet Coker.
The following four pieces resist cliches about social media and its impact. These authors do not shame nor condone; they do not preach. They take a deeper look at the tendency and luxury to share our lives with each other.
1. “O.K., Glass.” (Gary Shteyngart, The New Yorker, August 2013)
Shteyngart presents a colorful report on his experience wearing Google’s latest brainchild and his predictions for the near future of technology. (Shteyngart’s 2010 novel, Super Sad True Love Story, included technology eerily reminiscent of Glass.)
When his mother entered an ICU, NPR host Scott Simon live-tweeted the experience. What could’ve been garish was instead tender. O’Rourke posits that social media may be a safe, public space to mourn.
A woman with Turner syndrome decides to participate in a study at the National Institutes of Health:
“I arrived at the NIH Clinical Center alone, early, and unprepared. The nurse responsible for checking me in wasn’t even on duty yet. I had packed my suitcase as if for a four-day business conference, not a hospital stay—slacks, blouses, and pumps rather than T-shirts, sweats, and tennis shoes. That was probably a function of my denial as well as my ‘don’t leave home without lipstick’ impulse. I’d never spent a night in a hospital, never had an MRI or CT scan.
“People generally don’t go to NIH when they have a garden-variety illness. NIH takes the sickest of the sick and offers hope. Old and young gather there. The common denominator is illness—the kind so serious that it generates platitudes and whispers. To be a patient at NIH feels like being a contestant on a reality show in which all the cameras are turned on you—or being a lottery winner when the prize is assuming a large debt at a huge interest rate.”
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As a bonus, read Steedly’s blog post about how her essay, which she worked on in a writing class in 2007, ended up being published in the Washingtonian.
Emily Perper is word-writing human for hire. She blogs about her favorite longreads at Diet Coker.
This week’s theme is sex work and sex workers. Such a complex subject is best explored through a variety of forms—essay, investigation, photo essay and interview.
The author chastises so-called feminists for embracing sex positivity while remaining complicit in whore-shaming, using Biblical characters as examples. She makes the important distinction between those engaging in sex work of their own free will and those forced into sex trafficking. Both groups deserve dignity and respect, she writes, and have the potential to be great allies to one another.
LinkedIn’s latest policy update forbids sex workers of any kind to create profiles, send messages, or network at all. This risks the safety, security, and financial well-being of sex workers, degrades their professions and furthers the stigmatic status quo against them. Dunn interviews sex workers, sex rights activists, and LinkedIn representatives.
Alicia Vera is a photojournalist. Eden, her friend, is a prostitute. With tenderness, Alicia documents a week in Eden’s life, as she goes to court, goes about her business, and talks to her mom about her job. (The link above is to NPR’s coverage; here is Alicia’s site, which has photos NPR could not publish. NSFW.)
Veronica Monet traded the corporate life for a job as an escort, then a courtesan, as well as a vocal sex rights activist, speaker, author, minister and more. She discusses what led her to sex work, the pros and cons of the profession, and whether she recommends sex work to others.
In this episode of Stuff You Should Know, hosts Chuck and Josh discuss the history of hip-hop, from The Sugar Hill Gang to the present. They add their own personal history, which includes stories of attempted breakdancing and well-intentioned clothing choices.
Co-authors Jeff Weiss and Evan McGarvey speak with host Colin Marshall about their book 2pac vs. Biggie: An Illustrated History of Rap’s Greatest Battle. They talk about the artists’ rivalry, their beginnings, how their styles differed, and why you’re missing out if you only listen to one and not the other.
The drummer for The Roots talks about his influences growing up, how he listens to music, and his favorite part of Soul Train. (Bonus: Also check out Terry Gross’s classic 2010 interview with Jay-Z.)
Dan Charnas, a veteran hip-hop journalist and one of the first writers for The Source, talks with Jesse Thorn about the history of the hip-hop music business and how executives and entrepreneurs turned an underground scene into the world’s predominant pop culture.
Andrew Rice, contributing editor for New York magazine, spoke about his article on Jay-Z’s business acumen with James Braxton Peterson, director of Africana Studies, professor of English at Lehigh University, and founder of Hip Hop Scholars. Together they delve into the financial side of Jay-Z’s career.
If you were around in the ’90s, you might recognize Michael Rapaport from movies like Zebrahead, Poetic Justice, and Higher Learning. In 2011, he came out with a documentary on A Tribe Called Quest. He talks to The Treatment’s Elvis Mitchell about his love of hip-hop, his childhood in New York City, and his experience filming his favorite artists.
Got a favorite podcast episode on hip-hop? Share it in the comments.
Heinlein is a Pushcart Prize-winning writer who spent more than two years at the Castle, a prominent halfway house in Harlem, where she met convicts who were preparing for the outside world. Read more…
We’ve witnessed more than two centuries of unprecedented economic growth, powered by two industrial revolutions from the 1700s to today. Robert Gordon, a 72-year-old economist at Northwestern, argues that this incredible period of growth was all a fluke—and we are entering a new era where there’s no guarantee our children will be any better off than we are:
“There are many ways in which you can interpret this economic model, but the most lasting—the reason, perhaps, for the public notoriety it has brought its author—has little to do with economics at all. It is the suggestion that we have not understood how lucky we have been. The whole of American cultural memory, the period since World War II, has taken place within the greatest expansion of opportunity in the history of human civilization. Perhaps it isn’t that our success is a product of the way we structured our society. The shape of our society may be far more conditional, a consequence of our success. Embedded in Gordon’s data is an inquiry into entitlement: How much do we owe, culturally and politically, to this singular experience of economic growth, and what will happen if it goes away?”
Gabrielle Gantz (@contextual_life) is the blogger behind The Contextual Life. She’s a frequent longreader and also a big podcast fan, so we asked her for some recommendations.
For a while now we’ve been hearing about the rise of television, how shows like Mad Men, Breaking Bad, and Game of Thrones have surpassed the film industry when people think of quality viewing experiences. Gone are the days where writers and actors dreamed of making it big in pictures, now talent is flocking to small screen.
Here are some recent interviews that will be of interest to those who like to dig deeper:
This is a panel discussion featuring Lynda Obst, a film and television producer whose credits include “Sleepless in Seattle” and whose recent book, Sleepless in Hollywood: Tales from the New Abnormal in the Movie Business, chronicles the recent changes in the movie industry—with big blockbusters more common and smaller films barely getting made. Alongside Obst, sometimes arguing, sometimes agreeing, was Sharon Waxman, CEO and EIC of TheWrap.com.
Despite the industry’s changes, Coppola is still making “small films,” including her latest, The Bling Ring, a film based on the real-life events (chronicled by Vanity Fair’s Nancy Jo Sales) of a group of California teenagers obsessed with celebrities; so much so that they break into stars’ homes.
Mad Men just wrapped up its sixth season and has one more to go before it’s off the air for good. Terry Gross spoke with Elisabeth Moss (aka Peggy Olson) about the evolution of her character and how much she knows about the show’s direction before shooting an episode. (Read the transcript here.)
Here’s Hunnam, who plays Sons of Anarchy‘s “Jax” Teller, with Chris Hardwick on being approached by real bikers and his life growing up in a working-class town in North East England.
Nerdist Writer’s Panel host Ben Blacker sits down with the people behind The Lizzie Bennet Diaries, a web series that’s a modernized adaptation of Pride and Prejudice with the story told primarily through the lead character Lizzie Bennet‘s video diary entries. The episode includes co-creator Bernie Su, writers Margaret Dunlap, Rachel Kiley, and Kate Rorick, and writer/transmedia guy Jay Bushman.
“A few years ago I set out to learn how New York’s reentry organizations help former prisoners navigate freedom. I talked to clients and staff and observed programs at nonprofit agencies with Pollyanna-ish names like STRIVE (Support and Training Results in Valuable Employees), CEO (Center for Employment Opportunities) and the Fortune Society. The Fortune Society is New York’s most prominent and comprehensive reentry agency. It offers substance abuse treatment to ex-offenders, as well as computer, cooking, fatherhood and ‘job readiness’ classes. Fortune, as it is commonly known, also runs a halfway house in West Harlem nicknamed the Castle. I clearly remember the first time I visited the Castle, its schist rock facade sparkling in the sun. With its miniature lookout towers, its arched windows and the bright crenellations that top some of its walls, the Castle resembled a Gothic bastion. One could easily imagine a muddy moat separating those who had committed serious transgressions—those who had been stigmatized and locked away for most of their lives—from the rest of the world.
“To shed light on the struggles of the 700,000 men and women who are released from U.S. prisons each year, I followed three residents of the Castle for several years. Angel Ramos, the protagonist of my book, Among Murderers: Life After Prison, spent 29 years in prison for strangling a young girl in an abandoned building in East Harlem and for trying to kill a co-worker. At the Castle, the 47-year-old befriended two older men, Bruce and Adam, who had also spent several decades locked up for murder. Over the course of more than two years Angel, Bruce, Adam and I spent a lot of time with each other. I accompanied Adam when he bought his first winter coat in 31 years and visited different ethnic restaurants and cafés with Bruce. I helped celebrate Angel’s ‘first’ birthday and was there when, on Halloween, the halfway house residents turned the Castle into a haunted house. Together, the men and I explored the neighborhoods of their youth. We talked about murder, remorse, shame, love, loss and prison. (Sooner or later our conversations inevitably returned to prison, where the men had spent most of their adult lives.)
“One of the most revealing experiences the men shared with me was their seemingly endless track through New York’s job readiness programs, a requirement to qualify for housing subsidies, welfare and the agencies’ employment referrals. This is what I saw.”
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