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Queens of Infamy: Njinga

Illustration by Louise Pomeroy

Anne Thériault | Longreads | October 2019 | 23 minutes (5,741 words)

From the notorious to the half-forgotten, Queens of Infamy, a Longreads series by Anne Thériault, focuses on world-historical women of centuries past.

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Looking for a Queens of Infamy t-shirt or tote bag? Choose yours here.

Late into the 16th century, Kengela ka Nkombe gave birth to her second child. Her first had been a son, and she had dutifully named him after his father, Mbande, the future king of Ndongo. This one was a girl. The birth was difficult; the baby was breech, her face was upturned, and the umbilical cord was wrapped firmly around her neck. Royal attendants were able to safely guide the baby out of her mother’s body, but everyone present agreed that the birth foretold an unusual life. Mbande, who openly doted on Kengela as his favourite concubine, was immediately smitten with his newest child. He named her Njinga, from the Kimbundu verb kujinga, which means to twist or turn — ostensibly a reference to the cord wrapped around her neck. But perhaps as he held his daughter for the first time, he caught a brief glimpse of her future: how she would twist and turn to outwit her enemies, gain the throne, and, ultimately, fight for her country’s freedom.

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Why Karen Carpenter Matters

Karent and Richard Carpenter performing on the BBC's 'In Concert' series. Tony Russell/Redferns

Karen Tongson | Why Karen Carpenter Matters | University of Texas Press | May 2019 | 20 minutes (4,070 words)

 

Maria Katindig-Dykes and her husband, Jimmie Dykes, had finished a six-month stint at the Hyatt Regency in Singapore and were about to wrap up a six-month residency at the Playboy Jazz Club at Silahis International Hotel in Manila when a telegram appeared under the door early one morning in our Manila suite. It was for Jimmie: MOTHER ILL. CALL HOME. It was sent by his older brother Lee.

My dad called home to find out that his mother, Marion Dykes — the woman who sternly scattered the kids taunting me on the lawn during my first visit to Riverside, California; the woman who plied me with my very first taste of stewed tomatoes — was dying of brain cancer. It was late January 1983, and we made our preparations to leave Manila, unsure of whether or not we would return right away, or ever. I remember turning to my mom on one of the first nights we were in Riverside and asking her in Tagalog if we were ever going back home. She said she didn’t know, and we both cried quietly so as not to interrupt the other more urgent processes of loss and mourning happening under the same roof.

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Hello, Forgetfulness; Hello, Mother

Roxana Wegner / Getty

Marcia Aldrich | Longreads | October 2019 | 19 minutes (4,770 words)

I can’t pinpoint when it began. Or whether what is happening to me is the same thing that happened to my mother. Is it the first signs of dementia or just your run-of-the-mill aging?

I had lived far away from Pennsylvania and only seen my parents intermittently for short visits since going away to college. With my mother, the first sign of change I noticed was that she couldn’t remember the titles of novels she had just read or television shows she had just watched. She’d search an invisible memory bank to identify the titles with a baffled look on her face when she found it empty, then shrug the moment of forgetfulness away. Her usually precise way of speaking, of being in the world, started to soften at the edges. She mumbled as if she were sucking on a lozenge she didn’t want to spit out or swallow. I thought she was just slowing down and this was what aging looked like. By the time she became a depressed person, the deterioration had been going on for years and it was something more than aging. Who knows for how long the changes had been fomenting, how far back I would have to go to ferret out the beginning — 10 years, 15? After all, she worked at hiding the slippage, handing the phone to my father when I called, laughing away the mistakes she made. She used her considerable charm, long honed, to divert attention from the truth, for example that the New York Times Sunday crossword puzzle that she had been religiously completing for decades was now blank, the squares empty, folded in the bathroom where she thought no one would see it.

At a more advanced stage, she became resistant to change. My mother, who had loved nothing better than a shift in scenery, a drive, a travel expedition, became someone who didn’t even like walking out the front door. My father couldn’t get her in the car to make their seasonal pilgrimage back to Pennsylvania from their winter’s stay in Florida. She wouldn’t do it. I pictured my mother bracing her leg against the door, refusing to enter the car, and my father who wasn’t about to use force, though I’m sure he thought about it, trying to coax her as one would coax a child to do something they didn’t want to do. What did he promise her? A new ring? An ice cream cone? But nothing worked and weeks would pass with my father delaying their departure, carrying the suitcases back inside, until something broke and she got in the car. He’d call my sisters and me from a spot on the road to say they had finally started the drive home. What had eased enough for her to proceed? My father said he didn’t know what allowed him to hustle my mother into the car, but he wasn’t going to count on these sudden and unpredictable openings anymore. He was giving up, and thereafter they stayed holed up in their condominium in Pennsylvania and never went anywhere again.
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Fire Sale: Finance and Fascism in the Amazon Rainforest

Brasil2/E+/Getty

In a recent piece for Jacobin, climate writers Alyssa Battistoni and Thea Riofrancos drew a connection between fires burning in Greenland and those still ablaze in the Amazon rainforest: “They’re being sparked by the rich and powerful, whether by agricultural conglomerates, complicit right-wing governments, or fossil fuel executives who’ve lied to the public so they can keep spewing heat-trapping carbon up into the atmosphere for a quick buck.” The simplicity of the claim was dumbfounding, and, to that end, haunting. Was it merely the rich and powerful who lit the match?

Another writer for the magazine, Kate Aronoff, called for fossil fuel executives to be tried for crimes against humanity. “Technically speaking, what fossil-fuel companies do isn’t genocide,” she wrote, clarifying that energy CEOs don’t target their victims based on racial or ethnic animus. Yet genocidal land grabs are being carried out to expand “the Red Zone” — the agricultural frontier — eking its way deeper into the Amazon rainforest by way of roads and infrastructure backed by global capital. The Amazon, or the lungs of the earth, as it’s often referred to, is being seized from indigenous communities by mining and agribusiness interests, gutting the resiliency of one of the earth’s last great carbon sinks and producers of oxygen. But who is responsible for burning it? Bolsonaro? Corruption in Brazil? The World Bank? U.S. Financial Firms? Silicon Valley? Could the culprits be named, I wondered? Tried? Read more…

These Boys and Their Fathers

Nathan Dumlao, University of Iowa Press

Don Waters | These Boys and Their Fathers | University of Iowa Press | October 2019 | 30 minutes (5,988 words)

 

It’s 10:30 in the morning in Manhattan Beach, California — a warm, hazy day —and from our parked rental van in a lot overlooking the endless strip of sand, we watch the surfers in the lineup, in wetsuits, bobbing like little black buoys. I’ve finally made it to the same beach my father surfed more than fifty-five years ago. I’ve come to find some connection to the man. He abandoned me when I was three years old.

“Look how the waves stand right up,” Robin says. “And so close to the shore.”

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A Single Sentence

greenp/iStock/Getty Images Plus

Ahmet Altan | translated from the Turkish by Yasemin Çongar | an excerpt adapted from I Will Never See the World Again: The Memoir of an Imprisoned Writer | Other Press | October 2019 | 9 minutes (2,482 words)

 

The following essay, like all those collected in I Will Never See the World Again, was smuggled out of jail among Ahmet Altan’s notes to his lawyers.

 

I woke up. The doorbell was ringing. I looked at the digital clock by my side, the numbers were blinking 05:42.

“It’s the police,” I said.

Like all dissidents in this country, I went to bed expecting the ring of the doorbell at dawn.

I knew one day they would come for me. Now they had. Read more…

The Girl I Didn’t Save

Woman's spirit ascending to Heaven (1883) / Getty, Lookout Press

Cameron Dezen Hammon| Longreads | excerpt from This Is My Body: A Memoir of Religious and Romantic Obsession | September 2019 | 24 minutes (6,521 words)

 

“She’s saying ‘thank you’ when she blinks like that,” Hannah’s mother says.

Hannah is dying. She lies in her bed, in her bedroom, surrounded by cards and flowers. Her mother sits on the edge of the bed, stroking her hand. Hannah’s husband of one month is beside her, propped against pillows, cross-legged. A few close friends are here as well—they sit against the wall, knees pulled to chests, or lean against the window ledge. Every few seconds Hannah’s ribcage rises in a struggle for breath.

Matt and I met Hannah three years after Budapest, while we were working for the young Baptist at Koinonia. It was the first church we worked for with a congregation comprised of people roughly our own age, and Hannah, twenty-seven, fit perfectly into its little galaxy of artists, lawyers, and schoolteachers. She flitted easily between groups of friends, always smiling. The pastor often calls Hannah his favorite, but no one minds. Hannah is everyone’s favorite.
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“We’re All Still Cooking…Still Raw at the Core”: An Interview with Jacqueline Woodson

(Robert Abbott Sengstacke/Getty Images)

Adam Morgan | Longreads | September 2019 | 9 minutes (2,283 words)

In 2016’s National Book Award–nominated Another Brooklyn, Jacqueline Woodson infused her writing with a sense of place I could feel in my bones. From the “heat rising from cement” in Bushwick to the brownstones of Park Slope, Woodson has an uncanny eye for detail, right down to the “fine lanugo hair still clinging to the nape” of a teenager’s neck. In her new novel, Red at the Bone, Woodson returns to Brooklyn for another story that folds time as effortlessly as fabric. In the summer of 2001, a 16-year-old girl named Melody is introduced to society at a house party, to the tune of Prince’s “Darling Nikki.” She wears a resewn dress that was originally made for her mother’s own coming-of-age reception, a dress that was never worn thanks to her mother’s unexpected pregnancy. “Already, when it was time for her ceremony,” Melody thinks, “I was on my way. Already, at nearly sixteen, her belly told a story a celebration never could.” Read more…

Grow Up

Spencer Platt / Getty, Illustration by Homestead Studio

Soraya Roberts | Longreads | September 2019 |  8 minutes (2,168 words)

There’s a scene not quite midway through Mermaids, the ’60s-set coming-of-age drama starring Cher and Winona Ryder in which the mom acts like a kid and the kid acts like a mom, where Ryder is walking through her small town just after JFK has been assassinated. She passes adult after adult, each of them staring at the ground, shell-shocked, mourning. Then she comes across a bunch of children playing in some dead leaves and her voiceover breaks the silence: “It feels like there isn’t a single adult left on the entire planet.”

No kidding. I’m an adult but that is exactly how I feel right now, and it must be worse for kids: For Mari Copeny, now 11, as she sits cross-legged, alone, holding up a sign: flint mi has been without clean water since april 24th, 2014. For Autumn Peltier, now 14, the First Nations Canadian who confronted Prime Minister Justin Trudeau in 2016 about his continued support of oil pipelines: “People my age are starting to notice how adults are treating the planet.” For the tens of thousands of students in Hong Kong who attended demonstrations instead of their first day of school in order to stand up for democracy amid violent protests. With no future, there’s no need to go to class, one sign read. For the sea of kids who took part in the March For Our Lives to call for U.S. gun legislation in the wake of a cascading number of school shootings. For all the children who continue to strike alongside Greta Thunberg, the 16-year-old Swedish climate activist initially inspired not by the adults finally taking action, but by the kids calling out their inaction.

Most of these people can’t vote, remember. Imagine how that must feel. Imagine knowing what to do but not being able to do it. Imagine how frustrating that must be, how powerless. Now imagine being the person who can do it. And imagine laughing instead. Asked for her message to world leaders at the U.N. Climate Action Summit in New York earlier this week, Thunberg said, “My message is that we’ll be watching you.” Delighted, the audience laughed and clapped. How adorable! But Thunberg remained stone-faced. Then her eyes reddened, then she started to cry. “I should be back in school on the other side of the ocean,” she seethed. “Yet you all come to us young people for hope? How dare you!” Her anger came from knowing that, despite sounding scientists’ climate alarm for the millionth time, there would be no solution, because, “you are still not mature enough to tell it like it is.” And this is where it’s at right now as we face the end: The children, who have no power, are the only ones who know what to do with it. Read more…

Mathematics as a Cultural Force

Tuileries Garden in 1680, Paris, France, engraving from Les Promenades de Paris (The promenades of Paris), by Adolphe Alphand, published by J Rothschild, Paris, 1867-1873. (Photo by Icas94 / De Agostini via Getty Images)

Jessica Gross | Longreads | Sept. 2019 | 14 minutes (3,556 words)

In his new book, Proof!: How the World Became Geometrical, historian Amir Alexander advances an audacious claim: that Euclidean geometry profoundly influenced not just the history of mathematics, but also broader sociopolitical reality. In prose that makes his passion for the material both clear and catching, he describes how Euclid’s Elements present a vision of a perfectly rational order, but one that was viewed as purely theoretical: There was no place for geometrical ideals in messy reality. In the 1400s, Leon Battista Alberti, an Italian polymath, upended that understanding, countering that the world was, in fact, fundamentally geometrical. Other thinkers, from Copernicus to Galileo, followed. And, as Alexander argues, this sea change had profound implications: If the world was geometrical—not only rational, but also hierarchical and permanent—then that was the divinely ordained social order, too. Euclidean geometry, that is, was used to justify monarchy.

Explaining the interconnectedness between mathematics and culture—how mathematical principles aren’t separate from or even just born into a culture, but profoundly shape it—is nothing new for Alexander, whose previous books include Infinitesimal: How a Dangerous Mathematical Theory Shaped the Modern World and Duel at Dawn: Heroes, Martyrs, and the Rise of Modern Mathematics. When we spoke by phone in August, we discussed French gardens’ geometrical designs as propaganda; how cities’ structures advance their ideals; and how Euclidean geometry’s decline had as deep an effect as its rise.

Because I struggled with history in school, I am always curious when people choose to make it their life’s work. So maybe we can start there: What do you love about studying, writing about and now, at UCLA, teaching history?

I do love history, and I think it has something to do with growing up in Israel, in Jerusalem. There, it’s not just the one history, but layer upon layer upon layer of history—different histories, competing histories. Every stone and every building there has its own story. You can go back 100 years, you can go back 1,000 years, sometimes thousands of years, and everybody is very much invested in their version of history, often to the exclusion of others.

Also, especially the years that I was growing up in Israel, archaeology was huge because it was seen through a Zionist perspective. That is, you’re digging up Biblical history, you’re digging up the connection of the Jewish people to the land of Israel. It was all around; the air was imbued with it. I think in some ways, whatever your politics—whether you’re a Zionist or an anti-Zionist, whatever your view of the occupation—in some ways, living there, you feel like it is just the latest chapter of a story that began a very long time ago.

So I think that was the origins of my fascination with history, although, as for my work, it went in a very different direction. Read more…