A Longreads Guest Pick: Rebecca Hiscott on Mark Harris's Profile of Director Spike Jonze

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Rebecca Hiscott is a graduate student at NYU and a features writer for Mashable.

I’m still marveling at ‘Him and Her’ by Mark Harris from the Oct. 14 issue of New York magazine. The piece is both a nuanced profile of director Spike Jonze — despite Joaquin Phoenix’s stony-faced cameo on the cover — and an eye into the making of Her, the quasi-sci-fi movie that aspires to be ‘a cautionary meditation on romance and technology’ and ‘a subtle exploration of the weirdness, delusiveness, and one-sidedness of love.’ The narrative follows Jonze through the process of writing, shooting and editing the film, and his subsequent efforts to correct a cinematic gamble that hasn’t paid off. Harris’s lush prose mimics Jonze’s aesthetic as a filmmaker, which the author describes as ‘disarmingly sincere, and melancholy in surprising places”; the article also has an evocative opening scene that perfectly captures the spirit of the film and its enigmatic director.

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November 2, 2013

Categories: Uncategorized

Tags: guest pick, Her, longreads, Spike Jonze

Him and Her

Longreads Pick

A Longreads Guest Pick from Rebecca Hiscott, a graduate student at NYU and a features writer for Mashable:

“I’m still marveling at ‘Him and Her’ by Mark Harris from the Oct. 14 issue of New York magazine. The piece is both a nuanced profile of director Spike Jonze — despite Joaquin Phoenix’s stony-faced cameo on the cover — and an eye into the making of Her, the quasi-sci-fi movie that aspires to be ‘a cautionary meditation on romance and technology’ and ‘a subtle exploration of the weirdness, delusiveness, and one-sidedness of love.’ The narrative follows Jonze through the process of writing, shooting and editing the film, and his subsequent efforts to correct a cinematic gamble that hasn’t paid off. Harris’s lush prose mimics Jonze’s aesthetic as a filmmaker, which the author describes as ‘disarmingly sincere, and melancholy in surprising places”; the article also has an evocative opening scene that perfectly captures the spirit of the film and its enigmatic director.”

Author: Mark Harris

Source: New York Magazine

Published: Oct 6, 2013

Length: 25 minutes (6,477 words)

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Longreads Guest Pick: Todd Olmstead on 'Random Access Denied'

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Longreads

Todd Olmstead is Mashable’s Associate Community Manager and an occasional music writer. He lives in Brooklyn.

My favorite longread this week is ‘Random Access Denied,’ by Sasha-Frere Jones in the New Yorker. It takes you through the mind of the reviewer, writing about a big-deal album, and peels back the curtain a bit. Who wouldn’t want to be part of that initial listening party? And yet, it’s about more than just an album. It’s about the way we listen to music. Frere-Jones, despite being a critical listener, isn’t lamenting leak culture or the rush for journalists to judge albums, though no one would blame him if he did. Rather, he presents an honest case for how we listen: Oftentimes in phases, via iterations of songs and bits of marketing, piecing together our opinions as we go. Rarely do we as listeners arrive at the finished product on album release day anymore, and that’s okay. As we come up on the summer’s next massively anticipated music release — Kanye West’s “Yeezus” — it’s worth this reflection before we rush in.

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