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Summer Mother

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Michael A. Gonzales | Longreads | October 2020 | 6 minutes (1,720 words)

Though my mother was an only child, I grew up surrounded by many aunts. These women, mom’s “play sisters” as she called them, were not siblings by blood, but were connected by long friendships, residual remembrances and childhood memories, as with Aunt Carol and Aunt Margret, who grew up with her in the Pittsburgh community known as the Hill District. After relocating to New York City in 1953, mom attended George Washington High where she had classes with Aunt Bootsie and Aunt Charlotte; after graduation, she began to hang out in various Harlem night spots including Carl’s On the Corner and the Brown Bombers, bar-hopping with my future godmother Aunt Myrna as well as with roommates Jill and Barbara, the only ones of her sisterly crew that I didn’t call aunt.

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Find Yourself

Photo Collage: "Find Yourself" by Stuart Horn/ Carolyn Wells

Elizabeth Isadora Gold| Longreads | September 2020 | 4,633 words (18 minutes)

It was 1981, in the Olde City section of Philadelphia. I was six. My parents were artists — my dad a cellist/composer/arranger and my mom a potter and teacher — and our tiny bathroom showed it. On one whole wall, my mom hung a poster of the San Francisco baths circa 1890, with lots of gents in one-piece suits and ladies in frilly bathing bonnets. By the toilet, on cinder block-and-board shelves, were stacks and stacks of magazines, New Yorkers, mostly. Postcards framed the mirror over the sink, fleshy vintage nudies with bobbed hair, standing in chorus lines.

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The Top 5 Longreads of the Week

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This week, we’re sharing stories from Barton Gellman, Latria Graham, Teju Cole, Samuel Ashworth, and Shanna Baker.

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1. The Election That Could Break America

Barton Gellman | The Atlantic | September 23, 2020 | 38 minutes (9,621 words)

“If the vote is close, Donald Trump could easily throw the election into chaos and subvert the result. Who will stop him?”

2. Out There, Nobody Can Hear You Scream

Latria Graham | Outside | September 21, 2020 | 22 minutes (5,512 words)

“Two years ago, Latria Graham wrote an essay about the challenges of being Black in the outdoors. Countless readers reached out to her, asking for advice on how to stay safe in places where nonwhite people aren’t always welcome. She didn’t write back, because she had no idea what to say. In the aftermath of a revolutionary spring and summer, she responds.”

3. In Dark Times, I Sought Out the Turmoil of Caravaggio’s Paintings

Teju Cole | The New York Times Magazine | September 23, 2020 | 34 minutes (8700 words)

“The work the artist made near the end of his life changed my understanding of both beauty and suffering.”

4. The Slow, Troubling Death of the Autopsy

Samuel Ashworth | Elemental | September 21, 2020 | 29 minutes (7,275 words)

Doctors make mistakes. The true cause of a person’s death is often complicated and unclear. “Why you should get an autopsy if it’s the last thing you do.”

5. Where Camels Take to the Sea

Shanna Baker | Hakai Magazine | September 22, 2020 | 32 minutes (6,900 words)

“In Gujarat, India, a special breed of camel is not constrained by land—but it cannot escape the many forces of change.”

Inside the Chaos of Immigration Court

Photo collage: Wikimedia Commons (CC BY-SA 3.0) / Cheri Lucas Rowlands

Gabriel Thompson | Longreads | September 2020 | 6,849 words (24 minutes)

 

The Equitable Life Building, at 100 Montgomery Street, sits in the heart of San Francisco’s Financial District. Named after an insurance company, it was the first skyscraper built in the city after the Depression, a symbol of optimism rising 25 stories high with marble walls that sparkled in the sun. Today, it is home to all sorts of buzzy Bay Area companies, from Spruce Capital Partners (“investors and thought leaders in the Life Sciences industry”) to the OutCast Agency (“strategists and creatives” with “a hyper-growth mindset”). To get away from the hectic pace of investing, strategizing, and creating, tenants can burn off calories inside the building’s private gym or take their lunch break atop a luxurious rooftop deck. 

The Equitable Life Building is also home to the San Francisco Immigration Court, though it’s easy to miss. On my first visit last winter, the only hint that a court lay within was the scores of families in the lobby, clutching summonses and looking confused. The court is above, occupying the fourth, eighth, and ninth floors. Up here, the elevators opened into a slightly off-kilter dimension: A security line snaked into a cramped waiting room, which led to a winding and windowless hallway, from which one entered identical windowless courtrooms. It was deeply disorienting. I often encountered people fumbling around in the hallway, not sure how the hell to get out.    Read more…

The Top 5 Longreads of the Week

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This week, we’re sharing stories from Adam Serwer, Alexandra Marvar, Timothy Snyder, Gaby Del Valle, and Sulaiman Addonia.

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1. The New Reconstruction

Adam Serwer | The Atlantic | September 8, 2020 | 30 minutes (7,613 words)

“There has never been an anti-racist majority in American history; there may be one today in the racially and socioeconomically diverse coalition of voters radicalized by the abrupt transition from the hope of the Obama era to the cruelty of the Trump age. All political coalitions are eventually torn apart by their contradictions, but America has never seen a coalition quite like this.”

2. The Unfinished Story of Emmett Till’s Final Journey

Alexandra Marvar | GEN | September 3, 2020 | 22 minutes (5,559 words)

“Till was murdered 65 years ago. Sites of commemoration across the Mississippi Delta still struggle with what’s history and what’s hearsay.”

3. What Ails America

Timothy Snyder | New York Review of Books | September 3, 2020 | 8 minutes (4,700 words)

“We would like to think we have health care that incidentally involves some wealth transfer; what we actually have is wealth transfer that incidentally involves some health care.”

4. Waiting to Be Thrown Out

Gaby Del Valle | The Verge | September 8, 2020 | 33 minutes (8,280 words)

Following the story of one Cameroonian, Gaby Del Valle dives deep into how video teleconferencing technology in the U.S.’s immigration courts fuels the deportation machine.

5. The Wound of Multilingualism: On Surrendering the Languages of Home

Sulaiman Addonia | LitHub | September 8, 2020 | 6 minutes (1,627 words)

“Learning a language as an adult or in your teens, especially with a history of repeated migrations between languages and countries, is extraordinarily difficult. It isn’t just about swallowing new words like passion fruit that glides down your throat. It’s like chewing on stones breaking your teeth in order to seed the foundations of that new language on your tongue already heavy with many idioms.”

Out There: On Not Finishing

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Devin Kelly | Longreads | September, 2020 | 16 minutes (4,304 words)

Read more by Devin Kelly! Check out his first Longreads essay “Running Dysmorphic” and his second, “What I Want to Know of Kindness.”

I started to come apart sometime after midnight. I was cold, shiver-sweating, and shuffling alone on my 35th two-mile lap around a farm 40 miles west of Savannah, Georgia. I’ll back up in a second, and offer some context. But, for now, let’s remember the loneliness, and the absurdity. Let’s remember the darkness and how the stars looked like light shining through a thousand pinpricks in the vast blueblack tapestry of the night sky. And let’s remember how, when I shifted my head-lamped gaze from the few feet right in front of me to the big sky above, hoping to have a moment with the stars and witness something beautiful, the headlamp erased them, and I became a single low beam of light caught in the act of disappearing. Let’s remember how that felt: to expect something so great and be faced with its opposite.

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Shelved: Pink Floyd’s Household Objects

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Tom Maxwell | Longreads | September 2020 | 13 minutes (3,433 words)

 

Pink Floyd’s The Dark Side Of The Moon is one of the best-selling records of all time. Released in March 1973, the album didn’t leave the Billboard 200 chart for over 14 years. By 2006, EMI/Harvest claimed the album sold in excess of 40 million copies “and still,” according to a Billboard article from that year, “routinely moves 8,000-9,000 copies on a slow week.”

Listening to a renowned album as cohesive as The Dark Side of the Moon, you would never guess that the follow-up to that historic release was going to be made using everyday items. Household Objects, recorded during several desultory sessions over a two-year time frame, was constructed with rubber bands, wine glasses, spray cans, newspapers, brooms, and other such utilitarian gear. It was shelved.

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A Lover’s Blues: The Unforgettable Voice of Margie Hendrix

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Tarisai Ngangura | Longreads | September 2020 |14 minutes (3,715 words)

 

Hive is a series about women and the music that has influenced them, edited by Danielle A. Jackson. Read more at Longreads and The Believer

 

The voice of Margie Hendrix on “Night Time is The Right Time” comes at you out of nowhere, like an explosive, thunderous crack in the sky after a period of steady rain. Long after the song is over, it’s her words that stay ringing in your ear. You’ll belt out, “Babyyyyyyy!” in the shower, while out for a jog, or when giving your friends a hard time as they share their most trying relationship conundrum. On The Cosby Show, it’s her part that is most memorable when reenacted by adorable, pig-tailed Rudy, played by Keshia Knight Pulliam. In the 2004 biopic Ray, it was future Academy Award winner Regina King who played the role of Hendrix. King spoke of the difficulty in channeling the musician, as few references, visual or text, were available to use as inspiration for the role: “There isn’t a lot of information out there on Margie, so I had to rely on her voice to guide me.” The kind to stop you in your tracks, Hendrix’s voice remained unchanging, and from her earliest solo releases to her final years, it was an infallible offering from an artist who was moved to sing.

I stared at a blank page for days trying to figure out how best to begin my story on Hendrix, but nothing felt appropriate, fitting enough for the woman who had outsung Ray Charles. I’ve thought about her regularly for years, wondering how a woman with that voice could disappear from the public eye so easily, after making such an unforgettable appearance. It’s a thought that’s stayed with me, because it carries the sobering reality that someone can be incredibly talented — phenomenal even — and still find themselves omitted by history. It could happen to anybody, but it seems to happen most often to talented Black women who are bold enough to chase their dreams, then fall apart from the sheer pressure of it all. Women who are public but invisible and who are noticed without really being seen. Women like Margie Hendrix.

I stared at a blank page for days trying to figure out how best to begin my story on Hendrix, but nothing felt appropriate, fitting enough for the woman who had outsung Ray Charles.

She didn’t look like the performers most record producers wanted Black women to be. She was too dark, had a gap between her two front teeth and was a Southern girl with none of that Northern polish and glam. The music industry of today is incredibly corrosive and toxic, but it was even more so for Black musicians in the middle of the twentieth century, who dealt with nothing but no-good managers, unfair contracts, and stolen music credits. Anti-black racism and its social realities make it astounding that artists emerged who weathered through even when it seemed like everyone at some point or another crumbled, with many never making it back.  The argument could be made that had Hendrix managed to stay far from the drugs that would ravage her body, and kicked those bad habits, she would have lasted longer and achieved success rivaling that of her still living peers from that “golden” era. Yet the number of Black women uncounted and unnamed in music history makes it clear that this wasn’t only a question of sobriety. It was also about opportunity, and a perverse lack of care for the artists whose mental and physical health were secondary so long as money continued to be made. Hendrix’s death and eventual erasure from the mainstream were not simply tragic turns in a complicated life, but the outcome of a series of events that befell a woman unloved by those she committed herself to, and unprotected by those whose coffers she filled. 

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‘It’s An iPad, Not An usPad’: Douglas Rushkoff on Digital Isolation

At OneZero, author and media theorist Douglas Rushkoff asks: how much are the privileged allowed to use their wealth, fancy devices, and fully wired houses to insulate themselves from the troubles of today’s world?

The pool for my daughter wouldn’t have gotten here were it not for legions of Amazon workers behind the scenes, getting infected in warehouses or risking their health driving delivery trucks all summer. As with FreshDirect or Instacart, the externalized harm to people and places is kept out of sight. These apps are designed to be addictively fast and self-contained — push-button access to stuff that can be left at the front door without any human contact. The delivery people don’t even ring the bell; a photo of the package on the stoop automagically arrives in the inbox. Like with Thomas Jefferson’s ingenious dumbwaiter, there are no signs of the human labor that brought it.

Many of us once swore off Amazon after learning of the way it evades taxes, engages in anti-competitive practices, or abuses labor. But here we are, reluctantly re-upping our Prime delivery memberships to get the cables, webcams, and Bluetooth headsets we need to attend the Zoom meetings that now constitute our own work. Others are reactivating their long-forgotten Facebook accounts to connect with friends, all sharing highly curated depictions of their newfound appreciation for nature, sunsets, and family. And as we do, many of us are lulled further into digital isolation — being rewarded the more we accept the logic of the fully wired home, cut off from the rest of the world.

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The Top 5 Longreads of the Week

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This week, we’re sharing stories from Ta-Nehisi Coates, Katie Engelhart, Katy Vine, Zach Baron, and Colin Dickey.

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1. The Life Breonna Taylor Lived, in the Words of Her Mother

Ta-Nehisi Coates | Vanity Fair | August 24, 2020 | 26 minutes (6,720 words)

“She started walking early—like at nine months, so she was just a little person early. I always say she had an old soul. She liked listening to the blues with my mother. She would sing me the blues. It was hilarious. She used to sing ‘Last Two Dollars.’ That was her song.”

2. What Happened In Room 10?

Katie Engelhart | The California Sunday Magazine | August 23, 2020 | 64 minutes (16,178 words)

“The Life Care Center of Kirkland, Washington, was the first COVID hot spot in the U.S. Forty-six people associated with the nursing home died, exposing how ill-prepared we were for the pandemic — and how we take care of our elderly.”

3. The Wildest Insurance Fraud Scheme Texas Has Ever Seen

Katy Vine | Texas Monthly | August 19, 2020 | 26 minutes (6,633 words)

“Over a decade, Theodore Robert Wright III destroyed cars, yachts, and planes. That was only the half of it.”

4. The Conscience of Silicon Valley

Zach Baron | GQ | August 24, 2020 | 20 minutes (5100 words)

“Tech oracle Jaron Lanier warned us all about the evils of social media. Too few of us listened. Now, in the most chaotic of moments, his fears—and his bighearted solutions—are more urgent than ever.”

5. How the Spirit Mediums of New York Are Dealing with Mass Death

Colin Dickey | The End of the World Review | August 24, 2020 | 8 minutes (2,025 words)

“A few months into the pandemic, I started contacting spiritual mediums….As we go forward attempting to rebuild our country and our communities in the wake of this destruction, that will not just involve burying the dead—it will involve finding the means and the rituals to make sense of this loss.”