Search Results for: Internet

I Was a Warehouse Wage Slave

Longreads Pick

A writer goes undercover at a shipping warehouse in Mississippi—and wonders whether Americans will ever demand higher standards for how their Internet purchases are being fulfilled:

“We will be fired if we say we just can’t or won’t get better, the workamper tells me. But so long as I resign myself to hearing how inadequate I am on a regular basis, I can keep this job. ‘Do you think this job has to be this terrible?’ I ask the workamper.

“‘Oh, no,’ she says, and makes a face at me like I’ve asked a stupid question, which I have. As if Amalgamated couldn’t bear to lose a fraction of a percent of profits by employing a few more than the absolute minimum of bodies they have to, or by storing the merchandise at halfway ergonomic heights and angles. But that would cost space, and space costs money, and money is not a thing customers could possibly be expected to hand over for this service without huffily taking their business elsewhere.”

Source: Mother Jones
Published: Feb 27, 2012
Length: 31 minutes (7,999 words)

A weeklong investigation to discover who created the Twitter account that spits out “context-free nonsense” and in doing so has now amassed more than 40,000 followers and a devoted fanbase:

The feed’s strangely poetic stream has been embraced like a life-preserver by internet users drowning in a sea of painfully literal SEO headlines and hack Twitter comedians. Since it appeared in August 2010, word of Horse_ebooks has spread steadily, propelled by blog posts and Twitter chatter by internet obsessives. But unlike many internet culture phenomenons, it never truly went viral. Horse_Ebooks is too weird, too much of an acquired taste to break into exponential growth.

But these same qualities that have relegated Horse_ebooks to relative obscurity have inspired a passionate Twitter fanbase rivaled only by Beliebers. Followers have fashioned an elaborate fandom based on Horse_ebooks, comics, fan-fiction, merchandise, and inside-jokes. A browser plug-in that turned the text of any website into Horse_ebook-isms was the latest craze among fans. A characteristic Horse_ebook superfan boast is: ‘I unfollowed Horse_ebooks, because my friends retweet all its tweets anyway.’ We’re so deep into Horse_ebooks, you couldn’t escape it if you tried.

“How I Found the Human Being Behind Horse_ebooks, The Internet’s Favorite Spambot.” — Adrian Chen, Gawker

More from Chen: “The Mercenary Techie Who Troubleshoots for Drug Dealers and Jealous Lovers.” — Gawker, Jan. 25, 2012

The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle and Readmill users, you can also get them as a Readlist.

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Read more…

Self-driving car technology is advancing rapidly. But how comfortable can we get with the idea?

Beyond bureaucracy, there are deeper legal questions. Ryan Calo, director for privacy and robotics at Stanford Law School’s Center for Internet and Society, which is studying the legal framework for quasi-autonomous vehicles, notes how active the liability landscape already is when it comes to cars’ safety features. ‘People sue over all kinds of stuff. People sue because some feature that was supposed to protect them didn’t. People sue because their car didn’t have a blind-spot warning when other cars at the same price point did.’ Imagine the complexity we’ll have when cars drive themselves. Who will be responsible for their operation—the car companies or the drivers? What happens, for example, when a highway patrol officer pulls over a self-driving car? Who gets the ticket?

“Let the Robot Drive.” — Tom Vanderbilt, Wired

See also: “Robots Say the Damnedest Things.” — Jon Ronson, GQ, March 8, 2011

Let the Robot Drive

Longreads Pick

Self-driving car technology is advancing rapidly. But how comfortable can we get with the idea?

“Beyond bureaucracy, there are deeper legal questions. Ryan Calo, director for privacy and robotics at Stanford Law School’s Center for Internet and Society, which is studying the legal framework for quasi-autonomous vehicles, notes how active the liability landscape already is when it comes to cars’ safety features. ‘People sue over all kinds of stuff. People sue because some feature that was supposed to protect them didn’t. People sue because their car didn’t have a blind-spot warning when other cars at the same price point did.’ Imagine the complexity we’ll have when cars drive themselves. Who will be responsible for their operation—the car companies or the drivers? What happens, for example, when a highway patrol officer pulls over a self-driving car? Who gets the ticket?”

Source: Wired
Published: Jan 24, 2012
Length: 23 minutes (5,861 words)

Ben Cohen's Top Longreads of 2011

Ben Cohen writes about sports for The Wall Street Journal. In 2011, he also published a Kindle Single and wrote for Grantland, The Classical, Tablet, The Awl and Yahoo! Sports. You can follow him on Twitter at @bzcohen.

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I don’t know that I can pinpoint exactly what it was about these stories that compelled me to re-read them, over and over, but I do know that you’ll find yourself doing the same. In any case, you don’t need me to explain how to enjoy these stories, or why you should adore them. They speak for themselves. So, in the spirit of the season: gifts that keep on giving!

“‘It’s Too Bad. And I Don’t Mean It’s Too Bad Like “Screw ‘Em”,’” Jessica Pressler, New York: Lloyd Blankfein goes to a diner.

“Welcome to the Far Eastern Conference,” Wells Tower, GQ: Starbury goes to China.

“The Hangover Part III,” Brett Martin, GQ: Aziz Ansari, David Chang and James Murphy go to Tokyo.

“The History and Mystery of the High-Five,” Jon Mooallem, ESPN The Magazine: Hand goes high.

“Why John Calipari Can’t Catch a Break,” S.L. Price, Sports Illustrated: Coach goes to Kentucky.

“It’s The Economy, Dummkopf!” Michael Lewis, Vanity Fair: Michael Lewis goes to Germany.

“Danny Meyer on a Roll,” Sean Wilsey, The New York Times Magazine: Restauranteur goes… everywhere?

“Jennifer Egan on Reaping Awards and Dodging Literary Feuds,” Boris Kachka, Vulture: Jennifer Egan goes to Brooklyn.

“The Confessions of a Former Adolescent Puck Tease,” Katie Baker, Deadspin: Teenager goes to the Internet.

“American Marvel,” Edith Zimmerman, GQ: I’m not sure who goes where, or when, or why, but what!

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Evan Kindley: My Top 5 Longreads of 2011

Evan Kindley is the managing editor of the Los Angeles Review of Books.

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Ariel Levy, “Basta Bunga Bunga” (June 6, 2011) – The New Yorker

A great piece about what proved to be the Last Days of Berlusconi’s Italy, with all the virtues of the typical artfully triangulated New Yorker profile (as recently codified by John McPhee) plus a refreshing willingness to let Levy herself play a crucial role.  (Difficult to avoid, perhaps, when the people you interview say things like “I see you are a girl—I want to kiss you! … This is nature.”)

Adam Plunkett, “King of the Ghosts” (October 7, 2011)  – n+1

Moving, passionate, yet determinedly unsentimental remembrance of David Foster Wallace by one of his students at Pomona that doubles as a review — the best I’ve seen — of his frustrating posthumous semi-opus The Pale King.  Whether or not you care a whit about Wallace, there’s a lot to be learned here about the anguish of mentorship: “He expressed some of the most meaningful things he said to me in some of his sentences most likely to seem meaningless. ‘It means a lot that it means a lot,’ ‘I feel for you.’”

Drake Bennett, “David Graeber, the Anti-Leader of Occupy Wall Street” (October 26, 2011) – Bloomberg Businessweek

“David Graeber likes to say that he had three goals for the year: promote his book, learn to drive, and launch a worldwide revolution. The first is going well, the second has proven challenging, and the third is looking up.” I, too, have failed to learn to drive in 2011.

Rob Horning, “The Failure Addict” (November 18, 2011) – The New Inquiry

I’m not sure I buy Horning’s fundamental premise, that “Papa” John Phillips was “a harbinger of what microcelebrity may do to the rest of us,” but the two halves of this neatly turned essay — a knowledgeable account of Phillips’s sordid solo career and a lucid analysis of how an increasing amount of our (increasingly internet-dependent) sociality is getting redefined as “sharing” (“It’s sharing when we confess something; it’s sharing when we link to someone else’s work; it’s sharing when we simply express approval for something; it’s sharing when a social-media service automatically announces some action we took”) — are each worth the price of admission.

Sy Montgomery, “Deep Intellect: Inside the Mind of an Octopus” (November/December 2011) – Orion Magazine

My nickname around the Los Angeles Review of Books office is “the Octopus.”  Read this and draw your own conclusions.

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Elmo Keep: My Top 5 Longreads of 2011

Elmo Keep is a writer who has written for The Hairpin, and other places.

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The Tetris Effect — Justin Wolfe, The Awl

There really isn’t a way to talk about this without spoiling the reveals. Just read it, whether you understand gaming or not, it doesn’t matter: If you don’t, you will come away curious, and if you do, you will have your mind blown it’s just so clever and moving and wonderful. The narrative structure of this piece is so satisfyingly interwoven and then resolved, it’s one of those stories that makes for a totally different experience on the second reading. This is the kind of enthralling, super-long writing that I love the Internet for making space for. 

Joan — Sara Davidson, ByLiner Original

This was a beautiful companion to Blue Nights, Didion’s most recent memoir. In that book, she is very adept as all memoirists are, at revealing only what she chooses to while weaving the illusion of revealing everything. Sara Davidson has known Didion for forty years and the portrait that she paints of her very affectionately is in a lot of ways more complete than the image that Didion presents of herself. A must for Joan Didion tragics like me, especially for the glimpses of her life with John Gregory Dunne written from an outsider’s perspective peppered throughout. 

Blindsight — Chris Colin, The Atavist

The Atavist have really pioneered what is the logical evolution of longform writing for the web, integrating everything about the medium into tablet-only experiences that truly immerse you in a world. In this story the writer finds ways to let us experience what is happening to the protagonist — a man who has suffered an horrific brain injury — so vividly that we can for a moment inhabit is mind, a place where memory and time have been shattered and distorted. You also get the sense throughout of how much the writer cared for his subject and the result is a humane and profound portrait of resilience. 

What Makes A Great Critic? — Maria Bustillos, The Awl

The Internet has been wonderful for writing for so many reasons, but also, terrible! For others! Particularly when it comes to cultural criticism (pop culture especially). In this piece Maria Bustillos does everyone a favour by pointing out that recaps are not reviews and takes a long, considered look at what makes criticism valuable when the writer really, really cares about the subject. This piece goes a long way to settling the “criticism vs review” debate and is a must read for all aspiring critics and an excellent brush-up for any working critic who might have let complacency slip in. 

The Quaid Conspiracy — Nancy Jo Sales, Vanity Fair

I loved this inversion of a celebrity profile, especially in Vanity Fair to read about people on the fringes of that machine. Not even the writer is certain what’s true and what isn’t in this caper — which is really what it reads like; being dragged along on a wildly tangential ride rife with drugs and paranoia. 

The By Far Funnest Read of the Year — American Marvel — Edith Zimmerman, GQ

This gets so much love because it is *fucking awesome*, that’s why. It’s also been widely derided by old people, which is again a tick in its favour in my view. This is the exact kind of celebrity profile you want to read: It’s a publicist’s nightmare, which again, is why it’s so great. Read it! Read them all!

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Writer David Hill: My Top 5 Longreads of 2011

David Hill writes Fading the Vig for McSweeney’s, writes about basketball for Negative Dunkalectics, writes sketch comedy for The Charlies, and starting next month will write a monthly column for Grantland. He is on Twitter at @davehill77.

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“Too Much Information,” John Jeremiah Sullivan, GQ

John Jeremiah Sullivan wrote many notable things in 2011. I chose to highlight this review of The Pale King for two reasons. First because everyone else has recommended the Disneyland story and the story about his house. Second because it is actually a nice bit of writing and it is fascinating in the way that it hits home how much David Foster Wallace has left an impact on a generation of writers, John Jeremiah Sullivan included. An impact that I think is perhaps both good and bad, but one that the jury will likely be out on for a long time. 

“The Garden of Good and Evil,” Katie Baker, Grantland

I have no idea if it is possible to love this piece as much as I do if you don’t love the Knicks. I mean really love the Knicks, as in cried after Game 5 of the 1999 NBA Finals love the Knicks. What I do know is that Katie Baker loves the Knicks the way I love the Knicks and this post mortem on this past season was, in my mind, a fitting and touching tribute to the team I invested far too much emotional energy and actual time this year. 

“The Art of the Body Shot,” Chris Jones, Grantland

Chris Jones is the best writer in the game right now hands down. Anything he writes is worthy of a list like this. This particular piece, however, is worth your time even if you aren’t much of a boxing fan. I read a lot of boxing writing this year—a lot. This was the single standout piece of writing on boxing I read all year. It made me feel like maybe boxing has life in it still yet, and if so perhaps writers like Chris Jones have more time to carry on a tradition of beautiful boxing prose that was handed to them by writers like James Baldwin and Norman Mailer. If so I have no doubt that Chris Jones won’t let them down.  

“In the Wake of Protest: One Woman’s Attempt to Unionize Amazon,” Vanessa Veselka, The Atlantic

I can tell you from first-hand experience as a union organizer that this piece accurately captures the utter hopelessness, intense fear, and emotional overload that workers who try to organize unions in America today must deal with. This story was heartbreaking but also righteous and in the end I feel like she arrives at exactly the right conclusions. It isn’t just about how a generation of workers who are self-absorbed and overly concerned about their self expression are an obstacle to class consciousness. It also makes the point that whether companies like Amazon are anti-union or not is irrelevant. Companies like Amazon that fight unions do so because they are essentially anti-worker and for me at least there is no nuance or complexity to it, it is just that simple.  

“Manhattan in Middle Age,” Elizabeth Gumport, This Recording

I discovered Elizabeth Gumport’s writing this year through a mutual friend and since have read everything she has written. She’s a wonderfully talented writer and thinker who I hope to see even more from in 2012. In this piece she looks at the life of Dawn Powell in New York City and talks about growing old in a city surrounded by the young. It is a subject I’ve thought about and talked about a lot this year as I adjust to my life as a father and try to walk in two worlds at once—that of my youth and that of my future—all the while knowing that eventually I will have to step completely over into one at the expense of the other. 

BONUS TRACK

“The Day Never Ended,” Everyone, Free Darko

Not really a longread but worth noting on this list of the best of 2011. This was the last post on Free Darko, a never-ending parade of goodbyes and thank yous and memories and glass-raising praise for the blog that was the inspiration for so many good things and the grandfather of so many great things yet to come. How we write, how we write about sports, how we think about sports, the way we write and communicate and build community on the Internet—for myself and I’d guess many other people Free Darko made a singular transformational impact. 

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Brain Pickings' Maria Popova: My Top 5 Longreads of 2011

Maria Popova is the founder and editor in chief of Brain Pickings, a writer for Wired UK, Design Observer, and The Atlantic, among others, and an MIT Futures of Entertainment fellow, spending far, far too much time curating the web’s interestingness as @brainpicker.

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I’ve always found reading, writing, and thinking to be so tightly interwoven that, when done correctly, they become indistinguishable from one another. Like architecting your life and your social circle, architecting your mind’s life is an exercise in immersing yourself in an eclectic mix of viewpoints and directions of thought. In that way, longform is like the most intense of friendships, where the time dedication and the active choice to show up far eclipse the noncommittal acquaintanceship of soundbite culture. A healthy longform diet must thus include something that breaks your heart, something that gives you hope, something by someone you find a little self-righteous, something by someone with whom you’re a little bit in love—and, ideally, the inability to fully tell which is which. With this in mind, here are the five finest pieces I laid eyes and neurons on this year, which did for me all of the above, and then some.

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“Mark Twain in Love,” by Ron Powers (Smithsonian)

A bittersweet story about Samuel Clemens, but really about something profoundly and universally human: love, timing, and the often tragic misalignment of the two. And in that story lies a subtle reminder that unless we pursue the heart’s desire with complete clarity of purpose and intention, we’re left forever playing out those could’ve-beens, as Twain did, in our dreams.

“Thus it was Sam’s stubbornness that foreclosed any further encounter with Laura Wright. Yet they did meet, time and again, over the years, in Clemens’ dreams. And dreams, Samuel Clemens came to believe, were as real as anything in the waking world.”

“Post-Artifact Books & Publishing,” by Craig Mod

As both a marginalia obsessive and a hopeless bibliophile torn between the love of books and the mesmerism of the web, I spend a lot of time thinking about the future of books—or, more accurately, about the function books have traditionally served as a medium for arguing and teasing out ideas of significance and cultural gravity. Hardly anyone fuses a bibliophile’s profound respect for books with a designer’s sensitivity to the reading experience and a digital entrepreneur’s visionary bravery more fluidly, articulately, and thoughtfully than Craig Mod.

“Manifested properly, each new person who participates in the production of digital marginalia changes the reading experience of that book for the next person. Analog marginalia doesn’t know other analog marginalia. Digital marginalia is a collective conversation, cumulative stratum.”

“How the Internet Gets Inside Us,” by Adam Gopnik (The New Yorker)

Gopnik is one of my favorite nonfiction authors working today. And this is no ordinary book review of what eventually became my favorite history book of 2011—it paints a riveting connect-the-dots portrait of information’s history and future through such fascinating and surprisingly related subjects as African drum languages, the Morse Code, Marshall McLuhan, and Google.

“Yet surely having something wrapped right around your mind is different from having your mind wrapped tightly around something. What we live in is not the age of the extended mind but the age of the inverted self. The things that have usually lived in the darker recesses or mad corners of our mind—sexual obsessions and conspiracy theories, paranoid fixations and fetishes—are now out there: you click once and you can read about the Kennedy autopsy or the Nazi salute or hog-tied Swedish flight attendants. But things that were once external and subject to the social rules of caution and embarrassment—above all, our interactions with other people—are now easily internalized, made to feel like mere workings of the id left on its own.”

“Lessons According to Salt,” by Liz Danzico

There is something magnificent and magical that happens when we open ourselves up to the poetry of possibility—of “overlookedness,” if you will. (Lesson #1.) 

“The saltbox itself as an object is unremarkable. Alone, it communicates nothing. Says nothing about its role. Its intention. Its history as a gift born out of a romance between my maternal grandparents. Says nothing of its possibilities.

But add people, and it becomes a central iterative device. The license to change, to iterate, to test, to add, to make, to make over, to create (clearly, with food). It gives license and latitude to stray from what has been written (recipes) for those too shy to do. Therefore, it gives strength. It gives iterative powers to those not comfortable with version control. With its subtlety comes comfort in change.

One might say the saltbox, and access to it, is magic.”

“Wikipedia And The Death of The Expert,” by Maria Bustillos (The Awl)

Picking just one of Maria Bustillos’ many brilliant pieces was excruciating, but this meditation on the future of authorship, content curation, and intellectual innovation is simply exquisite, and tickles my own restlessness about the changing currencies and sandboxes of authorship in the age of information overload.

“All these elements—the abandonment of ‘point of view,’ the willingness to consider the present with the same urgency as the past, the borrowing ‘of wit or wisdom from any man who is capable of lending us either,’ the desire to understand the mechanisms by which we are made to understand—are cornerstones of intellectual innovation in the Internet age. In particular, the liberation from ‘authorship’ (brought about by the emergence of a ‘hive mind’) is starting to have immediate implications that few beside McLuhan foresaw. His work represents a synthesis of the main precepts of New Criticism with what we have come to call cultural criticism and/or media theory.”

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