Search Results for: Los Angeles Times

Seven Hikers’ Descent into Doom at Zion National Park

Longreads Pick

The Los Angeles Times reconstructs the final hours of the seven experienced hikers who lost their lives last week in a flash flood at Zion National Park.

Published: Sep 20, 2015
Length: 9 minutes (2,265 words)

Bona-Fide Celebrities: Nikki Finke on the Late ’80s ‘Literary Brat Pack’

Cover image from Bright Lights, Big City via jaymcinerney.com

In 1987, a young Nikki Finke profiled the “Literary Brat Pack” (choice Brat Pack members included Bret Easton Ellis and Jay McInerney, of Less Than Zero and Bright Lights, Big City fame, respectively) for The Los Angeles Times. Read more…

The Kids Who Live at the Country Inn

In January, when Breanna went missing, Eddie wouldn’t tell anyone whether he knew where she was. He shared the temptation to vanish. He’d recently written a letter to his mom in jail saying he and Breanna were going to run away. They just didn’t know where to go.

The police had been to this motel at least 190 times in the last year. When two police officers finally arrived at the motel this time, Eddie quietly announced that he’d look for her, and rode his bike into the dark.

An hour later, Eddie pedaled up and murmured that he had found Breanna in Seccombe Lake Park, a few blocks away.

Reporter Joe Mozingo and photographer Francine Orrin in the Los Angeles Times write a rich, visual portrait of the children who live at a motel in San Bernardino, the poorest city of its size in California.

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Covering the ‘Black Twitter’ Beat

Asking how am I going to cover Black Twitter is like asking how I’m going to cover American culture. I’m never going to get all of it, but I’m going to pull what I find interesting.

Dexter Thomas, as interviewed by Chava Gourarie in the Columbia Journalism Review. Earlier this week the Los Angeles Times hired Dexter Thomas to cover Black Twitter and other online communities.

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Getting to Know Japanese Dashi Stock

“Dashi is like the key actor in a movie,” says 83-year-old Chobei Yagi, whose 275-year-old store, Tokyo’s Yagicho Honten, specializes in katsuobushi and other dried foods. “But dashi always plays the supporting role, never the star.”

Most katsuobushi today comes pre-sliced in plastic bags, which is convenient and allows one to make dashi from scratch in less than 15 minutes, but there is another level of truly great katsuobushi — artisanal arabushi-style katsuobushi and the maturer karebushi- and hongarebushi-style katsuobushi. These are sold in thick blocks, with brown surfaces coated in sun-dried mold. They look more like works of art than food, and maybe they are.

Sonoko Sakai writing in the Los Angeles Times about the complex, umami-packed base known as dashi, which provides the foundation for so much Japanese cuisine. Sakai’s piece ran in January, 2012.

 

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Peggy Lee’s ‘Is That All There Is’ Was Inspired by a Thomas Mann Story

Peggy Lee’s haunting 1969 hit “Is That All There Is”—if you watch Mad Men, you’d recognize it from both the opening and closing of the midseason premiere—was written by Jerry Leiber and Mike Stoller during the 1960s, but its roots date back to an 1896 Thomas Mann novella. In a 2011 Los Angeles Times story on Jerry Leiber, Randall Roberts expanded on the song’s history:

As you’re delighting in Stoller’s landmark instrumentation and structural genius, listen to the lyrics, which as Leiber evolved as a songwriter started drawing ideas from other, unexpected sources. Wonderfully transparent about his inspirations, he didn’t hide the fact, for example, that the words to Peggy Lee’s 1969 hit “Is That All There Is?” were taken from a prose meditation by German writer Thomas Mann called “Disillusionment.”

In Mann’s story, after recounting the numbness of his life experiences, the narrator awaits the ultimate disappointment: “So I dream and wait for death. Ah, how well I know it already, death, that last disappointment! At my last moment I shall be saying to myself: ‘So this is the great experience — well, and what of it? What is it after all?'”

Leiber used Mann’s words nearly verbatim, but with one major difference. Mann dwells on futility until the very end. Leiber though gave it an ironic twist that will echo long after his departure. If that’s it, she sings, “Then let’s keep dancing / Let’s break out the booze and have a ball / If that’s all there is.”

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The Brothers Behind the California Bungalow

Charles Greene (left) and Henry Greene. Photo by Wikimedia Commons

Although they had no way of knowing it, the Hartwigs had bought a remnant of the Cora C. Hollister House, a Craftsman-style bungalow built in 1904 by Charles and Henry Greene, two of Southern California’s most admired and transformational residential architects. “In their 20 years of practice,” wrote the late Greene & Greene historian Randell L. Makinson, “they established an American architecture so fresh that it spread from Pasadena to all of Southern California and then over the entire country as the ‘California Bungalow’ style.” Artists in the truest sense of the word, the brothers created whole environments—livable spaces that harmonized with their surroundings. In the early 20th century, Greene & Greene had a thriving practice in Southern California, designing landmark Arts & Crafts residences like the Gamble and Blacker houses in Pasadena, the town in which their firm was based.

Steve Vaught writing in Los Angeles Magazine. Vaught’s piece follows the the unlikely journey of Greene & Greene’s Cora C. Hollister House, which was erected on Hollywood soil in 1904 and later made its way to the ranchlands of western Canada.

The California bungalow—a residential architectural style that took the country by storm in the early years of the twentieth century and remained popular until 1939—was simple in design. Form followed function, structural elements were exposed, and outdoor living was emphasized.  “Greene & Greene more or less invented the California Bungalow as a distinctive style,” according to Leon Whiteson of the Los Angeles Times

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Buried Alive in a Grain Silo

Illustration by: Kjell Reigstad

Erika Hayasaki | December 2014 | 2,554 words (10 minutes)

 

Four years ago, Erika Hayasaki learned about the death of two young men in a corn grain bin accident in the Midwest. Over the next two years, while pregnant and later with her then-six-month-year-old daughter and husband in tow, she left her life in Los Angeles to visit Mount Carroll, Illinois, population 1,700, to capture the story. Her interest, however, wasn’t so much in rehashing the deaths of the two young men, but in telling the story of the survivor, Will Piper, who nearly died trying to save his friends from the deadly pull of the grain bin, and whose life took a surprising turn after the accident. The following is an excerpt from Hayasaki’s story, Drowned By Corn, which describes the lives of the young workers before the accident. Read more…

The Last Freeway

Illustration by Kjell Reigstad

Hillel Aron | Slake | July 2011 | 20 minutes (4,888 words)

Hillel Aron’s “The Last Freeway” was published in Slake in 2011 and appeared as a Longreads Member Pick in September 2013. It’s a story about a city (Los Angeles), a freeway interchange (where the 105 meets the 110), and a man (Judge Harry Pregerson). Aron explains:

“Well, my friends Joe Donnelly and Laurie Ochoa had this great quarterly called Slake, and I wanted to write something for them, so we sat down and talked about it… I think maybe I pitched it to them, I can’t remember. I’d was just always fascinated by freeways, growing up in Los Angeles, and I loved that Reyner Banham book, The Architecture of the Four Ecologies. When I was kid, I was completely enchanted by that 105 / 110 interchange, the carpool lane one, which towers above the city. It’s basically like a rollercoaster. Actually it kind of sucks—since I wrote the piece, they’ve turned that carpool lane into a “toll lane,” so normal carpoolers can’t use it anymore without one of those fast pass things. At any rate, I did some research and it turned out that (a) the 105 was the last freeway built in Los Angeles—the end of an era, really. And it was so tough to build that it basically set a precedent of not building freeways anymore. And (b), there was this nutty judge who turned the whole thing into a New Deal-style public works program to benefit the communities that were being bisected by this massive beast of a freeway. And he also ordered them to stick a train in the middle of it, which didn’t quite go to the airport, but that’s a different story…”

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Inside Scientology: A Reading List

Alex Gibney’s much-talked about new documentary Going Clear: Scientology and the Prison of Beliefbased on Lawrence Wright’s similarly titled 2013 exposé—has been making headlines since it made its Sundance debut in January. It opened on limited screens across the country last Friday and will premiere on HBO in two weeks. In the meantime, the Church of Scientology has gone into overdrive attacking the film: taking out full page ads in major newspapers to denounce it; buying up Going Clear-related search results on Google; and trying to discredit the filmmakers and their subjects in a series of videos on the Church’s website. Scientology has long been shrouded in mystery—doubtless in large part due to the Church’s secretive practices—but the Church is also notorious for terrorizing critics and defectors. Suffice it to say they are not an easy institution to investigate. In honor of their inscrutable reputation, and with Scientology-talk nearing zenith zeitgeist, I decided to put together a reading list of stories that explore the Church from a variety of angles. Please don’t kill my dog.

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1. “The Apostate” (Lawrence Wright, The New Yorker, 2011)

Wright is nothing short of a master reporter (he won a Pulitzer for The Looming Tower, his 2006 history of al-Qaeda), and his deep investigative skills shine in this epic piece, a profile of Hollywood director and screenwriter Paul Haggis. Haggis was once one of Scientology’s most prominent members; he is now one of the Church’s most prominent defectors. This article eventually became part of Wright’s 2013 book Going Clear.

2. “The Tip of the Spear” (Joel Sappell, Los Angeles Magazine, 2012)

Starting in the mid-1980s, journalists Joel Sappell and Robert Welkos spent five years examining the Church of Scientology for the Los Angeles Times, ultimately producing a six-day, 24-article series (available here in its entirety) that ran in June 1990. Here—more than two decades after the fact—Sappell reflects on his unnerving experiences reporting on the Church.

3. “What Katie Didn’t Know” (Maureen Orth, Vanity Fair, October 2012)

An exquisitely creepy behind-the-scenes look at the Church of Scientology’s 2004 search for the next Mrs. Tom Cruise.

4. “Scientology’s Hollywood Real Estate Empire” (Daniel Miller, The Hollywood Reporter, July 2011)

Little known fact: the Church of Scientology owns more historic buildings in Hollywood than any other entity. Miller’s decision to examine the Church’s relationship to Hollywood in the context of its real estate empire makes for fascinating reading.

5. “Escape from Sea Org” (Astra Woodcraft, as told to Abigail Pesta, The Daily Beast, July 2012)

Astra Woodcraft was seven when she was indoctrinated into the Church of Scientology via an arm of the church known as Sea Org. This is the story of what she endured, and how she escaped.

6. “Are Academics Afraid to Study Scientology?” (Ruth Graham, JSTOR Daily, November 2014)

Scientology attracts an extraordinary amount of media attention, but scholars have been slow to devote time and research to its study—Why?

See Also: “A Scientology Glossary” (David Sessions, The Daily Beast, July 2012)

Don’t know the difference between an engram, an E-meter, and an operating Thetan? Don’t worry, The Daily Beast has your back.