The invisible language of film permeates Christian Kracht’s “The Dead,” prose that is neutral and shot through with so much darkness, you occasionally can’t find the light.
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Posted inArts & Culture, Culture, Essays & Criticism, Feature, Story, Unapologetic Women
Dancing Backup: Puerto Ricans in the American Muchedumbre
Carina del Valle Schorske traces a lineage of Puerto Rican backup dancers in American entertainment from Rita Moreno to JLo.
Posted inEditor's Pick, Essays & Criticism, Nonfiction
Of Breakdowns and Breakthroughs
After suicides and heartbreak ravage her family, Jenny Aurthur finds she has no choice but be transformed.
Posted inEssays & Criticism, Nonfiction, Story
Of Breakdowns and Breakthroughs
After suicides and heartbreak ravage her family, Jenny Aurthur finds she has no choice but be transformed.
Posted inEssays & Criticism, Nonfiction, Story
Character Work
Alison Fields remembers the perils of junior high: fitting in, standing out, and trying out.
Posted inBlog Post
Journalists Shouldn’t Be Fired for Investigating Their Own Publications
And everyone in this industry should speak out against it.
Posted inArts & Culture, Blog Post, Culture, Current Events, Unapologetic Women
When Will Hip-Hop Have Its #MeToo Reckoning?
It has already, time and time again.
Posted inCurrent Events, Nonfiction, Story
Querida Angelita
The Mexican teenager who became one Mexican-American family’s maid taught a young woman that el oltro lado, the other side, is as much about class and good fortune as it is an international border.
Posted inArts & Culture, Feature, Nonfiction, Story
Where Have All the Music Magazines Gone?
Inside music journalism post-2008 recession, and how media consumption in the 21st century offers a road map for the continuation of the once-robust medium.
Posted inBusiness & Tech, Profiles & Interviews, Story
It’s a Wonderful World: The Remaking of California Agriculture
An interview with Mark Arax about the two decades he spent writing about the San Joaquin Valley empire of Lynda and Stuart Resnick.
