Search Results for: Los Angeles Times

Featured: Eric Steingold’s #longreads page. See his story picks from The New York Times, The Paris Review, The Los Angeles Review of Books, plus more.

“The most powerful newspaper in Great Britain.” A history of the Daily Mail, founded in 1896 as reading material “by office-boys for office-boys,” as a former prime minister said dismissively. Its daily readership is now four and a half million, and its website recently surpassed the New York Times in traffic, with 52 million unique visitors per month: 

On January 25th, the model Kate Moss went to some parties in Paris. The next morning’s Mail read, ‘The Croydon beauty had very obvious crow’s feet and lines beneath her eyes as well as blemished skin from years of smoking and drinking.’ Another journalist, interviewing her that day, asked why she thought the Mail was so focussed on her aging.

‘I don’t know. ’Cause it’s the Daily Mail ?’ Moss replied. ‘They just get on everyone’s tits, don’t they?’

“Mail Supremacy.” — Lauren Collins, New Yorker

See also: “Zell to L.A. Times: Drop Dead.” — Laurie Winer, Los Angeles Review of Books, Nov. 9 2011

Another perspective on the city’s struggles, and the attempts to revive it:

A recent New York Times article lauded Detroit as a ‘Midwestern Tribeca’ of socially aware folk; but off of its bustling main drag, Corktown is surrounded by Detroit’s burned-out industrial structures and houses, weedy lots, and subsidized housing. For every white entrepreneur in an inner-city neighborhood, a score of young, college-educated kids live in dense, hip suburbs like Royal Oak and Ferndale. The Detroit perceived by artists like Catie and Marianne — often from privileged, suburban backgrounds — is radically different from the city visible to EMS workers. I have doubts about the city’s oft-vaunted creative scene, which I was part of for much of the year: to what extent were we dancing to electro-pop while Detroit burned?

“Letter from Detroit.” — Ingrid Norton, Los Angeles Review of Books

See more #longreads from the Los Angeles Review of Books

Before Wonder Woman there was Miss Fury, the first female superhero, introduced in 1941:

Miss Fury was created, written, and drawn by a woman, June Tarpé Mills, who published under the more sexually ambiguous Tarpé Mills. Had Miss Fury entered an enduring canon like DC’s, it’s possible that the template for female superheroes, as well as for superhero comic readership, would have depended more on the influence and perspective of actual women.

“Heroine Chic.” — Evie Nagy, Los Angeles Review of Books

See also: “Lynda Barry Will Make You Believe in Yourself.” — Dan Kois, New York Times Magazine, Oct. 27, 2011

Ross Andersen: My Top 5 Longreads of 2011

Ross Andersen is freelancer living in Washington, D.C. He has recently written about technology for The Atlantic, and is now working on an essay for the Los Angeles Review of Books. He can also be found on Twitter at @andersen.

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“The Mother of Possibility,” by Sven Birkerts, Lapham’s Quarterly

Procrastination being my favorite vice —and the impetus behind many a plunge into Longreads.com— it is perhaps not coincidental that this essay, an elegant defense of idleness, is my favorite of the year. Reading Birkerts may mean forgoing more pressing tasks, but he at least has the decency to make you feel like a visionary for doing so:

“Idleness … It is the soul’s first habitat, the original self ambushed—cross-sectioned—in its state of nature, before it has been stirred to make a plan, to direct itself toward something. We open our eyes in the morning and for an instant—more if we indulge ourselves—we are completely idle, ourselves. And then we launch toward purpose; and once we get under way, many of us have little truck with that first unmustered self, unless in occasional dreamy asides as we look away from our tasks, let the mind slip from its rails to indulge a reverie or a memory. All such thoughts to the past, to childhood, are a truancy from productivity. But there is an undeniable pull at times, as if to a truth neglected.”

“Evolve,” by Michael Shellenberger and Ted Nordhaus, Orion

Orion, billed as America’s finest environmental magazine, is a strange place to find a moving paean to technology, but that’s exactly what Shellenberger and Nordhaus have written here: a brief, albeit sweeping, history of the relationship between man the toolmaker and his environment.

“After the project was approved, the head of World Wildlife Fund Italy said, “Today the city’s destiny rests on a pretentious, costly, and environmentally harmful technological gamble.” In truth, the grandeur that is Venice has always rested—quite literally—on a series of pretentious, costly, and environmentally harmful technological gambles. Her buildings rest upon pylons made of ancient larch and oak trees ripped from inland forests a thousand years ago. Over time, the pylons were petrified by the saltwater, infill was added, and cathedrals were constructed. Little by little, technology helped transform a town of humble fisherfolk into the city we know today.”

“Why We Shouldn’t Treat Rap as Poetry,” by Willy Staley, The Awl

Because what’s not to like about a close look at the understudied phenomenon of ghostwriting in Hip-Hop? I’d almost forgotten about this piece until this superb tweet by John Pavlus reminded me of it.

“The Next Future,” by Michael Crowley, Lapham’s Quarterly

I badgered my Google Reader clique (R.I.P.) relentlessly with this essay, a sprawling take on science fiction, prediction and futurism—first by sharing it twice, and second by commenting on both shares with selected excerpts from the piece, so that it would show up at the top of Reader’s (since departed) Comment View. One such excerpt:

“And when read now, forty years from when I first began to write it, what is immediately evident about my future is that it could have been thought up at no time except the time in which I did think it up, and has gone away as that time has gone. No matter its contents, no matter how it is imagined, any future lies not ahead in the stream of time but at an angle to it, a right angle probably. When we have moved on down the stream, that future stays anchored to where it was produced, spinning out infinitely and perpendicularly from there.”

“Windsor Knot,” by Jonathan Freedland, New York Review of Books

Sure, Christopher Hitchens’ takedown of the Royal Wedding was a more satisfyingly vicious read (“By some mystic alchemy, the breeding imperatives for a dynasty become the stuff of romance, even fairy tale.”) but it missed the complexity of Freedland’s piece, which opens with a withering run of digs at the crown, before finishing on a grace note about the Queen’s place in British culture.

“Fear and Self-Loathing in Las Vegas,” by Zach Baron, The Daily

As the author notes, Vegas, particularly Hunter S. Thompson’s Vegas, is without peer as clichéd essay subject. Nonetheless, Baron manages a dazzling walk along the meta-tightrope he has stretched between himself and the strip’s gaudy towers. He manages to generate fresh insights about the culture of the city, while serving up a penetrating, and at times unflattering, look at the impulse behind Thompson’s original project and his own. Oh and all this before Baron goes undercover at DEFCON, an annual hacker convention at which journalists are notoriously unwelcome. 

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Grantland's Jay Caspian Kang: My Top 5 Longreads of 2011

Jay Caspian Kang (pictured above) is an editor at Grantland. His work has also appeared in the New York Times Magazine and The Morning News. His first novel, The Dead Do Not Improve, will be published by Hogarth/Random House in August 2012.

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David Hill: “$100 Hand of Blackjack, Foxwoods Casino” (McSweeney’s)

This is the sort of piece you want to compare to other writers like Didion or Carver or even James Baldwin, but you hold off because you don’t want to piss off the author by getting it wrong. Yes, there’s a bit of Didion’s calmness here, a bit of Carver’s bleariness, and a bit of Baldwin’s honesty-at-all-costs, but David Hill’s prose sings with a melancholy that’s truly original. The one piece from 2011 that had me punching the wall with jealousy. By far my favorite read of the year.

Mike Kessler: “What Happened to Mitrice Richardson?” (Los Angeles magazine)

Great crime writing. Thoroughly reported and well constructed.

Alma Guillermoprieto: “In the New Gangland of El Salvador” (New York Review of Books)

My thoughts on Guillermoprieto can be found here.

Francisco Goldman: “The Wave” (The New Yorker, sub. required)

This is gut-wrenching. Goldman’s novel, Say Her Name, is somehow even more powerful.

Jon Ronson: “Robots Say the Damnedest Things” (GQ)

When this very funny piece about robots is over, you start thinking a bit differently about love. I don’t know how Jon Ronson achieved that effect, but “Robots Say the Damnedest Things,” was my most fun read of 2011.

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See more lists from our Top 5 Longreads of 2011 >

Share your own Top 5 Longreads of 2011, all through December. Just tag it #longreads on Twitter, Tumblr or Facebook. 

5280 Magazine's Geoff Van Dyke: My Top 5 Longreads of 2011

Geoff Van Dyke is deputy editor of 5280 Magazine in Denver. His writing has appeared in The New York Times, Outside, and Men’s Journal.

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• “The Food at our Feet,” by Jane Kramer, The New Yorker

Kramer can almost make you smell and taste the stuff she’s picking: mint, asparagus, fennel, mushrooms. Plus, maybe my favorite lead sentence of the year: “I spent the summer foraging, like an early hominid with clothes.”

• “The Kill Team,” by Mark Boal, Rolling Stone

The disturbing investigation into an Army unit in Afghanistan that was killing civilians for sport.

• “Liking Is for Cowards. Go for What Hurts,” by Jonathan Franzen, New York Times

I kind of didn’t want to like this piece, but Franzen’s assessment of “consumer technology products,” and our fraught relationships with them, feels right on.

• “The Day that Damned the Dodgers,” by Lee Jenkins, Sports Illustrated

As a lifelong San Francisco Giants fan, it was heartbreaking to read this chronicle of how the Giants’ greatest rival, the Los Angeles Dodgers, have gone from one of the most respected organizations in sports to one of the most dysfunctional.

“What Really Happened to Strauss-Kahn?” by Edward Jay Epstein, The New York Review of Books

A fascinating investigation that suggests Dominique Strauss-Kahn was set up, perhaps even by people associated with French president Nicolas Sarkozy.

BONUS

Pretty much anything by Charles P. Pierce at Grantland, but especially his piece on the beginning of the end of NCAA sports and his unflinching essay on Jerry Sandusky and Penn State.

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See more lists from our Top 5 Longreads of 2011 >

Share your own Top 5 Longreads of 2011, all through December. Just tag it #longreads on Twitter, Tumblr or Facebook. 

Rolling Stone's Doree Shafrir: My Top Longreads of 2011

Doree Shafrir is an editor at Rolling Stone, where she hangs out with the Misfits on a regular basis. She can also be found at doree.tumblr.com.

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When I went back into my Kindle and my Twitter and Tumblr and email and all the other places where I noted or saved especially noteworthy stories from the past year, I found that many of them fell into certain categories. And so, here they are. (There are more than five stories, just because.)

TRUE CRIME

One of the best true crime pieces of the past year was that David Grann lawyer-in-Guatemala story, but everyone has already said that, so I am going to go with Robert Kolker’s “A Serial Killer in Common,” which is the devastating, horrifying story about the Long Island serial killer and the families of the women who were killed. Also, it’s not exactly true crime in the traditional sense of the term, but Kathy Dobie’s GQ story, “The Girl from Trails End,” about the 11-year-old girl in Texas who was gang-raped, repeatedly, was another really excellent crime-related story. Also, I would like someone to write a longer story about Aaron Bassler, the guy who killed two people in California and then went on the run in Mendocino County for a month before he was killed by police.

THE WAY WE LIVE NOW

I didn’t make a “trend piece” category because, ugh, but two stories from the past year that I thought really captured Our Moment were Molly Lambert’s “In Which We Teach You How to Be a Woman in a Boys’ Club” and Caroline Bankoff’s “On GChat”. Molly’s piece was so, so smart, and very true, and had lots of good advice, including to only apologize if you truly fucked up, and then only apologize once. Also, this part: “The only men who are turned off by ambition and success are men that are insecure about their own talents and success or lack thereof. You don’t really want to know those guys anyway, because they suck and they will constantly attempt to undermine you, and even if you are secure enough in yourself not to care it’s still really fucking annoying.” And technically, I first encountered Caroline’s piece at a reading in 2010, but since it wasn’t published for public consumption until 2011 (on Thought Catalog) I am counting it. It is a wonderful encapsulation of the ways technology has changed the ways that we interact with each other.

ADVICE

The Ask a Dude column in the Hairpin is the best advice column ever to exist in the world, if you are a woman in your 20s or 30s who is trying to navigate THIS THING CALLED LIFE, which, yes! It was really hard to pick a favorite, because they are all cocktails of good, which is how I once heard an editor at the magazine I work for describe a story. But I think perhaps “Questionably Tattooed Manchildren and Uses for Old Jars” is one of the Dude’s best, because it offers advice like this to a woman who is worried she is a drunken slut: “If all was right, there’d be a country & western singer named Tammy with a hit named ‘A Whiskey Dick or Two,’ but here we are, in a world where a woman calls herself a slut for sleeping with a number of partners that she’s not ashamed of and then apologizes for it to feminists. I don’t think I even understand where that puts us. Somewhere not good, I believe.”

THE CELEBRITY PROFILE

A bunch of people who’ve submitted these Longreads things have said that they deliberately didn’t put any of their friends on their lists, but I am going to break that non-rule because fuck it, my friends are good writers! Take, for example, this profile of Channing Tatum—“The Full Tatum”—that Jessica Pressler wrote for GQ. It is a really good celebrity profile. It is even a narrative, which most celebrity profiles are not, they are just, like, “It is 87 degrees in Los Angeles and Kim Kardashian is lying on a chaise longue by the pool at the Chateau Marmont, her white string bikini showing off her perfectly tanned, perfectly toned, perfectly I-survived-Kris-Humphries body, and she is very deliberately not eating the house salad that she so carefully ordered—’No olives, two tablespoons of walnuts and the dressing on the side’—20 minutes before,” and you’re like, TELL ME SOMETHING I DON’T KNOW. (That lede could also work with Denise Richards/Charlie Sheen, or Demi Moore/Ashton Kutcher, or Katie Holmes/Tom Cruise in 3 years. It’s all yours!) My other favorite celebrity profile from the past year was Lizzie Widdicombe’s “You Belong With Me,” a profile of Taylor Swift. She had so many great little details in there, including that Taylor’s father Scott wears tasseled loafers.

THE PERSONAL ESSAY

Pressler snaked me by choosing John Jeremiah Sullivan’s “Peyton’s Place,” which is this amazing piece about living in the house where they filmed One Tree Hill, so I am going to choose this weird, wonderful three-part thing that Clancy Martin wrote for the Paris Review about trying to get to New York to see Christian Marclay’s The Clock exhibit. It contains this paragraph:

“It’s starting to rain, I’m ten miles from home and I already recognize how eccentric, how unstable, how woebegone, how doomed this plan is; the roar of the highway is an echo of my sure failure, and I’m thinking about the trucker who’s too wise to take the little baby in Denis Johnson’s “Car Crash While Hitchhiking” when I hear, incredibly, like a promise from God—there will be many of these in the next twenty-four hours, but I don’t know it yet—the elongated throaty syllables of Lou Reed coming from an amiable-looking white truck with wide mirrors coming off its nose and bumpers that give it a kind of Disney Cars effect. In the movie, the trucks are always the good guys. And, better still, a middle-aged black man with a potbelly is pumping diesel into it, listening to one of the most white-boy songs of all time.”

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And so began the improbable last chapter in the fall of a major newspaper, as chronicled by O’Shea in The Deal from Hell: How Moguls and Wall Street Plundered Great American Newspapers. Among other things, the book is a reminder that whenever you think things can’t get worse, they can. They can get much, much worse.

I was there, at the paper, working at the magazine, with a good critic’s seat, up close and on the aisle. As we were living it, we knew this tawdry drama signaled yet another sea change for newspapers, with potentially devastating consequences for our democracy. It was also, thanks to Zell and his cronies, more entertaining than it had any right to be.

“Zell to L.A. Times: Drop Dead.” — Laurie Winer, Los Angeles Review of Books

See more #longreads from the Los Angeles Review of Books

The story of her father’s death ran in newspapers from New York to Los Angeles, detailing how a small band of men killed him, and how a mob mutilated his corpse. They called it a spectacle lynching, and historians say it was perhaps the worst act of torture and execution in 20th century America. The killing became Florida’s shame. President Franklin D. Roosevelt knew her father’s name.

Claude Neal.

“Spectacle: The lynching of Claude Neal.” — Ben Montgomery, St. Petersburg Times

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