Search Results for: Esquire

Top 5 Longreads of the Week: The Stranger, Esquire, Grantland, The New York Times Magazine, Mother Jones, fiction from The New Yorker, plus a guest pick from Jane Friedman.

A look at the power, money and politics behind building the Freedom Tower that has delayed its completion:

The PA is run by a board of twelve unpaid commissioners, six appointed by New York’s governor, six by New Jersey’s. Traditionally, the board chair is a New Jersey commissioner, and the executive director — effectively the Port’s CEO — is selected by the governor of New York. In theory, the idea — a product of the Progressive Era of American politics — was to create a quasi-governmental corporation, self-supporting, free of corruption, and insulated from partisanship.

In practice, the PA has yielded to the surrounding political culture. From 1942 until 1971, the PA’s executive director was Austin Tobin, the strongman who built the World Trade Center. More powerful than any elected official, Tobin used the PA’s power of eminent domain to seize those sixteen acres and erect the Twin Towers, the world’s two tallest buildings when they were completed in 1973, steamrolling the city’s private real estate developers, who found it unsporting that a regional transportation agency would flood New York with more than ten million square feet of office space for lease.

Austin Tobin answered only to himself, and his PA was a monolith, omnipotent, opaque. The opacity alone remains; the Port Authority these days is little more than a punching bag, patronage pit, and piggy bank for politicians and those who own or are owned by them. Its stewardship of Ground Zero — in substance and as symbol — has been a bumbling puppet show and an obscene gold rush.

“The Truth About the World Trade Center.” — Scott Raab, Esquire

More Raab

Top 5 Longreads of the Week

This week: SCOTUSblog, Esquire, New York Times Health, Outside magazine, The Classical, fiction from Nathan Englander, winner of the 2012 Frank O’Connor International Short Story Award, plus guest picks from Laura Nelson.

[Not single-page] The origins and consequences of the Obama administration’s focus on drone strikes to kill enemy combatants:

Of course, the danger of the Lethal Presidency is that the precedent you establish is hardly ever the precedent you think you are establishing, and whenever you seem to be describing a program that is limited and temporary, you are really describing a program that is expansive and permanent. You are a very controlled man, and as Lethal President, it’s natural for you to think that you can control the Lethal Presidency. It’s even natural for you to think that you can control the Lethal Presidencies of other countries, simply by the power of your example. But the Lethal Presidency incorporates not just drone technology but a way ofthinking about drone technology, and this way of thinking will be your ultimate export. You have anticipated the problem of proliferation. But an arms race involving drones would be very different from an arms race involving nuclear arms, because the message that spread with nuclear arms was that these weapons must never be used. The message that you are spreading with drones is that they must be — that using them amounts to nothing less than our moral duty.

“The Lethal Presidency of Barack Obama.” — Tom Junod, Esquire

More from Tom Junod

[Not single-page] A difficult life with a father remembered through his favorite words and phrases:

He never once found comfortable shoes, and when he’d come home from the plant after a double overtime, the searing pain in his feet would have him whimpering like a child. Swornin’ to goodness! was his pain expression. Was it his horrible feet?

His maniacal mother, my grandmother, Letha (we called her ‘Lethal’), taught him that ‘if it isn’t perfect, its not worth doing,’ thus paralyzing my father for life. It was she who dragged my father, aged eight, to a hotel in downtown Baton Rouge, busted into a room, and showed him his father in bed with another woman. ‘Look at your father,’ she said. Was it Lethal?

Or are unhappy people born unhappy?

Would he have been the way he was if he had never had children? Did I turn my father into a monster?

“Daddy: My Father’s Last Words.” — Mark Warren, Esquire

More from Warren

One of the greatest athletes of all time faded into the background while his wife and daughters became reality TV stars:

Fathers suffer a curse, and Bruce Jenner knows this curse better than most: The day you become a father, you stop being who you were. In the eyes of your children, your life began when theirs did.

The strange thing about Jenner, now that he’s sixty-two years old: It’s not just his glorious past that has disappeared. It’s as though all of him, every previous incarnation of him, has been flooded out of view: by the fame of his adopted family — his third wife, the former-and-sometimes-still Kris Kardashian, her son, Rob, and her collection of daughters, Kourtney, Kim, Khloé, Kendall, and Kylie, the last two also Jenner’s — by the glib demands of reality-TV story lines, by dubious plastic surgery and eyebrows plucked to oblivion. Even in his own home, that familiar Spanish castle with the fountain splashing out front, you have to look hard to find those few traces of his existence. (‘My mom’s house,’ Kim calls it.) All of the photographs are of the children; all of the memorabilia and props are the product of their successes, not his. There is no red singlet in a frame; his gold medal is nowhere to be found. For the most part, Bruce Jenner, Olympian, has been banished to the garage.

“The Strange Thing About Bruce Jenner.” — Chris Jones, Esquire

More from Jones

"Why’s This So Good?" No. 33: Michael Paterniti's Painted Ghosts

Nieman Storyboard’s “Why’s This So Good” explores what makes classic narrative nonfiction stories worth reading.

This week: Thomas Curwen takes a look at Michael Paterniti’s “The Long Fall of One-Eleven Heavy,” which was originally published in Esquire in July 2000.

The opening sequence of “The Long Fall” is a mere 500 words and, in my mind, an incantation of Gardner’s dream, one that stunningly hinges halfway through upon a couple making love (no better image of human vulnerability) seconds before the plane hit the ocean.

Before this image: a series of stills introducing Peggy’s Cove. After this image: the gathering momentum of the disaster with its disorienting and sinister intrusion upon daily life when out of the low ceiling of clouds comes first a sound – the first suggestion of a plane (“the horrible grinding sound of some wounded winged creature”) – and then silence, then an explosion and the backstory.

“Why’s This So Good?” No. 33: Michael Paterniti’s Painted Ghosts

Featured Longreader: Author Danyel Smith. See her story picks from Bloomberg News, The Atlantic, Esquire, plus more on her longreads page.

Featured Longreader: Writer Eva Holland. See her story picks from Vela Magazine, Outside magazine, Esquire, plus more on her #longreads page.

Featured Longreader: Jaime Fuller, assistant web editor at The American Prospect. See her story picks from Washington Monthly, New York Review of Books, Esquire, plus more on her #longreads page.