Search Results for: City Journal

David Foster Wallace and the Nature of Fact

Josh Roiland | Literary Journalism Studies | Fall 2013 | 23 minutes (5,690 words)

Josh Roiland is an Assistant Professor in the Department of Communication & Journalism and a CLAS-Honors Preceptor in the Honors College at the University of Maine. Roiland is a cultural historian of the American news media, who researches and teaches classes on the cultural, political, and literary significance of American journalism. This piece originally appeared in the Fall 2013 issue of Literary Journalism Studies. Our thanks to Roiland for allowing us to reprint it here, and for adding this introduction:

David Foster Wallace saw clear lines between journalists and novelists who write nonfiction, and he wrestled throughout his career with whether a different set of rules applied to the latter category. In the years after his death, he has faced charges of embellishment and exaggeration by his close friend Jonathan Franzen and repeated by his biographer D.T. Max. Their criticisms, however, do not adequately address the intricate philosophy Wallace formulated about genre classification and the fact/fiction divide. This article explores those nuances and argues that Wallace’s thinking about genre was complex, multifaceted, and that it evolved during his writing life.

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Before he sat down with the best tennis player on the planet for a noonday interview in the middle of the 2006 Wimbledon fortnight, David Foster Wallace prepared a script. Atop a notebook page he wrote, “R.Federer Interview Qs.” and below he jotted in very fine print 13 questions. After three innocuous ice breakers, Wallace turned his attention to perhaps the most prominent theme in all his writing: consciousness. Acknowledging the abnormal interview approach, Wallace prefaced these next nine inquires with a printed subhead: “Non-Journalist Questions.” Each interrogation is a paragraph long, filled with digressions, asides, and qualifications; several contain superscripted addendums.  In short, they read like they’re written by David Foster Wallace. He asks Roger Federer if he’s aware of his own greatness, aware of the unceasing media microscope he operates under, aware of his uncommon elevation of athletics to the level of aesthetics, aware of how great his great shots really are. Wallace even wrote, “How aware are you of the ballboys?” before crossing the question out.

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How to Write About Tax Havens and the Super-Rich: An Interview with Nicholas Shaxson

I met Nicholas Shaxson last summer at a gay barbecue in Berlin. Shaxson isn’t gay, but he’s the kind of dude who will rock up at a gay barbecue, wife and child in tow, and unself-consciously eat sausage and ribs with the inverts. We discovered, lounging on a blanket, that we both work for small NGOs, live in Berlin, and dabble in journalism. And we both work on issues (me: corporate human rights violations; him: tax havens) that the rest of the world manages to ignore for most of their day.

Last year Shaxson published a Vanity Fair article, “A Tale of Two Londons,” that described the residents of one of London’s most exclusive addresses—One Hyde Park—and the accounting acrobatics they had performed to get there.

Here’s how it works: If you’re a Russian oil billionaire or a Nigerian bureaucro-baron and you want to hide some of your money from national taxes and local scrutiny, London real estate is a great place to stash it. All you need to do is establish a holding company, park it offshore and get a-buying. Here’s Shaxson:

These buyers use offshore companies for three big and related reasons: tax, secrecy, and “asset protection.” A property owned outright becomes subject to various British taxes, particularly capital-gains and taxes on transfers of ownership. But properties held through offshore companies can often avoid these taxes. According to London lawyers, the big reason for using these structures has been to avoid inheritance taxes. […]

But secrecy, for many, is at least as important: once a foreign investor has avoided British taxes, then offshore secrecy gives him the opportunity to avoid scrutiny from his own country’s tax—or criminal—authorities too. Others use offshore structures for “asset protection”—frequently, to avoid angry creditors. That seems to be the case with a company called Postlake Ltd.—registered on the Isle of Man—which owns a $5.6 million apartment on the fourth floor [of One Hyde Park].

Shaxson argues that this phenomenon has taken over the U.K. real estate market—extortionate penthouses for the ultrarich sitting empty while the rest of us outbid each other for the froth below.

Shaxson’s piece was one of the best long-form pieces I read last year (I did in fact believe this before I met him, but you can take that with a grain of salt if you’d like), and last week I asked Shaxson to sit down with me for a proper conversation about how the story came about and whether it achieved what he wanted.

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The Bohemians: The San Francisco Writers Who Reinvented American Literature

Ben Tarnoff | The Bohemians, Penguin Press | March 2014 | 46 minutes (11,380 words)

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For our Longreads Member Pick, we’re thrilled to share the opening chapter of The Bohemians: Mark Twain and the San Francisco Writers Who Reinvented American Literature, the book by Ben Tarnoff, published by The Penguin Press. Read more…

A Brief History of Class and Waste in India

Rose George | The Big Necessity, Metropolitan Books | 2008 | 28 minutes (6,900 words)

Below is a full chapter from The Big Necessity, Rose George’s acclaimed 2008 book exploring the world of human waste. The book will be reissued later this year with a new afterword. George’s 2013 book 90 Percent of Everything was featured previously on Longreads, and we’re thrilled to spotlight her work again.  Read more…

On the Far Side of the Fire: Life, Death and Witchcraft in the Niger Delta

Child Rights and Rehabilitation Center, Eket, Nigeria

Jessica Wilbanks | Ninth Letter | Fall/Winter 2013 | 27 minutes (6,860 words)

 

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One of our previous Longreads Member Picks, an essay by Jessica Wilbanks, is now free for everyone. “On The Far Side of the Fire” first appeared in Ninth Letter and was awarded the  journal’s annual creative nonfiction award. This is the first time it has been published online.

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What's in a Home? A Reading List

Emily Perper is a word-writing human working at a small publishing company. She blogs about her favorite longreads at Diet Coker.

New York, London, Detroit, Indianapolis: What does it look like to make a home? To build a home? To live in an office building, with a Craiglist roommate, with your best friend, in a condemned house, without any electricity, in a bankrupt city, in one of most expensive cities in the world, with mice, with your dog, with your parents? Is home a place or a state of mind or a manifesto?

1. “Getting Uncomfortable With Being Uncomfortable.” (Chloe Caldwell, Thought Catalog, November 2013)

One of my favorite essays from Caldwell’s essay collection, Legs Get Led Astray, about what made the worst (and cheapest!) apartment in Brooklyn a home.

2. “In London, ‘Guardians’ Live in Empty Office Buildings.” (Art Patnaude, Wall Street Journal, January 2014)

To deter squatters, companies hire ‘guardians,’ from young professionals to 50somethings, to babysit buildings slated for construction or destruction. In the zany world of London real estate, the rent is a dream and the waiting list is 2,000 strong.

3. “Why I Bought A House In Detroit for $500.” (Drew Philip, Buzzfeed)

Part personal narrative, part history lesson and part something like hope-in-action, I learned more about Detroit reading this essay than any other: “We want things to flourish, but we want them to have roots.”

4. “Places I’ve Lived: Sleepwalking, Mice Herding, and Craigslist.” (Katherine Coplen, The Billfold, January 2014)

I’ve praised PIL before and The Billfold in general, and this installment is no exception. The writer sings Paul Simon in the shower. Who can resist?

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Photo: Moyan Brenn

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My Tears See More Than My Eyes: My Son’s Depression and the Power of Art

Alan Shapiro | Virginia Quarterly Review| Fall 2006 | 20 minutes (4,928 words)

Alan Shapiro published two books in January 2012: Broadway Baby, a novel, from Algonquin Books, and Night of the Republic, poetry, from Houghton Mifflin/Harcourt. This essay first appeared in the Virginia Quarterly Review (subscribe here). Our thanks to Shapiro for allowing us to reprint it here, and for sharing an update on Nat’s life (see the postscript below).

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The Watchdog That Didn’t Bark

Longreads Pick

An excerpt from Starkman’s new book, on the difference between access journalism and accountability journalism, and why the business press failed to do enough to shed light on the problems leading up to the financial crisis:

Was the brewing crisis really such a secret? Was it all so complex as to be beyond the capacity of conventional journalism and, through it, the public, to understand? Was it all so hidden? In fact, the answer to all those questions is “no.” The problem—distorted incentives corrupting the financial industry—was plain, but not to Wall Street executives, traders, rating agencies, analysts, quants, or other financial insiders. It was plain to the outsiders: state regulators, plaintiffs’ lawyers, community groups, defrauded mortgage borrowers, and, mostly, to former employees of financial institutions, the whistleblowers, who were, in fact, blowing the whistle. A few reporters actually talked to them, understood the metastasizing problem, and wrote about it. Unfortunately, they didn’t work for the mainstream business press.

Published: Jan 7, 2014
Length: 14 minutes (3,727 words)

What It's Like to Outrun Death: The Survival Story of a New Orleans Blues Legend

Barry Yeoman | The New New South, Creatavist | December 2013 | 52 minutes (13,100 words)

For our latest Longreads Member Pick, we’re thrilled to feature “The Gutbucket King,” a new ebook by journalist Barry Yeoman and The New New South, about the tumultuous life of blues singer Little Freddie King, who survived stabbings, alcoholism and personal tragedy. You can read a free excerpt below.

Become a Longreads Member to receive the full story and ebook, or you can purchase the story at Creatavist or Amazon.

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One

He stood at the kitchen window waiting. He had memorized everything around him: the pine walls, bare of wallpaper or even paint; the wardrobe where his widowed mother kept her churn for making buttermilk; the stove fueled by the firewood he cut each morning; the two coolers, one for dairy and the other for cakes and pies. He had branded them into his memory, these artifacts of a life that, after today, would no longer be his. Read more…

Writers and the Fear of Failure

“Failure was something that these novelists all kept talking about, which is a weird thing with the Nobel Prizes and endowed teaching positions and everything. It’s easy to look at them and think, you’re establishment; but most of them, I think, if they are any good, still see themselves as outsiders. They still feel like they’re one bad sentence away from failure; and they feel like they’re living on the edge, and I think that comes from the fact that they’re projecting the very limits of their imagination and mind out into the world. The things if I said to you now, they would probably be uncomfortable and socially awkward, but they’re doing it by themselves, in the dark. Yes, they have editors and publishers waiting for these books but they never know if they’ve completely gone off the reservation. And so, when you sit down with as a journalist with someone like that, and their book’s not yet out—you’re a month ahead of schedule, sometimes two—and you’re one of the early readers you develop intimacy quickly because you’re one of the first people outside of the inner circle when you’re a novelist of some success you wonder how much they get criticized by their friends anymore, and that’s a very exciting couple hours.”

How to Read a Novelist author John Freeman, in conversation with Robin Sloan, at City Lights, talking about the art of the author interview.

Read the interview

(h/t contexual_life)

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Photo: Deborah Treisman