Search Results for: Ian Parker

Fans, Fiction, and Representation: A New Hope

There’s something about Star Wars: The Force Awakens that feels both delightful and urgent, as if it were both a joy to create and a story that must be told at this particular moment in history. People who lined up to see the film when it released last December—and then immediately bought tickets to see it again—are now buying the DVD or Blu-Ray or streaming version so they can watch The Force Awakens for the fifth (or tenth) time at home. They’re also creating fanart, writing their own narratives, and celebrating the idea that the Hero’s Journey has been opened up to a new group of heroes. Read more…

Rainy Season

 Amy Parker | Beasts & Children, Houghton Mifflin Harcourt | February 2016 | 30 minutes (7,639 words) 

Our latest Longreads Exclusive is “Rainy Season,” a short story from Beasts & ChildrenAmy Parker’s acclaimed debut collection. The book’s interlinked stories unwind the lives of three families, casting a cool eye on the wreckage of childhood and the nuances of family history.

“Rainy Season” is nightmarish but entrancing—two young American sisters living in Thailand sneak out of their diplomatic compound and into the Chiang Mai night with a trio of Korean businessmen who have mistaken them for prostitutes. Parker’s sentences are lyrical and brutal, her gaze both kaleidoscopic and piercingly straightforward. 

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The Minds Behind Diversity in Comics: A Reading List

Comics inspire me to be brave, to collaborate with my friends, to try new things, to stand up for myself. Maybe that’s trite, but it’s true. Vanity Fair’s profile of Kelly Sue DeConnick (#7) includes statistics about women: they are the fastest-growing demographic interested in comics; they are protagonists of twice the story arcs. Wired says diversity isn’t just good business–it’s honest, truthful storytelling (#1). I want everyone who walks into a comic book store to feel comfortable (#4), to find someone who looks or feels like them (#9) when they open a new issue of their favorite series. The people interviewed and profiled in the following pieces–creators and critics who advocate for diversity and inclusion in pages and on-screen–are the real superheroes.

1. “It’s Time to Get Real About Diversity in Comics.” (Laura Hudson, Wired, July 2015)

Rather than a superficial issue of optics or quotas […] Rather than seeing diversity initiatives as a matter of altruism or avoiding controversy, the most transformational approach advocated by critics and creators alike is the one that views it both as a form of honesty and as a valuable creative investment… Read more…

Quitting the Internet, Cold Turkey

The base of Solitude Mountain, Utah. Photo by Krista

The advice offered to me by people when I explain I am going to live by myself in the woods for a week varies from the sensible (“Develop a routine”) to the frankly awful (“Take some weed!”).

But it is Michael Harris, the Canadian author who published a book in 2014 called The End of Absence: Reclaiming What We’ve Lost in a World of Constant Connection, who I pay most attention to.

Like me, Harris decided to try and face his fears. He gave up the internet and his phone for an entire month, though not, it must be said, human contact altogether. Nevertheless, “crushing loneliness,” is how he describes the initial effects of his experiment.

“You have to remember, people who design our online experiences have devoted enormous resources toward making them as addictive as possible,” Harris says. “Walking away from it makes you feel like shit, because suddenly all your magic powers are gone.”

He is talking about the way email alerts and social media notifications are rewiring us by triggering endorphins in our brains.

“You have to burrow through that discomfort before you start to see the rewards on the other side. When you’re living online, there is a certain apparatus of approval. What you do, what you think and what you believe is governed by certain corporate interests and the interests of your friends—something becomes worthy if it gets 12 retweets, say.

“When you cut yourself off from the internet,” he says, “you’re forced to construct a personal approval system—something that is not beholden to the opinions of others.

In Esquire, Sam Parker quits the Internet cold turkey, experiencing classic withdrawal symptoms including anxiety and panic after traveling to a remote Scottish bothy in a bid to find true solitude.

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Curtis Sittenfeld’s ‘Prep,’ 10 Years Later

Sari Botton | Longreads | March 2015

 

It’s hard to believe it’s been ten years since Prep, Curtis Sittenfeld’s debut novel, was first published. And not just because the passage of time, in hindsight, is always kind of baffling, but because I have thought about that book so regularly it seems my brain only just first absorbed it. Read more…

The Twisted History of Your Favorite Board Game

Jessica Gross | Longreads | March 2015 | 16 minutes (4,113 words)

 

Mary Pilon spent several years reporting on finance for the Wall Street Journal, and several more reporting on sports for The New York Times. In her first book, The Monopolists: Obsession, Fury, and the Scandal Behind the World’s Favorite Board Game, Pilon debunks the myth—long perpetuated by Parker Brothers—that Monopoly was invented by a man named Charles Darrow during the Great Depression. Really, three decades prior, a woman named Lizzie Magie had created The Landlord’s Game, an obvious ancestor. A surprising twist: Lizzie’s game included a set of rules that was anti-monopoly, in which the object was to spread wealth around. In the 1970s, a professor named Ralph Anspach unknowingly carried Magie’s torch by creating a game called Anti-Monopoly, which rewarded players for trust-busting. It was via a very long lawsuit with Parker Brothers that Anspach unearthed the game’s buried history—and through reporting on a wholly unrelated article that Pilon became aware of it. I spoke with Pilon by phone about this complex, multi-layered story, her reporting and writing process, and the surprising Monopoly tricks she discovered. Read more…

How a Great American Theatrical Family Produced the 19th Century’s Most Notorious Assassin

John Wilkes Booth, Edwin Booth and Junius Booth, Jr. (from left to right) in Shakespeare’s Julius Caesar in 1864. Photo via Wikimedia Commons

Nora Titone | My Thoughts Be Bloody: The Bitter Rivalry Between Edwin and John Wilkes Booth That Led to an American Tragedy | The Free Press | October 2010 | 41 minutes (11,244 words)

 

Below is an excerpt from the book My Thoughts Be Bloody, by Nora Titone, as recommended by Longreads contributor Dana Snitzky, who writes: 

“This is the story of the celebrated Booth family in the final year before John Wilkes made a mad leap into historical memory that outdid in magnitude every accomplishment of his father and brothers. When the curtain rises on this chapter of Nora Titone’s book, both Edwin and John Wilkes have already staged performances for President Lincoln at Ford’s Theater; by the time it comes down, one of them will be readying to assassinate him there.” 

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Budd & Leni

Photos via Wikimedia Commons

Bruce Handy | Tin House | March 2013 | 26 minutes (6,452 words)

 

They were fleeting and unlikely collaborators, for lack of a better word. He was a son of Jewish Hollywood royalty, she a Nazi fellow traveler and propagandist, though they had a few things in common, too: both were talented filmmakers, both produced enduring work, and both would spend the second halves of their lives explaining or denying past moral compromises. Which isn’t to say the debits on their ledgers were equal—far from it. Read more…

Longreads Best of 2014: Here Are All of Our No. 1 Story Picks from This Year

All through December, we’ll be featuring Longreads’ Best of 2014. To get you ready, here’s a list of every story that was chosen as No. 1 in our weekly Top 5 email.

If you like these, you can sign up to receive our free weekly email every Friday. Read more…

For the Public Good: The Shameful History of Forced Sterilization in the U.S.

Belle Boggs | The New New South | August 2013 | 62 minutes (15,377 words)

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We’re proud to present, for the first time online, “For the Public Good,” Belle Boggs‘s story for The New New South about the shocking history of forced sterilizations that occurred in the United States, and the story of victims in North Carolina, with original video by Olympia Stone.

As Boggs explained to us last year: 

“Last summer I met Willis Lynch, a man who was sterilized by the state of North Carolina more than 65 years earlier, when he was only 14 years old and living in an institution for delinquent children. Willis was one of 7,600 victims of North Carolina’s eugenics program, and one of the more outspoken and persistent advocates for compensation.

“At the time I was struggling with my own inability to conceive, and the debate within my state—how much is the ability to have children worth?—was something I thought about a lot. It’s hard to quantify, the value of people who don’t exist. It gets even more complicated when you factor in public discomfort over a shameful past, and a present-day political climate that marginalizes the poor.”

Thanks to Boggs and The New New South for sharing this story with the Longreads Community, and thanks to Longreads Members for your helping us bring these stories to you. Join us.

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