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The Top 5 Longreads of the Week

Red-tailed hawk about to land. (Getty Images)

Here are five stories that moved us this week, and the reasons why.

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1. The Last Days Inside Trailer 83

Hannah Dreier | The Washington Post | October 17, 2021 | 4,400 words

Hannah Dreier spent a month on the ground reporting this story about a California couple on the verge of being kicked out of FEMA housing, their refuge in the wake of 2018’s devastating Camp Fire. With the clarity and compassion that are the hallmarks of her work, Dreier bears witness to what it means to suffer on the front lines of climate change, to grapple with a thinning social safety net, and — after all that — to stare down homelessness. She portrays the couple’s frustration and anger, as well as their love and resilience. But why, Dreier asks, is this happening at all? Doesn’t the government owe the displaced more, and better, than this? It’s a pressing question: More Americans will be soon displaced by fires, floods, and extreme weather. This is a quiet, intimate story, and seemingly small in scope, but don’t let it fool you — it offers a terrifying glimpse into the future. —SD

2. The Enumerator

Jeremy Miller | Harper’s Magazine | October 19, 2021 | 5,535 words

Out of financial necessity during the pandemic, reporter Jeremy Miller becomes a census enumerator in Richmond, California, for $25 an hour. In August 2020, after five months of lockdown and with little training, he sets out as a “fully deputized agent of the federal government” to follow up on those who have not completed their census forms. This piece is fascinating for Miller’s insight into trying to communicate with members of a community living in lockdown. His attempts are often futile, scary, and yet unexpectedly endearing. How many people live in the United States? With a broken census process that’s a hot target for political manipulation, no one will ever really know for sure. Some, wary of their immigration status, evade or avoid participation, understandably suspicious of government interest. —KS

3. A Very Big Little Country

Katherine LaGrave | AFAR | October 13, 2021 | 3,766 words

Ever heard of Westarctica? Neither had I. Comprising 620,000 square miles of Antarctica, since 2001 it has been “ruled” by His Royal Highness Travis I, Grand Duke. This is a micronation — a political entity whose members claim they belong to an independent state. What they lack in legal recognition they make up for in enthusiasm. Members bestow elaborate titles upon themselves and engage in heated discussions about how to govern. Westarctica is not alone: There are nearly 100 active micronations around the world. While physical landmasses have been claimed, these micronations largely exist online. Westarctica started as “a basic Yahoo website with a god-awful teal-blue background, project name, and email address.” There is a fun fantasy vibe: Westarctica’s legal tender is ice marks, “with banknotes featuring McHenry, penguins, and the Westarctican coat of arms.” However, micronations also have serious statements to make. Obsidia is a feminist-only nation with a two-pound rock as its territory and is “intent on using awareness to increase visibility for ‘femme / feminist / LGBTQ people and explore concepts for an ideal governance.’” Since 2018 Westarctica has also developed an important mission in becoming a nonprofit focused on fighting climate change. So take a dive into LaGrave’s fascinating article — and literally discover a whole other world. —CW

4. Eat, Prey, Love: A Day with the Squirrel Hawkers of East Texas

Wes Ferguson | Texas Monthly | October 15, 2021 | 2,033 words

Birds fascinate me. When I saw Wes Ferguson’s piece at Texas Monthly, I took a tern for it immediately and I have no egrets. Much more than a delightfully nerdy history of falconry and an overview of the sport in Texas, Ferguson lets us shadow falconer Charlie Alvis as he hunts with Calypso, his three-year-old red-tailed hawk. Alvis, who has a clear and deep respect for Calypso and birds in general, took up falconry in part as a way to cope with the death of his young son. Forging a deep bond with the bird has given structure and purpose to Alvis’ life. A general warning, gentle reader: This story contains violence. Hawking is hunting, after all. “Every squirrel she kills is gradually fed back to her.” —KS

5. How a McDonald’s Knockoff Became the Immigrant Dream

Omar Mouallem | Vice | October 15, 2021 | 4,044 words

I’ve always been fascinated by restaurant chains. It’s less the food than the minutiae: iconography; decor; how far a branch or franchise owner can stray from the standards and practices of corporate decree. (For years, a McDonald’s in Brooklyn kept a neon sign in its window that said MICKI DEES. It’s gone now, but I still think about it all the time.) Omar Mouallem’s piece on Burger Baron, a chain only in the loosest sense of the word based in the Canadian province of Alberta, is a doozy. “To begin with, the logo—a colourful fat knight with double-Bs in his shield—often appears on signs as a crudely drawn copy of the original,” writes Mouallem, who made a documentary about the chain that aired on Canadian television this year. “The mascot sometimes looks emaciated or downright mutilated, if he appears on the sign at all. The restaurants themselves range from drive-thru burger shacks to sprawling steakhouses.” But even if you come for the spectacle, you’ll stay for the surprisingly touching story of how Burger Baron became a lighthouse for the Lebanese immigrant community in and around Edmonton. Does it mean I ever want to try the mushroom burger? Reader, it does not. But I can still love this story. —PR

78 Revolutions Around the Sun: A Joni Mitchell Reading List

LOS ANGELES, CA - 1970: Canadian singer-songwriter Joni Mitchell plays her guitar at her home circa 1970 in Los Angeles, California. (Photo by Martin Mills/Getty Images)

By Krista Stevens 

When Rolling Stoneintroduced” Joni Mitchell in 1969, the magazine derided her as a composer, singer, and musician, saying that she was “Not bad for a girl who had no voice training, hated to read in school, and learned guitar from a Pete Seeger instruction record.” They go on — dismissing her songs as “contrived” — to suggest that listeners are smitten despite their better judgment. “She can charm the applause out of audience [sic],” the editors wrote, “by breaking a guitar string, then apologizing by singing her next number a capella, wounded guitar at a limp parade rest. And when she talks, words stumble out of her mouth to form candid little quasi – anecdotes that are completely antithetical to her carefully constructed, contrived songs. But they knock the audience out almost every time.”

If Rolling Stone didn’t get it at first, her musical contemporaries did. David Crosby (The Byrds, Crosby, Stills, Nash & Young) knew immediately that Mitchell was something special. In the two-part 2020 documentary Laurel Canyon: A Place in Time, Crosby recounts inviting Eric Clapton over for the afternoon. Clapton sat, mesmerized by Mitchell’s playing and her altered guitar tunings. (Some of that mesmerization was probably due to all the weed, but let’s not allow that to take away from Mitchell and her guitar skills.) Crosby and Clapton weren’t the only ones who saw the genius in Joni.

To hear him talk about his then lady-love in Laurel Canyon, you get the strong impression that Graham Nash (The Hollies, Crosby, Stills, Nash, & Young) still isn’t over her, 40 years later. “I was in love from the moment that I ever spent any time with her,” says Nash, who wrote the song “Our House” about his relationship with Mitchell. Do you ever really get over the woman who took up with James Taylor after she wrote most of her highly acclaimed album, Blue, in your communal living room?


Staring at the fire
For hours and hours while I listen to you
Play your love songs all night long for me
Only for me

—”Our House” by Graham Nash, recorded by Crosby, Stills, Nash & Young

BIG SUR, CA – SEPTEMBER 14-15: Graham Nash and Joni Mitchell clap during an act at the Big Sur Folk Festival at the Esalen Institue on September 14-15, 1969 in Big Sur, California. (Photo by Robert Altman/Michael Ochs Archives/Getty Images)

Canadian painter, poet, composer, musician, singer-songwriter, guitarist, alternate-tuning queen, alto, and overall doyenne Joni Mitchell turns 78 on November 7th. Join as we celebrate Mitchell with five longreads about a brilliant artist whose career has spanned 60 years.

1) Still Travelling (Ellen Willis, The New Yorker, February 1973)

Ellen Willis gets it, or at least she’s trying to. Sort of. Maybe. In this short commentary on Blue, which was released in 1971, Willis says that “‘Blue’ established Joni Mitchell as a better singer-songwriter than Crosby, Stills, Nash & [James] Taylor combined,” but let’s not confuse compositional skill with easy likability. “Joni’s melodies and lyrics and rhythms are so rich and complicated and un-pop-songlike, her voice such a subtle instrument, her artistic pretensions so overt that if the record were any less brilliant it would be a disaster.”

2) Face to Face (Maclean’s, June 1974)

In this piece, Mitchell has a wide-ranging conversation with Malka Marom, the Iraeli singer credited with discovering her. Mitchell is at the ripe old age of 30 here and we get to learn a little bit about her in her own words. Three whole years after the album’s release, I love her personal assessment of Blue: “[It], for the most part, holds up. But there are some early songs where there is too much naïvité in some of the lyrics for me to be able now to project convincingly.”

3) Harness Joni Mitchell’s Acoustic Imagination with this Primer on Dulcimers, Altered Tunings and Cluster Chords (George Howlett, Guitar World, August 2020)

For music students, this short primer on Mitchell’s many altered tunings is fascinating not only for how she approached the guitar. It also features behind-the-scenes recording anecdotes and detail on the people and genres that influenced her music.

4) In Joni Mitchell’s Self-Portraits, She Finally Makes Her Own Image (Janique Vigier, Garage, January 2019)

At the time of this writing, Vigier notes that Mitchell had painted album covers for 12 or her studio albums, many of which were self-portraits. Those paintings allowed Mitchell to reject and transcend the milk-complected, doe-eyed image many people had of her. “But her self-portraits have endless scripts, moving between genres and styles, copying from where they can,” Vigier writes. “If she can, as she does, construct her own self-image and legacy, then it will be less stable than what’s put forward, more instinctual, intentional, veering.”

5) Chords of Inquiry (Bookforum, Carl Wilson, October 2017)

This piece opens with a fantastic anecdote involving Prince and Mitchell and just gets better from there. In this review of Reckless Daughter, David Yaffe’s Mitchell biography, Carl Wilson gives Mitchell her due as a guitarist and an artist. “Mitchell excelled at channeling the subconscious of her time, especially as it was negotiated between men and women, but she was also always trying to get outside that orbit. She didn’t want to be a case of anything, except herself. The very chords she played were unique, belonging to no tradition except the one she generated with her own tuning system. She’s called them her ‘chords of inquiry—they have a question mark in them.’ It wasn’t until she began working with jazz musicians that she found a band that could follow her (the rock dudes were hopeless).”

Me and You

Illustration by Mariah Quintanilla

William Torrey| Longreads | October 2021 | 30 minutes (9,100 words)

I: My Protector

Our brotherhood begins with me in a blindfold, one that’s been on for what feels like forever. I’m 18 and pledging a fraternity, and to be a pledge, I’ve learned, means you’re a constant disappointment. You have not properly mopped the bathroom after chapter dinner. You have not properly memorized the Greek alphabet. You have not attracted sufficient pussy to the Gameday tailgate. 

On this night, a hot one in late September, we’ve been summoned to the house for a meeting, one that at first seems promising, in that it involves Natural Light, but soon enough begins to get weird. The Actives line us up and tie rags around our faces, then shove us into rooms with music blaring. “NONE OF Y’ALL BITCHES SAY A MOTHERFUCKING WORD!” someone with beer breath shouts at my face. Then he slams the door so hard I’m sure it’s broken. We sit and wait for God knows what. 

In time — Twenty minutes? An hour? — they lead us out back, where we’re stripped of cigarettes, cell phones, watches, and wallets. A very drunk Active screams that we are, in essence, complete losers, unworthy, a bunch of faggot-ass pieces of shit who ought to be thrown into the Mississippi River. “That’s a great idea!” another Active yells, and before I know it, I’m in a car, still blindfolded, lying in the backseat, “so the cops don’t see,” and we’re zooming to the levee. “Torrey?” someone keeps asking. “Does your bitch ass know how to swim?” My heart pounds so hard I worry I’ll faint. I’ve been in college a month now, and until this moment, I’d fooled myself into believing fraternities weren’t that tough. But now I’m facing danger. I’ll be sodomized with a broomstick or forced to eat shit. I’ll sink to the bottom of the Mighty Mississippi. I picture my mom, asleep in Texas, getting the call in the deep dark night: Pick up your boy at the Baton Rouge morgue. 

The car stops and they line us up again, somewhere that could be anywhere but sure seems like the levee. The whirr of cicada song, the stink of refineries. Wet grass sogging our Sperrys. More yelling. Who’ll go in first? Who’ll sink and who’ll swim? I shift my weight, try not to shake. 

“Repeat after me!” a drunk Active calls. “I love my big brother!” (We repeat.) “My big brother’s better than me!” (We repeat.) “My big brother’s gotta bigger dick than me!” (We repeat.) “My big brother can fuck my date!” (We repeat.) It goes on like this, this litany, the fear inside me cooling to confusion and finally relief.

Then off comes the blindfold, and he’s there, beaming at me in the shadows by the river, my big brother: Mike from Chalmette. I blink as he hugs me. Pressed tight there against his chest, I am, for the first time in hours, not afraid. I am cared for. I am safe.  

“Come on, baby bro,” he grins, “let’s get fucked up!” 

*** 

Hours later, after we’ve won a game called Beer-a-Minute, Mike somehow drives us back to campus. Sitting in his old green Chevy, watching the first bands of dawn push through the black, he tells me he could’ve had any pledge as his little brother, but the only one he wanted was me. 

“There’s just something about you.” 

“What do you mean?” I ask, feeling special.

“I don’t know.” He shakes his head. “But I do know we’re gonna be more than just fraternity brothers. Me and you, we’re gonna be real brothers. Me and you, we’re gonna be great friends.” 

“Okay,” I say, and that’s what happens.

***

In many ways, we are brothers. “Fraternal twins,” we joke, separated by a state line and precisely 13 months. We’re both silly and sensitive dreamers. The kind of guys who can’t help but push the bit, who once they’re going, can’t stop until everyone’s doubled over. The kind of guys who egg each other on until they can’t even breathe. Whenever we run into somebody Mike knows but I don’t — at Reggie’s in Tigerland, smoking Camels in the LSU quad — he never fails to introduce me as his real little brother, and more often than not, never mind that we look nothing alike — he’s short and tubby; I’m tall with a sharp-lined face — people believe him. He’s that charming.    

Like all brothers, though, we’re not the same. I make Dean’s List grades every term while Mike eeks by with C’s. I’ve dined at fancy restaurants, been to the MoMa and the Smithsonian, but when it comes to street smarts, Mike’s got me beat. He can fix a flat no problem, has a job on top of school, pays his own rent. He’s also got more self-control. As time goes by, it becomes clear that, while we both love to party — or, as we’ll call it, “rage” — I’ll always be the lightweight: snoring in the bar, blacking out, and stealing Kit Kats from the Brightside Circle K. But Mike’s always there to save me. When my eyes go glassy, he puts me to bed. When I pass out at a fraternity formal, he lays my tuxedoed carcass in someone’s car and dances with my date. He’s my protector, there for me so steadily that, by the time I’m midway through college, if I go out and Mike’s not there, I don’t feel quite safe. 


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And then there’s where we’re from. I grew up in a fancy San Antonio neighborhood called Alamo Heights, where everybody’s dad is in oil and gas and lots of moms live in yoga pants. My grandfather was the president of a bank, and my dad, who divorced my mom when I was 2, is a lawyer. My mom and I weren’t rich, at least not compared to the kids in my grade who got BMWs at 16, but I drive a new Mitsubishi, and college is covered.

Ask Mike where he’s from, and he’ll tell you, New Orleans. But that’s not true; Mike is from Chalmette, in St. Bernard Parish — a place just east of the Industrial Canal that real New Orleanians call “Da Parish.” Early on in college, I get that Da Parish isn’t exactly the place you want to be from. These are your blue collars, your Y’ats, people who say axe instead of ask. My fraternity brothers from well-to-do families on the North Shore and Lafayette give Mike constant shit about it, but he takes it in stride. Chalmatians, as they’re called, are used to such jokes.

I like to think I always knew Mike was coming from less than me, but in truth, it wasn’t a subject I gave much thought. Back then we were just two guys eating frat house jambalaya, drinking cheap beer and Ten High. His cash came from waiting tables at a Mexican restaurant off I-10; while mine showed up like magic in a bank account set up by my dad. And anyway Mike never said much about Chalmette. I knew only that he was the first in his family to go to college. His dad’s some kind of mechanic and his mom’s some kind of secretary, and his little sister, who’s my age and not going to college, is expecting a baby. During freshman year winter break, just a few months into our friendship, Mike drove 500 miles to visit me in San Antonio, but it took a whole other year before I saw where he grew up, never mind that it was an hour from campus. In those days, it never occurred to me that maybe Mike didn’t want me to see where he was from, that maybe he was hiding something. But even if he was, and even if he’d told me so, I wouldn’t have understood. Of course, in those days I didn’t understand anything. 

 II: Bourbon Street Knockout

Every Mardi Gras, our fraternity fills a U-Haul with busted couches and kegs and claims a spot beneath the Pontchartrain Expressway. For days we sit in the false dark and watch parades and drink and drink and drink. Sometime on the Monday before Fat Tuesday, both of us blind with hangovers, Mike tells me he’s got to go by his parents’, and if I ride with him, I’ll get a free meal, a shower, and a clean bathroom. I’m caked in street mud and very tired of holding my breath in the St. Charles port-a-potties, so I hop in his truck without thinking. I didn’t know New Orleans well then, but as we whizzed past the Superdome and the city seemed to vanish, I knew we weren’t headed Uptown where our other friends lived.

“Where are we going?” I ask.

“Chalmette.”

I roll my eyes and think, Da Parish.

“Well, how far’s that?” 

He shrugs again. “Fifteen minutes.”

The little house on Rose Street is just that: little. It seems too small for Mike, let alone for Mike, his mom and dad, his sister, and her new baby. His mom greets us from the cramped front porch. She’s got a tattoo and wears a Rolling Stones shirt that’s been washed a thousand times. All I can think is how young she seems.

In my memory, we don’t stay long. There’s tension, the source of which I don’t get, and everything starts to feel rushed. We don’t eat. I don’t see his dad or sister. Mike gets what he needs, we shower and go. 

“How old are your parents?” I ask.

We’re crossing the bridge back to Orleans Parish. Mike tells me.

“Jesus,” I say, “so your dad was like … 16 when you were born?”

“Yep.” He stares straight ahead. “How old was yours?”

“I don’t know, man, like 38.” A year older than Mike’s dad is now. 

***

That night, sipping a Bourbon Street Knockout in a camp chair under the overpass, my mind won’t stop spinning. How is that where Mike grew up? How was that his mom? How did she have babies in high school? How could our lives be so … different? Da Parish, I think, what had I expected? I brood there until I’m pass-out drunk, waking with a start when my cigarette burns me. 

His cash came from waiting tables at a Mexican restaurant off I-10; while mine showed up like magic in a bank account set up by my dad.

Days later, I call my mom and tell her about Mike’s. She listens while I ramble on about the tiny house in the neighborhood filled with other tiny houses, about his mom’s tattoo, the old shirt, but after a few minutes, she breaks in. 

“Honey, don’t you get it? 

“Get what?”

“Mike,” she says, “he’s poor.”

“Oh,” I say. 

My eyes go wide. I see it now. She’s just ripped off the blindfold. 

“Well, I don’t know …” I trail off.

I knew it already — I had to — but couldn’t or wouldn’t accept it. Mike was from a place where poor people lived, and yet he wasn’t poor. Not my big brother. Was he leery that day, to show me his house? Was his mom flustered to host me? Will whose dad’s a lawyer? Will in his short shorts and his Brooks Brothers shirt? 

“Now don’t get me wrong,” my mom breaks in, “Mike’s got a heart of gold. It doesn’t matter.” 

“Right.” I snap out of it. “Of course. It makes no difference.”

“Right.” 

Six months later a storm hits, and I see that it does.

III: A State of Emergency

Katrina won’t stop changing her mind. She’s coming right at us, then she’s not, then she’s bouncing back from Florida, en route to kill us all. In my two years in Louisiana, every hurricane that was ever supposed to destroy New Orleans has petered out into a thunderstorm, and I’m sure this one will do the same. But not Mike. Mike is freaking out. 

The morning before landfall, he gets me up early to help him raid the fraternity’s ice machine. I’m annoyed. Fifteen minutes ago, I was in bed with a naked Theta. Now I’m hungover and sweating while we lug a huge cooler. 

“Why are we even doing this? Even if the storm hits New Orleans, won’t we be fine in Baton Rouge?”

Mike says we might lose power, then he tells me his parents have to come to stay with us.

“In our apartment? Can’t they just get a hotel?”

As soon as I ask this, Mike gives me The Look. It’s the one he uses when I brag about backpacking Europe. Or when my dad, out of nowhere, mails me an envelope containing not one, not three, but five hundred dollar bills. Or when I pressure him into giving up his Friday double so he can get smashed with me and be my protector. It’s a look thick with envy and contempt, one that asks the big question without saying a word: Why does your life get to be so easy?    

“I didn’t mean it like that,” I backtrack. “I just meant, like, wouldn’t they be more comfortable?”

“It’s a mandatory evacuation,” Mike tells me. “There won’t be a hotel from Baton Rouge to Houston.” What he doesn’t tell me: Even if there was, his parents couldn’t afford it.

*** 

Late that night, Mike and I drink Bud Selects in the bed of his Chevy. Upstairs, in the apartment, his parents sleep in his bed. The storm’s just hours away. The sky above us: a grey-black swirl. 

“This is gonna be fucked,” Mike says.

“I still think it’ll be okay.” 

This is the lie I’ve told myself all afternoon, one born of a nagging question: If the storm does destroy Mike’s parents’ house, will they move in with us permanently? And, if so, how might this impact my liquor, cigarette, and TV intake? After showing up this morning in a tiny black Civic, Mike’s mom spent the entire day cleaning our shithole apartment. His dad, after arriving in a truck packed to the hilt, immediately went out and bought a generator and has otherwise barely spoken. Mike’s parents are quiet generally, but when I’m around they’re practically silent. I don’t see then what’s so plain to me now: On top of worrying they might lose everything, they don’t want to be in my hair.

“I mean, it could still turn and hit Texas,” I say, lighting a Camel. 

“No,” Mike says. “It’s coming right at us. This whole thing’s just gonna be…”

“…Fucked?” 

“Yeah,” he says. “It is.”

***

And he’s right. 

The next morning, I wake to find Mike and his parents in front of the TV. The national news is on — Special Report — and they’ve been watching for hours. Apparently, while I snoozed like a beer-drunk baby, one of the worst hurricanes in history made landfall and destroyed the Gulf Coast. The Mr. GO canal has flooded Lake Pontchartrain; the wind has shoved the water onto land. Much of New Orleans is underwater. Canals and levees continue to breach. We are, I learn, in a State of Emergency. 

Not knowing really what any of this means, I ask what they’ve heard about their house. Mike stares empty-eyed and mutters something that sounds like OK.

“It’s OK!?!?” I ask.

“No.” Mike sighs. “It’s underwater.” 

I’m standing in our apartment. The power’s on. Outside it’s barely raining. 

“Underwater?” 

The little house on Rose Street. Chalmette high. His dad’s shop. Da Parish. Thirteen feet.  

“Underwater,” Mike says again, the word already too familiar on his lips. 

***

As the day drags on and the big ugly picture gets bigger and uglier, I start to feel strange. On the one hand, I’m thankful I’ve escaped disaster. A devastating storm has struck within an hour of where I live, but I’m totally fine. On the other hand, I can’t help but notice my being totally fine is all I can think of. I’m surrounded by people who are newly homeless, people who happen to be my best friend’s parents, a man and a woman who cleaned my house and bought me groceries, and a generator we never had to use. I’m staring into the face of human suffering, yet all I can think of is me. 

Not that they’re complaining, these refugees. Life’s hard, but they can take it. That tired old phrase: It is what it is. I don’t like to imagine how I’d react, at 20, to the news I’d lost all my earthly possessions. The tantrum. My God. Even picturing it makes me sick.  

***

LSU shuts down and the Whole Foods where I’ve started to work, just part-time, operates on a come-in-if-you-can basis. I call my boss and say that, while I’d love to get ten bucks an hour to make free-range turkey and aioli wraps, I’ve got my roommate’s parents with me. They’re from Chalmette, so I need to help out. “Just focus on your family,” he tells me. I should correct him but don’t.  

Apparently, while I snoozed like a beer-drunk baby, one of the worst hurricanes in history made landfall and destroyed the Gulf Coast.

For the next week, instead of helping, instead of telling Mike’s parents they’re welcome to stay, I ghost and pretend Katrina didn’t happen. While poor blacks are herded like cattle into the Superdome, I fart around my fraternity house, playing MarioKart and shooting Jim Beam. While people too sick to move die horrible deaths in a hospital without power, I apathetically text the sorority girls I’m constantly leading on, until one of them tells me to come over for sex. While my big brother has to process that not simply his home but everything he’s ever associated with home — his childhood, his community — has been destroyed, I grow impatient waiting for everything to go back to normal.

After a few days, Mike gives me a call.

“Are you gonna sleep at the fraternity again?” 

“There’s a bunch of people here,” I tell him. “I’ll crash on the couch.”

“Who’s there?”

I say the names, all New Orleans guys, but not from Da Parish, so their houses are fine. We both pause to inhale smokes.

“My parents are gonna go soon,” he says. “In case you’re worried.”

“Worried? Why would I be worried?”  

***

And then they do go, just as fast as they came, only leaving behind a cleaner apartment.

As to where they went, I have no idea. It has to be someplace, but the details didn’t matter. I’d had my fill of tragedy and victims. Once they were gone, they were gone. At last, Mike and I can get back to being drunken goofballs, a couple of flat-footed dreamers. We can resume our fraternal twinhood, keep pretending we’re precisely the same. 

And we can, so long as my blindfold’s on. And for the next few years, it is, tied tight. Because, for me, the storm’s over. But for Mike, it’s only just begun. 

***

Mike and I live together another year-and-a-half, a time during which he declares a theatre major, hardly attends class, declares a general studies major, basically fails out, and then decides to “take a break.” A time during which I declare a creative writing major, get a girlfriend, study in Spain, and finish college on time. A time during which Katrina’s barely mentioned.

My last summer in Baton Rouge is a bacchanal of self-congratulation, one fueled by graduation checks and the insane presumption that I’m on my way to fame. Over the past few semesters, my fiction professors have given my stories way too much praise. Praise I rolled in like a pig in shit. Praise I’ve turned into a smug certainty that I’m destined to be some literary darling. And while I’ve spent hardly any time actually writing, the universe has nonetheless rewarded me with a full-ride fellowship to an MFA program. I’ll have the next three years to read, dream up stories, and surely win the Pulitzer.

Mike is waiting tables. 

But we’re still raging, still cracking everyone up, still staying up late on the porch drinking Franzia and smoking Camels. Still brothers. And yet, in these waning weeks, as I pack my room, things feel out of sync. I’m off to a cool new life. Mike’s staying right where he is. He’s the big brother, but he’s fallen behind.

***

On my last night in town, in August of 2007, after boudin balls and Jack and Cokes at The Chimes, a group of us heads to a friend’s for one last whatever. Once we’ve rid the fridge of Natural Lights, once we’ve told our stories — the time Mike motorboated a friend’s big sister, the Halloween I evaded arrest while dressed as a Twinkie — once we’ve stretched the night as long as we can, my girlfriend yawns and looks at her phone. 

“Time to get moving,” she tells me. 

“Guess so,” I say.

Mike and I light Camels in the courtyard while she gets the car. It’s a moment. We both know it. Not goodbye forever, but goodbye to this. We hug and cry. Mike tells me he loves me, says I’m gonna write some beautiful book. For graduation, he gave me a Royal Deluxe typewriter with a page in the spool. A two-word message: Good luck. I tell Mike I love him, too, and as we sway there beneath a flickering floodlight, I feel a pang of guilt. For the first time, I have the urge to say sorry. Sorry the storm fucked up your house. Sorry the last few years have been so tough. Sorry I never asked if you were hurting. But the moment passes. Our hug ends when my girlfriend honks the horn. 

“You’re my brother,” he says, and I tell him he’s mine. 

“Wow,” my girlfriend says as we drive off. “Mike’s really broken up.”

I tighten my blindfold and say, “He’s fine.” 

IV: Trapped in Fantasyland 

Years pass.

“I feel like I just gotta move to France,” Mike tells me. 

We’re on the phone, on a summer night when I’m home from grad school. I’m smoking on my mom’s front porch, drunk on cheap vodka. 

“And do what, exactly?” 

“I don’t know, man. Work at a cafe. Learn cuisine.”

Mike’s obsessed with cooking. He watches the Food Network religiously, loves Bourdain and Michael Ruhlman, wants to work for Thomas Keller. 

I sigh. “You don’t speak French. You don’t have a visa. You don’t have the money to get to France, let alone rent an apartment.” But at this point, I’m barely listening to myself. 

I’m starting to see that Mike might be terminally stuck, starting to worry he’ll burn his entire 20s fantasizing over dream lives. Last we spoke, he was moving to Austin to be an indie rock drummer. Before that, it was Second City in Chicago. Now it’s the CIA. And while everyone’s allowed to dream big, what’s all the more crazy-making is that Mike can actually do the things he dreams of doing. He’s a wonderful actor, has performed Shakespeare with LSU Theatre. He’s a talented chef, has a knack for flavor, can pull loose ends from the fridge and whip them up into something fancy in no time. He’s a good drummer, too, and has been in a Baton Rouge band that makes cool music. And yet, when the chips are down, he never commits to any of these dreams; he commits instead to dreaming up new ones. 

I’m off to a cool new life. Mike’s staying right where he is. He’s the big brother, but he’s fallen behind.

In the years since I’ve left Louisiana, Mike’s kept waiting tables and now has a side gig as our fraternity’s House Dad. He lives in a little apartment in the back, a five-second walk from the restaurant. When he told me his plan to move in, it seemed less than ideal, but House Dads get free room and board, and he’s got debt, so I figured he could pay it down. He’s back in school, too, part-time. So maybe this will end up good. Maybe he’ll snag a girlfriend, graduate, and get back on track. Maybe. But, of course, that doesn’t happen. What does happen is Mike finds himself, at 24 and 25, surrounded by out-of-control college kids, at the restaurant, at the fraternity, all over campus. What does happen is he drinks away his tips at the bar, gains weight, keeps ungodly hours, saves no money, never goes to class, and while the rest of his buddies get advanced degrees, buy houses, and get married, he lives in the bowels of our fraternity house, hiding. 

“Just finish school,” I tell him, incredulous. Me, the little brother who’s never been out of school. Me, whose harrowing experience with Hurricane Katrina is fodder for stories at cocktail parties.

“Easy for you,” he could’ve said but never did. Mike never called me out on a single thing. 

***

Whenever I come to Baton Rouge, I stay with Mike, and by the end of each visit, booze-whipped and bloated, I’m amazed that my deeply indulgent nostalgia trip is to some degree his normal life. But when I show up at his apartment just before the start of my last year of grad school, in August of 2009, I’m no longer amazed; I’m alarmed. 

A plumbing disaster has occurred — and, by the looks of it, not recently — destroying the room where he used to sleep. The place is a wreck. Half the ceiling is gone. Mold and mildew all over. 

“What the fuck happened?” I ask.

“Oh,” he waves it off. “Some shit with the pipes.”

“Well right. But is it getting repaired?”

Mike tells a story that can be boiled down to: He owes a guy money but won’t pay the guy until he fixes the leak, but the guy who’s owed won’t fix the leak until Mike pays.

“So it’s a war of attrition?” 

“Basically.”

“But you have to live here,” I say. “So … you lose.”

“Yeah, well. I’m not livin’ here much longer.”

“What are you gonna do?”

He shrugs. “Cooking school.”

“How? With what money?”

“I don’t know, man.”

The rest of the trip is unpleasant. We hole up in the dank apartment, drink oceans of Early Times and watch Top Chef. We play beer pong with college kids we don’t know and don’t really like, guys who get blackout drunk, take Percocets, and fight. We take Percocets ourselves one night and wake up the next morning on the deck. 

What’s going on, I wonder. The last time I saw Mike, at summer’s start, we had a blast. We went Tiki Tubing down the Amite River, played putt-putt, ate crawfish. We got stoned and drank Abitas with his bandmates and laughed until our sides hurt. Why does this trip feel so different? 

Back then, Mike kept a LiveJournal, one that’s still online. In an entry made after my first visit in May, he writes on his “dilemma.” His bandmates — the friends who replaced our crew when we graduated — have just graduated themselves and will soon move to Austin. Mike wants to go but feels like he can’t. The entry, posted at 4 a.m., is titled “What is and What Should Be.” Here’s how it ends: 

 As I’ve come closer to the day my bandmates leave, I find myself staring at nothing and thinking of everything.   

…[E]very day I spend not … doing the things I know in my heart I need to do, I die a little. I’ve known for some time now the path I need to take and yet, I’m afraid to take that leap. I do nothing to help myself.

I want to go. I need to go. Why can’t I?  

I want to cut my losses and start fresh. I want to be happy.  

The opening line of Twelfth Night reads, “If music be the food of love, play on …” 

I want to play. I want to cook. I want to eat. I want to go.

I want, I want, I want. But he never did. And over the summer, while his bandmates settled into new lives and I finished my thesis, he stared at nothing and thought of everything. He died a little. He began to fall apart. 

***

As I pack to go back to school, it dawns on me that, ever since I’ve left Baton Rouge, it’s become my Fantasyland, a place where I can pretend I’m still the crazy drunk I was in college. A guy who’s yet to dream of becoming a writer, to feel the pressure of expectation. A guy who doesn’t fret constantly about what comes next. Usually, when a visit ends, I’m sad. But this time, I’m thrilled. There’s a danger in idling. You’re not supposed to be in college forever. Mike had a similar realization back in May, but he’s still here, trapped in Fantasyland. Since Katrina, he’s survived on the idea of starting over, the idea of escape. Now he’s come to the end of the line. He’s got to do something, but he doesn’t want to disappoint anyone, so he locks up and disappoints everyone, most of all himself.

Like the leak in the roof, it’s a war of attrition. 

***

Before I leave, I tell him I’m worried. 

“You need to get out of here, Mike. This is no way to live.” 

What I don’t say: This is the home of a depressed person. 

“I know,” he says.

We hug in the grim fluorescence, and I head off to school. Looking back, I can’t help but wonder how Mike felt as he watched me drive away. Was he happy to get back to hiding? Or did he feel more lost than ever? I remember precisely how I felt: equal parts guilty and relieved. And as my Honda hummed east along the Gulf Coast, and the endless green swathes of Alabama became the slow sweeping hills of Georgia, as I got farther and farther away, I relied hard on the bad brother’s mantra: He’s at rock bottom. Things can only go up from here.

V: The Very Worst Thing

Another year. Another call from Mike. Only this time, I don’t answer.

I’m hammering away at a fresh story in my new apartment in New Orleans, where after a summer of living with my mom in Texas, of writing, manual labor, and endless nights of abject drunkenness, certain I’ve fucked up my life — I’ve somehow landed a job as an adjunct at a commuter college on Lake Pontchartrain. My students are mostly poor — black and Vietnamese kids from Gretna and Kenner, white kids from Destrehan and Da Parish. Compared to my fellow MFA grads who work as shopgirls and movers, I’m lucky to have this low-paying gig. I’m starting to see that a so-so writer with delusions of grandeur, and a penchant for blackout drinking, can end up in an unglamorous place. I’m starting to get why people study medicine or law. Starting to see that life takes money, and the more you’ve got, the better it is. Through all of grad school, I’d presumed my degree from an unheard of regional program would automatically yield a slam dunk job at a liberal arts college in the Berkshires: But lo and behold, here I am, desperately thankful to escape my mother’s, to net $20,000 a year “teaching” freshman comp in sad classrooms with overflowing trash cans on a campus so ghostly it seems like Katrina’s surge hit last month, not five years back. This is not where you’re supposed to be, I tell myself while I freak out about barely making rent and grade essays with mistakes so basic I don’t know what to say. You’ve got to live up to your potential. You’ve got to write yourself out of this mess! 

Which is what I try to do — write — unless of course, I’m busy carousing the Marigny or the Quarter, resuming my college persona, undoing the maturing I did in grad school, getting kicked out of Cooter Brown’s and Tipitina’s, and Larry Flynt’s Hustler Club … and maybe moving to America’s booziest city wasn’t my best move. And look now: Mike’s calling again, and I’ve put in a solid 20 minutes today, so I may as well power down the old laptop and see what he needs.

“Yello?” I say. 

“Will!” he says like he’s fucking choking.

“Mike? What’s wrong?” 

“My father” — again that choking sound — “My father’s. Killed. Himself.”

I stand and spin in a circle. That’s what I remember: saying “Oh my God!” then standing and spinning in a circle. Like I had to confirm I was still in my room. That I was still Will Torrey, still 25, still a man alive in the world. “Where do you need me?” I ask, and Mike tells me: his parents’, right away. Then I hang up and call my mom. 

“Why does this keep … happening to Mike?” I ask.

“I don’t know, sweetie,” she says through tears.

But, of course, we both know that’s a lie.

***

The hours and days and weeks that follow are a whirlwind of strangeness. 

I’m in Mike’s parents’ yard, in Lacombe, surrounded by his buddies from Da Parish. We pinch our lips and nod as this or that uncle or cousin goes in to be with Mike and his family, all of us just waiting there, simply existing as we try to grasp that, just after dawn this morning, Mike’s dad — a month shy of 44 — drove out to some bayou and put a bullet in his heart. That is all Mike can say when I get there, all he can cry into my ear as he hugs me so hard my back cracks: “He shot himself in the heart.” My mind goes to the morning after Katrina. “He shot himself in the heart” — the delivery, so matter of fact. It may as well be, “Our house is underwater.” 

Days later, I’m up at 3 a.m., on the phone with Mike, whose mom has just shown him the shirt his dad wore when it happened. “The hole,” he says, breathless and sad, “I saw it.” 

Later still, I’m beside Mike at a funeral home in St. Tammany Parish, staring down at the body that used to be his dad’s, a body that now seems small, his coat and tie almost juvenile, like he’s a kid getting dragged to a Sears family portrait. Mike lays a hand on his dad, and I lay a hand on Mike. I try to recall the last time I saw Mike’s dad, I’m sure it was Katrina, the day he and his now widow left our apartment. 

***

What follows is a lost time. Mike is okay but not. Sometimes, cracking jokes over hurricanes at Lafitte’s, he seems like himself. Other times, calling me from Bourbon Street, drunk off his ass with friends from Da Parish, crying and screaming, he does not. He tells me he’s worried his mom’s losing it, that maybe there’s money from a will that may or may not exist, money that he and his sister and her son should get, and could I maybe call my lawyer dad? I tell Mike to go to therapy, and he says he can’t afford it, but even if he could, I know he wouldn’t go. He shaves his head, gains weight, lets his beard puff out until he looks like Zack Galafinakis in The Hangover

I write. I publish. I teach. I take pretty girls out to bars in New Orleans.

I drink and drink and drink and wonder why I never feel good about anything.  

That is all Mike can say when I get there, all he can cry into my ear as he hugs me so hard my back cracks: ‘He shot himself in the heart.’

At some point, the restaurant where Mike’s waited tables for what feels like an eon opens a new place on the North Shore, and they pick him to run the kitchen. When he tells me the news I’m so excited I can hardly contain myself. This is it! I think. An actual dream come true! Get out of Baton Rouge, make money, grow up! 

Which he does, sort of. Mike scores a great place in Covington, starts his new job. But then he calls and says he can’t afford where he’s living. I ask him his new salary and his new rent and then tell him he absolutely can. “I dunno,” he says and sighs a long sigh.

I visit soon after and the place is half boxed.

“Please tell me you’re not moving out.”

He cuts his eyes to the floor. Standing with him there in this gorgeous apartment, with skylights, new appliances, exposed brick — a place that’s the precise opposite of the ruined House Dad Suite — I lose my patience.

“Why the fuck would you do that?”

He throws up his hands. “I can’t afford it!”

“Yes, you can!” My cheeks are hot. I want to grab him and shake him. “And you can’t just walk away from an apartment, Mike! Where the fuck are you gonna live?”

Mike tells me some story about how he never signed a lease, that he’ll eat the deposit, load his shit into his new pickup, the one that belonged to his dad, and drive off into the night. He says he’ll move in with a buddy from Da Parish, a guy who needs a roommate because his crazy wife just left him. What he doesn’t say is that the buddy’s mom will live there too. And what he doesn’t know is that having been shuffled around after Katrina, she’s grown bitter. That she’ll treat Mike like an unwelcome guest. He won’t be allowed to cook and “smell up the kitchen,” won’t be allowed to play drums. What he doesn’t see is, after just a taste of life as a grownup, he’s trading it all to live on the margins of a house that’s not his, to live by the rules of a mom that’s not his. He doesn’t see it — or he pretends not to — but that’s what happens, and in the months that follow, when he vents about it over the phone, I have no sympathy. What did you think was gonna happen. What the fuck did you think?  

I don’t recall what we did that day in Covington, but whatever it was, it was ruined by my annoyance at Mike. Why can’t you just live in an apartment like a normal person? I wonder. You’re making progress. Why sabotage yourself? What I don’t see then: Mike’s terrified of being by himself, alone with his thoughts, his ghosts. What I don’t see, too, is how tight I’m still wearing my blindfold. I’m angry at my friend because he won’t accomplish what I’ve accomplished without the touch of my privilege. I’m angry at my friend because his life’s so hard.

Why can’t you just be like me? I wonder, sitting up at night, getting drunk by myself.

Why can’t you just be like me? Lazy, but bitter that I’m not rich or famous.

VI: Off the Grid

More years. 

I keep teaching, publish stories and essays, and get a better job at LSU, where I go out for beers at the Chimes with the same professors who, years back, told me I had what it took. I live in a funky yellow house in Capitol Heights with the woman who’s now my wife. We take jogs through the neighborhood, walk to Calandro’s to buy wine, go to Radiobar with the editor of The Southern Review, have lively dinner parties with all our lively, literary friends. Life’s perfect, but that doesn’t stop my complaining — about making bullshit money, about never getting an interview for a tenure-track job, about always getting the runaround from agents, about my failure to finish the novel I’ve wallowed in for the last three years. I’m doing most of the stuff I set out to do, but all I can think of is how little I’ve done. I’m making it, I guess, in a failing kind of way.

Mike in the meantime has gone “off the grid.” He’s still running the kitchen at the restaurant, still doing mostly fine, but he’s bought a house way out in the sticks. He builds a chicken coop and talks about farming. I don’t see him much, and when we do talk, he pinballs from one new dream to another: He’ll open a vegetable stand or his own barbeque joint or a food truck or he’ll move to Colorado to grow weed. By now, this stuff washes over me, yet I can’t help but worry that, in getting this house, he’s found a new way to hide: a little compound in the middle of nowhere, a permanent home where the world can’t find him. And why don’t you want to be found? I wonder. Who do you think’s coming to get you? 

Over the summer of 2014, two of our best friends get married, and Mike skips both weddings, each time coming up with a half-cocked excuse. Can’t get off work. Can’t afford gas. 

I’m engaged now myself, and after the second missed wedding I send Mike a text.

If you pull this shit when I get married, I’ll kill you.

You know I won’t, he writes.

We need to hang. Been too long.

How would you feel, he writes, about doing some yard work?

***

I head up the Causeway the next afternoon, Lake Pontchartrain spreading out alongside me like a giant, brackish bathtub. I remember the day Mike’s father died, zooming up this bridge from my old place in New Orleans, trying to understand the pain he’s in, trying to imagine what it’d be like if my dad had done what his just did. My dad calls himself “the absent father” — and I don’t know him well — but he’s always had a knack for being there when I need him. When I finished grad school and couldn’t find a job, when I was sure I was a failure, moving back in with my mom, I called him. “You’re a white man with an education,” he said, almost laughing. “The world was made for you.” Then he mailed me a Treasury bond for $10,000.

What I don’t see then: Mike’s terrified of being by himself, alone with his thoughts, his ghosts.

The next morning, after a night of grilling pork chops, getting drunk and high, and watching “No Reservations,” Mike and I rise early, eat Adderall, buy mulch and shovels and rakes, and embark on a monumental day of work: mowing, trimming, pruning, weeding, pulling jasmine from his fence. At lunch, we break for Budweisers, and Mike gases up a chainsaw. It growls to life as he yanks the cord. He hoists it overhead, revs it with a laugh.

“What are we doing with that?” I ask.

Mike smiles, teeth bright against his dirt-caked face. 

“We’re gonna cut down a fuckin’ tree.”

***

The most important thing we know about the tree we’re cutting down is that if it falls the wrong way, it’ll destroy Mike’s house. The most important thing we don’t know about trees is how to dictate the direction in which they fall. Either way, we know that when it falls, it’ll fall fast. Either way, we know that this, like everything, is an act of faith.

Mike saws until the tree’s about to tip, and then — employing some silent brotherly language and a panicky series of moves that are at once like dancing and not — Mike pivots one way and I the other, and then, gasping for air, we push, step back, and … womp! Just womp! A sound like I’ve never heard before. A thud, a sucking, the inverse of sound. 

We are alive. The tree is felled. The house stands undestroyed. 

Mike and I blink there in the yard and share a look of wonder. Then we race over to one another and holler as we hug.

***

Late that night, drunk as skunks, sitting in the pale glow of his porchlight, Mike looks up at the moon and says, “almost four years.”

“I know,” I tell him. “Hard to believe.”  

I start to form a thought — how proud I am of him, how sorry I am, for all this shit, for always being so hard on him — only I’m too drunk, so what I say, instead, out of nowhere, is, “I’ll never forget, Mike. That day. The sound of your voice when you called.” And then I double over in a sob. It’s the only time in my life I’ve ever cried without warning. 

Mike gets me up and holds me. “Don’t worry, baby bro,” he says. “It’ll all be OK.”

***

Hungover the next morning, I remember Mike’s dad’s viewing. A gang of us went out after and got wasted. At some point, those of us from New Orleans figured we’d better head back, but Mike asked me to stay. “I’ve got all these people crashing at my house,” I told him. He said he got it, but as I left and he lingered with friends from the Da Parish, I could tell he was sad. 

“Wish you coulda hung the other night,” he told me days later on the phone.

“What’d y’all do?” 

“We cut down a tree.”

***

The next summer I get married, and on my wedding day, as I sip scotch in my tux and gaze upon the scores of guests, all gathered to celebrate the love I share with my wife in a beautiful library on King Street, in Charleston, South Carolina, I feel a pang of fear. I’m 30, make no money, have nothing close to a book deal or an agent, and will never get a tenure-track job. I’m a faker, a fuckup, a whiner, a bitch. 

“I’ve got to figure out my life,” I mutter to myself, paranoid, and realize I’m drunk. “I’ve got to figure out my life.”

Two weeks later, thanks to the magic of cronyism, my wife and I are both hired at a prestigious boarding school. Campus like a country club. Huge raises. Free housing. Smartest kids.

When I call Mike to tell him we’re moving, he’s genuinely thrilled.

“Damn, Will,” he says, “You’ve got the best life.” 

VII: Helpless, Happy, Confused, Content

I see Mike next in New Orleans, and he meets my son. In the fancy condo owned by my friend’s parents, where we’ve stayed for free while savoring long strolls through the Lower Garden District and eating ourselves sick at Clancy’s and Cochon and Bacchanal, Mike holds up my boy and kisses his belly until he squeals that perfect laugh that belongs only to infants: helpless, happy, confused, content.  

Chatting after, smoking cigarettes on Coliseum Square, Mike asks what it’s like to be a dad.

“Pretty great,” I say. “Intense, but you get the hang.”

What I don’t say is how terrifying it is, how, when the midwife pulled my son out and I locked eyes with his swollen purple face, I felt not love but pressure. How night after night, as he screws his lips into the shape of a lemon and screams like a pterodactyl, I feel the stinging sense that I’m not cut out for this. How throughout my wife’s pregnancy, I made myself believe that being a dad would cure me of all my bullshit — the drinking, the depression, the anxiety — but none of that’s happened, and now that it’s too late, I get that kids aren’t some panacea; they’re a spotlight for your flaws. They’re needy little puzzles that can fucking break you. How, in my first weeks as a father, as my wife sank into postpartum as she struggled to breastfeed, I hid in the shed behind our house, inhaling Marlboro Reds in the bitter cold, certain I’d squandered my life’s easy years, that the person I was — a writer, an artist — was gone forever, that I may as well fucking vanish.

“You’re gonna be a great dad,” Mike tells me. 

“We’ll see,” I say, and we both light new ones. 

“You think you’ll have kids?” 

Smoke creeps from Mike’s nostrils as he smiles. “No,” he says, “I don’t.”

***

That night, we meet two friends at Patois. We drink martinis and eat steak frites. We remember college, how our fraternity rented whole floors of a Holiday Inn on Dauphine Island, where we’d smoke blunts and finger girls in the hot tub, how I once broke a girl’s nose during sex and then she wet my bed — and I see then that the whole of New Orleans is my new Fantasyland. The place where I can pretend I don’t have to work to be a good teacher at a great school, where I don’t have to fret about never writing enough, where I can get crazy drunk and not have to get up at 5 a.m., hating myself for being angry at my child. Where I can eat dinner with people who don’t read books and feel like the serious intellectual. In a few days, when my family and I fly back to reality, and I’m too fat to fit in my pants with a throat scorched from a hundred cigarettes, I’ll feel ready to run away from the old me, but for now nothing is real.   

And then I double over in a sob. It’s the only time in my life I’ve ever cried without warning.

After we pay our tab, drunk on gin and nostalgia, we plot our next move. We decide on Avenue Pub, but just as we get moving, Mike gets wishy-washy. He needs to drive home, he says, needs to head back to the North Shore. The rest of us are up in arms. 

“What!?! We never get to see each other! You can crash with us!” 

“I don’t know,” Mike squirms, “I gotta work.”

“When?”

“I gotta be there for noon.”

All of us laugh. “We have babies! We’ll have you out the door by dawn.”

Mike says he’ll think about it while he drives us to the bar, but he’s quiet all the way down Magazine, and I know he won’t stay. This, I see, has been his plan all along: to check in from his hideaway, then hurry back off the grid. When we get to the bar, Mike asks me to stay while the others go in. I stand beside him in his idling truck. It’s a moment. We both know it.

“I gotta go,” he says. There’s fear in his voice, like the world will end if he doesn’t. 

“Why? We’re all here. Why are you so obsessed with leaving?” 

He stares out the windshield and starts to cry. 

“I don’t know,” he says. “It’s just everything. Just stuff with my dad.” So rare, this mention of his father. So often I wonder, but I always fail to ask. 

“What is it?”

“I’m just so … angry.”

“I know,” I say, even though I don’t. He looks right at me. 

“Why did all this have to happen, Will?” 

A streetcar rattles by. Cars whisper along the Pontchartrain Expressway.

“It was the storm,” I tell him. “And depression. And …”

He nods.

“All of this happened to you,” I say. “It wasn’t your fault.”

After the suicide, Mike told me he wished he could knock his dead dad to the ground, to pin him there and ask him flatly if he was satisfied with what he’d done. “What do you think he’d say?” I asked. “That killing himself,” Mike said, “was the worst mistake of his life.” 

Whenever I think of Mike’s dad, I don’t see him in that casket, his face all stunned and made-up. I see him alive, stock still on our ugly couch in the Baton Rouge apartment, watching the news, saying nothing, but knowing for certain he’d never be the same. I see the storm surge. I see the waterline and the mold. I see a day years after his death when on a drive through Da Parish, Mike and I turned down his grandparent’s street and happened upon his dad’s dad just sitting there, drinking Budweisers alone in a camp chair, broken. And when you shot yourself in the heart, I wonder, in that final beat before it all went black, did you get one last second to know what you’d done? Did you see the hurt you’d cause? Could you see your son the way he is now, afraid of a world that’s been so cruel? And what if Katrina had missed? What if all this belonged to someone else? 

“I just feel like y’all have all made it,” Mike says. The engine’s running. He’s still in the truck. “You’ve got houses and kids —”

“We haven’t had to deal with anything,” I say, and the truth of this feels good. 

I tell Mike he’s gotta get help, gotta talk to somebody, and then I see that’s what he’s doing right now.

“I’ll get better,” he says. “I promise.”

“I know,” I tell him, thinking so will I.

Mike gets out and hugs me. We don’t worry about food trucks or book deals or fathers or sons. We just sway there, two brothers, connected forever. I think of that night by the levee, that litany: I love my big brother. My big brother is better than me. What did you see in me all those years back? What made me so special? Who would I be if I’d had your life? What would you say if you wrote about me?  

“You’ve still got the best life,” Mike says and gets in his truck. 

I shake my head. “I’m just lucky.” 

“Maybe so, baby bro,” he says. “Maybe so.”

And then he pulls away. 

I stand alone there on Polymnia Street and watch Mike’s tail lights disappear down St. Charles. The night air is hot. The moon a faint ghost. In a few minutes, I’ll go into the bar to get drunk. But in this moment, I feel a whirl of emotions that leaves me unmoored, like I’m hovering over my shoulders. I’m outside of myself, I think, and then I say to no one, “This is it. This is the end of an essay I’ll write.” 

 

William Torrey’s writing has appeared in Salamander, Boulevard, River Teeth, Colorado Review, and The Florida Review, among many others. He is Writer-in-Residence at St.Andrew’s School, where he lives on campus with his wife and sons.

* * *

Editor: Carolyn Wells 

The Top 5 Longreads of the Week

US Ricardo Pepi celebrates after scoring a goal during their Qatar 2022 FIFA Word Cup Concacaf qualifier match against Honduras at Olimpico Metropolitano stadium, in San Pedro Sula, on September 8, 2021. - (Photo by Orlando SIERRA / AFP) (Photo by ORLANDO SIERRA/AFP via Getty Images)

Here are five stories that moved us this week, and the reasons why.

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1. White Riot

Laura Nahmias | New York Magazine | October 5, 2021 | 4,250 words

Did you know that in 1992, thousands of New York City cops rioted outside their own City Hall, shouting racist chants about the metropolis’ first-ever Black mayor, David Dinkins? Neither did I. This article refers to the riot as “forgotten” for good reason. But why did it slip from public memory? You could ask the same question about any number of events that have shaped the history of race and power in the United States, and find the same answers Laura Nahmias does in this fascinating story: entrenched power structures that bitterly resist change; a media apparatus that’s often complicit in maintaining the status quo; and a widespread inability among white Americans to view white violence as a real threat. “Somehow, police only identified 87 of the estimated 10,000 officers and their supporters who participated. Just 42 faced disciplinary charges. And only two officers were suspended,” Nahmias writes. In short, it’s easy to understand why today, “only some of what ailed the NYPD 30 years ago has been mended.” It’s also easy to understand why the same can be said about America. —SD

2. Weighing Big Tech’s Promise to Black America

Victor Luckerson | Wired | October 5, 2021 | 6,014 words

From the headline alone, you might expect a standard postmortem analyzing the various promises giant tech companies made to Black Americans last year. What you’ll find instead is a look into the hopeful, Herculean mission of Black-owned banks, as told through Mississippi-based Hope Credit Union. For more than a quarter-century, through hurricanes, pandemics, and recessions, Hope has been a lifeline for Black entrepreneurs and families alike. Yet, when Netflix last year pledged to invest 2% of its cash holdings in Black-owned institutions, its $10 million deposit in Hope represented the largest infusion of capital the institution had ever seen. The question: is it enough? As Luckerson points out, we’ve been here before, only to see corporate proclamations crumble into nothing. This is a story of numbers and finance, yes, but it’s also a story of unmet need — of underserved communities, of unvetted promises, of unimaginable resources that could so easily address an unjustifiable pattern of disparity. Credit to Luckerson for making it, above all, a human story. —PR

3. ‘Iran Was Our Hogwarts’: My Childhood Between Tehran and Essex

Arianne Shahvisi | The Guardian | September 23, 2021 | 4,310 words

I loved this piece by Arianne Shahvisi. Even though I have never been to Iran, as she describes her childhood holidays visiting her Iranian family, nostalgic images popped into my head like grainy photographs from a family album. Her writing is that expressive. I could picture her uncle’s villa in the dusty countryside beyond Tehran and feel the heat as a young Shahvisi stretched “against the rough, baking stucco of the back wall of the villa, the sun refracting through the droplets on my squinted lashes.” She views these family holidays through a lens of magic and light. They are, after all, an escape from growing up in dull, rainy England — a country painted in a monochrone that vividly contrasts with Iran. And there is another element to this piece: Harry Potter. To Shahvisi, Iran is Hogwarts, an escape from her normal world filled with “Dursleys,” who don’t understand her Iranian heritage and “to whom difference was always deficiency.” This metaphor could have been jarring, but it is threaded gracefully and adds to your understanding of what it was like to grow up in a world full of muggles, and only occasionally get to visit the place where you feel special. —CW

4. The Unstoppable Dreams of Ricardo Pepi

Roberto José Andrade Franco | ESPN | October 6, 2021 | 4,800 words

Ricardo Pepi is a promising young Mexican American soccer player who made his debut last month on the U.S. men’s national team, scoring a key goal in their match against Honduras. This ESPN story by Roberto José Andrade Franco is more than just a profile of a rising athlete from a poor, mostly Mexican town in El Paso County, Texas; Franco weaves a heartfelt and beautiful piece on belonging, identity, and the sacrifices and struggles of an immigrant family. He also explores the complex emotions felt by those, him included, who call the El Paso-Juárez borderland their home: “It sometimes feels like the most beautiful place in the world. Other times, it feels like living in the middle of the desert was always going to end with an escape. That same rugged beauty can inspire the wildest of dreams: a young boy playing soccer in Europe’s biggest leagues, a former construction worker writing this. But it’s also the type of place that can suffocate you.” —CLR

5. Ordinary People

Apoorva Tadepalli | Guernica Magazine | October 5, 2021 | 2,536 words

At Guernica, Apoorva Tadepalli contemplates the beauty of ordinary experiences in her response to Lauren Elkin’s book, “No. 91/92: A Diary of a Year on the Bus.” (Elkin used her phone’s Notes app “to record observations and encounters from her daily commute on the 91 and 92 buses” to “observe the world through the screen of my phone, rather than to use my phone to distract myself from the world.”) Elkin’s book is a response to the questions posed by Georges Perec’s book “An Attempt at Exhausting a Place in Paris,” in which he asks, “How should we take account of, question, describe what happens every day and recurs every day: the banal, the quotidian, the obvious?” Tadepalli’s thoughtful essay reminds me of the small pleasures that quiet observation can bring when we come to a moment in time with our full attention. —KS

Deeper Than Pixels: A Reading List on Video Games

The traces of a car's taillights driving into a surreal digital landscape
Getty Images

Some childhood sense memories emerge unbidden; others resist excavation, no matter how hard you dig. And my first video game, whatever it is, lies safely interred in that latter category. Sure, I could tick off the titles I loved, the ones I tithed with whatever quarters I could scrounge — Centipede, Bump ’n’ Jump, Moon Patrol — even the smells and sounds of the arcades I played them in. But the origin point of my fascination is nowhere to be found. Not that it matters, at this point. Even if the bulk of my game-playing these days happens on my phone, the activity is one of the few true constants in my life. That hasn’t always been for the best, as anyone familiar with such attachments can tell you. Video games manage to be possibility and punishment, outlet and opiate, either or both. Thankfully, as games have evolved and grown — as experiences, as art, as a field — so, too, has the writing about them. Criticism, essay, profile; there’s no one type of story that feels particularly right for games, largely because games have drifted as far from their own origin point as I have from mine. The best writing about games is as vast and varied as games themselves.

If I had to, I could give you some contrived reason why now is the right time to compile some of my favorite pieces of writing about games. It’s the 40th anniversary of Tempest! Hey, when did we all get so old? But honestly, I’d rather do it just because. Because these pieces, from various points over the past decade or so, all moved something within me. Because they help underscore the fact that no other narrative media is quite as personal as a game. And because if we’re not thinking about games as a valid muse for joyous, staggering, important writing, then it’s no one’s fault but our own. Read more…

The Top 5 Longreads of the Week

The Spokane, Washington skyline. (Getty Images)

Here are five stories that moved us this week, and the reasons why.

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1. They Went to Bible College to Deepen Their Faith. Then They Were Assaulted—and Blamed for It.

Becca Andrews | Mother Jones | September 30, 2021 | 8,500 words

“But you drank the alcohol, right?” he asked. “What did you do to deserve to be hit?” That’s what Dean Timothy Arens of Moody Bible Institute asked student Anna Heyward when she described abuse, including rape, perpetrated by her boyfriend, who was also a student. That’s just the tip of the iceberg: Becca Andrews’ investigation into the impact of “purity culture” on MBI’s response to reports of sexual abuse and harassment on campus is deep and far-reaching. It’s enough to make your blood boil. Andrews exposes a robust culture of blaming victims and side-stepping accountability, all in the name of God. She describes the weakening of Title IX protections at religious institutions under Trump’s education secretary, Betsy DeVos, which makes future Anna Heywards more vulnerable to judgment, humiliation, or worse at MBI, Liberty University, and other evangelical colleges. “All the women I spoke to who were survivors of sexual violence at Moody say they experienced … difficulty in finding the language to express what had happened, because it was impossible to see beyond the constraints imposed by Moody’s specific interpretation of Christianity,” Andrews writes. “It can be hard to recognize harassment when it is at the hands of a brother or a sister in Christ.” —SD

2. Reporter’s Diary: Finding Forgiveness in Burundi’s Mass Graves

Désiré Nimubona | The New Humanitarian | September 14, 2021 | 3,921

I live in Canada, and Thursday September 30th marked our first National Day for Truth and Reconciliation, a new statutory holiday introduced to reflect on Canada’s history of abuse against Indigenous people — made particularly poignant by the recent discoveries of mass grave sites at former residential schools. Sadly, Canada’s troubled history is far from unique and this piece is about a small and often overlooked African country called Burundi — a place only just starting to peer down dark roads with its own Truth and Reconciliation Commission. Désiré Nimubona, a new writer to Longreads, spent 2020 following this Commission as they explored atrocities which started in the 19th century, when Burundi was first colonized by a European power, to 2008. It’s not comfortable reading. Nimubona literally watches mass graves being uncovered, with search teams holding up “belts, shoes, clothes, and other items pulled from the ground in the hope that residents would recognize who they belonged to.” In 1972, somewhere between 100,000 and 300,000 Hutus were killed in Burundi. Nimubona was born six years after this bloodshed, but his life was shaped by it, displayed in the matter-of-fact way he tells us that in 1996, Tutsi soldiers made him and some friends lie in front of an armored truck: his friends were crushed to death. Still, amazingly, Nimubona does not seek pity in this essay, nor retribution. Rather, he finds hope in seeing Hutus and Tutsis uniting to inform the Commission. Where possible truth and reconciliation is, after all, about healing. —CW

3. I Had a Chance to Travel Anywhere. Why Did I Pick Spokane?

Jon Mooallem | The New York Times Magazine | September 21, 2021 | 5,138 words

I’ve never been to (or have any interest in visiting) Spokane, Washington. I’m not into minor-league baseball, either. So I read Seattle writer Jon Mooallem’s essay with no expectations, yet was surprised to come out the other side with a slight ache in my heart. On his first real trip after 17 months inside a pandemic bubble with his wife and two young daughters, Mooallem visits and experiences Spokane — a place he’d been genuinely curious about for years — at a baseball game of the city’s minor-league team, the Spokane Indians. With the Delta variant causing a surge in cases in the city, the idea of sitting in an open-air stadium seemed like “a manageable, belated step into the mid-pandemic lifestyle that people were calling post-pandemic life.” Mooallem’s piece explores the unique history of the team, and its special partnership with the Spokane Tribe of Indians (“we are not their mascot,” says the Spokane Tribal Business Council’s chairwoman). But, even more, it’s an unexpectedly lovely meditation on reentering the world: an anxious parent navigating life with an unvaccinated child; dealing with everyday stressors like wildfire smoke, COVID spikes, and survivor’s guilt; and pushing through pandemic lockdown inertia — which I’m personally trying to overcome. —CLR

4. Crash

Jesse Lee Kercheval | New England Review | June 21, 2021 | 1,925 words

This essay from Jesse Lee Kercheval at New England Review is a piece of writing that does not allow you to look away. Imagine you’re a child, eating deliciously salty, forbidden French fries after a swim at the beach on an idyllic summer day. Suddenly, you’re witnessing a horrific split-second car accident when someone fails to stop at a stop sign. Decades later, as Kercheval recounts this experience, she is unable to recall the most horrifying visual details from the scene, yet she cannot escape the sound. “I remember this. I can close my eyes and feel that metal on metal in my body,” Kercheval writes. The words she chose are simple, but their power teleported me to a car accident I was in in my late teens. The crunch of metal on metal is something I’ll never forget. This piece reminds me that writing has the power to connect us all across time and culture when it comes to what the body remembers from extraordinary experiences. —KS

5. An Interview With Chuck Palahniuk

Kathryn Borel | The Believer | September 27, 2021 | 5,659 words

I may not be a Chuck Palahniuk superfan, but I am 100% a smart-conversation-with-smart-people superfan, so this Believer Q&A had me from moment one. The last few years have been tough on the Choke novelist (and newly minted Substack writer), as they have been on so many of us; in addition to the usual psychic burdens, he went bankrupt after losing millions to an embezzling accountant. But prompted by knowing, empathic questions from Borel, he delves into his own regrets and coping mechanisms — both pre- and post-sobriety — and adds to our ever-accreting sense of a writer who’s as protective as he is prolific. “You know, I will stand on my head and whistle Dixie and do all these crazy things,” he says at once point, “because to me, being a genuine writer means that you’re able to shed all human dignity in a moment. People depend on you to express something that they can’t express. But I don’t want to betray people I love.” The first rule of a great interview is you share that great interview. —PR

Curator Spotlight: Vesna Jaksic Lowe on What It Means To Straddle Multiple Cultures

Passport and travel documents, a watch, an open book, and coins on top of paper maps
Photo by Taryn Elliott

As I gathered stories for my recent reading list on the power of names, Vesna Jaksic Lowe’s newsletter, Immigrant Strong, came to mind. In each issue, Jaksic Lowe recommends excellent writing by and about immigrant writers, and creates a space for stories on identity, belonging, multicultural life, and even the complexities of returning home. 

Since 2009, reading and recommending stories we love has been at the core of Longreads. We also remain inspired by the work of fellow curators, like Jaksic Lowe, who read widely, explore their interests and obsessions, and make it easier for people to find something to read.

After consistently enjoying Jaksic Lowe’s reading recommendations, I asked if she’d be willing to discuss her work and perspective. In this short Q&A, we talk about her newsletter and curation process, a few of her favorite reads, and her recent trip back home to Croatia — a journey that always stirs up emotions. Read more…

The Top 5 Longreads of the Week

(Photo of Kurt Cobain by Michel Linssen/Redferns via Getty Images)

This week, we’re sharing stories from Michael Azerrad, Matthew Shen Goodman, Lisa Wells, Daniel Wells, and Mary Kay McBrayer.

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1. My Time with Kurt Cobain 

Michael Azerrad | The New Yorker| September 22, 2021| (7,102 words)

Music journalist Michael Azerrad’s piece about his friendship with Kurt Cobain is honest and lucid. Azerrad recounts a number of moments with the late Nirvana singer, starting with the first time they met in 1992, when he visits the small Los Angeles apartment Cobain shared with Courtney Love to interview him for Rolling Stone. As a journalist, Azerrad gains Cobain’s trust, and eventually goes on to write a book about the band, Come as You Are: The Story of Nirvana, which was published in September 1993, the same month their third and final album, In Utero, was released. Azerrad remembers encounters over the next few years — an epic show at the Reading Festival, a business dinner with executives (“the grownups,” as Cobain referred to them), tense moments between band members while on tour, flashes of Cobain’s heroin addiction. My favorite bits, though, are Azerrad’s quiet, beautiful descriptions of Cobain away from the spotlight: the intimate hours the two spent in a Seattle hotel room as Cobain read Azerrad’s manuscript, and the time they wandered around an eerily empty downtown Dallas with daughter Frances, who was just 15 months old at the time. —Cheri Lucas Rowlands

2. It’s Triller Night, Marv!

Matthew Shen Goodman | n+1| September 18, 2021 | (4,386 words)

Look, just because I had zero interest in watching a card of fights between retired ex-champions on the twentieth anniversary of 9/11 while Donald Trump and his namesake son commentated doesn’t mean I have zero interest in reading a gimlet-eyed, absolutely bonkers polemic about it. And that’s exactly what Matthew Shen Goodman delivers in his slightly drunken, extremely lurid critical essay, which also marks his first inclusion as a Longreads Pick. The horrors on display are many, whether Snoop Dogg “performing” with the late Marvin Gaye (the essay’s headline details Snoop’s literal answer to Marvin’s titular question during a rendition of “What’s Goin’ On”) or onetime mixed martial-arts great Tito Ortiz’s plodding defeat to other onetime MMA great Anderson Silva (“veterans of one sport playing at another, their takedowns and elbows and kicks and joint breaks pared down to only punches, four-ounce semi-articulated gloves replaced with the bulbous curve of twelve-ounce boxing mitts”). The piece is half exhausted sigh, half feverish deconstruction, and entirely memorable. Punching down may be easier than the alternative, but sometimes it’s just what you need. —Peter Rubin

3. To Be a Field of Poppies

Lisa Wells | Harper’s Magazine | September 20, 2021 | (6,064 words)

This is a story about a company that is pioneering natural organic reduction (NOR), or the composting of dead bodies. Readers get all the dirt—sorry, sorry—on the science and business behind the venture, but writer Lisa Wells offers so much more than that. Her piece is a meditation on intention and guilt; grief and fear; life and loss. Perhaps above all, it is about our species’ fraught relationship with the natural world. I will be thinking about it for a long time. —Seyward Darby

4. The Secrets of The World’s Greatest Freediver

Daniel Riley| GQ | September 21, 2021 | (7,369 words)

Daniel Riley clearly relished reporting on the freediving competition Vertical Blue — a chance to be around 42 divers who feel they are doing something “sublime.” This event at Dean’s Blue Hole in the Bahamas is a mecca for all serious divers, but Riley focuses on Alexey Molchanov, who, as the world’s best freediver, is tremendously skilled at staying present in a dive, with nothing “beyond the body, the breathing, the intense focus of the next meter,” until he reaches a depth where there is no light, no sound, just sensory oblivion. Riley pulls you into the water with Molchanov, to such a degree that I went from feeling the serenity of the stillness to intense claustrophobia, as we go down and down — a rather impressive gamut of emotions to feel while in fact sitting on the sofa with a cup of tea. Riley’s respect for Molchanov is evident throughout the piece — he is, after all, a man who has dedicated his life to a sport that killed his mother, and has the potential to kill him too. —Carolyn Wells

5. Dollhouse of Horrors

Mary Kay McBrayer | Oxford American | August 31, 2021 | (4,784 words)

Come for an introduction to the uncanny work of miniature construction and collecting, stay for a rumination about what it means to cope with chaos and cruelty. “I cannot control any of the horrors that happen at me,” Mary Kay McBrayer writes. “But in my dollhouse, I own everything. I make the horrors happen. I am the one.” This is a piece for fans of Hereditary and Shirley Jackson, and for anyone struggling to make sense of our world gone mad. —SD

Death of Writing, Writing of Death: A Reading List on Artificial Intelligence and Language

The other day, I saw a tweet of an obituary, seemingly written by a bot. The obituary’s odd but delightful phrases like “Brenda was an avid collector of dust,” “Brenda was a bird,” “she owed us so many poems,” and “send Brenda more life” were hilarious to some people — send me more life too, please! — while others couldn’t help but wonder: Is this really a bot?

You didn’t have to fall too far down a rabbit hole to learn that the obituary, in fact, was not written by a bot, but a human — writer and comedian Keaton Patti — as part of his book, I Forced a Bot to Write This Book. Some commenters, perhaps proud of their human-sniffing capabilities or just well-versed in real machine-written prose, were quick to point out that there was no way a bot could write this.

This had 20x the feel of a human trying to write a funny thing than a bot

Pretty sure a person wrote this without any technology more complicated than Microsoft word

not a bot! the punchlines are too consistent

For everyone afraid that AI is taking over, the bot said Brenda was a bird…

Try a language generator at Talk to Transformer, an AI demo site.

Even though the obituary was human-generated, it still reminded me of two editors’ picks we recently featured on Longreads — Jason Fagone’s feature “The Jessica Simulation” and Vauhini Vara’s essay “Ghosts” — in which AI-powered prose is a significant (and spooky) part of these stories. Both pieces prominently feature GPT-3, a powerful language generator from research laboratory OpenAI that uses machine learning to create human-like text. In simple terms, you can feed GPT-3 a prompt, and in return, it predicts and attempts to complete what comes next. Its predecessor, GPT-2, was “eerily good” at best, specializing in mediocre poetry; GPT-3, which is 100 times larger and built with 175 billion machine learning parameters, comes closer to crossing the Uncanny Valley than anything, and raises unsettling questions about the role AI will play — or is already playing — in our lives. Read more…

The Top 5 Longreads of the Week

(Photo by Noam Galai/Getty Images)

This week, we’re trying something new. In addition to our usual list of five great stories to read, we wanted to share a little insight into why we chose each one.

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1. Courtney’s Story*

Diana Moskovitz | Defector | September 13, 2021 | 13,800 words

Diana Moskovitz’s investigation of Ohio State’s handling of domestic violence allegations against one of its football coaches centers the survivor, a young wife and mother named Courtney Smith. It shows how some of the most powerful people in Ohio, and in college football, worked to protect themselves and their reputations, all at Smith’s expense. In the dictionary, “Courtney’s Story” should be found under the listing for “damning.” —Seyward Darby

*Subscription required.

2. A New Nurse Struggles to Save Patients in a New COVID Surge

Kathryn Ivey | Scientific American | September 16, 2021 | 1,757

Kathryn Ivey became a registered nurse on July 27th, 2020, and went straight into a COVID ward in Nashville, Tennessee. “I learned how to be a nurse with death constantly at my heels,” she says. Recounting the terror and dread of the ward, she remembers “every single 2 A.M. phone call to family members so they could hear the voice of the person they loved at least one more time.” Ivey’s first-person account is nearly surreal, it’s that terrifying. What’s worse is that so much of this suffering and death could have been prevented. Here in Canada, Alberta’s ICU is near capacity after a premature summer re-opening plan eliminated protections and restrictions. The provincial government only just admitted they were wrong. Now, Canadian nurses like Ivey will have to deal with the casualties of a government more concerned about freedom and economics than human lives. Ivey’s piece should be required reading for anyone who’s eligible, yet remains unvaccinated by choice. “We are haunted by failures now, starting with the failures of policy that allowed human lives to be sacrificed on the altar of the economy and ending with us telling a family that we can do no more. COVID has made martyrs of us all,” says Ivey. —Krista Stevens

3. Rain Boots, Turning Tides, and the Search for a Missing Boy

Katherine Laidlaw | Wired | September 9, 2021 | 6,900 words

I picked this essay because Laidlaw’s powerful, descriptive language pulls you in right from the start. This tragic story of a missing 3-year-old is also told with respect and sympathy toward the family — against the grain of an online community that has them marked as the prime suspects. —Carolyn Wells

4. Hawai’i Is Not Our Playground

Chris Colin | AFAR | September 2, 2021 | 2,943 words

Tourism has “tamed and reinvented [Hawaii] for the mainlander imagination,” writes Chris Colin in his latest story for AFAR. From countless sacred sites to Native Hawaiian traditions, the land and history of its Indigenous population have vanished and been forgotten over time. Colin’s view of Hawaii as a vacation destination unraveled as he toured Oahu in late 2019 with local activist Kyle Kajihiro. Kajihiro told him that even responsible, politically conscious visitors automatically slip into “vacation mode” as soon as they step foot outside of the airport, expecting no less than the idyllic “lei-draped, aloha-dispensing, honeymooner-welcoming” version of Hawaii. As visitors, what more should we be doing — and what does reciprocity in the context of travel look like? What does decolonizing tourism — and decentering the outsider — mean? And ultimately, how can we all support Native Hawaiians in their fight to reclaim their land? Colin’s piece is thought-provoking, pushing me rethink when and how to visit. —Cheri Lucas Rowlands

5. Revolt of the Delivery Workers

Josh Dzieza | New York Magazine | September 13, 2021 | 7,479 words

Convenience has always come at a cost; this we know. Yet for the class of delivery cyclists that has emerged in New York City over the past decade, ferrying Doordash and Seamless orders across bridges and boroughs, those costs grow ever steeper. If it’s not draconian apps like Relay pushing riders to the brink of danger, it’s bike thieves robbing riders of their transportation and livelihood — often inflicting injury in the process — and a police department that hasn’t exactly leapt to help. As Josh Dzieza chronicles in a vividly reported feature called Curbed, a patchwork of collective action has arisen from this fraught landscape. Riders band together to navigate attack-plagued routes en masse; they protest outside NYPD precincts and lobby for legislative protections from predatory employers; most jaw-droppingly, they track stolen bikes to their new homes and manage to get them back. “For Cesar [Solano] and many other delivery workers,” Dzieza writes of one organizer, “the thefts broke something loose.” His story doesn’t help put those pieces back together, but reading about these workers and the steps they’re taking ensures that you’ll think about what it really means to have a salad ferried crosstown. (And if you still can’t do without that Sweetgreen, then tip well — in cash, if possible.) —Peter Rubin