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I Want to Persuade You to Care About Other People

Illustration by J.D. Reeves

Danielle Tcholakian | Longreads | August 2017 | 23 minutes (5,681 words)

 

A few years ago, my middle brother and I were in Boca Raton, Fla. for Thanksgiving, visiting my mother’s parents. We’re very close with my grandparents, and one of the things I appreciate about my grandfather is that he has taken me — us — seriously for as long as I can remember. I spent every summer with him and my grandmother out on Long Island from when I was born into my teenage years, and I still can’t recall a time when I didn’t feel entitled to vigorously share my opinion with my grandfather, regardless of whether he would agree with it. When he would include me on forwarded political or (debatably) humorous e-mails with his Boca Raton pals — mostly politically conservative, Jewish guys like him — I would reply-all to any I found false or offensive in any way, lecturing men at least half a century older than me. He never yelled at me for telling off his friends and never took me off the email list for those forwards.

During the 2008 presidential election, I was in college, and I convinced him and my grandmother to vote for Barack Obama. It was the first time in our relationship, as far as I can recall, when my opinion wasn’t only given consideration, but prompted real change. I vividly remember running out to my friend’s Chicago porch after watching the vice-presidential debate between Joe Biden and Sarah Palin to call my grandpa and crow, “Who you gonna vote for now, Papa?” And I remember his good-natured laugh, his heavy sigh, his admission that yes, I was right. He was going to vote for my guy — in Florida, where it mattered.

Another thing I love about my grandfather is how he’s open-minded in a way that’s unusual among men of his generation. He’s no free-love hippie: This is a man who will drink at least one Coca-Cola a day for the rest of his life; who wears his socks pulled up so tautly, I don’t understand how they never fall; who worked hard for every dime he earned; who to this day insists Costco hot dogs are a great lunch; who plays tennis six days a week and pickle ball the seventh; and who spends a good two to three hours every day reading the paper. My grandfather lived through segregation, quietly. He is not a rabble rouser. But he has always been tickled by the rabble rouser in me, always willing to hear my liberal side out. After I worked as a journalist for Metro New York covering Mike Bloomberg as mayor of New York City, the things I learned of Bloomberg from his staff reminded me of my grandpa in that way. Make a convincing argument, and he’ll listen to it.

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Ellen Pao Is Ready to Name Names

(Marla Aufmuth/Getty Images for Massachusetts Conference for Women)

Ellen Pao, who sued her Silicon Valley employer Kleiner Perkins Caufield & Byers for discrimination, was saving the names for her upcoming book Reset: Ajit Nazre, a partner who became hostile after she rejected his advances. Ted Schlein, a managing partner who explained he liked white, Eastern European sex workers — during a private flight in which a tech CEO in attendance bragged about meeting Jenna Jameson. In her six years at Kleiner Perkins, Pao was passed over for promotion, her clients were stolen, her performance maligned, and eventually she was fired after complaining about harassment to an independent investigator, who asked “Well, if they look down on women so much, if they block you from opportunities, they don’t include you at their events, why do they even keep you around in the first place?”

The competitive world of venture capital was familiar to Pao, and she played the game as best she could. But the game was stacked against her, she explains in an excerpt from her book featured at The Cut.

Predicting who will succeed is an imperfect art, but also, sometimes, a self-fulfilling prophecy. When venture capitalists say — and they do say — “We think it’s young white men, ideally Ivy League dropouts, who are the safest bets,” then invest only in young white men with Ivy League backgrounds, of course young white men with Ivy League backgrounds are the only ones who make money for them. They’re also the only ones who lose money for them.

Sometimes the whole world felt like a nerdy frat house. People in the venture world spoke fondly about the early shenanigans at big companies. A friend told me how he sublet office space to Facebook, only to find people having sex there on the floor of the main public area. They wanted to see if the Reactrix — an interactive floor display hooked up to light sensors — would enhance their experience. At VC meetings, male partners frequently spoke over female colleagues or repeated what the women said and took the credit. Women were admonished when they “raised their voices” yet chastised when they couldn’t “own the room.” When I was still relatively new, a male partner made a big show of passing a plate of cookies around the table — but curiously ignored me and the woman next to him. Part of me thought, They’re just cookies. But after everyone left, my co-worker turned to me and shrugged. “It’s like we don’t exist,” she said.

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How Can Alt-Right Women Exist in a Misogynistic Movement?

A woman holding her baby at a Klan meeting in Beaufort, South Carolina, 1965. (Harry Benson/Getty Images)

Days before the events in Charlottesville, Harper’s published the cover story from their September issue about the prominent women of the alt-right: Women who want to bring others into a movement that is misogynist at its very core. In the piece, “The Rise of the Valkyries,” Seyward Darby profiles Lana Lokteff, the “queen bee” of the alt-right who David Duke has described as a “harder-hitting” Ann Coulter with a “movie-star quality.” Lokteff finds likeminded women online and promotes them via Red Ice, a white nationalist media company she runs with her husband. But for women to have a voice in the alt-right, let alone be prominent in the movement, is its own paradox, as Lokteff admonishes women to give counsel to men and embrace classic notions of femininity. I spoke with Darby about what it takes to interview a subject whose very existence appears to undermine her own claims. Read more…

Tech Companies Are (Maybe) Ready to Punch Nazis Now

(Sean Gallup/Getty Images)

In the week since white supremacists descended on Charlottesville with tiki torches blazing, tech companies have begun to eliminate website hosting or accounts run by neo-Nazis. The decision to kick people off the internet—a world many of us occupy in equal measure, if not more than we do the physical one around us—is not one taken lightly, and these companies have remained cautious until proven complicit.

The CEO of Cloudflare, Matthew Prince, explained in a public blog post why he chose to drop the Daily Stormer, a hate-mongering website that published openly racist, anti-Semitic, misogynist screeds, including a post about Heather Heyer. “Our terms of service reserve the right for us to terminate users of our network at our sole discretion,” writes Prince. “The tipping point for us making this decision was that the team behind Daily Stormer made the claim that we were secretly supporters of their ideology.” (ProPublica skewered Cloudfare earlier this year for providing the Daily Stormer with information about people who criticized or complained about the website’s explicitly offensive content.)

Cloudflare is not alone in abandoning Nazi clients. As Adrienne Jeffries reported at The Outline, in the last few days Squarespace has dropped an array of so-called “alt-right” sites, including the think tank of neo-Nazi poster boy Richard Spencer. On Tuesday, Sean Captain at Fast Company noticed that publishing platform WordPress.com (the parent company of Longreads) is no longer hosting the website for the ultra-nationalist organization Vanguard America. (The man who drove the car that killed Heyer and injured 19 other people was allegedly a Vanguard America member, though the organization has tried to disown him.) Read more…

Can Apple End Smartphone Addiction?

Markus Daniel / Getty Images

According to Tristan Harris, it’s going to take more than infinite willpower for billions of people to resist the infinite scroll of the attention economy. It’s going to take regulation, reform, and Apple becoming something of an acting government.

Harris — a former Google design ethicist and co-founder of Time Well Spent, a nonprofit that encourages tech companies to put users’ best interests before limitless profit models — insists that our minds have been hijacked in an arms race for our attention. He also insists that, with the help of a Hippocratic Oath for software designers, we can win.

“YouTube has a hundred engineers who are trying to get the perfect next video to play automatically,” Harris says in a new interview with WIRED‘s editor in chief Nicholas Thompson. “Their techniques are only going to get more and more perfect over time, and we will have to resist the perfect.”

See? This is me resisting:

In their WIRED interview, Thompson and Harris discuss why now is the moment to invest in reforming the attention economy.

THOMPSON: At what point do I stop making the choice [to use Facebook or Google or Instagram]? At what point am I being manipulated? At what point is it Nick and at what point is it the machine?

HARRIS: Well I think that’s the million-dollar question. First of all, let’s also say that it’s not necessarily bad to be hijacked, we might be glad if it was time well spent for us. I’m not against technology. And we’re persuaded to do things all the time. It’s just that the premise in the war for attention is that it’s going to get better and better at steering us toward its goals, not ours. We might enjoy the thing it persuades us to do, which makes us feel like we made the choice ourselves. For example, we forget if the next video loaded and we were happy about the video we watched. But, in fact, we were hijacked in that moment. All those people who are working to give you the next perfect thing on YouTube don’t know that it’s 2 am and you might also want to sleep. They’re not on your team. They’re only on the team of what gets you to spend more time on that service.

Again, the energy analogy is useful. Energy companies used to have the same perverse dynamic: I want you to use as much energy as possible. Please just let the water run until you drain the reservoir. Please keep the lights on until there’s no energy left. We, the energy companies, make more money the more energy you use. And that was a perverse relationship. And in many US states, we changed the model to decouple how much money energy companies make from how much energy you use. We need to do something like that for the attention economy, because we can’t afford a world in which this arms race is to get as much attention from you as possible.

The opportunity here, is for Apple. Apple is the one company that could actually do it. Because their business model does not rely on attention, and they actually define the playing field on which everyone seeking our attention plays. They define the rules. If you want to say it, they’re like a government. They get to set the rules for everybody else. They set the currency of competition, which is currently attention and engagement. App stores rank things based on their success in number of downloads or how much they get used. Imagine if instead they said, “We’re going to change the currency.” They could move it from the current race to the bottom to creating a race to the top for what most helps people with different parts of their lives. I think they’re in an incredible position to do that.

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Inside the World Famous Suicide Race

Riders and horses cross the Okanogan River in the Omak Stampede Suicide Horse Race, 2002. (Ron Wurzer/Getty Images)

This past spring, Chris Apassingok, a 16 year old in the Siberian Yupik village of Gambell, struck and killed a bowhead whale during a traditional hunt. In his community, Apassingok drew nothing but praise — subsistence hunting is a backbone of the area’s economy and whale meat, along with that of walrus and bearded seal, is an essential source of much-needed nutrients — but as soon as news reached the lower 48, both Apassingok and the practice of hunting whales became subjects of intense vitriol, as Julia O’Malley recently reported for High Country News,

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Cherokee Artist Jimmie Durham: Not Cherokee

Sculpture by Jimmie Durham, Museu de Serralves, Portugal
Sculpture by Jimmie Durham, Museu de Serralves, Portugal via Wikimedia

When I go look at art, I don’t read the descriptive text until I’ve decided the work merits my attention. The creations have got to stand on their own (in my subjective assessment) before I spend any time learning about the artist.

That’s why I missed the footnote about Jimmie Durham. The artist, who has a retrospective at the Walker Art Center, identifies as Cherokee. On the wall of the gallery there’s short paragraph below the introduction to the exhibit:

Note: While Durham self-identifies as Cherokee, he is not recognized by any of the three Cherokee Nations, which as sovereign nations determine their own citizenship. We recognize that there are Cherokee artists and scholars who reject Durham’s claims of Cherokee ancestry.

Talk about burying the lede.

The gallery footnote absolutely shifted my perception of the work. I found it all  appealing on first blush, but the truth of his identity made his claim to be Cherokee feel like a self-granted license to appropriate  — and it greatly undermined my appreciation of the work. I’d have called it wry and well constructed but upon further research into the artist’s background, it all felt stolen.

On ArtNet, Swedish-Cherokee America Meredith explains Why It Matters that Jimmie Durham is Not a Cherokee. The medium read tackles why it’s not enough to focus on covering Native American artists.

Clearly exasperated with the recent flurries of online discussion about Sam Durant’s Scaffold (2012) and now about Jimmie Durham’s retrospective at the Walker Art Center, the Zuni-Navajo artist Demian DinéYazhi recently posted a request on Facebook: “Every time you post about Sam Durant or Jimmie Durham, how about you follow it up by posting about an Indigenous artist who deserves the same energy and signal boost?”

Every day I post and write about Native artists. That’s my job, and something I love doing since there are so many compelling Native artists whom the world should know about. But the ignore-him-and-he’ll-go-away approach has not worked or done anything to stanch the steady flow of articles, essays, and books positioning Jimmie Durham not just as a Native American, but the Native artist that the rest of us would do well to emulate.

In January, Los Angeles’s Hammer Museum launched an ambitious traveling retrospective, “Jimmie Durham: At the Center of the World,” which just opened at the Walker and will continue to the Whitney Museum of American Art and the Remai Modern. I waited and hoped for someone else to voice a protest, but finally James Luna (Luiseño), Nancy Mithlo (Chiricahua Apache), and myself all realized we had to speak up.

The Whitney Museum was recently the center of a protest about the work of painter Dana Schultz when the museum chose to exhibit a painting of Emmet Till. The artist, who is white, claimed license to paint Till — a black teenager who was lynched in Mississippi — as a figure that represents the pain of all mothers who have lost a child.  Black families, artists, and activists begged to differ.

Durham’s retrospective is scheduled to go the Whitney next.

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The Arsonist Was Like a Ghost

An abandoned house in Accomack County, Virginia. Beginning in 2012, dozens of fires were set in the area, where the poverty rate is around 20 percent. (Bonnie Jo Mount/The Washington Post via Getty Images)

Monica Hesse | American Fire: Love, Arson, and Life in a Vanishing Land | LiverightAugust 2017 | 17 minutes (4,100 words) 

In the middle of the night on December 15, 2012, Lois Gomez sat up in bed. She thought she heard something. She listened. Nothing. Maybe she was wrong, maybe she hadn’t heard anything. She went to the kitchen for a drink of water. It was two or three in the morning, only a few hours before her shift at Perdue and her husband’s shift at Tyson. Now she definitely heard something. A banging on her front door — which in itself was odd; friends and family knew they always used the side entrance — and someone yelling: “Your garage is on fire! I’ve already called 911!”

She stood frozen in the kitchen trying to process the information. Christmas lights, she thought. Her outdoor Christmas lights were halfway up, but she and her husband had recently decided to visit his family in Texas for the holiday and she’d been trying to figure out whether to bother with the rest of the decorations, which were meanwhile stored in the family’s detached garage, which was now on fire. Christmas lights, along with the expensive music equipment for her son’s rock band.

It had been a rough couple of months. For one thing, she wasn’t getting along with her next-door neighbors. She’d been close with the woman who’d owned that house before, Susan Bundick. They brought each other dinner sometimes, or stood and chatted in their backyards. But one Sunday afternoon, Lois was outside emptying the aboveground backyard pool to close out the summer season, and she saw the police were at Susan’s house. They told Lois her neighbor had died. Now, Susan’s daughter lived in her mother’s old house and things weren’t as pleasant. Tonya was fine, kept to herself, but Lois had a few run-ins with Tonya’s new boyfriend, a squirrelly redheaded guy whose name she didn’t know. He’d done a few little things, like dumping a bunch of branches on their lawn instead of disposing of them like he was supposed to. Once he’d accused her of making racial slurs against Tonya’s kids. The accusation was ridiculous. Lois’s husband was from Mexico, and her four grandchildren were partly black.

She’d also been having nightmares about the arsonist. In one dream, she went into her kitchen late at night and saw someone racing through the yard, an intruder wearing dark-colored sweat pants and a hoodie. “What are you doing?” she called. The figure turned and looked at her but she still couldn’t see his face, and he eventually disappeared behind her detached garage. She woke up and realized it wasn’t real.

This night wasn’t a dream, though.

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Yearning for My Emo Days in Nostalgia-Inducing Asbury Park

Mabel Rosenheck | Longreads | July 2017 | 20 minutes (4,918 words)

 

On April 27, 2003, I sat with two friends in arena seats in Convention Hall in Asbury Park, New Jersey. Inside, the building looks like a generic mid-size concert venue, but its lobby is a fantastic, mammoth arcade and exhibition space with polished floors, square arches trimmed by Corinthian columns, and wrought-iron windows that sunlight pours through in spades. It is industrial, yet elegant. It is American, yet with unmistakable allusions to European modernity, to beaux arts style. Overwhelming the boardwalk and the beach, it is urban architecture that rises dramatically from the ocean, jutting out into the breakers, bearing the brunt of Atlantic hurricanes. It is a hard place to describe, but it is also a hard place to forget and an easy place to romanticize.

I’d met my friends the year before on an internet message board for a shitty pop punk band from Chicago named Mest. The internet was still figuring out what it was; we were still figuring out who we were. We were lonely and isolated in the suburbs of Connecticut, Long Island, and New Jersey. We found something we needed in this music. We found something we needed in each other.

It was a Sunday, and some of our friends had to leave to catch buses and trains to finish term papers and make classes on Monday morning. I was there with Dena and Deirdre, but we felt deeply the absence of Jillian, the last of our essential quartet. Jillian’s leaving that morning made the moment more melancholy than a Sunday hangover or an emo song alone, because something was missing.

Inside, we were about halfway up the stands on the left side of the stage, or at least that’s how I remember it. The seats were blue. The room was kind of a hazy gray with sunshine struggling to find its way through windows nestled into the top row, or maybe that was just the hangover, or maybe that is just the nostalgia.

I’d met my friends the year before on an internet message board for a pop punk band. The internet was still figuring out what it was; we were still figuring out who we were.

The band on stage was Brand New. Before they were playing Madison Square Garden and headlining Coachella, before Deja Entendu came out, when it was only Your Favorite Weapon’s particular brand of angsty emo with songs about breaking up with girlfriends and best friends, Brand New was on stage on day three of Skate and Surf 2003, a music festival in Asbury Park. They promised us there that tonight would go on forever while we walked around this town like we owned the streets.

We’d been down the shore since Friday afternoon. Jillian came down from Boston and met me in New Haven, and though she wasn’t there for that Sunday moment, Asbury Park was nothing without her, and the trip down was nothing without her. I had left college in Massachusetts and moved back in with my parents in Connecticut a month before. Jillian was in college in Boston, but not happy. Dena was in Philadelphia, finding her way well enough, but not quite enough. Deirdre was always the most well-adjusted of all of us, but I guess even she was looking for something. We bonded over 18-year-old existential loneliness on an internet message board, and that weekend we, along with a few thousand other existential teenagers like us, drove down I-95 and the Garden State Parkway to the parking lot of the Berkeley Carteret Hotel.

The Used performing in Asbury Park in 2003 (Photo by David Pomponio/FilmMagic)

With Jillian and Dena and Deirdre and everyone else, I had sugary teenage drinks with the back of my car open before the hotel room was ready. I had more drinks in our hotel room that day and that night and the next day. We watched a parade of punk rock lineage including post-hardcore bands like Thrice, screamo bands like The Used, and indie performers like Onelinedrawing. We shared a bottle of tequila with a guy with a straight edge tattoo. Then I made out with him. It was a frenetic good time, but as much as I remember the red angel wings I paired with a wifebeater and black vinyl pants, as much as I remember the Home Grown drum head that I used as a cocktail tray, as much as I remember the Kiwis that crashed on our floor, I remember Sunday afternoon sitting about halfway up on the left side of those blue seats in that hazy gray room that the sunshine didn’t quite reach. Listening to that song, at that time, and in that place, I felt closer to the people who were there and the one who wasn’t than I maybe ever have to anyone. We were a few girls in a sea of teenagers, in a beachside town where we didn’t live, but as much as it was a moment shared with the thousands of people who were there, I remember this as a small moment between us; I remember this as a place that belonged to us.

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A Transgender-Military Reading List

Transgender former US Navy Seal Senior Chief Kristin Beck. (Credit: NICHOLAS KAMM/AFP/Getty Images)

On Wednesday, President Donald Trump announced, via Twitter, a ban on transgender people serving in the United States military.

His tweeted justification was that “our military must be focused on decisive and overwhelming victory and cannot be burdened with the tremendous medical costs and disruption that transgender in the military [sic] would entail.”

It was, several Twitter users noted, an odd way to mark the 69th anniversary of President Harry Truman signing an executive order that ended racial discrimination in the military. There are currently thousands of transgender people serving in the nation’s all-volunteer military.

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